The acclaimed luthier Riccardo Mordeglia hails from Ferrara, the Italian heartland of guitar making that also produced pioneering builders such as Luigi Mozzani and Mario Maccaferri. Riccarddo is a diligent student of the Emilian school of luthiers and has had the opportunity to restore original instruments constructed by Mozzani and Maccacferri. These luthiers laid the groundwork for the modern "Gypsy guitar." Riccarddo has taken it upon himself to take a look back at the original design principals of these groundbreaking luthiers and adapt them to make the best possible Gypsy jazz guitar.

This unique model is based on a unique Papiri and Burgassi guitar played by Django

Siro Burgassi was part of the mass emigration of master Sicilian luthiers (Di Mauro, Oliveri Anastasio, etc) who left Catania in the early 20th century. In the 1930s Burgassi and his countrymen setup a series of shops on the East side of Paris and quickly adapted their skills to making jazz guitars in the Selmer Maccaferri style. Burgassi worked as a banjo neck maker for the legendary luthier Bartolomeo Busato. Burgassi later went on to produce instruments in collaboration with another of Busato's proteges, Gino Papiri. They constructed many banjos, some very ornate, which bear the "SG" logo on the headstock. Papiri, who was the father in-law of Jacques Favino, later worked at the Favino workshop. Burgassi continued to build under his own name, earning a reputation as one of the most creative and innovative lutheirs from the Golden Era of Franco-Italian luthiere.

While based on the design principals of Burgassi, this instrument is no mere copy. The bracing, neck, and top arch are much improved resulting in a much more stable and melodious instrument. It features a bear claw spruce top, cherry back and sides, a mahogany neck with a wenge spline, a wenge fingerrboard, and pearwood binding. Hardware includes a vintage 40s era trapeze tailpiece and a set of three on a plate tuners.

Anyone who has ever compared 12 fret guitars to 14 fret guitars will always note the superior resonance, tone, and projection of the 12 fret model. However, most modern players require high fret access making the sonic trade off a 14 fret model a necessity. This ingenious Burgassi design has no heel, allowing for a 12 fret neck joint and a far deeper cutaway than possible on a convention neck joint. The result is all the benefits of tone, projection, and playability of a short 650mm 12 fret model with the high fret access of a 14 fret model.
The sound of this instrument seems to speak from a bygone era, with a voice more akin to the guitars built during the 1930s Golden Era of Franco-Italian luthiery. The aged spruce works its magic, producing a mature and open tone that fills the room with ease. The heat bent top allows for a quick, snappy attack and lots, and lots of volume. This instrument produces exceptionally crisp, singing leads that are chimey and beautiful. This is a result of this guitar's wonderful high end response which is colorful, rich, and cutting. The bass response is perfectly present, but not overwhelming, resulting in excellent clarity and definition across the entire range of the instrument.

This instrument has very easy playing 2.8mm action with a very slinky, smooth feel which makes it a joy to play!

This guitar is fashion statement that will standout both visually and sonically at any gig or jam. Go ahead and treat yourself to this wonderful, unique instrument that has all the old world charm you could ever ask for! 

For more info or to buy see: https://www.djangobooks.com/Item/mordeglia-wappen-papiri-burgassi

2023 Mordeglia Papiri Burgassi

swing 48

John Kinnard earned a name for himself as one of the preeminent builders of Gypsy jazz guitars in North America while working as the head luthier for Dell'Arte in San Diego. Dell'Arte's Hommage model, designed and built by John, has long been considered one of the best Favino copies available and was widely regarded as Dell'Arte's best model. The Hommage model became the basis for numerous signature models including the Angelo Debarre model, the Jimmy Rosenberg model, and the Robin Nolan model. Dell'Arte closed it's doors in 2008, and since then John has been primarily building flatops. This rare foray back into the Gypsy jazz world is a boon for all those who appreciated his work with Dell'Arte. 

