That sense of certitude contributed to my feeling that the media had exhausted the murders. The thought of them could exhaust me, too. Bugliosi describes Manson as “a metaphor for evil,” a stand-in for “the dark and malignant side of humanity.” When I summoned Manson in my mind, I saw that evil: the maniacal gleam in his eye, the swastika carved into his forehead. I saw the story we tell ourselves about the end of the sixties. The souring of the hippie dream; the death throes of the counterculture; the lurid, Dionysian undercurrents of Los Angeles, with its confluence of money, sex, and celebrity.

Because we all know that story, it’s hard to discuss the Manson murders in a way that captures their grim power. The bare facts, learned and digested almost by rote, feel evacuated of meaning; the voltage that shot through America has been reduced to a mild jolt, a series of concise Wikipedia entries and popular photographs. In the way that historical events do, it all feels somehow remote, settled.

But it’s critical to let yourself feel that shock, which begins to return as the details accumulate. This isn’t just history. It’s what Bugliosi called, in his opening statement at the trial, “a passion for violent death.” Despite the common conception, the murders are still shrouded in mystery, down to some of their most basic details. There are at least four versions of what happened, each with its own account of who stabbed whom with which knives, who said what, who was standing where. Statements have been exaggerated, recanted, or modified. Autopsy reports don’t always square with trial testimony; the killers have not always agreed on who did the killing. Obsessives continue to litigate the smallest discrepancies in the crime scenes: the handles of weapons, the locations of blood splatters, the coroner’s official times of death. Even if you could settle those scores, you’re still left with the big question—Why did any of this happen at all?

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Paisaje Secreto

Castillo

No Llevaré

ಅಮೃತ

Sumergete

Estrella

Besos De Hielo

produced by max harwood and taylor woodward
mastered by joe laporta

song about the delicate relationships in life, and how things fall apart no matter how hard you try.

EFA (dyno)

Light the night

Besuch (official version)

Im music maker .I like to make electronic and melodic music
inrikamusic@gmail.
https://music.apple.com/us/artist/1754833326
https://open.spotify.com/artist/6UDcfc5Vk3UFK7mxqm3IT2

Camila: voces y líricas
Gabriel: sintetizador y programación

Siberia es un proyecto heterodoxo de música electrónica, basado en las atmósferas y sonoridades del synth pop, dream pop, shoegaze, noise y la música experimental.

Instagram: lilybeltane 
Stream my music here: https://linktr.ee/lilybeltane

when i was a kid i had a blanket that i called my dye-dye, hence the name.

New tracks tagged #Elctropop