This work originates from a field recording captured in Madobag Village on the Mentawai Islands in Indonesia. In the recording, the sounds of children playing around an old well echo through the space. For me, this recording is not merely documentary material; it functions as a sonic memory that can transport me back to a particular moment and setting. It triggered my reflection on the gap between the fleeting serenity of travel and the pressures of daily life and became the starting point for the work’s narrative.

The piece unfolds around the tension between two acoustic worlds. The opening section extends the calm atmosphere of the island from the original soundscape, using soft drones and drifting textures to form a dreamlike space situated between the external environment and internal perception. It's not a literal dream but rather a sonic reimagining of how memories emerge and rearrange themselves during times of exhaustion or yearning.

The subsequent sonic rupture arising from the cold, piercing tones of phone alarms and everyday noise breaks apart this inner soundscape. This interruption not only signifies the collapse of the imagined space but also contrasts fond memories and apparent daily pressures. In the latter part of the piece, fragments of the field recording intertwine with real-world sounds, placing the listener in a blurred state between wakefulness and recollection, where attempts to re-enter the dreamlike space become increasingly unstable.

Ultimately, the work sustains an open, unresolved narrative tension, oscillating between memory and the present, desire and helplessness, and revealing how memory, longing, and soundscape continually shape one another.

带我回印尼｜Take Me Back to Indonesia

soundcloud.com/genietempest

This mix is a small world of things that are relevant and close to me at the moment: unreleased experiments, new tracks, and pieces from other artists that have stuck with me over the years. A few of the selections are remixes or vocal reworks as well as new twists on my own material. It also features a few tracks from my debut EP Royal Way. Enjoy!

- Genie

Tracklist:
https://tinyurl.com/GenieTempest20251203

Genie Tempest (003)

synth delayed experiment, should i add the drum?

When i wake up. Just collages. Dream apparition, argumental. not corporeal, timeless ethereal, (it's dimensionless) it was the itch that caused the emergence. When are we coming back from 1986-1843-54?? Can't remember..-.. .. But,but, (time stand still)
you gotta spea-you, you gotta sing with love, in your heart. what do you know about love? ///////
8x8x8x8x8x8x8xx8...-cause i don't care, when my baby holds me near, all the trouble disappear, you   (unitless)  make .me/sleep is over, it was then when they told me about how she had taken the three bags and basically disappeared after the dental injury which scraped both their knees as they fell from the parachute right into believing they were not swimming but again, it was just awakeness burstling out of somewhere melted inside (I guess?, maybe outside?)
my aunt gave me a muffin, it was good.

- Mars

If I Could Sleep Maybe I Wouldn't Try to Save Myself

This episode features music made by Naviar's community inspired by Kinsha’s poem “some starlight / spared from being scooped up / four-handed net”.

Tracklist:

Ray Cobley · Catching Starlight https://soundcloud.com/ray_cobley/catching-starlight
Tuonela · Sparing starlight https://soundcloud.com/tuonela-1/sparing-starlight
terry mullett · net of the night https://soundcloud.com/terry_mullett/net-of-the-night-naviarhaiku620
Boundary Objects · SONG 128 https://soundcloud.com/boundaryobjects/song-128-naviarhaiku620-four
Night Note · some starlight https://soundcloud.com/mmastalka/some-starlight-naviarhaiku-620


Credits:

music intro: “This ruined house”by Tuonela
voice intro: Ian Joyce
cover image: Micah Hallahan

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.

To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku

Support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #390 – Some starlight – Wednesday 3rd December 2025

RESSING003
Releases December 5, 2025
futuraresistenza.bandcamp.com

“Lied,” the third single from Emily Wittbrodt’s forthcoming album “Wearing Words” (out February 3, 2026), explores the intricate dialogue between melody and text, as carefully chosen words settle into pre-shaped melodic forms, revealing the delicate balance of language, poetry, and music at the heart of her work.

-

lyrics/music/production by Emily Wittbrodt
recorded, produced, partially co-arranged and mixed by Jan Philipp
mastered by Stephan Mathieu / Schwebung Mastering
cover design: Anne Büttner
cover art on the back: Eleni Wittbrodt
cover photo on the front: film still by Janosch Pugnaghi
artist photos: Ludwig Kuffer

musicians on Wearing Words:
Emily Wittbrodt: cello/harpsichord/synths/guitar/theremin/piano
Jan Philipp: drums/synths
Sandro Hähnel: voice
Tizia Zimmermann: accordion
Shabnam Parvaresh: clarinet and bass clarinet
David Helm: Bass/Harpsichord

RESSING003
Futura Resistenza
Brussels/Rotterdam, 2025

Emily Wittbrodt - Lied (RESSING003)

Four analogue synthesizers, (EMS Synthi 100, Moog System 55, Buchla 200 και  Deckard’s Dream Mk2 )  are transformed through granular synthesis, exploring the fuzzy border between continuity and discreteness. Composed for 8-channel  diffusion systems,  rendered here for binaural reproduction.