Like the original Hommage model, this guitar has a larger 16 1/2" Favino sized body and a longer 673mm scale. It features a European spruce top, rosewood back and sides, a mahogany neck, and a rosewood fingerboard. It has been fitted with a set of Kluson tuners and a brass Saga tailpiece.

This model is nearly identical to Dell'Arte's Jimmy Rosenberg model, which Jimmy Rosenberg used on numerous recordings including: Rose Room, Djangos Tiger, and Trio.

The tone is pure Favino! Strong nasal upper mids, deep low end, and loads of BARK! Setup is perfect with action at a very slinky 2.8mm. It is strung with 10 gauge Argentine strings.

For more info or to buy see: https://www.djangobooks.com/Item/2024-kinnard-hommage

2025 Kinnard Hommage

This beautiful guitar was built by the renowned French luthier Jean Barault. Biréli Lagrène, Tchavolo Schmitt, Dorado Schmitt, Angelo Debarre, and Stochelo Rosenberg currently play and endorse Barault guitars. With an All-Star list of endorsements, there's no doubt Barault is building the sort of guitar that meets the criteria of the world's most discerning players.

This guitar includes:

    Mahogany back and sides
    A real pliage (the top is heat bent just like the older Selmers!)
    European spruce top
    670mm scale
    14 fret neck
    Walnut neck
    Body specs (15 13/16" body, 3 13/16" deep)
    Lacquered interior (just like the vintage Selmers)
    Barault tailpiece

The sound of this instrument is among the best Selmer copies being made today. It's no wonder Biréli and Stochelo chose to endorse Barault guitars as his instruments produce a very traditional Selmer sound but have the playability of an ultra smooth archtop.

Barault's specialty is building instruments which sound very close to the early, pre-war Selmers like Django's Selmer #503. The tops were somewhat flatter on these guitars and the result is a warmer tone with a rich bass and a lush, satisfying midrange. This instrument possess those qualities in abundance, making it the perfect instrument for someone trying to emulate Django's classic tone. Furthermore, it produces this full bodied sound without sacrificing projection, which is so often the tradeoff with lesser guitars.

Barault is one of the very few luthiers today actually making Selmer copies with a real pliage. He uses the method that Selmer did...the top is bent with a hot iron which creates a fold, or "pliage," in the top just under the bridge. 99% of Selmer copies being made today have forced tops which generally don't have the punch, volume, and quick attack that the pliage tops have.

Barault certainly wins the award for weight...this guitar is feather weight at only 3.6 pounds! Hard to find anyone making guitars that lightweight today. The lower weight allows the guitar to resonate freely....no wonder it sounds so good!

This instrument has some pickwear on the top, including one larger scratch that is visible in the right light. There is some very mild fretwear as well, but is otherwise in excellent condition.

As one of the, if not the top luthier in Gypsy jazz, Jean's guitars have usually been priced in the upper range of Gypsy jazz guitars. With these new Studio Models, Jean has made exceptional sound and craftsmanship of his instruments available to students and pros alike!




For more info or to buy see: https://www.djangobooks.com/Item/jean-barault-studio-7

2022 Jean Barault Studio Model

This beautiful guitar was built by the renowned French luthier Jean Barault. Biréli Lagrène, Tchavolo Schmitt, Dorado Schmitt, Angelo Debarre, and Stochelo Rosenberg currently play and endorse Barault guitars. With an All-Star list of endorsements, there's no doubt Barault is building the sort of guitar that meets the criteria of the world's most discerning players.

This guitar includes:

    Indian rosewood back and sides
    A real pliage (the top is heat bent just like the older Selmers!)
    European spruce top
    670mm scale
    14 fret neck
    Walnut neck
    Body specs (15 13/16" body, 3 13/16" deep)
    Lacquered interior (just like the vintage Selmers)
    Barault tailpiece

The sound of this instrument is among the best Selmer copies being made today. It's no wonder Biréli and Stochelo chose to endorse Barault guitars as his instruments produce a very traditional Selmer sound but have the playability of an ultra smooth archtop.

