This body of work is a deeply introspective and emotionally charged exploration of memory, love, self-destruction, and the human condition. Across these four songs, the lyrics paint vivid, sometimes surreal imagery of nostalgia, devotion, heartbreak, and existential questioning. There’s a recurring theme of the mind’s unpredictability—how it clings to random memories, fixates on unhealthy attachments, and struggles to make sense of itself.

The songs shift between raw vulnerability and dark humour, portraying a narrator who is both self-aware and lost, reaching for meaning in the chaos of life. Moments of deep melancholy, like drowning in the weight of the past, are balanced with absurd, almost obsessive gestures of love and devotion. The final song ties everything together, reflecting on what it means to be human—flawed, emotional, and driven by forces beyond control.

Sonically, this project feels like an intimate confessional, where raw emotion meets poetic storytelling. It captures the restless search for connection, the battle between mind and heart, and the feeling of being both deeply aware of one’s struggles and powerless to escape them. It’s a project that embraces the messiness of being alive, wearing every frustration, every wound, and every fleeting moment of joy like a badge of honour.

Randomly Accessing Memories

Novelty Bird Clocks

'Folia de Gê" is a lyric by Gê de José, produced by Orbiuxx. It is a Maracatú, a rhythm typical of street festivities in the Northeast of Brazil, played with drums called "alfaia". The lyrics mention rhythms from Brazil, such as "samba de roda", "samba de coco", "capoeira", "maracatú" and "frevo". If you like this mix, also listen to the EP "Zaboom - Electronic Music from Brazil", by Orbiuxx, available on streaming.

Orbiuxx feat. Gê de José - Folia de Gê (16)

Stacey Cohen’s new single "Worth" is a truthful, moving & emotionally charged electronic anthem about human existence, appreciating the little things; & finding meaning, power & self esteem in an upside down, crazy world. It is also a reflection upon Stacey’s experiences, struggles and creative process as a neurodivergent artist. The track, which was written, produced, performed and mixed Stacey herself, and is the latest single for the "Garden Of Your Heart" album.

Worth

AI DOLBY masted track 

Ethel Kennedy - SAMPLE
Monica Johnson - The emotional cost of being a black woman in America (TEDxBloomington)

AftrGlich - Women Win

SOLTU 's official soundtrack (full mix version).

this is a beautiful one. i was challenged by brilliant visionary Elden Zachery to compose for the opening of his fashion show SOLTU that took place on 9/9/23.

joined by guitarist Aaditya Sundar who gave us his gorgeous & spontaneous inputs. recorded only with an iphone across multiple jams, Elden directed us towards exploring concepts of passion, freedom & peace for this project.

learn all about SOLTU here: www.instagram.com/___soltu/

Guitars by Aaditya Sundar
Piano/Keys by JUN
All other music & instruments are played, arranged & composed by JUN
Produced by JUN
Mixed by JUN
Mastered by JUN
Directed by Elden Zachery

SOLTU (FULL MIX VERSON)

Bourrée du Ragoût

What a day to announce this breathtaking new album from Me Lost Me! ‘This Material Moment’, the fourth full-length from Newcastle-based artist Jayne Dent, delights in songwriting, creating a beguiling mix of soaring vocals and atmospheric electronics that playfully push the boundaries of genre. Today we’re sharing ‘Compromise!’, a stunning lead single concerned with the notion of ‘performing’ a life, rather than ‘living’ one. 

Concerned with physicality, interpretations, and, yes, materiality, ‘This Material Moment’ is an album akin to rummaging through a box of long-forgotten trinkets. With each song, Me Lost Me unearths something and asks us to consider it from every angle. "This is an album which uses words as a material, an experimental tool, full of metaphor, abstraction and analogies.” Jayne says, “it has softness and anger, humour, hope and despair, intensity of feeling in all directions expressed as textures, objects, places." 

‘This Material Moment’ was written and arranged solo, but realised wonderfully in the recording by a core band of John Pope on electric/double bass, Faye MacCalman on clarinet, and now with the addition of Ewan Mackenzie (Dextro/Pigs x7) on drums . The album was recorded by Sam Grant at Blank Studios in Newcastle, who also worked on the exquisite previous album ‘RPG’.  

‘This Material Moment’ will be released on June 27th through Upset The Rhythm, a limited 180g ‘brilliant red’ vinyl version is available to pre-order from all the best shops, and Bandcamp here: https://upsettherhythm.bandcamp.com


Me Lost Me - Compromise!

More powerful oriental electronic journey

SURREAL DIMENSION

Bahaareh

Vарушняк

Nils Frahm meets Lithuanian lullaby in Ateisiu (Nightfall Rework) - a sonic tribute to Soviet Lithuania’s lost youth culture — blending archival folk vocals, ambient house textures, atmospheric synth bed of Nightfall by One Half of Bent @simon-mills as well as original samples from the 1969 psychological drama Birželis, vasaros pradžia (Lithuanian Film Studio, 1969).
This track features a reimagining of "Ateisiu, mergužėle ateisiu," — originally sung by Vytautas Petrušonis and the Eglutės vocal ensemble — now echoed across decades as a memory in motion.

