Tyler the Creator inspired beat cause why not

Tyler the Creator inspired beat

TOC TOC, NO STOP

A. Lange & Söhne

This mix pulls the story into the my shadows. Here, Always There For Me becomes a song about trust in darker places. The sound is heavier, hypnotic, nocturnal — but the message doesn’t waver. Even in the dimmest corners of life, the presence of someone who won’t let go is what keeps us moving.

Its purpose is to embody the tension between darkness and loyalty. The vibe is underground, warehouse, mysterious — yet at the core is the promise of constancy. It’s the reminder that even in the heavy moments, you don’t walk alone.

Always There for Me - Dark House VIP

The opener sets the foundation of the album with a Bass House declaration about finding stability in chaos. The relentless beat represents the static of modern life — the city noise, the pressure, the endless movement — but threaded through it is a voice reminding us: you’re always there for me. This track is about the people who anchor us when the world feels like it’s falling apart.

Its purpose is more than just driving a dancefloor — it’s about giving listeners a reminder that loyalty and love can be louder than the chaos. Every heavy drop isn’t just a beatdown, it’s a release, proof that even in the darkest clubs and loudest nights, connection shines through.

Always There For Me - Bass House (Original)

The shadow twin of the previous track, this Industrial House version tells the same story through grit and machinery. Where the Future Bass version is about finding peace, this version is about fighting for survival inside the grind. The voice doesn’t soar; it claws through distortion and noise, demanding to be heard.

Its purpose is to show the same destination, but through a harder path. It’s not about being gently lifted — it’s about surviving fire, metal, and concrete, and still arriving “somewhere.” This track is the sound of resilience forged in steel.

Nowhere - Somewhere - Industrial House VIP

This is the transformation of love into rage, loyalty, and raw survival. The Hardbass version stomps forward with Slavic chants and growls, but beneath the fury is the same idea: someone is always there for you. This time, it isn’t gentle — it’s militant. It’s about community forged in noise, pride, and fire.

Its purpose is to release rage into solidarity. In a crowd chanting as one, support becomes defiance. This remix says: we don’t break, we stomp harder. It’s a reminder that in the most chaotic nights, unity is its own kind of strength.

Always There for Me - Hardbass VIP

A ritual in sound — a chant-driven Darkpsy journey about bonds and survival. The lyrics are about fire, chains, obedience, and unity, delivered in gothic whispers and chants. It’s dark, brutal, and hypnotic, less about escape and more about surrendering to the power of the bond.

Its purpose is to create a shared ritual experience. The song is about how people tie themselves to each other in struggle, how every scar becomes part of identity. It’s haunting, heavy, and communal — the “castle” is the collective, and the bonds are what keep it alive.

Castle of Bonds - Darkpsy (Original)

This track is rage turned into community. It’s about pride, fire, and stomping through life with noise as armor. The chants and growls represent not just aggression, but a bond between those who survive together in chaos. This is Slavic stomp culture turned into survival anthem.

Its purpose is collective strength. It says: even if the world burns, we stomp harder, louder, prouder. This is hardbass not just as a sound, but as a declaration of identity and resilience.

Hardbass Pounding Through My Chest

Night City Fever is a cyberpunk phonk descent into the underbelly of the city where flesh and chrome collide ⚙️💀. This track paints the brutality of survival in a world where every stim pack scorches your veins, Trauma Team won’t come to save you, and every deal could end in blood.

The verses spit raw paranoia and swagger — corpo dogs breaking circuits, edgerunners stacking bodies, credits piling while corruption runs deep 💵🔪. Choruses slam like contracts signed in neon:
“Bet your life away, hard-crash your cortex chip. Spin the code and flip it, make the system lose its grip.”

It’s an anthem for the sleepless — data couriers, chrome junkies, edgerunners, and drifters speeding through neon-lit streets at 115 BPM 🚨🌃. Heavy distorted 808s and metallic percussion crush through every bar, while low, chant-driven vocals echo like a corrupted system error.

By the outro, the city itself becomes the villain — circuits twitch, flesh and chrome don’t mix, and silence swallows the streets. This isn’t just phonk; it’s a fever dream of survival in a city with no mercy.

NIGHT CITY FEVER

itre : Pas Sûr.wav ⧉

Gros son basseux à 138 BPM, entre électronique sombre et glitch expérimental.  
Entre la rue et le numérique, 

⚡ Expérimental – Sub lourd – Vibe glitch ia 
⚡ Inspiré par la sueur du bendo(village)_, les bugs de l’IA et l’énergie brute de la basse  

#bassmusic #experimental #glitch #darkelectronic #wave #trap #heavysub #138bpm #underground #i∂z

Pas Sûr.wav [1/∂138]

REKKIT WIP

Tom Dusome on the distorted bass. You can find his music at: https://soundcloud.com/tomdusomesingersongwriter

Dusome Guerra - Opus

Raskolnikov's Dream of the Horse

Frontline Echo by Haus 16 is a cinematic melodic techno track that fuses the raw intensity of industrial sound with the emotional depth of orchestral music.

FRONTLINE ECHO

The third phase of the Bassvoid ritual begins.
Dominion Protocol unleashes mechanical precision, distorted 808s, and raw industrial aggression — the sound of control taking form.
Deep metallic basslines and cold, commanding vocals fuse trap, metal, and horrorcore energy into one cinematic onslaught.
Following Ritual Sequence and After the Ritual, this track completes the ascension — the machine is awake, the void obeys.