Barault's specialty is building instruments which sound very close to the early, pre-war Selmers like Django's Selmer #503. The tops were somewhat flatter on these guitars and the result is a warmer tone with a rich bass and a lush, satisfying midrange. This instrument possess those qualities in abundance, making it the perfect instrument for someone trying to emulate Django's classic tone. Furthermore, it produces this full bodied sound without sacrificing projection, which is so often the tradeoff with lesser guitars.

Barault is one of the very few luthiers today actually making Selmer copies with a real pliage. He uses the method that Selmer did...the top is bent with a hot iron which creates a fold, or "pliage," in the top just under the bridge. 99% of Selmer copies being made today have forced tops which generally don't have the punch, volume, and quick attack that the pliage tops have.

This example has a fair amount of pickwear on the top as well some moderate fretwear. Otherwise, it's in excellent condition with easy playing low action and an amazing tone!

Barault certainly wins the award for weight...this guitar is feather weight at only 4 pounds! Hard to find anyone making guitars that lightweight today. The lower weight allows the guitar to resonate freely....no wonder it sounds so good!

For more info or to buy see: https://www.djangobooks.com/Item/jean-barault-2022-2

2022 Jean Barault


A high-energy mashup blending Django Reinhardt’s legendary Minor Swing with the timeless sound of the Quintette du Hot Club de France, reimagined in a modern swing-electro style. Layered with touches of Big Bad Voodoo Daddy, Bliss N Eso, El Jose, Pink Martini, Belleruche, Dunkelbunt, and Esthero, this track fuses gypsy jazz, swing revival, hip hop, and nu-jazz into a unique sonic journey. Expect vintage riffs meeting electronic grooves, neon-lit atmospheres, and dancefloor-ready energy.

#ElectroSwing #SwingHouse #NuJazz #Mashup #DjangoReinhardt #MinorSwing #GypsyJazz #JazzFusion #VintageVibes #RetroFuture #SwingRevival #JazzHop #FutureJazz #NeoSwing #VintageRemix #SwingGroove #JazzBeats #DancefloorJazz #ElectroJazz #ClubSwing #GlobalGroove #VintageElectro #SwingLounge #ElectroGroove #JazzElectro #RetroGroove #EclecticBeats #VintageFuture #JazzMashup #VinylVibes

Diga Swinga

Djangatos is a Gypsy jazz trio honoring the style of Django Reinhart; Djangatos is a combination of Django and Los Gatos, where all three work in  music store; Robert had an earlier band, Martini Max & the Swing Cats, and the trio came together during Covid, when they played for neighbors & friends on the driveway; new CD = Roulette will be released digitally after the album release party a week from Saturday, with the physical CD available now; the Money Question: are you able to make a living in music and, if so, how? Yes! Robert performs, manages the music store, & gives guitar lessons; bassist Sadie Hallinan just graduated San Jose State, and rhythm guitarist Ron La France was retired, but came out of retirement to "take one for the team" as a luthier at the music store; all the songs are originals written by Robert; a video of "In the Kitchen" is in the plans; dare to dress to impress at the record release party!

An interview on "The Bushwhacker's Breakfast Club" with "Dangerous Dan" & "DJ Spark Plug", airing Friday mornings on KZSC Santa Cruz, California. 

Robert Witmeyer - "Djangatos" (Gypsy Jazz Band)_2025-08-15_interviewed on KZSC's Bushwhacker's Breakfast Club

Performed at The Hybrid Gallery in Eugene, OR - 8.3.24

"Rhythm Gitane" - Written by Jo Privat. Arranged by Dan Mahoney.