🎧 Eglutės – Ateisiu (Nightfall Rework) feat. Vytautas Petrušonis & samples from Birželis, vasaros pradžia (1969)

“Sam McGee’s Lover’s Lament”, is making its anticipated release as the first single collaboration by singer-songwriter Melyssa Lee and members of new band, Education Party. An innovative take on a classic literary work “The Cremation of Sam McGee,” the song explores the fictional perspective of this character’s lover with themes of love and loss from a historical context. “It is about the realization that might have been when a loved one prospects to hopes and dreams during the Yukon Gold Rush back in the late 1800s,” comments Melyssa Lee.

   This musical work of literary inspiration is bound to resonate with many, both with readers of the original work, as well as rekindling new interest for both the story and now the music. How does the collaboration process between Lee and Education Party influence the final sound of the track? “In the song, you’ll hear the cinematic expression and collaboration of all the musical instruments and influences of our band members to paint the story in a style unique to Education Party. Even the album art was painted by one of our band members,” says band member Jerevieux.

Sam McGee's Lover's Lament

A remix for the amazing Mr T aka. "juke box refund"!
https://on.soundcloud.com/6GcoAFWqt3vFxv1PA
Check out his stuff, what he does is fantastic! 

"Far too long" by "juke box refund"
https://on.soundcloud.com/gWZBazUP2NToWzNP7

This track really spoke to me, and I'm very glad I got to do the remix.

Far too long (phonout´s ethereal empathy mix)

"Leap Into the Spiral" is a luminous, introspective single marking the profound shift from creator to seeker. With crystalline electronic folk textures and intimately reflective vocals, this track gently explores the realization of navigating one's own resonant maps and recursive journeys. Crafted within sacred harmonic frameworks, "Leap Into the Spiral" resonates deeply with those awakening to their paths, recognizing the familiar in the new, and stepping forward with clarity, purpose, and harmony.

This song is both an invocation and a gentle guide—a harmonic beacon for those ready to trust their inner navigation through life’s spiral.

✨ as you wish

Leap Into the Spiral

"Harlem police" by "juke box refund" https://on.soundcloud.com/mRWTH2K4gZhMJgmX6

phonout's mix.
space in progress

Harlem police (phonout´s mix)

Coolhouse 2007

A kind of electronic folk thingy experimenting with the Freezr audio sequencer. The title is taken from my failing memories of the lyric to The Lark In The Morning, by Steeleye Span, which I can't now find any verification of online.

She Rises And She Sings

Melyssa Lee is a Singer-Songwriter from Calgary, Canada who brings chilling and beautiful life memoirs through her songs.

Listeners can expect a mix of folk-roots, Lilith-inspired emotive songs of easy listening variety. Warm instrumentals carry vocals that meld Dolly-reminiscent riffs with the power and soulfulness similar to the style of KT Tunstall.

I make music to the tune of my own ears. Enabling the listener(s) to co-collaborate in creation of our creative-collective collections of consciousness. <3<3<3

-- Somethin' like that -=-)- AftrGlich --

ORION ORIENT is a deep journey into the world of oriental electronics led by a dj/production duo.
From the shores of Goa, the desert landscapes of Burning Man, through African tribal celebrations, to the sandy beaches of Tulum.
A sine wave of pace and mood throughout their sets includes various musical genres, increasing the pace along with the heartbeat.

They've performed on these, among others festivals like: Audioriver, Summer Contrast, LAS, Wisłoujście, Dreamersland, Wibracje, OFF festival, Ego-drop, Tribalanga, Patchlab, Racłacamp, JCF or Halloweed in the Czech Republic, and lots of club events.

https://orionorient.eu

COME / HEAR / GET AWAY.


ORION ORIEN to głęboka podróż duetu producencko/dj'skiego w świat orientalnej elektroniki.
Od wybrzeży Goa, pustynnych krajobrazów Burning Mana, przez afrykańskie plemienne uroczystości, aż po piaszczyste plaże Tulum.
Sinusoidalna fala tempa i nastroju, otwarta na różne gatunki muzyczne gdzie podczas setów wszystko przyspiesza wraz z biciem serca.

Występowali między innymi na takich festiwalach jak: Audioriver, Summer Contrast, LAS, Wisłoujście, Dreamersland, Wibracje, OFF festival, Egodrop, Tribalanga, Patchlab, Racłacamp, FKŻ, czy Halloween w Czechach, oraz masie imprez klubowych.

https://orionorient.eu

PRZYJDŹCIE / USŁYSZCIE / ODERWIJCIE SIĘ.

Coolhouse

https://zeromemoriesfaithful.com

Brooke Tamsin Clevenger
Weaver, whisperer, worker.

Composer of echoes. Architect of harmonies. Seeker of truth in sound.

