Jason Bucklin - Guitar
Phil Kappaz - Keys, composer/arranger, programmer, producer

Twinkle Toes

If I could play the banjo, I would, as it reminds me of times, so distant now, when, as a tiny child, I watched my grandad , who was part of a minstrel show, playing banjo songs till the cows came home.

my old banjo

A Song created with AI based on original soundtrack 

A Tribute to Mikael Agricola ver2

DIASZ, Dixie (BR) e SpaceMonkey se unem em uma faixa profunda e envolvente, marcada por um vocal de arrepiar e elementos introspectivos que conduzem o ouvinte por uma verdadeira viagem emocional.

Still Dancing - DIASZ, Dixie (BR), Space Monkey

baguncinha Vol. 1

Hot Head Bop

Bayou Boogie

TBR and Dixie comes back to bring us a brand new Speed Garage banger! Check it out.

Follow us for more ❤
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@SelectedTunes
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Call Me Up

Stream/Buy

TBR & Dixie - Call Me Up

A fictional futuristic Southern nation if the Confederacy seceded from the Union again in 2840 AD and annexed parts of Central America, the Caribbean, South America, Mexico, Arizona, New Mexico, and Southern California.

LYRICS:

Verse 1:

Oh, I wish I was in the land reborn,
Bright new stars in banners worn,
Look away, look away, look away, Freedom’s Land!
Where the South and West now stand as one,
’Neath the rising of a brighter sun,
Look away, look away, look away, Freedom’s Land!

Chorus:

Away, away, our hearts are grand!
Away, away, Confederate Land!
Away, away, our hearts are grand!
Rise again, Confederate Land!

Verse 2:

From the shores where the Gulf winds blow,
To the peaks where the Andes glow,
Look away, look away, look away, Freedom’s Land!
From the isle to the desert sand,
We are bound by one true hand,
Look away, look away, look away, Freedom’s Land!

Chorus:

Away, away, our hearts are grand!
Away, away, Confederate Land!
Away, away, our hearts are grand!
Rise again, Confederate Land!

Verse 3:

Not in chains of the years long gone,
But in faith that we march upon,
Look away, look away, look away, Freedom’s Land!
For our sons and daughters' right,
We will stand in freedom’s light,
Look away, look away, look away, Freedom’s Land!

Final Chorus:

Away, away, our hearts are grand!
Away, away, Confederate Land!
Away, away, our hearts are grand!
Rise again, Confederate Land!





Flag variant of the Confederacy used:
Army of Tennessee battle flag (1864)

Disclaimer: This audio track is for educational, academic, informational, and entertainment purposes only.

Rise Again, Confederate Land (Anthem of the 2nd Confederate States of America, 2840 AD)

Bury Me In Dixie- (Logan's Remix)

This record is a Southern satire and modern outlaw sequel to “Goodbye Earl” by The Chicks (formerly Dixie Chicks) — a tongue-in-cheek nod to what happens when small-town justice meets modern dating apps and vape clouds.
Where Earl was a wink at domestic revenge through fried food and friendship, “Sarah Had to Go” moves the story into the 2025 backroads of America — where revenge gets wrapped in Apple charger cords, Swift lyrics, and teacher-aesthetic vengeance. It’s FatMatt’s salute to the kind of women who take their heartbreak and turn it into a headline, equal parts hilarious, dangerous, and divine.
The track honors Natalie Maines, Martie Maguire, and Emily Strayer — the original queens of country rebellion — by keeping that same fearless humor, no-apology storytelling, and righteous female fire that made “Goodbye Earl” an anthem. Instead of bluegrass murder ballad twang, this version rides a trap-country bounce with chrome guitars, dirt-road bass, and gospel-choir echoes.
It’s satire, but it’s also real.
A love letter to bold women, dark humor, and American truth-telling — where the moral isn’t “she killed him,” it’s “she took her power back.”
Produced in the USA.
Kingsbury born, outlaw raised.
Dedicated to every Natalie who spoke up when it wasn’t safe to —
and every Earl who learned too late that karma wears boots.

Sarah Had to Go (Highway 35)

TheRealFatMatt | GhostFish 🩸🔥
Horrorcore architect, Memphis underground spirit, Southern gothic chaos. Barbed triplets, skull-splitting hooks, outlaw country poetics, and cinematic GhostFish grit.

From fire trucks to Dollar General lots, FatMatt builds anthems for the lost, the loud, and the legends still breathing smoke. Inspired by Three 6 Mafia, $uicideboy$, Koopsta Knicca, and Joker chaos — but flipped into NASCAR-thunder nightmares and Obospeak absurdist bounce.

We making bangers. We want bangers with everyone. Collabs open. For the handled and the hopeless, this is music that don’t just play — it haunts.

📍 Kingsbury
🎧 SoundCloud Exclusive | #Horrorcore #GhostFish #FatMatt

When the bass grabs hold of your feet and the groove catches your hands and puts them up in the sky, that's when you're taken over by a Tune. 

The most energetic side of @soaverecords. Submit your tracks at https://www.soaverecords.com/submissions

producer, singer, songwriter
Compulsions 83:
https://open.spotify.com/album/6eAAHwVOCs7DzY5tKb7QuB?si=DWH2OJ8fQ0OM5jRiRjdVqw&dl_branch=1

Phil has been a composer/arranger and performer from a young age. His music crosses many styles including Classical, Electronic, Pop, Jazz, and more.

Facebook:  gabzdiasz
Instagram:  gabzdiasz

New tracks tagged #Dixie