SPIRIT OF ARMAGGEDON DARK EDIT

SPIRIT OF ARMAGGEDON

"LOVE DAT (NICE TECHNO)" is a high-octane techno weapon built for dark rooms, strobe lights, and sweaty dancefloors. Featuring pounding kicks, distorted textures, razor-sharp claps, and relentless energy — this track doesn’t ask for attention, it demands it.

A nod to raw, industrial club culture with a cheeky twist, it’s the kind of track that makes your face scrunch, your feet move, and your brain say: "damn, I love dat."

Ready for the warehouse. Built for the underground. This is NICE TECHNO.

#TechnoBanger #IndustrialTechno #DancefloorWeapon #LOVE_DAT #NiceTechno #HardTechno #DistortedKicks #RaveReady #WarehouseSound #UndergroundVibes #ElectronicMusic #DanceVibes

LOVE DAT (NICE TECHNO)

Supported by: Rebekah, Vendex, Daniela Hensel, DAXJ, Isabela Clerc, ARGY (UK), Sara Krin and more....

An unstoppable storm of distorted pressure and dark energy: With “Flames Of Hell,” Mestizia CRK unleashes a relentless hard techno banger that fuses raw industrial flair with hypnotic functionality. Brutal kicks, metallic textures, and dark, brooding breaks drive the track forward without mercy. Perfect for shadowy warehouse sets or uncompromising afterhours – this track burns itself into your system.

👤Artist: Mestizia CRK
🎵Title: Flames Of Hell
🏷Label: Sonaxx Records
▶️Stream & Buy: https://sonaxx.ampsuite.com/releases/links?id=376
🌐Worldwide Available: 29. August 2025
🎨Artwork & Videos designed by Sonaxx Records

Stream & Buy

Mestizia CRK - FLAMES FROM HELL (Extended Mix)

Mestizia CRK - WHISPERS  (Extended Mix)

AGAINST ALL ODDS

ATTENTION SPAN

NAMASTE

Hard techno built for warehouses—raw kicks, strobe energy, no breathers.
Peak‑time weapon: relentless drive, acid sparks, rave tunnel hypnosis.
Raw, fast, unforgiving—made for dark rooms and louder systems.
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Stream / download / buy ➜
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Merch Shop : https://grass-patch-bum-shop.fourthwall.com
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https://open.spotify.com/artist/3q0KcTUD3hmRdi1SUWd6VL
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https://music.apple.com/us/artist/grass-patch-bum/1596136340
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https://soundcloud.com/grasspatchbum
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2025 techno anthem—acid hooks & relentless warehouse drive.
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Serotonin Tundra
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Keep in touch with latest releases:
https://www.youtube.com/@grasspatchbum
https://grasspatchbum.bandcamp.com/
https://grasspatchbum.com/
Trippy Music Video : https://youtu.be/EG7mq2cgUd0
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Support the tunes:
https://paypal.me/grasspatchbum
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The first time you see the Graviton Maw, it looks like a smudge someone tried to erase from the sky and then changed their mind. It is not a hole so much as a hesitation: a place where space forgets its lines. Pilgrims moor their vessels to the threshold and sit with their engines cooling and their courage warming, and they tell each other they’re ready. You don’t say you’re ready. You are tired of telling. You have come for the one thing the Maw is rumored to give anyone who crosses through without flinching: a truth that fits.

You step out with nothing but a pressure suit, a pocket of salt for luck, and a thread tied around your ring finger. The thread is the only thing you insisted on—thin, gold, and frayed. You can’t remember when you tied it or why you refuse to take it off. Memory is a room with half the furniture missing; you’re here because the rumor said the Maw keeps an attic of lost chairs.

A light blinks. The threshold yawns. The universe performs a four-second blink—open, shut, open again—and you move.

The first sensation is texture. Space is no longer smooth; it granulates under your boots like sugar. Psilocybin fireflies wobble in the airless dark—impossible, then instantly ordinary—each insect carrying a single pixel of a constellation on its back. They seam together as you walk, stitching the sky into diagrams only your peripheral vision can read. “Welcome,” they write when you decide not to be afraid. “Welcome,” again when you become afraid anyway and keep walking.

