Elon Musk se tornou o primeiro trilionário do mundo e a nossa queen Rita Von Hunty hablou sobre o assunto. A partir disso, reflito sobre desigualdade social, desinformação e pessoas emburrecidas.
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#249 - Rita von Hunty, Elon Musk, Marilyn Manson e fake news

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I love California. I have visited many times, up and down the West Coast. I think my favorite places are La Jolla ( San Diego), Laguna Beach, Manhattan Beach and  Santa Barbara. I have visited 23 of the 50 USA states and still like California the best.
The Golden State is the 3rd largest state after Texas and Alaska, with a population of 39m.It's the 5th largest economy in the world. The pacific coastline is 840 miles long - I've driven up and down many times. Key features include, a fertile central valley, The Sierra Nevada mountains, Death Valley and ancient forests. Silicon Valley is a global technology Centre, home to Apple, Goggle, Meta and Tesla. Hollywood is also the entertainment capital of the world. The Aerospace hub includes Space X ,NASA and Lockheed. The state is a car centric society, but also a center for counter culture activities like the hippy movement and the LGBT community. Of course, it's also the home of Disneyland. ‘Boys with Toys’ ( the name of my song) is part of the culture of high-tech gadgets, computers, venture capital wealth, private jets, helicopters, supercars and billion-dollar toys ( like flying cars and rockets).It’s also a land of surfers and adventure seekers, everything from mountain bikes to skate boarders. ‘Boys with toys’ stereo types depict awkward male programmers  who write algorithms and live in incubator houses. Generally, it's about the pursuit of wealth, and to be on the cutting edge.
The state also gets a bad wrap around the cost of living, the homeless, the housing crisis and disastrous liberal policies enabling tent encampments. It also has high taxes and gas priced and finally it has seen companies leaving for states like Texas e.g. Tesla and  Hewlett Packard. Crime and the nanny sate are common complaints, as are poorly thought through environmental polices. Some refer to it as a  ‘state pf managed decline’
The song is set up nicely with a fairly negative view of California , probably caused by me watching Elon Musk on CNN ! I spent a long time making my lyric video in order to get across the diversity of issues and views. For example, the lines in the song, ‘Rats feast on rubbish, roaming the streets. Stopping pool parties and condo treats. Militant guys are making it worse. May the Lord, have mercy on us. Called the Governor, ain ’t taking my call. Hippy dippy therapies in an urban sprawl  California is on fire, making a noise. The Valley, is run by boys with toys’ The rats in the street refers to San Franscico which suffered badly from the Opioid epidemic, but now seems to be getting its act together. Then the chorus kicks in with,’ California is on fire, making a noise. The Valley, is run by boys with toys. On fire refers to some of the chaos described but also the 9,000 wildfires every year with up to 4m acres burned. This is increasing every year as the fires get bigger and longer and temperatures get hotter, coupled with intense droughts, albeit 95% are human caused. For some its time to go !. The songs says, ‘Modern life, has stubbed out our fun. Mired in no man’s land, it’s time to run’ and then ‘Freedom is not for sale, gotta opt out’. At this point we meet a couple who are ready to move out, singing, ‘I wanna move way out of town Wanna keep three cats, slowdown’. The have a dream and it’s not California, ‘ Buying the farm was always our dream. That's the plan baby, to swim in a stream’ – there is no way they could afford a farm in this state. They are sick of debating liberal democrat versus staunch republican policies and principles, they sing, ‘No wrangling with Damm neighbours Just the wonder of woodland gazes. They conclude, ‘No need to combat an ugly autumn. Blueberry pancakes sound awesome’ They repeat their displeasure with ‘The Valley, is run by boys with toys’





 


Pod 33 Bunch of boys with toys

GNARLY (REMIX) prod. bbmonsterdd

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Call Tyrone Show 11 26 2025

Lyrics By: Paulo Sergio Carvalho

Since I was a kid in Africa
I dreamed of faraway places
Sometimes to escape my pain
Sometimes just to feel the rain

The stars called out to me
Every night, the dream felt closer
We’ll fail many times before we win
It’ll take courage and grit from within

Rocket man, with my hair on fire
Leaving this world, reaching higher
To build a future, a second chance
For life on Mars, our own expanse

In the dust and the red horizon
A new world’s waiting to come alive
With each step, we’ll carve a path
For those who’ll come to make it last

