in Life, the Sentient Dream

2. Moonlight Tower

1. Happy Town

Reread Isaiah chapters 9-14
King of Babylon

09 23 2024 The Lord's Decree- Isaiah Chapters 9 To 14

K's Back to the Future Mix
Milestone & Pioneer Philip Oakey * October 2/1955

Waitress Mix - Happy Birthday Phil !

I can't stop thinking about you
I can't stop thinking about you

How can I see your face again?
I'm stuck in a loop without a friend
The lies you'd given me; I had to reflect
In a scene away - coming back again

The signs keep coming back
A feeling I kept inside my hands
So I keep making up these worlds for you

Hear my words tonight
You are mine
I can't lie
Endless thoughts about you in my life
All night

When will I ever get to tell?
This desire -- it feels like hell

But the signs keep coming back
A feeling I kept inside my head
So I keep making up these worlds for you

Hear my words tonight
You are mine
I can't lie
Endless thoughts about you in my life
All night



Hear my words tonight
You are mine tonight
Endless thoughts about you in my mind
All night

Hear my words tonight
You are mine tonight
Endless thoughts about you in my mind
All night

MIRACULOUS

Day dream Emulator

Session impro live BeatStepPro/Emax et effets reverb Hectro, delay 8 bit Fostex 3050 piloté en CV via le BeatStepPro. Le tout mix et cut en direct via une vieille Soundcraft Delta 8 voies.

RumbleConvolutionB

Session impro live BeatStepPro/Emax et effets reverb Hector, delay 8 bit Fostex 3050 piloté en CV via le BeatStepPro. Le tout mix et cut en direct via une vieille Soundcraft Delta 8 voies. Master full analo.

RumbleConvolutionF

Here we go again, again
Sick and tired of these conversations
Generations lecturing
Can't seem to find my place within my own world
People walking two-by-two
Been so long since a thought of you now
Dark room in meditation
I'm so alone in isolation

Another day
Another hopeless memory
Another day
Can't seem to find my way

Don't let me in, I'll let you down
I know you're gunna find me with a frown
Don't let me in, I'll let you down
Why do I have to play just like a clown?
Don't let me in, I'll hit the ground
Just tired of waiting for that perfect sound and
Don't let me in, 'cause I'll breakdown
You're worth more than Jewels upon a crown

Can't stop this endless stream of pain again
Making up these masks I do not recognise

Another day
Another hopeless memory
Another day
Can't seem to find my way

Another day
Another hopeless memory
Another day
Your memory just keeps remaining

Don't let me in, I'll let you down
I know you're gunna find me with a frown
Don't let me in, I'll let you down
Why do I have to play just like a clown?
Don't let me in, I'll hit the ground
Just tired of waiting for that perfect sound and
Don't let me in, 'cause I'll breakdown
You're worth more than Jewels upon a crown

WONDERING WHAT WE'RE DOING

In celebration of the 40th anniversary of the groundbreaking E-mu Systems Emulator II sampler, Dave Rossum, Kevin Monahan and Paul Wiffen share inside stories of the development and manufacture of the instrument, their struggles to get around the technological limitations of the time and how the instrument was widely adopted by bands, artists and pop culture.

Chapters
00:00 - Introduction
01:50 - The Origins Of The Emulator
03:59 - The E-mu Name
04:57 - Kevin's Background
08:09 - Paul's Background
11:19 - The Motivation For Creating Emulator II
16:26 - Specific Challenges
25:19 - The Challenges Of Adding Hard Drives
30:35 - How Did The Iconic Industrial Design Come About?
35:11 - Having Two Disc Drives
38:22 - How Artists Responded To The Emulator II
46:46 - Using Sampling To Create Novelty Sounds
56:08 - Kevin's Contribution To Ferris Bueller's Day Off
57:37 - The Legacy Of The Emulator II And Sampling

https://www.soundonsound.com/people/emulator-ii-40th-anniversary-sos-podcast

Dave Rossum Biog
Dave Rossum is a pioneering figure in the field of electronic music and audio technology, celebrated as the co-founder of E-mu Systems. Rossum’s early interest in engineering and music led him to study at the University of California, Santa Cruz, where he developed a deep understanding of both electronic circuits and music theory.

