A jukebox kiss with a backbone. “That’s That Thang Called Love” leans hard into a vintage groove—snappy backbeat, stacked harmonies, and a hook that sticks without any studio tricks. No frills, no filler; just a throwback R&B/early rock & roll feel that makes you want to two-step, spin, and sing the answer back.

Built the old-school way—melody first, story second, everything else after. If you’ve got a soft spot for doo-wop nights and diner neon, this one’s for you.

—
Genre: R&B/Soul • Rock & Roll (Doo-Wop)
BPM: ~129 • Time: 4/4 • Mood: Upbeat, romantic, retro
From: MusicWorx Label / Anthony Musicworks Label (Long Beach, CA)

If it moves you, hit repost, drop a comment, and tell me where you first heard doo-wop sing to you.

Tags: #RB #Soul #DooWop #RockAndRoll #Oldies #Retro #Vintage #LoveSong #Upbeat #Throwback #Harmony #MusicWorxLabel #AnthonyMusicworksLabel

That's That Thang Called Love

Decked Out

Shifting Tides

[Verse 1]
We talk like strangers under moonlight
Your eyes still pull me in, but they don’t shine right
We’re holding on to something thin
Every word feels like it’s wearing skin

[Pre-Chorus]
I keep pretending I don’t see
The cracks inside the melody
You smile, I fall, we lose control
We’re chasing warmth that’s gone cold

[Chorus]
It don’t feel right, though I still love you
Every touch burns like déjà vu
I keep on lying, say we’re fine
But your heart’s not beating next to mine
It don’t feel right, though I still need you
Trying to fix what we both outgrew
Maybe we’re shadows in the light
Love’s still here — it just don’t feel right

[Verse 2]
You trace your name across my shoulder
But I can feel us growing colder
Same perfume, the same old bed
But something’s missing in the breath we share

[Pre-Chorus]
I wish that I could turn my mind
Back to when your hand fit right in mine
Now every kiss feels bittersweet
Like dancing barefoot in the heat

[Chorus]
It don’t feel right, though I still love you
Every touch burns like déjà vu
I keep on lying, say we’re fine
But your heart’s not beating next to mine
It don’t feel right, though I still need you
Trying to fix what we both outgrew
Maybe we’re shadows in the light
Love’s still here — it just don’t feel right

[Bridge]
Maybe love ain’t meant to last
When the rhythm fades too fast
We’re both scared to say goodbye
So we hold on through the night

[Final Chorus]
It don’t feel right, though I still love you
Every truth cuts like it’s brand new
I wish I didn’t, but I do
Still reaching out to get to you
It don’t feel right, but I still need you
All the pieces we outgrew
Maybe the hardest thing tonight
Is loving you when it don’t feel right

[Outro]
Underneath the fading light
Love’s still here — but it don’t feel right

It Don't Feel Right

[Intro]
This is for all you lovers out there

[Verse 1]
Earth angel, earth angel
Will you be mine
My darling dear
Love you for all time
I'm just a fool
A fool in love with you

[Chorus]
Earth angel, earth angel
You're the one I adore
Love you forever and evermore
I'm just a fool
A fool in love with you

[Verse 2]
I fell for you
And I knew
The vision of your love had been blessed
I hope and I pray that someday
I'll be the vision, the vision of your happiness

[Chorus]
Earth angel, earth angel
Will you be mine
My darling dear
Love you for all time
I'm just a fool
A fool in love with you

[Outro]
I fell for you
And I knew
The vision of your love had been blessed
I hope and I pray that someday
I'll be the vision, the vision of your happiness
Earth angel, earth angel
Please be mine
My darling dear
Love you for all time
I'm just a fool
A fool in love with you

Earth Angel _ The Penguins song cover

OMGG have re-recorded this tune in their new Springfield Studio A to capture a warmer, truer 50s feel. Fresh vocal takes, tighter doo-wop harmonies, soft piano and guitar, and a renewed sax solo—tracked with tape-style saturation and classic plate reverb for that neon-and-chrome glow.

