Kyn - La Run Erangelo

Alchemy

CONSUME

RESUME

Taese - ADN
Fin a la era BAD NEWS
Mas que una canción, la conclusion de 
"nofuckinwayout"
"badnews"
encontre mi lugar, aceptando lo que soy y lo que somos

Textures over tempo. Emotion over genre 🕺
This is music for the dreamers and drifters. We create soundtracks for the in-between. 

Drift | Echo | Fade
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Subscribe: www.youtube.com/⁨@voidtonemusic⁩  
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New sounds released regularly. Stay lost, stay close.
Don’t forget to hit the bell 🔔 to stay updated with new releases

Thank you for listening to our First Track:
🎧 WALKING TO NOWHERE - Share in the comments your thoughts.

Focus Genres:
Electronic, Chill Groove, Deep house. Synthwave, 

Artwork by Voidtone | Music by Voidtone
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⌧ Inquires: voidtonemuzic@gmail.com


Walking to Nowhere

For purchase or donation, please visit https://yesnowave.bandcamp.com/album/epitaph . Your support would help to further the development of Sandikala Ensemble and contemporary gamelan music.

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Epitaph is a continuation of an investigation into a compositional method in which the tempo progressively decelerates. This method is inspired by the concept of irama in Javanese gamelan, where as the tempo of a gending slows down, the spacing between the balungan (core melody) tones widens, while instruments like the gendèr, gambang, and peking become increasingly dense: there is a paradoxical sense of time.

In Javanese gamelan, this process is often likened to the image of a blossoming flower: a gending begins like a closed bud, and as the rhythmic level rises, as the ornamental density increases, the flower blooms. However, I am not interested in a blooming flower; I am interested in a flower that withers and wilts. This is why, in my works, including Epitaph, the tempo continuously slows down.

I have no desire to align myself with the glorification of tradition, but rather to further the critique of the adiluhung. Rather than glorification, this work pays attention to the wounds of history. In the middle section of the piece, there is an intervention of electronic sound resembling a broken radio: it is a collage of the voices of Wiji Thukul, Mahmoud Darwish, the Palestinian poet, and Frantz Fanon, the anti-colonial thinker and revolutionary from Martinique. Wiji Thukul sings his poem “Di Bawah Selimut Kedamaian Palsu,” Mahmoud Darwish reads a poem about his longing for the land of Palestine, and Frantz Fanon speaks on anti-racism and national liberation. But these voices appear obscurely, like traumatic memories arriving beyond the bounds of will.

These fragments are positioned between quotations from the traditional gending Laler Mengeng, a piece often associated with sorrow. Its presence, too, resembles trauma: a history that returns without control. The reference to Laler Mengeng also reframes the three voices mentioned earlier; the broken-radio-like sound is also reminiscent of a swarm of flies, hovering around a rotting memory of the past.

The piece concludes with a noise intervention, which stands in stark contrast to the rest of the composition. Poetically, noise plays the role of a Ratu Adil: a messianic figure who halts the unstoppable flow of History toward apocalypse. In an irrational world, the hope for redemption is the only rational response. But redemption can never clearly articulate itself—thus noise arrives. Noise is the future that refuses clear articulation.

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Instruments: gender barung, gender penerus, gambang, rebab, gong kemodhong, gong ageng, percussion, electronics

Produced by Dion Nataraja & Yustiawan Paradigma Umar
Composed and electronics by Dion Nataraja

Performed by:
Yustiawan Paradigma Umar, gender barung
Roni Driyastoto, gambang, gender penerus, rebab
Suseno Setyo Wibowo, kemodhong, gambang, gender barung
Mustika Garis Sejati, rebab, kemodhong, gender penerus
Muhammad Erdifadillah, percussion, kemodhong

Recorded in Sleman, D. I. Yogyakarta, 2025
Mixed and mastered by Luke Taylor
Recorded by Muhammad Khoirur Roziqin
Production crew: Muhammad Eko Sudarmanto

Illustration:
“Kerkhof in het park van Buitenzorg” by Raden Saleh
Edited by Wok The Rock
Sandikala Ensemble Logo and Cover layout by Wok The Rock


Epitaph (for gamelan sandikala)

Shiny

🎧 STOP FEMICIDE | A SOUND THAT SPEAKS FOR SILENCE

Every 11 minutes, a woman or girl is killed by someone she knows — often in her own home.

Over 47,000 women were killed globally in 2020 just for being women.
More than 1 in 3 women around the world experience violence in their lifetime.

This isn’t just music — it’s a voice for those who can no longer speak.
A tribute. A warning. A promise that we will not stay silent.

🖤 All revenue, merch, and royalties are donated to www.sterkhuis.nl — supporting women and survivors of domestic violence and those who stay emtpy behind.

#StopFemicide #ForHer #BreakTheSilence #SoundForChange #sterkhuis

Names We Never Say

Don’t Let Him In

Through this town

Création musicale avec des AI IA vocales

FixedRecords

A new label based up north in Holland, home to Dubstep, Emo Rock, Punk, Metal, Pop, and Fusion.
Genre-bending energy that hits hard and stays.
 

If it’s raw and real, we’re listening.

Submission Policy
Unverified links or accounts without history will be ignored or blocked.

Copyright
All works are owned by InfinixMedia and protected under copyright law. Unauthorized use or impersonation will result in legal action.


Only official company emails are accepted.


Copyright Notice:
All music, visual works, and publications created or published under FixedRecords are protected under international copyright law under and owned by InfinxMedia. Unauthorized use, redistribution, or impersonation will result in formal action.

Textures over tempo. Emotion over genre 🕺
This is music for the dreamers and drifters. We create soundtracks for the in-between. 

Fade | Echo | Heal

Composer. Based in Yogyakarta (Indonesia) and Berkeley (US). PhD student at UC Berkeley, California.

IG: @dionnataraja, @sandikalaensemble
Email: dion_nataraja@berkeley.edu

Une sélection de son que j'apprécie et que j'aimerais faire connaitre un peu +.

Faster Than Light, Vol. 1 is out NOW!
iTunes: http://itunes.apple.com/album/id1601055154?ls=1&app=itunes
Spotify: https://open.spotify.com/album/4dTbV8bg2OKjpQJgLnC2id?si=hC2wjxbAQfq9JRAPgc8qpg
My New Album "Moods" is out now!
Spotify:  https://open.spotify.com/album/5lis2fFfYqvgB1vnxIHkab?si=gEy49cvjRsa9B37o7Y9AuQ
iTunes: http://itunes.apple.com/album/id1662210419?ls=1&app=itunes

♫))»◘▌Latent Avail▐◘«((♫
............EDM/Trance/House.........
 ..........Indie Producer........
-loves all kinds of music from classical to dubstep.
Techno, Rock and Jazz are main influences.
House and Trance mixed with the dubstep elements create what you will hear.
latentavailmusic@gmail.com

There are many situations in which the "hidden success" can be found, even if it may at first have been overlooked.  We wouldn't know what darkness was if not for light.  The Avail is seeing both at the same time in balance.

It is my hope that this music touches you in ways I never thought of while writing it.


Anyone interested in my services may contact latentavailmusic@gmail.com

Everything here is written, recorded/sequenced and mixed by yours truly.
If you're the kind of person that scrolls the whole way to the bottom you'll find the free downloads :P

Donate to my efforts below:
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#EDM #Techno #electronic #indie #warpcore

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Latent Avail --  Founded 2012  ---

2K25
BOLIGANGA III | CORONA (TAESE BOOTLEG/EDIT)

Taese
From? Bolivia!!

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New tracks tagged #ELECT