Ahead rises a city no architect would admit to: concentric rings turning in silence inside a glass sea. The rings overlap like ripples on ripples and the overlaps sing a shape. It is an F♯ drawn in geometry, the first letter of a forgotten name. Your finger twitches toward the thread. You do not tug.

You are not alone. Bronze-legged striders, pale as the inside of seashells, stride across the vacuum as if gravity were a polite suggestion. Each step leaves a footprint of fluorescent sand that refuses to drift. They regard you without eyes. Something in their slow confidence calms your breath. You step in one of the prints. It fits your boot as if it was waiting.

Time goes syrupy, then thins. Your pace becomes the planet’s pulse. A librarian appears without arriving—hooded in pages, their robe made of index cards that blink with weather and prayer. Where their face should be is a smooth oval of ketamine porcelain: not blank, but restful. The quiet surrounding them has laws. They hold out a book bound in moon-leather. It is heavy in the way thoughts are heavy—dense with angles. When you open it, there is a diagram of yourself. The diagram raises a hand. You raise yours back. Your palms meet on paper and the page deepens into a corridor lined in mother-of-pearl.

Continues on the website:
https://grasspatchbum.com/2025/08/13/graviton-maw-rapture/

#techno #technomusic #hardtechno  #industrialtechno  #rawtechno  #rave  #peaktimetechno  #acidtechno  #aimusicvideo  #darktechno

Graviton Maw Rapture - Trippy Visualizer @ YouTube

PSYCHOSIS

I can't describe me and my life, but i know one, i love music because this is the only one thing that will not deceive and will not betray

Honestly fuck a bio. im no one. Im your average local artist who is passionate about their craft. Ive accomplished quite a few cool things in my life. im not here to boast my ego. Do i like my shit? yes!! will you like my shit hopefully but if not i dont really care, i do this because i love it, not because i want the attention

Dig the tunes? Check out trippy music videos: https://www.youtube.com/@grasspatchbum

Website or Instagram for booking.

Need change - going harder.

Techno, Trance, Psytech, Psytrance, and other liquid psychedelic music is where I'm the happiest but I do love a lot of Latin, Tribal, Trip Hop, Lofi, Chillhop so occasionally I'll release something off-beat.

------ Past-Tense Shenanigans ------

Born in the dust-filled vibes of a ‘90s apartment, Grass Patch Bum started spinning records back when vinyl was king and internet cafes were revolutionary. Armed with a crate of vinyl, Grass Patch Bum dived headfirst into underground raves and sweaty house parties, learning the art of blending beats on turntables and (eventually) the "futuristic" CDJs. But the journey didn't stop there.

After taking a hiatus to dive into the world of FL Studio and dissect the mechanics of production, Grass Patch Bum came back stronger, with a repertoire of original sounds and the technical chops to match. Fast forward, and they've turned dancefloors upside down from Thailand to Vietnam, Bali to the heart of Europe. Now, powered by Ableton Live and a creative arsenal that refuses to stay in one genre, Grass Patch Bum weaves sonic journeys that blend groove, grit, and just a sprinkle of nostalgia for the good ol' days.

Catch him live for a taste of nostalgia, modern beats, Latin grooves, electronic melodies, and a wide range of liquid sounds. Whether it's a tropical beach in Thailand or an underground club in Berlin, Grass Patch Bum brings thems booty movements like no other.