I see children playing in Martian sand
A future that’s bright, a world so grand
With cities rising from barren ground
Hope and dreams in every sound

Rocket man, breaking through the dark
To build a home, to leave our mark
It’s one in a million, a daring quest
To reach the stars and give our best

Wish me luck, as I blaze the trail
Where countless others might prevail
From dust to stars, our spirits soar
With dreams like these, we’ll reach for more

So here’s to those who dare to dream
To push beyond, to cross the seam
God bless this path, may it inspire
A world united, reaching higher

With all my heart, I leave my place
To find new life, in outer space
God bless the USA, let’s forge ahead
And dream a future without end

Since I was a kid in Africa
I dreamed of faraway places
Sometimes to escape my pain
Sometimes just to feel the rain

The stars called out to me
Every night, the dream felt closer
We’ll fail many times before we win
It’ll take courage and grit from within

Rocket man, with my hair on fire
Leaving this world, reaching higher
To build a future, a second chance
For life on Mars, our own expanse

"Starbase, are you there? Starbase, this is unbelievable. 
We have landed, my god it's so beautiful!"

Rocket Man Live (Acoustic)

I would like to thank everyone listening to and supporting this channel - PLEASE, like, share or comment as it really helps.  I had a great time making this track - it's my first every Christmas Song - from my heart to yours and your loved ones.  I worked hard to get all the major languages I work with and acknowledge the amazing people of so many lands.  I wish I could visit every nation in the world - and to come and visit all of you!  I've very honored and I thank-you so very much.  Now let the Christmas celebration begin!  Let's make this track - our track, all of us!, go viral!

Christmas Greetings from the Rainforest Cowboy

I need You to pull up

This track grew out of a late-night session where the machines in the studio almost felt awake. Optimus has been in the headlines with those uncanny running clips, and that tension between human motion and engineered intention fits right into the cybernetic fusion world. I shaped the rhythm on the ARP in short, pulsing fragments meant to echo servo joints and shifting weight, then added stretched footsteps and metallic breaths until the whole piece felt like a robot learning its own body. The melodic layers carry the older thread, the lineage that reminds us human hands once taught the world how to move. This song sits right at that boundary between craft and circuitry, where a humanoid frame takes its first confident stride and the future feels close enough to touch.

A new cybernetic fusion piece inspired by the evolving motion of Optimus, blending ancestral pulse with machine-driven rhythm. #adamrsweet #CyberneticFusion #Optimus

[Intro - Glitchy Synthetic Sounds]
(Low hums, metallic clicks, and robotic breathy noises fading in)
Voice (robotic, distorted):
“Initialization… boot sequence… step one… step two…”

[Verse 1 - Pulsing Beat with Staccato Arps]
Metal bones in motion, 5 foot 11 frame,
Forty degrees of freedom, running just the same.
Energy flowing, battery hums low,
Walking, lifting, moving-learning how to go.

[Pre-Chorus - Warped Vocoder]
Balance… coordination…
Gait… control…
Optimus, Optimus…
Run, run, run, run, run…

[Chorus - Heavy Bass Pulse, Layered Synths]
Optimus, running through the lab tonight,
Optimus, moving like a human, precise and tight.
From first steps to full stride, the future's in our sight,
Optimus, Optimus… neon shadows in the light.

[Verse 2 - Glitchy Beats, Stretched Samples of Footsteps]
Scripts once simple, now flowing through the core,
Pick-and-place, Kung Fu moves, learning more.
Eight-second clips show progress line by line,
From slow first steps to fluid motion, nearly human design.

[Bridge - Ambient, Droning, with Reverse Samples]
Self-replicating visions, building bots to build…
Metallic heartbeat, AI dreams distilled.
Humans step aside, production redefined,
Optimus runs the line, in perfect algorithmic time.

[Chorus - Layered Vocoder and Arpeggios]
Optimus, running through the lab tonight,
Optimus, moving like a human, precise and tight.
From first steps to full stride, the future's in our sight,
Optimus, Optimus… neon shadows in the light.

