Angel's Descent

I'll definitely develop this one into a track. I like the beat and the fundamental idea. I'm just putting this stuff here so it's here. I hope you enjoy it and thank you for taking my part in my own experiment for the good of my own f*cking psyche.

Express Repress

There’s a moment when something stirs inside—a quiet pull toward meaning, direction, purpose. We set out not knowing exactly what we’re looking for, only that we must move. Along the way, we try, we fail, we adjust. We chase patterns, lose them, begin again.
Frustration builds. Expectations clash with reality. There are times when everything feels out of tune—too much, too loud, too uncertain. We climb the mountain of doubt and stand in the heat of our own disappointment.
And then, something softens. Not a solution, but a shift. A sense that beginning again is not weakness, but rhythm. That peace isn’t in arriving, but in moving forward without needing to arrive.
Life doesn’t resolve. It flows. And in that flow—in the repetition, the trial, the error, the trying again—we find something quietly enduring. Something worth looking for.

Neverending

This track was initially sketched for a competition. Now that it's complete, I utilized it as a means to support individuals with ADHD and their communities. The proceeds of the first half year were donated to "ADHD Germany e.V.," an organization dedicated to education, advocacy, and providing accessible support services in germany.

The donation will be used to improve and extend the online assistance of "ADHD Germany e.V.".
www.adhs-deutschland.de/unser-angebot/infobroschuren
In particular this means further education for volunteers leading self-help groups and extension of the telephone service.

Infos for the donation process and participation in the raffle (Deadline was 15.12.2024) can be found at geraeuschchaot.com

Lyrics:

G³RäUsCh(h@0+ - Weekend of summer

The rhythm of our heartbeat,
Disrupted by the ravages of time...
Just another episode, another period…
The eras written long ago admonish like some cenotaphs…
But warnings of the past won´t resolve questions never asked!

What does it mean to be in time?
What does it take to be en vogue?
What does it give to live in times,
Where everything is left behind some old men´s faces?

Come out of your shell,
Time will tell when your heart stops beating…
Throw away the blueprints…
And live in a greenscreen instead.

Spring would give new live,
Before a weekend of summer…
And we could welcome autumn, with open arms…
Until the cold will come.

Weekend of Summer

same as last night

Blast

Diptyque sonore, poème d'humain.e et poème de guitare mutant s'entrainant dans les répétitions. Recherche de résonances d'après d'avant d'un corps en mutation. Accordage en triple mi et triple ré sur guitare classique enregistrée en novembre 2024. 

breathing

expanding

Electric guitar, filter , looper , compressor and mixer.

20sept2025

Perry Frank live at the Spirit of Gravity, the Rossi Bar 2nd October 2025

Perry Frank live at the Spirit of Gravity October 2025

Light at the End of the Tunnel

Delay

Sensory Irritation Chamber

Projectile Bleeding

122 Zeros (And Then A 1)

Desiccated Survivor

Heads On Pikes

Raison d'Eath

Molotov Cocktail

The Wrath Of That

Ten years in the wilderness. I've come back to doing a bit of what I have to. And learning at the same time.

The aim is to release a new demo every week. Whatever I've been working on. Unless I find myself working on an EP, taken from these demos. Which should be very soon.

So expect regular updates until they're not regular.

I am a creative free spirit, driven by music, emotion, and diversity. Even as a child, I turned everything into sound, and later began my musical journey with a laptop and instruments—from metal to folk to cross-genre cover projects. With the project G³RäUsCh(h@0+, I combine musical passion with social commitment. I stand for respectful coexistence, advocate for so-called marginalized groups through my songs, and create music not for clicks, but for genuine expression and impact. For example, through fundraising campaigns that give the songs real added value—beyond monetary gain. If you’re interested, feel free to contact me with constructive ideas and get involved—because diversity needs teamwork.

My music follows a clear common thread: the synthesis of lyrics and sound. This makes it changeable, yet consistent—experimentally open, yet catchy. Sometimes I work alone, sometimes with a wide variety of musicians on the songs.

Helder Luis is a designer, photographer, multimedia artist and musician.