★TOP #03 HARD TECHNO LABEL WORLDWIDE 2023★

Supported by (A-Z):
9X9, Adam Beyer, Amber Broos, Amelie Lens, Alignment, Ahl Iver, Andreas Kraemer, Angy Kore, Anxhela, Alex Di Stefano, Alex TB, APHØTIC, ASY*S, AZYR, Barbara Lago, Bastet, Caravel, Cassie Raptor, Charlie Sparks, Carl Cox, Charlotte De Witte, Christian Cambas, Clara Cuve, CL.TX, Chris Liebing, Dave The Drummer, Daniela Hensel, Deborah de Luca, Deguzman, DJ Jordan, DJ Rush, DJ Snake, DSTM, Dyen, DIØN, Drumcomplex, Ed E.T, Enrico Sangiuliano, Essan, Fatima Hajji, Farrago, Felix Kröcher, Filterheadz, Freak Unique, Gabriel Padrevita, HIJCKD, H! DUDE, I Hate Models, HOEHENANGST, Indira Paganotto, Jayron, Joanna Coelho, Joyhauser, Klaps, Klaudia Gawlas, Kobosil, Kozlov, KROWTEK, KUZIO, Lee Ann Roberts, Lessss, Lilly Palmer, Luca Agnelli, Maddix, Mario Piú, Mark, Sherry, Mha Iri, Nico Moreno, Nina Kraviz, Niereich, N.O.B.A, NICE KEED, Nusha, NYCO, Oliver Heldens, OMAKS, Pappenheimer, Patrick Scuro, Paul Clark (UK), Parfait, PETDuo, PISAPIA(IT), Raxeller, Rebekah, Regal, Remon Verhoeve, Rudosa, Rudaki, Sara Landry, Sara Krin, Sebastian Groth, Schiere, Schroomp, Scot Project, Shlømo, Showtek, Sneijder, SveTec, T78, Toni Alvarez, Trym, Uberjak'd, Vendex, Vinka Wydro, Wade, Warp Borthers, Zeltak, Zeuz, and many more.

Demos only here: 
https://www.sonaxxrecords.com

Genre: Hard (Core) Techno - Industrial - Schranz - NeoRave

—> Demo Policy

1. Do NOT submit demos via direct Mail or Facebook / Soundcloud / Instagram etc. Please submit your tracks ONLY via contact form on our website: www.sonaxxrecords.com

2. We only accept completed tracks in MP3 (320 kbps)or WAV format.
Link formats: Dropbox / Soundcloud / wetransfer or similar or upload your file directly using the form.

Please ensure your music fits our label's genre/style before submitting your demo(s).

​3. We do not listen to demos that are publicly shared/public domain and are strictly against sharing demos with other labels. Therefore, always make sure that the links from e.g. Soundcloud are set privately and have never been publicly accessible before.

4. So that we can take our time with each demo, please be patient. If you have followed the instructions above, you will always receive feedback from us. Should it happen that you do not receive any feedback after approx. 

10 working days, despite correct submission - then do not hesitate to ask us. (we are all human)

If you have other questions - contact us also via our contact form.

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Sonaxx Records - Biography

Founded in 2019 by Mr. and Mrs. Sonaxx, Sonaxx Records is an established music label focused on Hard Techno, Techno, Hard Dance, Industrial, and Schranz genres. With over 20 years of experience in the music industry, the label combines a shared passion for electronic music with deep industry knowledge, building strong collaborations with artists.

Vision & Values
Sonaxx Records prioritizes music over social media presence and financial means. The label emphasizes mutual appreciation between artists and the team, fostering creative synergy to produce high-quality music. Each release tells a unique story while staying true to the Sonaxx identity, providing a platform for artists to realize their vision.

Quality Over Quantity
The label’s commitment to quality is reflected not only in music releases but also in all aspects of label operations, including graphics, promotion, marketing, and distribution. Sonaxx Records works closely with artists to ensure every project meets the highest standards.

Respect for Art & Intellectual Property
Sonaxx Records upholds the principles of authenticity and artistic integrity, rejecting fake metrics and ensuring that all intellectual property rights are respected. The label is committed to helping artists protect their works and supports fair practices in the industry.

Artist Collaboration & Support
Sonaxx Records values transparent communication, creativity, and respect in artist collaborations, fostering an environment where artists can thrive and develop their unique styles. The label has collaborated with renowned artists like Alberto Ruiz, Filterheadz, Enrico Sangiuliano, Charlotte De Witte, and many more.

New tracks tagged #Distortedkicks