Horizon of Dreams

Horizons

I scored the famous tightrope scene from Charlie Chaplin's brilliant movie The Circus (1927), and the end credits while I was at it.
I am perfectly aware that Chaplin did not approve of 'mickey mousing', but, being a huge fan of Scott Bradley, I could not resist the temptation.
Stereo version will follow later, as well as the Youtube version - as soon as I get Hitfilm to work again..

End Credits | Music for Charlie Chaplin's The Circus (1927) (MONO)

End Credits

I wrote this as an homage to fun '80s slasher and horror movies, in the vein of John Carpenter. Perhaps it would be at home as the end credits theme of a cult film from 1985.

The Slasher (Or, '80s Horror Fun)

Here's the end credits (Uspavanka za Aćima/Aćim's Lullaby) from the popular children's TV series from former Yugoslavia, Na Slovo Na Slovo, on the Organ.

Enjoy. 😊

Special Thanks to the following members for supporting me on BMC (Buy Me a Coffee):

[Ultimate Fan] Big Mama & Ncard00

[Hardcore Fan] BosnyanDave

[Enthusiast Fan] Tronald Dump

[Moderate Fan] Jesh PK, Wouter & Juke Denton

If you enjoy my content as much as they do and myself, then join them here or buy me a coffee: http://www.buymeacoffee.com/jonnymusic

And don't forget the wishlist too! Here it is for your convenience: https://www.buymeacoffee.com/jonnymusic/wishlist

Sheet Music/MIDI: https://musescore.com/user/6795656/scores/23261305

Organists of all skill levels: Looking for a home organ for practicing, etc.? Whether you need an organ with one, two or even three manuals, MIDIWorks has you covered with Viscount's Cantorum line of portable digital organs. All I ask is that if you decide to purchase any of them from either the US or Canadian online stores when you get to the "Associate" part of the checkout process, please make sure to select "JONNY" from the drop-down list to let the folks at MIDIWorks know that I sent you. Happy practicing!

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Audio exported and sequenced from Finale with Hauptwerk IX via VST Link (played on the Casavant, opus 3742 (1995), Bellevue, Washington VPO sample set produced by Sonus Paradisi)

Audio mastered with Adobe Audition CC

Track ©1975 Radiotelevizija Beograd, PGP RTS

Cover ©2025 Jonny Music

Uspavanka Za Acima (Na Slovo Na Slovo) Organ Cover

I wrote this as an homage to fun '80s slasher and horror movies, in the vein of John Carpenter. Perhaps it would be at home as the end credits music for a cult film from 1985. This version is a little longer than the original and features a proper ending and various other minor tweaks. ￼

The Slasher (alternate)

INTERCHANGE

https://soundcloud.com/kobayashi_maruuu
https://soundcloud.com/silhouette_chik
https://soundcloud.com/amphibian_rec
🛒 https://amphibianrecords.bandcamp.com/album/the-mission-ep
🔊 https://youtu.be/ymCn27TR01k

The Mission

Channeling peak-era dark garage ambience and contemporary trance stomper technology in the same breath, on their debut collaboration Silhouette (AKA Vision of 1994) and Kobayashi Maru join forces on Amphibian Records for The Mission, a 4-track EP that airlifts the snarl and frayed temper of early dubstep into the psychedelic frontiers of modern dance music.

On the A1, the title track’s driving 140BPM two-step thunder, scored with doomy metallic bellowing reminiscent of early Distance and a rolling bassline right out of Big Apple’s playbook; on the flip, Last Transmission’s frosty atmospherics and crisper-than-snow UKG-inflected percussion, a sharp retort on every third beat superimposed onto a trance-techno model.

Two lower-tempo cuts kiss each runout groove, with no lessening up in sound pressure. Winter Outpost is at the last of its tensile strength, neo-noir synths pulled skin tight over a frame of sharpened breakbeat, while End Credits shakes it all loose with a serpentine beat, a note of wistful melancholia belying the weight behind its punch.

Four cuts of divergent dance music, shaped by the waters that fed Amphibian Records’ tastes — dubstep, garage, techno, trance, trip-hop, etcetera — but charting new territory on the cusp of the known.

Kobayashi Maru is a Prague-based producer & DJ who moves sound with psy/tek flavour, techno and bass influence, organic textures and complex, pacey rhythms. A member of the Amphibian collective, Kobayashi Maru also creates music and performs live as the duo DDAT, with atch22. He is also associated with Prague’s Ankali nightclub, where he works and performs.

Silhouette, aka Vision of 1994, has made an indelible impact on the Czech nightlife scene over many years as a shapeshifting DJ and producer, through his sets and productions developing a sound rooted in the UK spirit with an Eastern European temperament. 

Tracklist: 

1. The Mission
2. Winter Outpost
3. Last Transmission
4. End Credits

PREMIERE: Kobayashi Maru & Silhouette - End Credits [Amphibian Records]

a seat at the piano

“My Best Friend Kait” is a nostalgic, emotionally rich acoustic track by ASCAP Artist Jacob J. Hess — a singer-songwriter known for blending cinematic warmth with intimate storytelling. Built on fingerpicked guitar and a reflective vocal delivery, the song captures the quiet beauty of deep friendship, unspoken feelings, and the memories that linger long after goodbye. Perfect for coming-of-age scenes, romantic flashbacks, or heartfelt moments in film and television, this piece resonates with anyone who’s ever loved and lost a best friend.