In 1971, Rossum co-founded E-mu Systems with Scott Wedge. Initially focusing on modular synthesizers, the company became a cornerstone of the burgeoning electronic music scene. Rossum’s technical brilliance was pivotal in designing groundbreaking instruments, including the E-mu Emulator, one of the first affordable digital samplers, and the E-mu SP-1200 drum machine, which played a critical role in the development of hip-hop and electronic music.
Full biog at https://www.soundonsound.com/people/emulator-ii-40th-anniversary-sos-podcast

https://www.rossum-electro.com/

Kevin Monahan Biog
Kevin Monahan was a key figure at E-mu Systems, contributing to the company’s legacy of groundbreaking innovations in electronic music technology. Monahan played a pivotal role in the development and marketing of E-mu’s iconic products during the company’s peak in the 1980s and 1990s, helping bridge the gap between technical engineering and the creative needs of musicians.
Full biog at https://www.soundonsound.com/people/emulator-ii-40th-anniversary-sos-podcast

Paul Wiffen Biog
Paul Wiffen is a renowned keyboard player, sound designer, and music technologist. With a career spanning decades, Wiffen has worked as both a musician and a consultant for leading synthesizer manufacturers, blending his technical expertise with a keen musical sensibility. At the height of the Emulator II's success, he was London's most prominent programmer of the instrument.
Full biog at https://www.soundonsound.com/people/emulator-ii-40th-anniversary-sos-podcast

Rob Puricelli Biog
Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.

www.failedmuso.com
Twitter: @failedmuso
Instagram: @failedmuso
Facebook: https://www.facebook.com/failedmuso/

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

Electronic Music

Emulator II 40th Anniversary

Emulator II 40th Anniversary | Podcast

ryujinx plays a way the ACNH can't get to the A out of B

Wake up tangled in rust and wire
Static in head,  like a choir
Lights that flickers, cracks in the glass
Thousand voices screaming from the past

I see the fractures, I taste the decay
Something inside me is slipping away

Tear me open, Burn the past,
Leave me whole, Dig my grave

Metal veins, circuits scream
Don't know where to end or begin
Every signal burning claim
I can't feel a goddamn thing

Ghost in the wires, I slip through the cracks
Rewired, expired, no turning back

Tear me open, Burn the past,
Leave me here, Dig my grave

Tear me open, Burn the past,
Leave me here, Dig my grave

DIG MY GRAVE

In today’s episode, we give you a full overview of the Gamefusion Emulator app, designed to emulate PC games on Android devices. https://gamefusionemulator.top/ We’ll discuss its performance, installation process, and how to ensure the best gaming experience without overheating or lag. If you're ready to take your gaming on the go, this episode is packed with helpful tips and tricks!

Gamefusion Emulator

Oli Freke talks us through the history of samplers, from the introduction of the Mellotron in 1963, through to current day sampling software, while highlighting the golden era of sampling from the late 80s to early 90s.

Chapters
00:00 - Introduction
01:08 - The Mellotron
02:28 - Pre-Digital Samplers
03:18 - Pierre Schaeffer And The Phonogène
04:03 - Peter Zinovieff And EMS
05:44 - The University Of Illinois' PLATO
06:08 - Harry Mendell's Melodian
07:21 - Wendel Sampling Computer
08:29 - The Fairlight and Fairlight II
15:20 - The Fundamentals Of Sampling
19:43 - The Synclavier
23:47 - Digital Delay Lines (DDLs)
26:04 - EMU Systems Emulator
31:01 - Ensoniq Mirage
32:39 - Other Notable 1980s Releases
34:46 - Akai S1000 and Roland S Series
38:14 - Sampling And Legal Issues
41:16 - Modern Day Sampling

https://www.soundonsound.com/sound-advice/history-samplers-sos-podcast

Oli Freke Biog
Oli Freke is a London based musician, artist and author who has had a life-long passion for electronic instruments, synthesizers and electronic music. Currently working for the BBC, he has previously enjoyed success with electro band Cassette Electrik supporting the Human League on tour, written music for television and produced dance music since the 1990s.

