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Ensonic, joins us for a smooth tune, 'Metanoia.' A silky bass groove and catchy melodic arp carries this song through to a lovely etherial breakdown and energetic peak vibe.


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Metanoia

Ensonic - Metanoia

Just beats + bass and wild sounds. All sounds done with #Bitwig native devices. Only one loop used, the rest is all synths. I've added a lot of automation, so if you listen with headphone you can discover a whole new layer of details. Have fun!

Freaks On Fire

Ad Astra

I was sitting at the gate, waiting for the last flight home, when Ensonic dropped a question in our private Discord – the cozy little creative hub where he, Pax, myself, and a few others hang out, share ideas, give feedback, and talk about life.

He asked if we wanted to rework his track Avenging Angel.
A creative challenge – to see how each of us would approach the same core idea differently.

The plan was to gather a few remixes from people he trusts creatively and release them together as a kind of mini-LP, where each version reflects the artist behind it.

Originally, the idea was to work from stems, but I knew that wouldn’t work for me.
If I’m going to do something, I need to feel it – connect with the sounds and the emotion in every keystroke and note. It has to carry a piece of where I’m at, mentally and emotionally.

So I asked for just a simple screenshot – the bassline and melody.

From there, I shaped the track as if it had been mine from the beginning.
Tweaked a few things, added more melody, and of course... some arpeggios. 😉

But something was still missing.
It needed a voice. A monologue.
Something personal that mirrored the phase I was going through at the time.

The words came at the perfect moment, quietly anchoring the emotional core of Avenging Angel:

Some angels don’t fall.
They rise quietly,
when no one’s watching.

Original version by @ensonic-1
🔗 https://soundcloud.com/ensonic-1/avenging-angel

Avenging Angel - Phused

Part I: @https://soundcloud.com/ensonic-1/spacemaze-juno-part-i
Part III: @https://soundcloud.com/phuse69/spazemaze_juno_pt3
The mix: @https://soundcloud.com/minorscalemusic/spacemaze-juno

Spacemaze Juno - Part II

@ensonic-1 sets the scene with the growing arp atmospheres. All is calm aboard our ship. Automated sytems kick in and we emerge from countless years of hypersleep, our fears growing as we speed through the outer galaxies. We are gliding through space approaching our target, its a wonderful slow build through star fields and comet contrails. The arps transmit the story of our travels to our ancestors as we leave the cold light years of hypersleep behind us 

Then @Pax_h  takes us through the asteroid belt as we approach planet fall. We navigate the swirling gasses and radiation clouds, soar through the asteroid fields, challenging the skills of the auto pilot. We make it through, beaten and battered but still in one piece. The solar winds create mind bending sounds we can hear through the ships PA system along with strange transmissions from the target world. We strap ourselves in and ready ourselves for our long journeys end

Then 
@Phuse69 fires us through the atmosphere, our wing tips are burning but the heat shield holds true. With sudden calm we burst through the cloud base. We cruise through the planets lower atmosphere, scanners at full range, more strange transmissions are received from the surface and we can hear the alien elders singing mesmerising hyms. The alien population below lifted by their elders songs begin chanting to us. Taunting us. Willing us to land. To take the challenge of the Spacemaze. What will become of us? Who will find the glittering prize at the centre of the maze?

@Swampy101 - His voice isn’t just a chant — it’s the signal that binds the mission together.
The guiding tone that cuts through hypersleep, fear, and cosmic chaos.
A single human vibration carrying wisdom, danger, and destiny.
Those hypnotic, almost Gregorian waves become our compass as we descend,
the last ancient frequency before we face the Spacemaze itself.

In the vast silence of space,
his chant is the beacon that carries us through the maze.

Spacemaze Juno

I don’t just make music — I travel through it.
Every tone, every breath, every quiet moment is part of something larger.
We often chase goals, results, and recognition —
but the true prize lies in the road itself,
in those fleeting sparks when sound turns into emotion.

Ambient is my calling, yet I never let boundaries define me.
Arpeggios, textures, and the occasional random plonk have become my compass,
guiding me through the vast soundscape between chaos and calm.

I’ve learned that success isn’t what you reach —
it’s what you feel while creating.
When gratitude replaces measurement,
music stops being a project to complete
and becomes a melody to experience. 🌙

I don’t chase trends, fame, or numbers.
Music flows through me naturally — shaped by nature, the cosmos,
and the quiet hum of everyday life.
If my sounds resonate with others, that’s a beautiful bonus.
But in the end, I create because I love it.

Peace 🫶 Join me on the journey.

We are Minorscale Music.

Born from late-night Discord sessions, deep dives into each other’s tracks, and a shared obsession with sound.
Pax, Phuse, and Ensonic had been shaping ideas for a while — until Swampy101 stepped in and gave us a voice.

That’s when the project became something more.

Minorscale Music is more than a group.
It’s four artists, four minds, one pulse.
Built on trust, driven by feeling, and always tuned to the minor key.

I am composing dark electronic music in a variety of styles as my hobby. I feel my specialty is melancholic/dreamy electronics. 
End of 2019 I became more active after I started using #Bitwig Studio. So almost all the tracks you'll find here are from this era. The music is all done by myself - no AI used (not even for mixing & mastering). Let me know what you think and constructive criticism is very welcome too.

I like electronic music of all kinds (started with Depeche Mode in the 80s,  EBM in the 90s and FuturePop in the 00s, but also like Melodic Techno, Psytrance, Harsh Industrial, ...etc.).

I've started making music in the 80s on the Amiga 2000 with various trackers and used Jeskola Buzz on Windows for a brief period during the 90s.

The gear I am using now:
A PC running OpenSuse Tumbleweed
2 27" WQHD screens
1st gen Focusrite Scarlett 18i20 Audio interface + 2nd gen Focusrite OctoPre
Novation Launchpad X
Arturia Keystep 37
Korg Nano Kontrol
My own  Octacon controller (https://github.com/ensonic/octacon)

I use Bitwig Studio with mainly the stock devices and Sononym for my sample library.

Stefan

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