Rhythm Gitanes

I love Django Reinhardt’s mischievous version and Artie Shaw’s fiery take on this perfect classic. So, I grabbed my clarinet, my guitars, and tried to borrow a few licks from these two swing legends. Hope you enjoy it!
https://www.youtube.com/watch?v=UUvCyxCF67o
https://www.youtube.com/watch?v=fVpqAKipaaU

J'adore la version espiègle de Django Reinhardt et celle flamboyante d'Artie Shaw sur ce classique de circonstance. J'ai donc pris ma clainette, mes guitares et tenté de reprendre certaines phrases ces deux géants du swing

September Song

Je suis l'auteur/compositeur/arrangeur de cette chanson.
La voix a été générée avec Suno AI.
Si un vrai interprète éprouve l'envie d'interpréter ce titre, je suis partant !

Le manouche aux doigts d'or
n'est pas du genre bavard
mais pourtant il adore
faire parler sa guitare.
Avec son médiator,
il raconte des histoires.
Guidées par les accords,
ses notes savent émouvoir.
Quand ses yeux s'illuminent,
c'est alors qu'il partage,
sur ses cordes Argentine,
le plus beau des voyages.
Au carrefour des rêveurs,
on trouve du réconfort
dans le jeu enchanteur
du manouche aux doigts d'or. 

Le manouche aux doigts d'or
vient souvent dans ce bar.
C’est ici qu’il adore 
jouer de la guitare.
Il y retrouve toujours
ses compagnons de jeu.
Avec ce monde autour,
Il sait mettre le feu.
Et là, il s’évapore
dans des cieux si précieux 
que l’on devine alors
en lisant dans ses yeux.
Au carrefour des rêveurs,
on trouve du réconfort
dans le jeu enchanteur
du manouche aux doigts d'or. 



Le manouche aux doigts d'or

Maurice Dupont has long been one of the most respected luthiers in France and one of the first contemporary makers to specialize in producing the Selmer Maccaferri guitar. Maurice first gained recognition as a builder of classical guitars and in 1989 was bestowed with the honor of "Best French Craftsman." Maurice was an apprentice of the legendary Gypsy guitar maker Jacques Favino, and in 1986 he began building his own Selmer style guitars which quickly became the most popular choice of professional Gypsy guitarists. Countless Gypsy stars including Raphael Fays, Biréli Lagrène, Tchavolo Schmitt, and Romane have played Dupont guitars which appear on hundreds of recordings.

Dupont's Gypsy models are built entirely in Cognac, France by master luthiers Patrick (who joined the Dupont team in 1994) and Mathias (since 2002) under the supervision of Maurice Dupont. The collective experience.of the Dupont team along with Maurice's stock of well aged, select tonewoods yields instruments of unsurpassed tone and playability.

This rare and beautiful MD-50B is a deluxe version of the tried and true workhorse of Gypsy jazz, the MD-50. Upgrades include gorgeous, highly figured Brazilian rosewood and European maple binding. The top is European spruce top and the neck is walnut.

This guitar has the refinement of tone and playability you'd expect of Dupont's flagship MD series model. Single notes are thick, almost syrupy, with a roundness and sweetness reminiscent of some of the best Selmer guitars of the 1940s.  If you tend to shy away from brighter guitars in favor of more mids, then this guitar is for you!

This guitar also posses Dupont's signature "dry" sound which is free of annoying echo and overtone ringing. Each note is clear, present, and precise. Chords are rich and complex making chord melody playing a joy.

This instrument is in mint condition, with almost no sings of use over it's long life. There's is just a slight bit of fretwear, but otherwise looks completely new! Action is set at a very comfortable 2.8mm. Strung with Argentine 1510 strings.

Faux leather Dupont hardshell case included (made by TKL)

For more info or to buy see: https://www.djangobooks.com/Item/dupont-md50b-1995

1995 Dupont MD50B

Here is a wonderful short scale D hole guitar by the illustrious Vancouver, B.C. builder Michael Dunn. This very experienced and capable luthier has a career that stretches back to the late 60s. As far as anyone knows, Michael was the first North American luthier to make Selmer inspired guitars. 