Studied graphic design and typography and since 1996 has worked for numerous companies and institutions inside and outside Portugal while working freelance or through his studio. His graphic design work has been exhibited at various national and international events and published in numerous publications. As a multimedia artist and musician he developed numerous works individually and in collectives. He also collaborated, as an artist, multimedia designer and consultant, with several artists, and presented his work in individual and collective exhibitions and in events and institutions in Portugal and elsewhere. In 2018, he presented the installation MAR at the Museu de Arte Contemporânea de Serralves, which opened the doors to the exploration of the theme of the sea and fishermen and since then he has photographed, filmed and captured sound on board of several vessels offshore the Portuguese coast and around the Açores islands. In the same year he presented the installation Under the Above at Solar, exploring the theme of drowning and the feelings of abandonment and loneliness in high sea. In July 2019, he launched the documental photography book entitled Atlântico, which documents the voyages aboard the Iris do Mar fishing boat in the Açores islands. In 2021 he finished his Master of Documental Photography and Cinema and in early 2023 he published the book Sardinha, his largest documentary photography project to date, documenting the fishing of the sardine in Portugal. In April of the same year, he presented the exhibition "Sleeping Giants," a photography project that looked at trees during one of the lockdowns of the recent pandemic as potential guides for difficult times.
At the beginning of 2014, he presented the sound installation "Búzio," a reflection on memory and our relationship with the sea. Recently, he published the book "Rumo à Pesca," a book about a purse seine fishing boat.
Currently, he is involved in various documentary and artistic projects within maritime culture and other areas of his personal interest. He also continues to compose and produce music.

Reg Bloor's experimental guitar has been described as "Part black metal, part no wave, and part nuclear holocaust." (MP Lockwood - No Core) Now she's finally releasing her debut solo album "Theme from an Imaginary Slasher" where she takes her experiments in atonal harmony and dissonance, angular melodies and dizzying meter to new extremes, seeking to redefine what is possible on the instrument.


Reg has been performing as a solo artist since 2014, including at The Red Bull Music Academy New York Festival on May 16, 2014; at 119 Gallery's Memorial Day BBQ on May 26, 2014; and at the OFF Festival in Katowice, Poland on August 3, 2014.


She is the guitarist, composer and founder of the NYC-based angular experimental band THE PARANOID CRITICAL REVOLUTION since 2005. The band has 3 recordings out on SYSTEMS NEUTRALIZERS - "Crimson Canvas" (2013), "Euphobia" (2010) and "Death of the Cool" (2007) The band has been playing in the US and Europe since 2006 including appearances at ALL TOMORROW'S PARTIES, "A Nightmare Before Christmas" in Minehead, England in December 2007 and the SXSW Music Festival in March 2009.


Reg has also been working with legendary avant garde composer Glenn Branca (to whom she is married) since 2000, performing all over the world in his Symphony No. 12, as concertmaster for his "Symphony No. 13 (Hallucination City)" for 100 Guitars and "Symphony No. 15 (Running Through The World Like An Open Razor)" (Music for Strange Orchestra) and as part of Branca/Bloor the Glenn Branca Trio. She also appeared as part of the Glenn Branca Ensemble on his CD "The Ascension: The Sequel" and on his subsequent tours. In the fall of 2014 Bloor toured with the Ensemble again playing Branca's newest set of pieces, "The Ascension III". Most recently, Reg has served as concertmaster for Glenn Branca's premiere of "Sypmhony No. 16 (Orgasm)" for 100 Guitars in Paris in February 2015.


Through the years Bloor has work with David Bowie, Page Hamilton, Thurston Moore, John Patitucci, Annie Clark/St. Vincent, Mike Watt, Adrian Utley (Portishead), Ty Braxton, tomandandy, Jason Vieaux, members of Godspeed You Black Emperor among others. She appeared uncredited on the soundtrack to the Paramount Pictures film "The Mothman Prophecies". Reg collaborated with artist Tony Oursler on the installation "Empy Blue" for EXPO 2000 in Hanover, Germany. She was part of Bill T. Miller's improvisational ORGY OF NOISE project on the CD "Noodle Braino".


Previously, Reg was a founding member, guitarist and composer for the experimental band TWITCHER who were part of the Neo-No Wave scene of the 1990s performing all over the Northeastern United States on bills with such bands as Melt Banana, Arab On Radar and The Flying Luttenbachers. They were a runner up for the Boston Phoenix Demo Derby in 1997. Their self-produced CD "Leg of Lamb of God" was released in 1999, the same year they appeared on the soundtrack to the TROMA film "TERROR FIRMER" directed by the legendary Lloyd Kaufman.

 

A man in his 20's who makes fairly experimental and outsider music. Messing around with keyboards, guitars, various instruments and vocals.

New tracks tagged #EXPERIMENTAL GUITAR