Suspenseful and energizing track featuring epic strings, drums, and brass ending with a big climax.

Night Watch

Song35

For my awesome 2022 compilation I decided to cover the classic "All Star" by Smash Mouth, specifically the EPIC orchestral version my good friends of L'Orchestral Cinematique have created. What a fantastic piece!!

L'Orchestra Cinematique - All Star (SHREK Theme) (Cover by Vast)

Big Sky

Torsion

Cerulean

Excision

Mechanize This

Against All Odds

Fragments

We are very excited to present you our brand new single "New Horizons".
Genre: Epic Orchestral Adventure Heroic Uplifting

Music by Supreme Devices
Composed by David Klemencz

Licensing information: info@supremedevices.net

Stream & Download The Track:
▸ Spotify Song Link: https://open.spotify.com/track/0YeP2t5shNq6SWnmIUzWY0?si=48c578152b654df7
▸ Spotify: spoti.fi/3P2kXI2
▸ iTunes / Apple Music: apple.co/3P2hnxl
▸ Amazon: amzn.to/3AGbLog
▸ YouTube Music: bit.ly/3yBK9y9
▸ Deezer: bit.ly/3Oe63NL
▸ Bandcamp: www.supremedevices.bandcamp.com/
▸ Soundcloud: @supremedevicesmusic

Follow Supreme Devices
▸ Youtube: https://www.youtube.com/@supremedevices
▸ Facebook: www.facebook.com/supremedevices
▸ Instagram: www.instagram.com/supremedevices
▸ Website: supremedevices.net/
___
Album Artwork by Pawka:
https://www.youtube.com/@pawka_edits7036
___
Thank you for listening!
Feel free to leave a like or a comment, share and subscribe if you enjoyed.
#SupremeDevices #trailermusic #adventure

Supreme Devices - New Horizons

Intro Theme In F#

2nd of 2 demo tracks made using Performance Samples Pacific Ensemble Strings. 

Also featuring these other libraries:

Orchestral Tools:
-Tom Holkenborg Brass
-Berlin Brass
-Metropolis Ark 3

-Spitfire Audio Albion ONE

Cinesamples:
-CinePerc
-Drums of War

-Audio Imperia Chorus Modern Choir

Adventurer's Pilgrimage (Pacific Ensemble Strings Demo 2)

Show Time!

For licensing, please contact: info@atommusicaudio.com
SUBSCRIBE FOR MORE EPIC MUSIC ► https://goo.gl/gHkG0w
FOLLOW OUR EPIC MUSIC SPOTIFY PLAYLIST ► https://spoti.fi/3xW1fpo

Solar System, features 9 melodic epic tracks. An adventure to our closest planets awaits. Atmospheric soundscapes and lush string ensembles transport you to worlds beyond our Earth. Explosive synths, powerful brass and bombarding percussion bring our Solar System to a grandiose realisation. This album is perfect for blockbuster trailers, documentary TV, and adventure games.

BUY "Solar System" NOW:
Bandcamp - https://bit.ly/3Iqia78
iTunes - https://apple.co/3N0jt0e
Amazon - https://amzn.to/3tmDKFq
YouTube - https://bit.ly/366b62L
Spotify - https://spoti.fi/3Ipqc0n
Deezer - https://bit.ly/37yyTIM
Tidal - https://bit.ly/3qfKfrS
BUY CD Quality 16-bit/44.1kHz FLAC - 7 Digital - https://bit.ly/3qhKzGg
BUY CD Quality 24 bit/WAV - Qobuz - https://bit.ly/3Jqvfii
------------------------------------------------
Music by Atom Music Audio
Composers: Dominik Heer
Album: Solar System (2022)
Track: Mars
Mastering: Lyubomir Yordanov
Publisher: Atom Music Audio
Cover Art: Nedko Chaushev
Release Date: 19 March, 2022

For more epic music like this, please visit Atom Music Audio on:
Official website: http://www.atommusicaudio.com/
Facebook: www.facebook.com/atommusicaudio
Youtube: www.youtube.com/c/AtomMusicAudio
Soundcloud: https://soundcloud.com/atommusicaudio
Bandcamp: www.atommusicaudio.bandcamp.com/

© 2023 All rights reserved Ⓟ 2023 Atom Music Audio Ltd.

Solar System

ATM62 | Atom Music Audio - Mars

Orchestral Midi Composer from Coal Country Pennsylvania with a penchant for Fantasy and Fun!

Email me at adamguzikmusic@gmail.com for inquiries regarding my services.