While Michael's instruments are clearly based on Mario Maccaferri's original designs, they are much more than mere copies. Always unique, Michael's guitars are a breath of fresh air in the very conservative world of Selmer guitars. His willingness to experiment with materials, design, and aesthetics appeals to those looking for something different.

This beautiful Mystery Pacific model features a short 635mm scale, 14 fret neck, and a 16 1/4" body. The top is sitka spruce, the back and sides are myrtle, and the neck is Honduran mahogany. This model features a Maccaferri inspired resonator, Spertzel tuners, wood strap peg, and a compensated ebony saddle. 

The tone is rich and complex with a very thick midrange and an exceptionally resposive bass register. It is especially nice for solo chord melody playing and rhythm.

The condition is excellent and looks almost new. Only small signs of wear: just a few very small scratches and dings as well as some mild fretwear. At some point the instrument sustained some shipping damage to the side of the lower bass bout. There are signs of two repaired cracks on the side and the endblock was replaced by Michael Dunn.

For more info or to buy see: https://www.djangobooks.com/Item/michael-dunn-mystery-pacific-6

1990 Michael Dunn Mystery Pacific

This is something you don't see very often: a 1930s Busato 12 fret D hole! If guitars could talk this one would certainly have a lot to say. It has undoubtedly lived many "Gypsy lives" and has the mojo to prove it.


This guitar was built at the begining of Busato's illustrious lutherie career in Paris. The name plate on the headstock (never seen one like this before!) indicates that the guitar was constructed in Busato's first shop at 40 rue d'orgemont in Paris. He later moved on to other locations: 4 Cité Griset and 140 Boulevard de Ménilmontant.


Being an older guitar, one can only guess that it may have been made with Busato's own two hands. In his later years he employed up to 40 people, so it's unlikely he made every "Busato" himself. The early date of this guitar suggests this may be one of his own! Additionally, this guitar is the most "labeled" Busato I've ever come across. In addition to the name plate on the head stock, the name "Busato" is stamped on the neck block, the back, and on one of the top braces. Busato clearly wanted people to know who built this guitar!


The guitar has Rosewood back and sides, a Spruce top, and a three piece Mahogany neck with any ebony spline.


It has the original cloverleaf enclosed tuners that turn backwards. Also features some fancy banjo style fingerboard inlays.


The proportions are similar to a Maccaferri: 640mm scale, 15 3/4" body.


This guitar has numerous top and back cracks, some of which have been cleated, some have been glued, and others have yet to be repaired. There is one long crack that runs along the entire back of the guitar. There is also top separation on the waist (treble side).Good news is that after all these years the neck is still perfectly straight!


The guitar sounds very full with fat, rounded lead notes and lush chords. This guitar doesn't have the ferocious volume that the Grand Modeles have, but the tone is interesting with the complexity and maturity you'd expect from a guitar that is over 70 years old! 

For more info or to buy see: https://www.djangobooks.com/Item/busato-12-fret-d-hole

1930s Busato 12 Fret D Hole

Here's a rare opportunity to own a fine, handmade guitar at a price normally reserved for Asian imports. This high quality Selmer copy was handmade in Dell'Arte's California workshop and features laminate rosewood back and sides, a bear claw spruce top, and a walnut neck. Hardware includes a set of Gotoh Three-on-a-Plate tuners and a DR tailpiece. 

As it is named after Django's famous Selmer #503, it is fairly accurate Selmer copy which produces a very traditional tone. It has the crisp highs and juicy, complex mids that are so characteristic of the classic Selmer sound. 

The condition of this instrument is excellent, showing only a few signs of mild use. Other than a few light scratches on the body, it's almost like new and plays easily with low 2.6mm action.
Dell'Arte stopped producing guitars over a decade ago. Here's a rare chance to get one in fantastic condition!