His Synth Evolution range of posters, celebrating the synthesizer and electronic music culture, launched in 2017 and led to the definitive, hand-illustrated book, ‘Synth Evolution: From Analogue to Digital (and Back)’, featuring every commercial synth of the 20th century.

www.synthevolution.net
www.linktr.ee/olifreke

Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts

History Of Samplers

Show Notes

History of Samplers | Podcast

Episode 209
Emulation has become a well-used tool for seasoned video game players to enjoy older games - what are our thoughts on emulation, and how has it changed over the years? Today, we discuss our relationship with emulation and emulated games. As always, we conclude with the games we're playing (Monster Hunter World, Monster Hunter Wilds, Clair Obscur: Expedition 33). This episode was recorded in May 2025. Intro and outro music composed for Gametalk by Dylan Chase (dylan.robert.chase@gmail.com).
Questions or comments? Check us out on YouTube, Instagram, Tiktok, and BlueSky at @PodcastGametalk

Or chat us up in Discord - discord.gg/JZCj5Qn

Timestamps:
0:00 - Opening Banter
2:16 - Our Thoughts On Emulation
34:26 - Monster Hunter World and Monster Hunter Wilds
45:56 - Clair Obscur: Expedition 33

Emulation Era

You know those tracks where you just keep adding stuff but know you should really stop? Well this is one of those :)
Inspired by... a combination of being attacked by wasps (OK, I did accidentaly tread on their home), Hot Chocolate (the band) and all the cool synths in the early 80s.
Starts off scary, but maybe becomes happy(?) Learn to live with the wasps. Don't tread on their homes. But don't let them build nests above your front door. Lessons from life ;)
All synths from Arturia Analog Lab V - CMI, Emulator, Vocoder, SP-Xa, Mini, DX7. Plus a bit of Pigments and guest staring a real life wasp. The Vocoder phrase is one of the great defaults.

Who's afraid of wasps?

In this episode we discuss - a poor performance, 4th of july and a new MiLB logo


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That’s all of them, correct?


Does anyone read this far down?


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Episode 487 That's My Baby Oil Fund

【Viral Audios, Laptop, Sound Experiences】
° HAVE A TRACK U LOVE UH OH

Electronic Musician / Multimedia Producer

A comedy Podcast with Boston accents. Each week Tara, Sean and Joe bring you laughs, whether they are remembering the 80s, making pop culture references or bringing you weird stories.

Gametalk is a podcast discussing games and the gaming industry. New episodes are uploaded Mondays on SoundCloud, Apple Podcasts, Google Podcasts, Spotify, and all major podcast services.

Kraftkabel is the artist name of Philip I. Buckland. I am a musical scientist in a parallel universe living in a studio flat orbiting Jupiter. My keyboards are suspended in gravity nets, and my mixer is controlled by the power of the mind. My cosmic sequencing software masters through the power of emotion, and my keyboards are simultaneously both retro and new.
My music originates from the point of divergence of these universes - the mid-late 1980's, but is spliced by genre splicing interludes. I use a time machine and dimensional portal to get to work.
For the other nerds out there:
Hardware synths: 
Moog Subsequent 37; Roland Jupiter X, JD-Xi, VR-09, S-1; Korg Prologue, NTS-1, Monotron Duo; Sequential Take5; Yamaha DX7; Akai PRO MiniAK; Novation Mininova; Arturia MicroFreak; Modal SkulptsynthSE; Teenage Engineering PO-20.
Main software: Ableton, Arturia Analog Pro, InSidious, random free stuff from the interweb and Dexed to program the DX7. Audacity. All played through Arturia Keylab and Keystep (which has a better arpreggiator).
Plus some guitars that I can't really play very well. And an mbira, tin whistle and an alien head-shaped ukulele.

<b>SOUND ON SOUND is the world's premier music recording technology magazine</b> - available in 5 formats: Paper, Web Sub, Replica, Full Issue PDF download or Tablet/Mobile apps. Based in Cambridge, England; independently-owned and continually published since 1985).&#13;
&#13;
Every month our UK and USA editions deliver consistently more pages than any competing title, packed full of in-depth product tests of Recording Systems, Music Software, DAWs, Virtual Instruments, Plug-ins, Synthesizers, Keyboards & Rack Modules, Music Computers, Samplers, Audio Interfaces/Soundcards, Mixing Consoles, Effects & Signal Processors — and not forgetting studio essentials like Microphones and Monitors.&#13;
&#13;
Plus the best Musician/Mix Engineer/Record Producer interviews you'll read anywhere. &#13;
&#13;
Our regular DAW techniques and practical 'how to' Tutorials offer no-nonsense advice for beginners and professionals alike, helping our global readership gain the most from their studio equipment.

I make music....hip hop/rap with experimentation. G://Anon !!!!

New tracks tagged #Emulator