Banner Art by Sammy Harlan (https://twitter.com/SamOnCassette)

Atom Music Audio is a premium music production company based in Bulgaria, specializing in music for motion picture and entertainment advertisement. Launched in the summer of 2016, Atom Music Audio has achieved a high profile since confirming our first placement in ‘SOLO: A Star Wars Story’ by Walt Disney Studios. Our next major placement was with the 'Men In Black: International' campaign by Sony Pictures Entertainment, following up with 'Ford v Ferrari' by 20th Century Studios and 'The Battle of Jangsari' by Warnerbros Korea. Despite the Hollywood scene, Atom Music Audio succeeded to partner with Ubisoft for their promotional campaign for the game trailer of 'Tom Clancy’s The Division 2: Episode 3'.

We capture the thrilling cinematic sound, drive an epic music feel and turn the motion pictures into life. Atom Music Audio is a composer owned company who have secured a strong partnership and exclusive representation for Trailers by Harmony Music Libraries (US) who own Gothic Storm. In 2019 Atom Music Audio became part of the 411 Music Group (US) family representing the catalog exclusively for TV Music, Games and Ads.

We have a well-crafted music roster, specially designed for feature film, television underscore, TV Promos, film & gaming trailers, product advertising, video game music and everything else in between. We work with very talented composers with an addiction to perfection in every aspect of the music production process. We believe that only utilizing the finest, we can bring out the right piece of music to serve your project!  

If you would like us to pitch music for a current or future project, get in touch!

For licensing & music submissions, please contact us: 
info@atommusicaudio.com
atommusicaudio@gmail.com

Follow me here to be among the very first to hear new tracks!

I grew up in New Zealand and now live in the US writing for trailers, TV, games and film.

FAQ

-- Where can I buy your music?

I have albums up on iTunes, Spotify, Apple Music, Amazon Music etc - search for my name and they'll all pop up.

-- Can I use your music for free in a YouTube video?

Thanks for asking! I'm always thrilled to find out someone has taken the time to create a video featuring my music. I very much appreciate the support!

Non-monetized, non-commercial YouTube videos are ok. You might get a '3rd party matched content' notice on some tracks but you're not in any trouble.

-- How do I get into writing for trailers?

High end trailer music is one of the toughest genres for a composer to produce. The music is deceptively simple, with relatively uncomplicated harmony and melodies. To keep it fresh and modern we need to use these usually basic musical building blocks in a way that isn't cliched or dated. On top of that challenge, the level of expectation for the 'sound' (production value) of trailer music is huge...you could argue that trailer music has to sound as good or better than blockbuster film music.  a small fraction of the work that goes into producing trailer music is composition, the rest is production - making the music sound fresh, huge and real. 

Lots of composers get one side of that equation right, but to really nail the trailer music sound, so that it sounds AUTHENTIC (which I think is the deciding factor whether or not a track gets used), you need to be skilled at both composition and production.

Because of these high expectations, it took me about 7 years of composing full time to get to the level where I was ready to START writing/producing music specifically for trailers. It might not take you that long, but be prepared for years of honing your craft.

To a beginner composer, I would suggest setting their sights a little lower for a while - there are plenty of avenues for making money from music that are far less demanding. What's important is that:
- you write something every day, or at least consistently 5 days a week
- you finish what you start
- you constantly compare your music and production value to that of established composers. This speeds up improvement (if you're listening carefully to the differences between your work and theirs) and helps keep you humble : )

Deadlines are your friend - they force you to do those first two on the list, so writing for companies that supply music for TV and commercials would be a great start. A lot of libraries will take your music, but won't pay upfront, while a few still do (your music has to be valuable to them though). 

Building a residual income (royalties) is a great way to fund studio /software upgrades (which you need to do often, especially if you want to write for trailers). Having that income stream also allows you to be more picky with gigs. You'll need about 500-800 decent tracks in a handful of well connected libraries to make a living from royalties. If you're regularly writing for indie films where you can keep the rights to all that music, you'll get there in 4-5 years. If you don't have film projects, or someone breathing down your neck for tracks... 

Write when you don't have to. This will pay off in the long run - your future self (and family) will thank you.


-- What software do you use?

I use Logic. For an epic trailer track there are about 150 virtual instrument tracks (made up of several different orchestral libraries, a couple dozen perc libraries, 1 or 2 choir libraries, maybe 5-20 synths depending on the genre), along with EQ, compression and reverb on most of them.

This page is literally the dumping grounds for some of my covers, bad and good is up for you to decide. Know that with each upload I did try my best to make it sound good!

This is Supreme Devices, a group of germany-based music producers. We create custom high-end audio material for your visuals!

Services:
Custom music / Trailer music / Music for Ads / Sound Design / Film score

www.supremedevices.net

Making High Quality orchestral and jazz music for 3D Adventure Games!

New tracks tagged #Epic Orchestral