Located at just a fraction of the European Route E25, called the Rijksweg 20 or A20. This motorway is supported by several overpasses through The Netherlands, of which one of them in the Rotterdam-The Hague metropolitan area forms the base of this piece.

While the fast pace of humanity is causing hot asphalt and infrasound to move through the concrete, underneath the overpass a slower pace is causing more innocent reflections. Captured impulse responses from these reflections create a somewhat terrifying and slowly building-up reverb scape. Dynamic impacts from the A20’s bouncing surface, caused by the passing vehicles, result in irregular rhythmic echo’s to scatter beneath the construction.

All these never-ending sound waves are occasionally dominated by several other sound sources. Car horns translate the human’s frustration from within, while they try to balance it out with amplified FM frequencies. However, this more pleasing part of the electromagnetic spectrum gets interfered often with higher frequencies from passing metros and trains. These signals being pitched-down, form the cold and resonant chords through the piece. 

The massive amounts of weight rolling over the railway next to the overpass,  result in ground-shaking infrasound all over the area. Rumbling frequencies vibrate schematically through the concrete pillars. Moments later, fireworks suddenly feed the already existing sonic-tangle, followed by emergency signals that appear no less distinctive without its optical parts.

https://www.sem-zeeman.com/a20-e25
https://semzeeman.bandcamp.com/track/a20-e25-5192393-n-440872-o

The recordings are made near the Brandersbrug in Schiedam, The Netherlands on March 30th 2023. All sounds are recorded with two unidirectional condenser microphones in X/Y setup, a geophone, contact microphone and electromagnetic receiver.

A20/ E25 [51.92393° N, 4.40872° O]

Opening track of Innersounds: Location 23

This track is made from electromagnetic signals and acoustic recordings from all around the BT Tower in London, but focusing mostly on server rooms.

About the album:

Innersounds: Location 23 is a conceptual, narrative-driven sonic portrait created entirely from found sounds recorded within London's BT Tower. The piece combines acoustic and electromagnetic field recordings, shaped into a personal response to the hidden sounds and ambiences of the tower. Over five field recording sessions, I captured sounds ranging from emergency generators in the subterranean levels to the outdoor ambience from the top balcony. Each segment is based on recordings in specific locations within the tower. 

The entire album, an alternatively edited continuous version and this track can be bought and downloaded on Bandcamp.

Some behind the scenes pictures and descriptions can be found on my Instagram page.

Cover work made by Kamilė Korsakaitė.

Third track of Innersounds: Location 23

This track is made from electromagnetic signals and acoustic field recordings made in and around the lift of the BT Tower in London

About the album:

Innersounds: Location 23 is a conceptual, narrative-driven sonic portrait created entirely from found sounds recorded within London's BT Tower. The piece combines acoustic and electromagnetic field recordings, shaped into a personal response to the hidden sounds and ambiences of the tower. Over five field recording sessions, I captured sounds ranging from emergency generators in the subterranean levels to the outdoor ambience from the top balcony. Each segment is based on recordings in specific locations within the tower. 

The entire album, an alternatively edited continuous version and this track can be bought and downloaded on Bandcamp.

Some behind the scenes pictures and descriptions can be found on my Instagram page.

Cover work made by Kamilė Korsakaitė.

lift

Second track of Innersounds: Location 23

This track is made from electromagnetic signals and acoustic field recordings made in the maintenance and storage area on the 13th floor of the BT Tower in London.

About the album:

Innersounds: Location 23 is a conceptual, narrative-driven sonic portrait created entirely from found sounds recorded within London's BT Tower. The piece combines acoustic and electromagnetic field recordings, shaped into a personal response to the hidden sounds and ambiences of the tower. Over five field recording sessions, I captured sounds ranging from emergency generators in the subterranean levels to the outdoor ambience from the top balcony. Each segment is based on recordings in specific locations within the tower. 

The entire album, an alternatively edited continuous version and this track can be bought and downloaded on Bandcamp.

Some behind the scenes pictures and descriptions can be found on my Instagram page.

Cover work made by Kamilė Korsakaitė.

Final track of Innersounds: Location 23

Starting with soundscapes and electromagnetic signals on the balcony at the top of the London's BT Tower, the composition then dwells into the subterranean levels and finally back to where it started in the opening track.

About the album:

Innersounds: Location 23 is a conceptual, narrative-driven sonic portrait created entirely from found sounds recorded within London's BT Tower. The piece combines acoustic and electromagnetic field recordings, shaped into a personal response to the hidden sounds and ambiences of the tower. Over five field recording sessions, I captured sounds ranging from emergency generators in the subterranean levels to the outdoor ambience from the top balcony. Each segment is based on recordings in specific locations within the tower. 

The entire album, an alternatively edited continuous version and this track can be bought and downloaded on Bandcamp.

Some behind the scenes pictures and descriptions can be found on my Instagram page.