Credits:
• Producer: Avery King
• Recording Engineer: Timo Laaksonen · Assistant: Hannah Ortiz
• Mix Engineer: Sofia Rantanen
• Mastered by Eliza Monroe at Bluebird Mastering (Springfield)
• Label: Latitude Records
• © 2025 OMGG. All rights reserved.

Tags: 50s, doo-wop, retro pop, ballad, female vocals, sax solo, vintage, slow dance, plate reverb, tape warmth, OMGG

OMGG - Silver Light (Springfield Studio Session)

Let's Bring Back the 50s

A sun-soaked, stick-shift summer memory. Cousins, clutch pops, and a bright lemon Ford Pinto roaring down coastal roads. Pure ‘84 nostalgia: laughter over roll-backs, ocean breeze in your hair, and the moment Tracey became a manual master.
Acoustic-driven folk-country joyride – think front-porch storytelling with a revving heart. Hit play and cruise memory lane. 🚗💛

Tracey's Yellow Pinto  84

Superficial Candid: 23rd October '25

Le Doo-wop de Doupa

Le Doo-wop de Doupa (Family edit)

Where’s Dr. Bag?

My Love for You

This Love of Mine

Doo-wop take on the PACK ATTACK! anthem. Finger snaps, mouth clicks, warm bass line, and stacked harmonies turning backpack steps into a singalong. Same kid-action lyrics (zip, clip, stack, snap), new vintage shine. Clean, upbeat, and easy to loop.

PACK ATTACK! Doo Wop

An intense forbidden physical love between a man and someone else's wife.

Forbidden Love

Two sappy hit 1950’s doo-wop songs: Richie Valens “Oh Donna” and The Five Satins “In the Still of the Night.” Both are built on the popular I, 6, 4, 5 chord progression that ruled back then when I was a young boy learning to play piano.

Oh Donna and In the Still of the Night

OMGG – Short Shorts Tonight [Live at Electric Cactus, Dallas]

Track 4 of the OMGG “Dallas Live Series”. 💃✨

“Short Shorts Tonight” is OMGG’s 50s-style doo-wop / rock ’n’ roll tribute to the classic “Short Shorts” by The Royal Teens. The original song was written by Tom Austin, Bill Crandell, Bill Dalton and Bob Gaudio and released in 1958, becoming a top 3 U.S. hit and one of the defining teen novelty / doo-wop singles of its era. Later it found a second life in commercials and pop culture, but it started as a raw rock ’n’ roll idea about girls in ultra-short cutoff jeans. 

OMGG don’t play a line-for-line cover here. “Short Shorts Tonight” is their own live version built on that spirit: Gigi on playful lead vocal, the rest of the girls doing stacked doo-wop backing, and Mark (Gigi’s brother) on upright-style bass and shout-along responses. The crowd at Electric Cactus yells “Short shorts!” in call-and-response while the band leans into honking sax and 50s guitar licks, turning a Dallas Saturday night into a jukebox dance floor.

All rights to the original composition “Short Shorts” and its recordings belong to The Royal Teens writers and the respective copyright holders. “Short Shorts Tonight” is an OMGG tribute and reimagined live arrangement in that 50s style, not a full cover or remake of the original record.

Captured live at Electric Cactus in Dallas as part of the Latitude Records “Dallas Live Series”, this track shows the retro rock ’n’ roll side of OMGG between the modern hip hop and cinematic songs in the set.