My Best Friend Kait

My Best Friend Kait ( I knew You )

My Best Friend Kait ( I knew you )

“Losing Control” drifts through the storm of sorrow, where rain washes away the past and silence speaks louder than words. It's a soul unraveling—through pain, through numbness—until a glimmer of light breaks the dark. From losing oneself to finding hope in love again, the song is a slow burn of release, reflection, and rebirth.

Break The Matrix

Losing Control

Losing Control (2025 Remastered)

7 Tyrants BGM, Vol 1

THE GOOD ENDING!

we did it

MONEY COMING 2 ME!!!

The final song in the roblox game The Poseidon Adventure 1972. https://www.roblox.com/games/117264230047565/The-Poseidon-Adventure-1972

Safe At Last

Mastered by Conor Dalton at Glowcast
Japanese translation & voice acting by Mei Konishi
Artwork designed by Emile Hamshaw-Jones

AI disclaimer: All music created and produced by Emile Hamshaw-Jones. The only AI use was to change the original male vocals to female vocals, a conversion process using a fully licensed voice.

City Racer

Return to Roppongi

Organ Cover Artist & Music Arranger.

I aim to create the World's Largest Organ Arrangements Library/Collection. You can already see the work I'm putting here, plus the sheet music I create and distribute on Musescore.

Thanks for dropping by.

#NotAI

Currently working with Mercy Byron - https://soundcloud.com/mercy-byron

Hi! I make a lot of original chiptune stuff but I’m trying to get more experimental, I’m dreaming of becoming a producer someday

Vincent Levy Bryant pka "VLEEV" is an American music composer who focuses his THEMES, SONGS, UNDERSCORE and BEATS for visual media
 ( film , animation , gaming and streaming )  www.vleev.net . He is also the current acting creative director for a non-profit that provides help for underserved visual media content creators www.shinemusicandfilm.org  He resides in ATLANTA , GA. USA

I like making music uhhhh

Spotify:
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Bandcamp:
https://emilright.bandcamp.com/album/postfunk

Youtube:
https://youtube.com/playlist?list=PL-05ZmCPj15t9FXeR-exs7yxs4CI4PWhe&feature=shared

Credits: UnoTheActivis, Diego Money, jaydes, Atl Smook, Rx Papi, Black Kray, 1600j, Slime Dollaz,Woody, Laker, boofpaxkmooky, IceBirds, Pasto Flocco, Pollari, Serane, Kasper 939, Prince K, 8ruki, Xanmanshawty, Texako, Mitaya, Bear1boss, lawsy, RewindRaps, Lostboivonte, Bravoo Hunnidz, BandoSupreme, bbygoyard, Ak Bandamont, Cityboy, NaniBeenLandin, Tripsyhell, Chico Da Tina, Fat Foolie, Flipphoneshawty, Slimggp, roxas, Misaku foxx, Gucci Theif, jack zebra, Natenumbaeight, Carl Wheezer.
BUY BEATS:
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email: prod.smash29k@gmail.com 
instagram: @smash29k

WhyPeopleWar Fundraiser for Ukraine: https://whypeopledance.bandcamp.com/

The Why people dance question was asked for the first time in Lithuania back in 2013 but it gained a worldwide echo in its 8 years of existence. Run by @pauliuskamblevicius with the help of @experimentsserial and a network of collaborators, the online electronic music platform and label keeps its heart open for new friends and treasure finds but its filter tight and deep underground. Tune into WPD channels on Soundcloud, YouTube and Bandcamp.

Soundtracks for reflected memories, lost places and introspective spaces

Fugitempus = Sipke Hoekstra = Eckmann
Composer/orchestrator/arranger/producer of whatever music or sounds I like 
(classical stuff published by Donemus and released on Spotify)

ABYSSAL, LP2, OUT NOW

pfp by danru chen
fka thereare21

I'm a writer of words for money and a writer of music for fun.

MOON AND ARIES (Jordana and Tom = real human beings - no AI in our songs - all is handmade: composition & production by Tom, lyrics and vocals by Jordana).
 
MOON AND ARIES craft retro-futuristic cinematic pop, blending the emotion of trip-hop with the storytelling of synthpop — a sound where melody meets meaning.
Their music feels like scenes from a film: lush synth landscapes, soaring female vocals, and hypnotic grooves that bridge nostalgia and tomorrow. 
Driven by their shared passion for storytelling through sound, Moon and Aries deliver music that connects on a deeply human level. 

Their catalog explores universal themes: 
transformation, empowerment, longing, healing, and spiritual awakening. Whether it’s a quiet moment of self-reflection, a triumphant personal shift, or a love scene that needs to glow from within - Moon and Aries provide the perfect sonic companion. 
With a sound often compared to artists like Sade, Air, Portishead, Depeche Mode, Massive Attack and more - Moon and Aries offer a sonic palette that blends nostalgia with new-world 
optimism - ideal for storytelling that needs depth, mood, and meaning. 

MELODY MEETS MEANING! www.moonandaries.com

New tracks tagged #End Credits