GrAnalogique.1

https://radiopunctum.cz/shows/shape-broadcast-series

SHAPE+ Broadcast Series (@shape-platform) #40 w/ TeTe Noise

TeTe Noise is the experimental music project of Georgian artist Sandro Chinchaladze. Fusing cassette tape loops, analog electronics, and field recordings, TeTe Noise creates immersive sonic collages that blur the lines between sound art and music. Often accompanied by abstract visuals and rooted in improvisation, his performances explore themes of decay, memory, and transformation. With a background in electro-acoustic composition and a presence across festivals and art spaces, TeTe Noise stands at the intersection of noise, ambient, and performance art.
TeTe Noise is an artist of the SHAPE+ platform for innovative music and interdisciplinary art, co-funded by the EU and Pro Helvetia.
Broadcast description:
All music by TeTe Noise.
Vocals: Gori woman choir, Zoe Perret
Cello: Mirian Kvaliashvili
Live drums: Giorgi Tetsoshvilia


Tracklist:
00:00 - Residue of Nothing
5:55 - Gap between memories
10:24 - Nothere
17:55 - Axioms of the vanishing point
28:00 - Shattered in Mist
35:52 - Ashes of dysphoria
40:01 - Sea of serenity
47:45 - Goosebumps
56:10 - Standing at the bottom of the imaginary mountain

If you enjoy what we do, please consider donating to us at https://buymeacoffee.com/radiopunctum

SHAPE+ Broadcast Series 12/25 w/ TeTe Noise

processed improvisation for double bass and zither, recorded in spring 2024
@khrystyna_kirik

contrazither

This piece reconstructs itself through memory rather than following the original flow of Puccini's work.

Note: I don't recommend to adjust the volume as I left the dynamic range pretty wide.


Dissecting the Old Classics / Micro-fragments: La Bohème

Christian | Sound Artist | Field Recordist | Music Producer |Songwriter | Soundscape Researcher 

BA, Xi'an Conservatory of Music, CHN - Electronic Music Production
MA, University of York, UK - Music Production
PhD Candidate, University of Sheffield, UK - Composition 

Boyi Bai is a composer and sound artist whose works explore the intersections of soundscape composition, field recording, and VR immersive audio. His pieces have been showcased at various international festivals and events, including Sound/Image (London), MANTRA (Ecuador), PAYSAGES | COMPOSÉS festival (France), Click Fest (Ohio), Sonic Nomads (Seoul), Rádio SOMA (Brazil), Sound+ Environment Symposium (Newcastle), MA/IN Festival (Rome), BBC Radio 6, Radiophrenia (Glasgow), Radio Suyai TV (Chile), Sonic Arts Forum (Maynooth), Sound Junction (Sheffield), Sonic Sculptures 3 (Nottingham), San Francisco Tape Music Festival, River Radio (Exeter), and the Royal Institution's Theatre (London). Through a blend of environmental sound and electroacoustic techniques, Boyi’s work aims to create immersive listening experiences that challenge perceptions of space, memory, and auditory storytelling.

08/2025 Denny Awards Competition for Electronic Music – Acousmatic Music Gold Award
04/2025 Sound of the Year Awards 2024 – Runner-up in "The Sound of the City" category for the piece What Sheffield Sounds Like – Tram 
03/2025 sponsored by the University of Sheffield Research Stimulation Fund for participation in the 2025 Sonic Arts Forum.
09/2023 Sponsored by 'The National Lottery Heritage Fund & North York Moors National Park' for participation in 'The Western River Rye Catchment Soundscape project.
09/2023 7K Worship Song Composition Competitiion - First Place
08/2023 Sponsored by 'Cities and Memory' for participation in the 'EXODUS 50: THE SOUND OF ADVENTURE' project in Japan.
09/2022 Bach International Music Competition - “Composition” First Prize.
03/2022 York-Chinese Top 10 Singers - Champion.
07/2021 "The Young Communist Party Member" - Third prize from the Shaanxi Provincial Radio and Television Bureau to celebrate the 100th anniversary of the founding of the Communist Party of China.
06/2021 Xi'an Conservatory of Music Pop Music Composition Competition - First Prize.

⌛️⏳ (pronounced "sand jar") ⏳⌛️

BIWEEKLY MIX SERIES CURATED BY @e-veryday AND FRIENDS

WEDNESDAYS @ 1900 GMT



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20251203 - soundcloud.com/genietempest
20251119 - soundcloud.com/raindrophealer
20251105 - soundcloud.com/siobhankramer

DIY listener supported radio platform based in Prague.
If you enjoy what we do, please consider donating to us at buymeacoffee.com/radiopunctum

Guestmix/Show Requests -> program@radiopunctum.cz

Naviar is a music community and label. Through regular publications, open projects and events, we explore the connection between experimental music and traditional Japanese poetry.

To join the Haiku challenge, visit https://www.naviarrecords.com/about/naviar-haiku

Futura Resistenza is a Brussels-Rotterdam based record label
"Speramus meliora; resurget cineribus"

New tracks tagged #ELECTROACOUSTIC