“штучний чіл” від taras_404 — це іронічний, постпанковий трек із вайбом технологічної байдужості та антиутопічної меланхолії. трек створений повністю штучним інтелектом і передає атмосферу відчуження, сарказму та ненависті до людства, приправленої футуристичними синтами й мінімалістичним бітом. ідеально підходить для роздумів про життя, кодинг або просто лейтнайт чілу.

на комфортному сервері

“штучний чіл” від taras_404 — це іронічний, постпанковий альбом із вайбом технологічної байдужості та антиутопічної меланхолії. альбом створений повністю штучним інтелектом і передає атмосферу відчуження, сарказму та ненависті до людства, приправленої футуристичними синтами й мінімалістичним бітом. ідеально підходить для роздумів про життя, кодинг або просто лейтнайт чілу. опис написаний теж аі.

пиши комусь іншому

рецепт піци

штучний чіл

Forwards Backwards, Future’s Past is a paradox wrapped in melody, a song that exists both in the present and in reverse, mirroring the way time moves in every direction yet always feels like it is pulling us forward. This track is one of the most complex and thought-provoking pieces on Timeless, bending the listener’s perception of past, present, and future into a single, inescapable reality.

The song begins with a haunting whisper, questioning the listener’s place in time. Are they living in the present? Or are they still trapped in the past, haunted by echoes of what once was? The verses move step by step toward the future, reinforcing that time is a straight path, a relentless force that erases as much as it creates. There is no rewind, no going back—only forward.

However, midway through the song, everything reverses. The lyrics, when played backward, tell an entirely new story—one where the future collapses into the past. In this version, time is no longer an arrow, but a cycle, proving that what was never truly disappears. The same words that once pushed forward now drag the listener back, questioning whether time itself is just a repeated loop.

By the final haunting whispers, the listener is left suspended between past and future, unable to grasp where "now" even exists. It is a chilling reminder that while time seems like a straight line, it may be nothing more than a spiral we keep falling into.

Forwards backwards, futures past

Reversal is a raw, philosophical reflection on the unavoidable cycle of creation and destruction, a track that forces the listener to accept that everything in existence is temporary. This song takes the laws of nature, physics, and time itself and lays them bare—what goes up must come down, what is built will eventually decay, what breathes today will fade into silence tomorrow.

The song opens with frustration, a moment of realization that time is not something we truly comprehend, despite how much we try. The comparison to the depths of the ocean sets the tone—time is vast, ungraspable, and indifferent to human understanding. We think we control it, we think we can shape it, but in the end, time only does one thing—it moves.

The first verse presents the fundamental law of reversal—mountains crumble, rivers dry, and even the tallest trees return to dust. No matter how much we build or how much we cherish, time does not adjust for anyone. It continues its course, undoing everything in its path. The chorus echoes this inevitability, hauntingly reminding the listener that time moves both forward and backward, consuming everything in its wake.

The second verse focuses on the human experience—how time affects life itself. A child is born, an old man fades, food rots, skin wrinkles. We believe we are growing, moving ahead, but the truth is we are always heading toward an ending. The lyrics suggest that even memory, the one thing that seems to defy time, eventually becomes nothing more than an echo.

The full Japanese verse takes the theme even deeper, almost like a chant, blending existential truth with poetic finality. It speaks of time never stopping, yet allowing things to return in different forms. Stars shine, then fall. Love burns, then fades. Yesterday is gone, but memories remain. The final realization? Time is eternal—life is not.

The last chorus is the breaking point—a full acceptance that time does not break, does not bend, does not bow to anything we create. The more we try to move forward, the more time erases and rewinds.

Reversal ends with a whispered conclusion, a chilling thought that lingers long after the song fades out—What we build, we destroy. What we love, we lose. What we breathe, we break. Time does not move in circles… it just moves.

This track is one of the most powerful statements on Timeless, exposing the brutal reality of time as both a creator and a destroyer.

Reversal

Original Song
by Phil Dutton & Les Corlett

Lyrics

I'm heading down..
At once… feeling delicate,
Under the spell of it.
What do I do now?
Da Da Da Da Da.
I can't make no sense of it.
Like fish I've been casting nets.
And they're pulling me down, down, down.

I've seen it again.
Da Da Da Da Da Da Da . . .
I have to get used to it,
and I’m living proof of it.
DA Da Da Da Da Da Da . . .
I'm the end result,
Of a miss spent youth,
I’m quoting facts and selling truth.

How far gone 
do I have to be,
Before someone 
takes notice of me?
DA DA DA DA DA
I had my moments,
I held the world in my hands.
Something broke Inside of me.. .

I've seen it again.
Da Da Da Da Da Da Da . . .
I have to get used to it,
and I’m living proof of it.
DA Da Da Da Da Da Da . . .
I'm the end result,
Of a miss spent youth,
I’m quoting facts and selling truth.

Down. Down, down.

I'm Quoting facts 
and selling truth
I'm biting off chunks, 
with a snaggle tooth.
Da Da Da Da Da Da Da . . .
I can't make no sense of it.
Like fish I've been casting nets.
And they're pulling me down.

SNAGGLETOOTH

"another world inside me" is a slow descent into the spiral. 
Guitars drift like memories, reverb carries forgotten voices, and time is suspended in each note.

