In the ruins of the cathedral, the machine waits. Its purpose is unclear, its hum steady, its randomness precise. The hands that built it are long gone, their intentions scattered like dust in the stained glass light.

And yet, a melody emerges.

Fragile at first, as if pulled from the cracks of the machine itself. It twists and falters, rising through the chaos, threading between fractured textures. It does not linger—it is too elusive, too human. A brief resonance of something long forgotten, before dissolving back into the drone.

The machine does not speak, but it listens. Its frequencies ripple through thought, stitching together fragments of memory, weaving chaos into fleeting patterns. The air feels alive, charged with the weight of something unsaid.

They say it was built not for power, but for understanding. To hear what cannot be spoken. To shape what cannot be seen. Its final act is sudden—a crescendo of harmony collapsing into silence.

In the stillness, the question lingers: who built it? And why?

Obsidian Frequencies III

a nice blend of experimental electronic and dubstep

Drum Chemistry

what is left +300c

a nice experimental ambient dubstep track

Universal Basic Income

Album “THE POETS DEPERTMENT OF ELECTRICITY”

Experimental electronic music created by electronic musician TAKEO SUZUKI, inspired by Japanese spirituality and Buddhism, and intuitively created in a short period of time.
This work incorporates elements of techno, ambient, minimal music, and contemporary electronic music, and is created using synthesizers and sampling.
The cover artwork is a digital artwork by TAKEO SUZUKI himself.

Producer profile TAKEO SUZUKI:
Started his career in the 90s as a beatmaker and DJ for the club jazz unit "O.M.U.", releasing albums on the Nippon Columbia Triad label and Germany's 99 Records. Appeared as O.M.U. at the large Swiss jazz event "Jazz not Jazz" and participated as a DJ. After leaving O.M.U., he took a break from music for a while and began creating art, graphic design, photography, and other creative works. He resumed his music career in 2022. He produces a wide range of music that is not limited to genres, from ambient to experimental electronic music and club music.

Official Site
https://www.takeo-suzuki.com
TAKEO SUZUKI YouTube
https://www.youtube.com/@takeosuzuki_electronic
TAKEO SUZUKI bandcamp
https://takeosuzuki.bandcamp.com/
Patreon
https://www.patreon.com/takeosuzuki
Instagram
https://www.instagram.com/tasken_music


01 - 742-113

02 - 538-976

03 - 805-140

04 - 312-554

05 - 620-109

06 - 556-102

07 - 542-986

08 - 349-661

09 - 800-138

10 - 528-946

11 - 324-588

12 - 608-106

a nice deep experimental electronica track

Year of the Snake

In the 90s, he began his career as a beatmaker and DJ under the names DJ TKO and TAKEO SUZUKI in the club jazz unit "O.M.U.", releasing CDs on the Nippon Columbia Triad label. He then released a completely self-produced album on the German label 99.

After leaving O.M.U., he took a break from music. Around 2020, he resumed his music career, and has been actively releasing experimental electronic music, techno, psychill music, and other music, mainly ambient, on bandcamp.

Maria Aristotelous (Art Scientist ,Philosophical Artist ) Artistic Project and Studio Practice .
To be updated soon with bio etc .

On all major platforms “R. Alexander Lizard King Productions” 

Drum and Bass/Techno/Electronica since 1998….


Rodney Alexander, I started djing in 1998 getting turned onto the rave scene by likes of Dj Silpher,  Rowdy Faust, and Dan Craig, Lords of Acid....working at the wherehouse music in salem, oregon from 1996-1997 i got exposed to more electronic music and producers, Nine Inch Nails, Morcheeba, Bjork are among some of my early influence, and finally Dara in 1997 that changed my life.......
              and then it was off to Eugene, Oregon to attend UofO in the dorms in 1998 where LizardKingproductions was formed and threw several well documented productions between 1999-2002 in Eugene, working with Stylus grooves aka Jason dj Silver, with stylus systems.In 2006 i through "Communion" a small outdooor party in Eugene, Oregon with Dj Tek from Roseburg, Oregon....I started throwing parties and spinning at shows with Justin Down aka DJ Getdown in 2007 , The rabbits tail and Boom Box in the boon dox the 1st original parties..lol..
            .in 2018 i met Kurt Gluck aka Kurt Submerged who is one the best DnB producers in the world and currently lives in Berlin, Germany working on his craft, he inspired me in ways he will never know....I also got in touch with Monolog aka Mads who is one of my favorite prodcuers,,,,i spin his stuff all the time lol.....big ups guys....Live well. Be healthy.

New tracks tagged #Experimental electronica