Cover work made by Kamilė Korsakaitė.

t35; t-2; l23

Paradigms of Perception.
Fragments of Things.
Mirror of Us.

Good Ole Times

JazzyBurns-GoodOleTimes-2025

I - coiled     II - uncoiling     III - uncoiled

Written and Produced by Tottery in Ableton/FL Studio.
Track art by 3quarks.

We Are Coiled

Scientists REJECT Big Bang theory due to impossible mathematical odds! Discover why leading physicists found fatal flaws in this cosmological model. Universe fine-tuning reveals evidence for design.

Join Kaysie Vokurka in Science Conversations as she explores fundamental problems with Big Bang cosmology. From the mysterious "singularity" and fourth-dimensional hyperspace, to Fred Hoyle’s legendary critique, learn why the odds of our universe forming by chance are mathematically impossible.

Key topics include:
•	What the Big Bang Theory actually claims—and common misconceptions
•	Fred Hoyle’s rejection and the origin of the “Big Bang” name
•	Fine-tuning of carbon atoms and universal constants
•	Mathematical impossibilities: odds as low as 1 in 10^10^123
•	Why hyperspace expansion lacks evidence
•	Cosmological constant precision requirements
•	Evidence pointing to intelligent design

Expert analysis breaks down the complex physics and mathematics that challenge naturalistic explanations for the universe’s origin—revealing why the evidence points toward supernatural creation.


Check out our other podcasts:
https://www.youtube.com/@3abnaustraliaradio885/podcasts

Scientists REJECT Big Bang: Impossible Odds Revealed

In a world where the demand for energy and digital connectivity continues to grow unabated, so does the vulnerability of our infrastructure. In the era of digitalisation and technologies, traditional warfare is slowly being replaced by digital, invisible warfare through binary numbers.

Located near an high-voltage substation and several electricity pylons, which form the backbone of the regional electricity supply. At this site the tangible and invisible elements of our modern society converge. Specialized microphones and receivers reveal both audible and inaudible frequencies, including infrasound and electromagnetic signals. Without this equipment, these signals would go unnoticed. The noisey characteristics of the electromagnetic frequencies represent the invisible nowadays digital threat that surrounds our society. While at the same time wind is, literally rattling at the gates of the substation, causing rumbling geophonic infrasound — symbolizing the growing vulnerability and fragility of our infrastructure.

However, the vulnerability is not only limited to our digital world, due to the increasing demand for energy and the use of electronic devices which leads to the rise of electromagnetic radiation. The auditory interplay between chirping crickets and crackling voltages from the pylon’s wires, represents the increase of this radiation in our environment.

This soundscape reveals a complex web of interconnectedness, where human progress comes with new challenges and threats. The pursuit of progress brings not only opportunities, but also responsibilities to safeguard the delicate societal balance between technology, nature, and human well-being.

https://www.sem-zeeman.com/high-voltage-substation
https://semzeeman.bandcamp.com/track/high-voltage-substation-5198311-n-422508-o

"High-Voltage Substation [51.98311° N, 4.22508° O]" is released on October 19th 2025. The recordings were made near a substation of the transmission system operator of the national high-voltage grid in the Netherlands, in Naaldwijk, on July 16th, 2023. All sounds were recorded using two unidirectional condenser microphones in an X/Y setup, a geophone, a contact microphone, and an electromagnetic receiver.

High-Voltage Substation [51.98311° N, 4.22508° O]

Names and Paths

Lithuanian-born, Berlin based sound artist, field recordist and composer.

For a wealth of life changing information visit:  3abnaustralia.org.au/radio/listen 

3ABN (Three Angels Broadcasting Network) Australia Radio is the "Mending Broken People Network," broadcasting Christian content 24/7.

Many thanks if you have taken the time to listen to one of my songs.  May your life be filled with secret magic and pleasant surprises!

✨ Soundscape & Ambient 

info.sem.zeeman@gmail.com

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Sem Zeeman is a field recordist and sound artist focused to capturing both the auditory beauty and the pollution of our environment. His work uncovers the harmonies and dissonances from everyday life. In a world where vision dominates sensory perception, he challenges listeners to rediscover this richness of the sounds that surround us all. 

Inspired by nature, history and materials, each of his sound pieces serves as a unique snapshot of a specific place and moment in time. His sonic landscapes transcend the limits of human perception by capturing hidden sounds — such as infrasound, ultrasonic frequencies, and electromagnetic signals.

Sem’s work embodies both an aesthetic and a societal dimension. His compositions invite reflection and raise awareness of contemporary ecological, technological and social issues. By using environmental sound as a universal language, he seeks to restore the connection between humans and their surroundings.

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💿 RELEASES
- "A Soundwalk Through Budapest 
[47.499553° N, 19.054739° O]"
- "Noorderhoofd [51​.​98021° N, 4​.​11153° O]"

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🍃 Organic Dance Music as https://soundcloud.com/okin-omis

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New tracks tagged #ELECTROMAGNETIC