[Outro - Fading Mechanical and Ambient Noises]
(Heartbeat slows, robotic voice whispers)
“Shutdown sequence… memory saved… running sequence… repeat…”

Optimus

Fresh out of the studio, Karen Hao, investigative journalist and author of "Empire of AI" joined us in a conversation to unravel how companies like OpenAI, Anthropic, and xAI have become modern empires reshaping society, labor, and democracy itself. Karen traces her journey from mechanical engineering at MIT to becoming one of the tech industry's most critical voices, sharing how Silicon Valley's innovation ecosystem has distorted toward self-interest rather than the public good. She unpacks the four characteristics that make AI companies mirror colonial empires: resource extraction through data scraping, labor exploitation of annotation workers, knowledge monopolies where most AI researchers are industry-funded, and quasi-religious quests to build an "AI God." Throughout the conversation, Karen reveals OpenAI's governance dysfunction stemming from its contradictory non-profit-for-profit structure and shares the inspiring story of Chilean water activists who successfully blocked Google's data center from draining their community's freshwater resources. She explains how Sam Altman's plans for 250 gigawatts of data center capacity—equivalent to four dozen New York Cities—would be environmentally catastrophic, while demonstrating how China's export restrictions paradoxically spurred more efficient AI innovation. Last but not least, she argues that empathy-driven journalism remains irreplaceable and calls for global citizens to hold these companies accountable to the broader public interest.

"These empires are amassing extraordinary amounts of resources by dispossessing a majority of the world. That includes like the data that they're extracting from people by just scraping it from online or intellectual property that they're taking from artists and creators. Most AI researchers now work for the AI industry and/or are funded in part by the AI industry. Even academics that have stayed within universities are often funded by the AI industry, and the effect that that has had on knowledge production is akin to the effect we would imagine if most climate scientists were bankrolled by the fossil fuel industry. I cannot stress enough how much they genuinely believe that they are on the path to creating something akin to an AI god, and that this is going to have cataclysmic shifts on civilization." - Karen Hao, Author of Empire of AI

Episode Highlights:
[00:00] Quote of the Day by Karen Hao
[00:47] Introduction: Karen Hao, Author of "Empire of AI"
[01:44] From MIT engineering to investigating AI journalism
[02:51] Silicon Valley distorts innovation toward self-benefit
[04:12] AI companies as modern empires of power
[06:00] Four traits of Empire: extraction, exploitation, monopolies, ideology
[09:01] Quasi-religious movements driving Silicon Valley AI development
[10:04] AGI believers speak specialized fanatical vocabulary
[11:16] OpenAI founding: nonprofit facade, profit ambitions
[13:53] Sam Altman firing: board's failed governance attempt
[17:13] Fragmentation: every billionaire building their own AI
[19:06] China's export controls sparked efficient AI innovation
[21:57] Silicon Valley lacks American democratic values entirely
[23:31] AI supply chain: annotation workers, content moderators
[25:06] Chilean activists successfully blocked Google's water extraction
[28:51] Altman's 250 gigawatts: four dozen New York cities
[31:21] Scaling continues despite base model asymptote reached
[32:53] Benchmarks faulty: training data unknown, results unreliable
[36:32] Empathy essential tool for investigative journalism process
[39:11] Success: sparking conversation about AI's human costs
[39:40] Closing

Profile: Karen Hao, Author of Empire of AI and Investigative Journalist LinkedIn: https://www.linkedin.com/in/karendhao/
Personal Site: https://karendhao.com/


The AI Industry Is Building Modern Empires with Karen Hao

The Analyse Podcast, formerly Analyse Asia, is a weekly show that dissects the pulse of business, technology, and media across the world. Hosted by Bernard Leong, it features in-depth conversations with leading journalists, senior executives, visionary authors, entrepreneurs, and thought leaders who shape industries and ideas. Each episode dives into the most important trends and stories redefining how the world builds, scales, and innovates — from Asia to the globe.

Brady Kent is a  Song Lyricist 
Books. Songs. Podcasts. Working with Guest Muscians

If you like a song, please comment on the song track!  Thank you very much.

So you want to know more about the mysterious (and handsome if I do say so myself) Rainforest Cowboy?, eh,

In school I majored in music for four years playing in an orchestra and a band.  Specifically, I played a western brass instrument called a "Tuba" - it's a bass instrument and like drums carries the beat for a composition.  My instructor was a traditional German composer/conductor .. and they love Tuba's so it was a lot of fun.  I also played early keyboards and organs getting into the nascent MIDI interfaces of the day with an Atari ST.

I attended many orchestras at this time and got into early New Age type music such as Fresh Aiire (which I consider experimental). This really kicked off my interest in traditional instruments around the world, languages (even spoken languages are essentially musical), cultures - why I really enjoy fusion mixes.

