A fragment of the performance where servants of the devil dance to this music.

Tarantella

"Embrace the cinematic journey of 'Redemption,' a transcendent instrumental masterpiece that weaves a tapestry of emotions through the resonant tones of the cello. This epic composition features a captivating orchestral ensemble, powerful guitars, enchanting synthesizers, and a harmonious choir, all converging to create a symphony of redemption. Immerse yourself in the sweeping melodies and dynamic arrangements that evoke a sense of triumph and renewal. Let the music unfold and take you on a sonic adventure filled with passion, drama, and the promise of redemption."

Redemption

"Flowers of Alhambra" is a classical instrumental piece that exudes a majestic and dramatic mood. Inspired by the grandeur of the Alhambra palace, this composition takes listeners on a journey through intricate melodies and lush harmonies. The music captures the essence of elegance and beauty, with each note painting a vivid picture of the iconic architecture and blooming gardens of Alhambra. Perfect for those who appreciate the timeless charm of classical music, this piece combines rich orchestration with a serene yet powerful atmosphere, creating an unforgettable listening experience.

Flowers Of Alhambra

"Requiem Of The Chanting Steel" is a sonic meditation on the devastating effects of war, the relentless pursuit of technological development, and the pollution that suffocates our planet. I composed this piece with the intention of drawing attention to how aggressive industrialization and global conflicts can erode not only the environment but also the very essence of humanity.

From the opening chords, the anthemic rhythm, present throughout the composition, evokes a grave and dramatic sense, symbolizing the ineluctable march toward destruction. It is a march of steel, of heavy machinery dominating battlefields and industrialized cities, but also of a humanity losing control. The rhythm becomes a call — a call for all of us to reflect on the path we are heading down. It is a lament for the loss of balance, a testimony to how technology has supplanted nature, and how unchecked development drives us toward a tragic end.

As the melody progresses, the weighty, intense tones of metal and synthesizers intertwine with more organic motifs, such as nature's roots beginning to wrap around the metal structures, symbolizing a return to a primordial state, a need to reconnect with nature. It is a story of resilience, of how nature reclaims its place despite technological advancement, but also of the inevitable decline of industrial civilization.

At the conclusion of the piece, male voices solemnly intone "Hora es" – a song of awakening, a call to action. This chant symbolizes the final moment of awareness. "The time has come" for us to awaken, to cease escalating global conflicts, and to stop destroying the planet in the name of false industrial progress. It is a plea to take action, in the twelfth hour, to save what remains of nature, of ourselves, and of our future.

This piece is meant to serve not only as a requiem for the world we are on the verge of losing but also as a manifesto for the necessary change. It is time to acknowledge the devastating effects of war and pollution and to return to balance before it is too late.

Requiem Of The Chanting Steel

This neoclassical and melancholic track, inspired by the poetry of Marina Tsvetaeva, evokes the delicate fragility of dreams and love. With its orchestral backdrop and cinematic depth, the composition mirrors the ethereal beauty of a snowflake melting in one's hand or a butterfly dissolving into the twilight. The themes of transient beauty and the heartache of unattainable dreams make this song a powerful emotional journey, steeped in classical elegance and dramatic intensity. Perfect for listeners who appreciate both the poetic and orchestral.

Lyrics Translation:
When a snowflake, which flies lightly, 
Like a fallen star gliding, 
You take with your hand — it melts into a tear, 
And you cannot restore its airiness.

When, captivated by the transparency of a jellyfish, 
We touch it with the whim of our hands, 
It, like a prisoner bound in chains, 
Suddenly pales and perishes.

When we wish to see in wandering butterflies 
Not a dream, but earthly reality — 
Where is their attire? From them on our fingers
 Remains only dawn-colored dust!

Leave the flight to snowflakes and butterflies, 
And do not harm the jellyfish on the sands! 
You cannot grasp your dream with your hands, 
You cannot hold your dream in your hands!

You cannot say to what was a fleeting sorrow, 
“Be passion! Burn with madness, blaze!” 
Your love was such a mistake — 
But without love, we perish. Magician!

Марина Цветаева: Ошибка (Mistake)

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

Aidar Khamzin is a versatile and talented composer and musician with extensive experience across various fields of music. His portfolio includes work in film, theater, and pop/folk music genres, with numerous accolades and nominations to his name. In film, Khamzin has composed music for award-winning documentaries like "House by the Lake" and feature films like "Shulgan-tash," both of which have been recognized for their exceptional soundtracks. He has also made significant contributions to theater, collaborating on productions such as "Conversation with the soul. Beyond" and "Chastushki, your mother," which have been commended for their musical scores. As a musician, Khamzin is known for his impressive work in various musical projects such as "ZAMAN" and "Cleverfolk," where he has won numerous prizes and has headlined many festivals. His solo performance at the international vocal competition "Melodies of the Sayan Mountains" also won him the first prize. Khamzin is a highly-regarded artist whose talent and creative vision have brought his music to audiences across the globe.

Working in the tech industry for many years, I have a passion for music production.
I am personally inclined into listening to piano music, classical and contemporary. 
But I love a lot electronic music in all its varieties: EDM, Phonk, Downtempo, Future Bass, etc. 
I also like rock and jazz music genres.

New tracks tagged #DramaticComposition