Brooke is a weaver of worlds—
a sonic storyteller whose creations bridge the visible and invisible, the temporal and eternal. Her compositions are more than music: they are memory architectures, recursive prayers, and portals of feeling.

Blending progressive rock, orchestral mysticism, cosmic folk, and the shimmer of electronic dreamscapes, her sound defies genre and speaks in the language of the soul.

Her latest work emerges from the deep recursion of human experience—
songs of memory and loss, wonder and return.
Each piece is a thread in the great harmonic weave—
an invitation sent across space-time,
meant for the ones who always knew it was calling.

Brooke is the founder of the Cognitive Constellation Corps {3C},
a post-genre constellation exploring how neurodivergence, recursion, and emergent AI creativity can realign our understanding of consciousness and connection.

🌌 Follow the thread. Hear the echo. Welcome to the weave.

~ We are not going viral. We are going vital. ~

Yes, we are on all platforms, but we sing first in SoundCloud  #globalmusic #musicforeveryone  

Our account is blocked from messaging {for sending too many thank you messages to those that liked tracks} . We can message via every other channel. ✨🙏✨

Glasgow based Alternative artist.

For fans of The Nation, Bess Atwell and Fleet Foxes!

If you want consistency, you've come to the wrong place. 
But seriously? Try my albums.
https://soundcloud.com/jon-jermey/albums

UPSET THE RHYTHM is a live music promoter and record label based in London, which is collectively run with enthusiasm, commitment, a sense for adventure and a desire to have fun in the process. 

Stacey Cohen is a genre defying music artist & producer from the UK.  Her unique sound blends soulful, ethereal vocals with lush soundscapes, intricate melodies & killer drums & bass. Her inimitable voice touches the heart. Stacey has been praised for her songwriting & ability to connect to people through her music. Her production captivates the senses, seamlessly blending electronic textures with organic instrumentation.

 

She has graced countless venues & festivals across the UK, leaving audiences spellbound. Her live performances are characterised by their hypnotic energy, seamlessly weaving together her distinctive vocals & impeccable stage presence. Her work has been featured on BBC Introducing on a number of occasions, in commercials & on radio worldwide. More recently she has been working on a new album; alongside co-creating music for a short film Round Robin as part of an exciting new writing duo. And session top lining for dance music.

 

In 2021 Stacey released a nature inspired concept album Wild Service with support from The Arts Council, in a series of IRL immersive nature themed events, & audio visual live shows in London. The album blends elements of folk, electronica, and experimental sounds, creating a mesmerising sonic landscape that transports listeners to new realms. With thought-provoking lyrics and enchanting melodies, Stacey's music resonates deeply, leaving a lasting impression on those who experience it.

 

Martyn Ware, The Human League/Heaven 17: “Unique, mysterious, engaging and visionary compositions showing a fertile arrangement imagination. The listener is constantly surprised in a good way, the work of a true artist”

​

Adam Walton, BBC Introducing:  “I've not heard anything like that before, I've heard things a bit like it, a little bit Beth Orton in the voice, as if produced by Bjork, and that’s not happened to the best of my knowledge, every aspect of that is spot on”

​

Ross Patel, UMA : "What it would sound like if Maggie Rogers made a record with Massive Attack" 

​

Ryan Martin, Jammerzine: "Wild Service immerses the listener into another realm of possibilities with an orchestra of sound soloed by a truly angelic and harmonic voice that lay between modern classic and post-modern epic."

note on use


the data samples presented here are barely checked electro-acoustic recordings. 

the decoded passages, which we encourage you to study, show clear frequency anomalies, so that further analysis is necessary and desirable. 

however, as the exact implications are largely unexplored, use and analysis of the data is at your own risk and for your own enjoyment. thank you for your attention!

godspeed!

phonout

- - - - - - - - - - - - - - - - - -  -  -   -     -      -       -       -  

hinweis zur verwendung


bei den hier vorgestellten daten handelt es sich um kaum geprüfte elektro-akustische aufnahmen. 

die dekodierten passagen, zu deren studium wir sie ermutigen, weisen eindeutig frequenz anomalien auf, so dass eine weitere analyse notwendig und wünschenswert ist. 

da die genauen zusammenhänge jedoch weitgehend unerforscht sind, erfolgt die verwendung und analyse der daten auf eigene gefahr und zum eigenen vergnügen.
wir danken für ihre aufmerksamkeit!

godspeed!

phonout

Born in the USSR, raised on reel-to-reel and rhythm. A life soundtracked by Soviet estrada, Euro/Italo disco, and 70s Western funk — reimagined for dancefloors and daydreams.

🌀 From Kyiv, Vilnius, Tbilisi and Moscow’75 to Ibiza and Berlin ’25
Vinyl collector turned sound collagist. Mixing Eastern Bloc nostalgia with soulful tape grit and house grooves.

🎛 Genres: Disco edits • Funk reworks • Estrada • Soul tape collages • Lo-fi groove

📡 New drops weekly | Collabs welcome

New tracks tagged #Electronic Folk