My father had cancer during my school days, I worked those years in addition to taking care of my father.  When he passed in my final year I left music as I have to work very hard in order to survive.

I volunteer at various places as time permits, at one I pick up food for elderly women.  Seeing how hard the staff and volunteers worked helping so many I decided to try to create a song for them, my way of saying thank-you and also encouraging them.  Some people had suggested I go public .. in fact the same people suggested I start a Sound Cloud site .. which I knew very little about (just a few weeks ago).

It's been great fun.  Here is the process:

I start with an idea, then research for days to several weeks for accuracy and depth.  

Once researched I create a shot story based upon the original idea/concept.  I love true life stories, emotions, passions and work hard to get that into the lyrics (which is basically poetry).  When younger I was the #1 author in my field, worldwide, so for me writing has been a lifetime passion and poetry (lyrics) is the dessert.

Once I have it all 'fleshed out' I get into my nerdy-tech interests.  I've been involved in PC's since an Apple ][ back in 1977.  I also, as CIO, took a company from 10K in sales to over 2-Billion within 10-years and doing all aspects of IT and robotics was so so much fun.  This is why I love the AI side .. I'm getting into the LLM and really merging it with music.  For example, I'll specify (say) G Minor, the tempo (timing, beats), vocals, languages, instruments and so forth ... it's almost like C++ programming.  From there I take the lyrics and clothe it in song.  So I'm basically merging musical theory and tech.  Again, the story/lyrics are the most important aspect but the tech side sure is fun.

Finally, as I was an artist as well, I spend a lot of time doing the various track covers(which are all custom made my me, only, I tend to do them at 4K or 8K.  Then there's last but not least, organization and all the background work to keep it organized.

I'll get an email address up - if you have a story to tell let the ole Rainforest Cowboy know.  I love to write about peoples' experiences, their cities and nations, hobbies, hopes and fears.  Maybe you're in love, promoting a charity, or missing a lost one - if you would like to share, I'll make a song about it.

Tune in to the Call Tyrone Show on WOLB 1010 AM Baltimore on Wednesdays from 12:00 PM to 1:00 PM EST. The Call Tyrone Show is hosted by LTC (Ret.)Tyrone Bost, owner of BPPW Piping and Pipe Welding. We talk about real issues and uncover the ‪truth‬ that is hidden in plain sight by discussing the facts behind the poverty, unemployment, the war on drugs, mass incarceration, and politics.


The Call Tyrone Show is your weekly dose of the truth with the proof in Baltimore and beyond!

The Call Tyrone Show Supports The Dollar House/Dollar Lot Program for the 21st Century. Learn more about it at https://baltimore4homes.org.

I see music in the stars, I hear music when I sleep, its a never ending story... Paulo Sergio Carvalho, known to the music world as iPauloSergio, was born in the stunning city of Ponta Delgada in the Azores, Portugal. His early years were enriched by the lush landscapes and vibrant culture of the islands. At the tender age of 13, Paulo discovered his passion for music, immersing himself in the sounds of the piano, keyboards, and guitar. This early exposure laid the foundation for his lifelong love of music and set him on a path to become a multifaceted musician.

Paulo’s music is a rich tapestry woven from a wide array of influences. He admires legends such as Johnny Cash, Willie Nelson, and Bob Dylan for their storytelling prowess, while also drawing inspiration from the melodic genius of Billy Joel and the powerful anthems of Journey and Van Halen. Furthermore, the innovative sounds of electronic pop icons like Pet Shop Boys and Depeche Mode can be felt in his work. This fusion of genres reflects Paulo's ability to connect with a diverse audience and create music that resonates on multiple levels.

In addition to his solo pursuits, Paulo has collaborated with fellow musician iGracie to write songs for various bands, including the country outfit Devils and Debutantes and the indie rock group Love Bomb Poets Society. These partnerships have allowed him to explore different musical styles and expand his songwriting repertoire, blending heartfelt lyrics with catchy melodies that appeal to listeners across genres.

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Com sua voz aveludada, Lorelay Fox traz seus pontos de vista sobre atualidades, cultura pop e tudo o que passa pela mente de um jovem adulto! Comentários sem sentido, conselhos inadequados (ou não), dicas, convidados e até poesia! Siga no instagram @PodcastParaTudo e @Lorelay_Fox

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