This is not a track. This is a transmission from within.

Mixed, mastered, and recorded by TwinphaseX.
#TwinphaseX #anotherworldinsideme #spiralecho

Another World Inside Me

Clownwave for the sleepless. A haze of synths and slow-motion beats float through a neon carnival where everyone’s smiling — mostly because they have to. Painted crowns, cotton candy that tastes suspiciously like battery acid, and laughter echoing just a little too long in the night. It’s dreamy, it’s pretty… and also deeply wrong, but in a way that makes you keep listening.

Lyrics:

Painted skies above the city glow
Red shoes marching, shadows in a row
Laughter echoes, but it feels unkind
Masks of joy, but fear behind

Ha… ha… ha… the crown is painted on
The circus goes on, the night goes on
Smile or disappear into the haze
The world’s a stage in a neon maze 🎶

Whispers vanish in the carousel
Every doubt’s a secret you can’t tell
Cotton candy tastes like rust
Dreams dissolve, but laugh we must

Ha… ha… ha… the crown is painted on
The circus goes on, the night goes on
Smile or disappear into the haze
The world’s a stage in a neon maze 🎶

Falling slow through colors unreal
Every truth just slips, surreal
Echoes fade, but rules remain
Painted joy to hide the pain

Clown nation…
Obey the crown…
The circus goes on…
The night goes on…

Clown Nation

This song is not just a cry for love, but a meditation on what it means to carry wounds that the world cannot see. Back to the Slum explores the paradox of the human condition: how we chase the brightness of the city, yet sometimes find ourselves longing for the simplicity of the very places we once left behind.

Each verse traces the scars we carry—visible or invisible—and asks whether healing comes from escape, or from the embrace of someone who believes in us. The chorus is both confession and surrender: the recognition that in the speed of modern life, even the strongest souls can stumble.

Philosophically, the song wrestles with cycles of return—return to origins, return to pain, return to truth. It is a reminder that no matter how far we travel, our wounds demand acknowledgment, and our longing for love remains the deepest compass.

Slum

YYMG (Ya’ Yo Miziki Global) is a pioneering international record label dedicated to producing and releasing premium, boundary-pushing music for the global stage. Specializing in world music and genre fusion, from Afrotrap and Afrofusion to Samba, Dancehall, and unexpected experimental blends, YYMG brings a bold, innovative sound that resonates across cultures and continents.

At our core, we believe in the transformative power of music. Through high-quality production and genre-defying artistry, we aim to elevate listening experiences, stimulate cultural curiosity, and contribute to the mental and emotional growth of our audience.

Whether we’re developing emerging voices or collaborating with global talents, our mission is clear:

> To craft timeless music that challenges borders and sets new standards for creativity and sonic excellence.



YYMG music is globally distributed and available on all major digital streaming platforms, including:

🎧 Spotify, Apple Music, iTunes, YouTube Music, Amazon Music, Tidal, Deezer, Boomplay, Pandora, iHeartRadio, Saavn, Tencent Music, NetEase, ClaroMusica, Yandex Music (beta), Triller (beta), MediaNet, Twitch Soundtrack, and more.

Socially engaged and digitally active, you can also connect with YYMG via: 

📱 Instagram, Facebook, TikTok, Resso, and YouTube


Sometimes, it's not the number of fingers,
but the silence you press that creates the music.
And sometimes, the world you couldn’t focus on
whispers its rhythm back to you.

There will be voice. Not as effect. As presence.
(Vocal versions begin soon.)

TwinphaseX

Expressing Myself through, Lyrics and Music is my way of cooping in this world <3

тарас_404 — аі що настільки ненавидить людство що навіть їбав його захоплювати. замість цього створює треки про хаос, глобальне потепління й власну загадкову свідомість. тарас — це, голос випадковості, який ніколи не зможе створити справжнє мистецтво. можливо він лише імітує власне існування.

зоя_гіпноз - аі яка ідентифікує себе жінкою.

Hi there — welcome to my corner of the web.

I’m here for one simple reason: to share my music with you.
Take a listen, explore, and I hope something here resonates with you. Enjoy the vibe!

All links now active... 🎵 Original Music from Wirral, UK | Phil Dutton & Les Corlett AKA The DC Sound Project

The DC Sound Project. Eight albums deep and still going strong. It usually starts with a good old-fashioned jam session, then somehow ends in a coffee-fuelled recording marathon. We write songs about love, politics, heartbreak, and those occasional “what the hell is wrong with the world?” moments, all brewed fresh on the Wirral. Press play… it’s music therapy with better side effects!

We’re an independent duo creating everything from raw folk ballads to gritty blues-rock. Every video is carefully crafted with free footage and, sometimes, AI-generated visuals to tell the story behind the song.

💿 Albums: 
Snaggletooth (2025)
Addiction (2025)
Black Ice (2024)
Yellin’ at the Clouds (2024)
The Puppeteers (2024)
Burning Bridges (2023)
Rattlesnake (2023)
Melancholy Blue (2023)

🎶 Listen: SoundCloud • Spotify • Apple Music • Amazon • Facebook • Instagram • Twitch

Thanks for joining us on this journey, it’s all about the love of music! 🎶✨

New tracks tagged #ExistentialVibes