Follow OMGG:
SoundCloud: soundcloud.com/omggofficial
TikTok: @omggofficial1
YouTube: @OMGGBand-Finlandomggofficial

OMGG – Short Shorts Tonight [Live at Electric Cactus, Dallas]

🎄 Ever put the Christmas tree up… upside down? 😆
This is the true(ish) story of Auntie’s legendary holiday whoops, told in pure 1959 doo-wop style: tight harmonies, finger snaps, soaring falsettos, and sleigh bells that won’t quit.
Picture the scene: poodle skirts, pompadours, cat-eye glasses, and one very confused pine tree getting flipped right-side up on Christmas Eve. We laughed, we danced, we trimmed that tree till it sparkled brighter than ever.
A feel-good, laugh-out-loud holiday jam perfect for:

Your “Retro Christmas” playlist
The family group chat when the decorations go wrong
Spinning at the ugliest-sweater party

Turn it up, sing along, and tag someone who’d totally install the tree upside down! 🎤✨
#DooWop #Christmas #Holiday #1950s #Retro #UpsideDownTree

The Upside-Down Tree

🇺🇸✨ OMGG — SAN FRANCISCO UPDATE ✨🇺🇸
NEON QUAY Sessions • Midnight Takeover • New Year Era

The journey continues — and it’s electric.

After rolling through NYC, Dallas, Las Vegas, Denver, and Los Angeles, OMGG has landed in San Francisco. Foggy skyline, bridge lights, coastal cold air, and a new chapter of high-end festival dance energy tuned for the year’s turning point.

Our latest drops carry the midnight-takeover vibe: punchy four-on-the-floor kicks, massive chant hooks, and club-ready builds made for that first scream right after the clock flips. This is music built to be jumped to, filmed, and replayed worldwide.

🎶 Current focus:
• Festival Dance / EDM
• Crowd chant anthems
• Midnight drop moments
• TikTok-first hooks
• SoundCloud-exclusive releases

🎤 Voice:
Gigi — female lead, Tarzan Girl energy, front-row confidence.

🏷️ Label:
Latitude Records

This page is where we drop new music first, test ideas live, and share the evolution of OMGG in real time.

Thank you for being part of the ride.
Turn it up. Jump in. Stay wild.
— OMGG 🖤

Rob has loved music of all kinds since his first close-and-play. He started piano at age 6 and never stopped.  

By day he works in IT; by night he experiments with AI to weave personal memories into sound. His debut single “Lessons From My Dad” blends heartfelt piano melodies with AI-assisted textures—evoking family, growth, and the warmth of home.  

Stream “Lessons From My Dad” below.

Chuck Vincero is a globally-acclaimed French artist, famous for inspiring and melodic fart-themed pop hits.

MusicWorx Label is home to groundbreaking talent and fresh sounds across genres. Championing originality and fearless artistry, we proudly feature Arya Phenyx, whose bold voice and electrifying style captivate audiences worldwide.

sonic trip between serenity and distortion.

Hi there, my SounCloud friends! I'm Stanislav Vysochanskiy. I'm part-time, one person-band, singer-songwriter, bedroom composer and music producer. That's just my passionate hobby... In my songs I'm myself sing very rarely, I'm often using other singers vocals for recording.  My life, split between Russia and the USA, has shaped a musical journey bursting with diverse sounds. On my site, you'll hear everything from Russian, American, and British influences to the vibrant spirit of Cuban, Caribbean, Georgian, Middle Eastern, and other global cultures. I'm passionate about exploring all kinds of genres, often mixing them in unconventional ways, and even daring to invent new ones, like my long-held idea for Pirate music. For me, creating music isn't just an escape—it's essential to who I am. Hope you enjoy the tunes!

Kalvin Kim
Experimenting through genres and sound.

No DMs — email only.
📧 knghnkim@gmail.com
Spotify: open.spotify.com/artist/4rd79MhZV3Z8Z9j2bEOjLD

KANTIBUS is an American producer/songwriter who has been creating songs since 1990.

It is a portmanteau of his first initial and last name. 

KANTIBUS started creating what would eventually become known as Drill or Trap Music, demonstrating expertise in both genres. 

As such, he is a pioneer of the "violent real life criminal" styles that exist still in the underground today. 

New tracks tagged #Doo-Wop