For more info or to buy see: https://www.djangobooks.com/Item/dell-arte-503-2

2008 Dell'Arte 503

Over the past several decades Leo Eimers has been one of the prominent builders of Selmer Maccaferri guitars in the Netherlands. Based in Almere, just outside of Amsterdam, Eimers builds his instruments entirely himself by hand. He is particularly well respected as a student of "Golden Age" luthiers such as Maccaferri, Selmer, Busato, and Favino. He uses his knowledge of these luthiers to build some of the most authentic and well constructed Selmer copies available. His instruments have been used by many professionals over the years, most notably Stochelo and Nous'che Rosenberg of the Rosenberg Trio, Robin Nolan, Boulou Ferre, and Wawau Adler.

This is Leo's Solitude model which pay homage to Selmer's original roundhole models from the 19930s: https://www.djangobooks.com/Item/1938-selmer-roundhole-448

This instrument features a spruce top, Indian rosewood back and sides, and a walnut neck which has a Selmer style grafted headstock. A set of brass Schaller three on a plate tuners and a brass HSC tailpiece are included. A bigtone pickup is wired to an endpin jack.

Weighing in at 4.25 lbs, this guitar is light weight and resonant. The round soundhole yields a more flatop like tone, with more bass and mids than a typical Gypsy guitar. The highs are very round and warm, resulting thick, mellifluous leads.

This instrument is in excellent condition and is set up with easy playing 3mm action. There is a large scratch on the lower bass bout of the top. Otherwise, the guitar is near mint!

Only one, call now!

For more info or to buy see: https://www.djangobooks.com/Item/eimers-roundhole

2021 Eimers Solitude

Parisian luthier Christelle Caillot has attracted much attention over the last decade, including endorsements from such luminaries as Angelo Debarre, Kamlo Barre, and Christophe Astolfi. Her instruments combine a deep knowledge of the traditional Selmer guitar with modern standards of playability and aesthetics. This example features a sleek modern look, excellent playability, and an extremely clear and deep tone.

This instrument features traditional Selmer wood choices: spruce top, Indian rosewood back and sides, and a walnut neck. The ebony fingerboard was done in the modern D'Aquisto style (i.e. no fret makers, just side markers) which is a nice blend of old and new. The all brass hardware includes a set of Miller covered tuners and a DR tailpiece.
This instrument is in dead mint condition and plays easily with 2.8mm action.

Caillot guitars are hard to come by, in fact this is the only one we've ever had. Grab it while it still here!

For more info or to buy see: https://www.djangobooks.com/Item/caillot

2017 Caillot

Waltz for Ellen

Amoureux du swing des années 30 ainsi que de nombreux tubes qui ont marqué l'histoire de la Musique, 3 amis ont décidé de monter le trio Bloody Fingers. 3 voix, 2 guitares, une contrebasse, que faut-il de plus pour faire swinguer du Django Reinhardt, du Mickael Jackson ou du Rage Against The Machine ?!

Tears

Music composed, performed and produced by Dennis Hitchcox. Sonic exploration, instruMENTAL meditations and eclectic experimentation using a blend of acoustic, electronic instruments with analog and digital recordings.

Je suis compositeur et parfois parolier. Merci à tous les interprètes qui mettent si bien en voix mes musiques. Les arrangements sont surtout faits à partir du logiciel Band-in-a-Box. Certaines de mes chansons sont interprétées par des voix artificielles (Suno AI). Elles sont en attente de voix naturelles. Si cela vous intéresse, merci de me contacter...

DJ / selector from Chile based in New Zealand, stitching together global grooves: funk, boogie, 80s R&B, nu-disco, bossa & MPB, Latin, 90s hip-hop, downtempo, nu-jazz and indie gems.