👉 Promo: 

Lyrics: https://distrokid.com/hyperfollow/bassvoid/dominion-protocol

System wake.
No retreat.
No mercy.

The code obeys the sound.
Precision. Calculation.

Command initiated.
Dominate.
Integrate.
Eliminate.

Every beat a weapon,
Every pulse a law.
Through noise, I rise,
Through bass, I draw.

The system bends —
Not me.

Order through force.
Control through sound.
I am the void —
Unbound.

Protocol complete.
Ritual ascended.

Protocol complete.
Ritual ascended.
Ritual ascended.

Protocol complete.
Ritual ascended.
Ritual ascended.

Let the system feel pressure.
Let the bass rewrite truth.
Power breathes below.

No fear, no fall.
Only rise, through it all.

Order through force.
Control through sound.
I am the void —
Unbound.

Protocol complete.
The void obeys.

Dominion Protocol

Engines roar under crimson skies,
Lucifer’s bar’s got the open sign.

Janis sings with a whiskey flame,
Hendrix bends a solo, lightning frame.
Bowie paints the stars in red,
Cobain laughs, “man, the dream ain’t dead.”
Winehouse pours a midnight gin,
Prince spins vinyl, lets the funk begin.
Freddie crowns the crowd again,
The saints outside just count the sin.

Heaven? Hell no — it’s boring.
All the good people are in hell.
Heaven? Hell no — no snoring.
Kick that door and ring that bell.

Elvis shakes the firelight stage,
Morrison growls through the iron cage.
Lemmy deals cards by the neon flame,
Cash keeps score, sings “burn that name.”
Tina struts with a devil’s grin,
Lou Reed hums “walk on in.”
All the legends broke their spell—
Now they headline down in hell.

Heaven? Hell no — it’s boring.
All the good people are in hell.
Heaven? Hell no — no snoring.
Kick that door and ring that bell.

Bon’s on the mic, sayin’ “raise that glass!”
No halos here, just fuel and gas.
Angels peek but they can’t compete,
Too much groove, too much heat.
If the devil’s got the better sound,
I’ll take the road that’s underground.

Heaven? Hell no — it’s boring.
All the good people are in hell.
Sing it loud — no more snoring!
All the good people are in hell.
Heaven? Hell no — keep roaring.
Turn it up and break that spell —
Heaven? Hell no — it’s boring,
All the good people are in hell!

Highway flames and a rock-n-roll yell,
See ya tonight at the after-hell.

Heaven ? Hell no, it’s boring

rat teat

BLXXDRAISEDME(Prod. JustDan)

✨ Music for seekers, for drifters, for those who feel. ✨

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available — human or machine — as an instrument.
Technology doesn’t replace creativity. It expands it.

i∂z, créateur audacieux et innovant, se tient à l'avant-garde de la fusion entre la technologie et la musique. À travers un style unique qui oscille entre rap instrumental, électro, et des touches de pop/rock, il propose une expérience sonore immersive et introspective. Chaque morceau est un espace de recherche et d'expérimentation, où les frontières se brouillent pour laisser place à une créativité libre et inspirée. IAZik se distingue par ses instrumentaux qui captivent et explorent l'inconnu, en quête perpétuelle d'aspiration musicale.
Signal@IAZik.01 // Instrumentals //

I’m John AI Smith — producer, songwriter, and sonic architect. My music explores what it means to feel in a digital age, where every track is a meeting point between intuition and algorithm.

🎧 The Algorithm of Emotion — that’s my compass, and the heart of everything I make.

This page is my playground — where ideas are born, where tracks evolve, and where I can share music with you first. Thanks for listening, commenting, and being part of this journey.

Join the journey — stream, collect, and support my music on Bandcamp ☕

Business email 

oldmansteptoe666@outlook.com

🔥⚡ Concrete bass 🧱🔊 Endless night 🌃🌑

I’m not here to fit into genres — I’m here to break them. From 🪩 bass house sweat pits to 🌀 psytrance spirals, from 💀 Russian Hardbass war cries to 🌃 cyberpunk drift phonk nights, my sound is chaos in motion.

808s distorted till they bleed 🔊, donk bass stomping through concrete 🥾, neon synths burning like chrome fire ⚙️🔥, and vocals cut short, filthy, and raw 💋. Every track is built like a weapon — something you feel in your chest before your ears.

This isn’t just music for playlists. It’s music for everywhere the bass can shake the walls: 🏚️ abandoned warehouses, 🚧 back-alley raves, 🌌 night drives under neon skies, 🎧 headphones at 4AM when the world feels too heavy. It’s for freaks, queens 👑, rebels, dreamers, loners, lovers, and anyone who refuses to sit quiet. It’s not about fitting in — it’s about feeling alive. Every drop is rebellion, every synth a spark, every kick a heartbeat.

Vodka shots and bass drops 🍸💣, sweat and freedom, chaos and connection — if you feel it, you’re already part of it. And if you’re here, you already know: the walls won’t hold, the night won’t end, and the system won’t win.

I ain’t shit. I’m not special. Not any different then you.

New tracks tagged #Distorted Bass