My mixes, edits and mashups are little movies made of songs – deep cuts rubbing shoulders with classics, always chasing warmth, melody and groove. If you like late-night city lights, Sunday morning coffee, and dancefloors that don’t need to shout to feel good, you’re home.

jazz,blues,funk,brasil,latin,africa....improvisation.
second soundcloud:
https://soundcloud.com/steph-499579032

Sparked in 2017, the Whiteaker Hot Club has torched venues up and down the West coast with their musical prowess and improvisational bedlam.
Rooted with inspiration from legendary guitarist Django Reinhardt and his groundbreaking ensemble the Quintette du Hot Club de France, and paired with the sounds of early American swing with a haze of modernity, the Whiteaker Hot Club isn’t your typical sit down jazz band. Bring your dancing shoes and join the club.

Dan Mahoney - Guitar
Alex Misar - Saxophone
Parkpoom Aempoo - Clarinet / Trumpet / Vocals
Austin Bertak - Guitar / Vocals
Alexandre Pabst - Bass

Amoureux du swing des années 30 ainsi que de nombreux tubes qui ont marqué l'histoire de la Musique, 3 amis ont décidé de monter le trio Bloody Fingers. 3 voix, 2 guitares, une contrebasse, que faut-il de plus pour faire swinguer du Mickael Jackson ou un Rage Against The Machine ?!

Passionate Musician & Sound Explorer Clarinetist (classic & jazz), guitarist, and home producer—my musical journey is all about creation, improvisation, and connecting with fellow artists. From jazz manouche to electronic experiments, I embrace all forms of music and love blending genres.
🎤 On Stage & In the Studio
•	2025: Concerts with the band Catimini (https://www.facebook.com/photo?fbid=1416649306133283&set=pcb.1416649352799945)
Concerts with the TDB of Veneux les Sablons (https://www.youtube.com/watch?v=EoF7mwm60t0)
•	2024: Featured on UK’s SoulRootsRadio ( after 1 :14 @ https://www.mixcloud.com/SoulRootsRadio/dj-murzi-the-murzi-show-64/?fbclid=IwY2xjawOqA_5leHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe4rznifwfxQVuqJtHt1DnYnFQxAqt2b7rZ0cj3ux89HfVZkklGSzSFGaGi9s_aem_5NIKjvG7RqcEdEzvAeN9cQ) 
•	2023 : Performing as clarinetist for OPPF (Orchestre Philharmonique du Pays de Fontainebleau) https://www.youtube.com/watch?v=M9AxNVZJVqQ
•	2022: Proudly inducted as an Official Lunatic71 after collaborating on Skyline with Cosmic-Ratzzz  on SoundCloud (https://soundcloud.com/cosmic-ratzzz/lunatics71-skyline-cosmic-ratzzz-ddjohn)
•	Collaborations on SoundCloud since 2013: From jams to finished tracks, like my tribute to Georges Brassens (https://soundcloud.com/search?q=Ddjohn%20%E2%80%93%20Les-copains-dabord-george-brassens-with-le-hot-club-de-soundcloud-quebec-usa-fra) or Mountain Songs (clarinet on Take Cripple Club https://soundcloud.com/mountain-songs/take-cripple-club-collab-with-ddjohn-download) or in reggae mode  (https://open.spotify.com/intl-fr/album/2XfVKVx3ZE1qUBwoUojmfW?flow_ctx=a0564696-da34-4b8f-88e4-d25761e2a0f5%3A1765666094)
🎛️ Producing at Home I craft my music using Cubase, mixing acoustic instruments with electronic textures. 
🌍 A Musical Community SoundCloud is my playground for sharing, discovering, and connecting. Thank you for listening, your kind words, and your support—it means the world to me.
🔗 Influences & Projects:
•	Inspired by the Beatles, Supertramp, Django Reinhardt, Georges Brassens, 80’s music and everything in between.
•	Played guitar on Ain’t No Sunshine by Chris Pendergraft (Bandcamp)
💬 Let’s Collaborate! Hit me up for gigs, projects,or just to talk music!

saving the world from commercial radio, one song at a time.

New tracks tagged #Django reinhardt