Vedran - I Am The Black Hole

"Acid" is a sonic journey into the raw edges of experimental sound design. The track opens with twisted, acidic synths that ripple and warp like liquid metal, immediately setting a tense, electrifying atmosphere. These synths aren’t just background — they’re the heartbeat of the track, pulsing with unpredictable energy.
Layered over this are heavy, industrial drums that slam with mechanical precision, giving the rhythm a brutal, almost primal force. The percussion drives the track forward like a relentless machine.
Then comes the distorted guitar, snarling and chaotic, adding a layer of gritty rebellion. It doesn’t follow traditional melodies — instead, it clashes and collides with the synths, creating a soundscape that’s both aggressive and hypnotic.
The result is a completely unique fusion — part electronic acid trip, part post-apocalyptic rock anthem. It’s not just music; it’s an experience that challenges the listener’s expectations and immerses them in a world of sonic experimentation.

Acid

🌀 Deeply textural and immersive — a living sculpture of sound between organic resonance and modular synthesis.
Perfect for museum installations, contemporary art films, and immersive audiovisual performances.
🎬 Demo Edit 0:45 — Fade-out version for showcase.

🎧 Explore more by Mood:
#ALEXAbstract #ALEXMinimal #ALEXAmbient #ALEXArt

🌍 Explore by Use:
#ALEXFilm #ALEXInstallation #ALEXMuseum #ALEXDance #ALEXPerformance

💿 Explore by Category:
#ALEXArtExperimental #ALEXFilmScore

🎶 All tracks by Alex TOLMER — Music without limits.

#Electroacoustic #ExperimentalSound #AmbientArt #SoundSculpture #InstallationMusic #ContemporaryArt #MuseumSound #CinematicAmbient #AlexTolmer

🌫️ 80) Electroacoustic_Sculpture — (Conceptual_Ambient_70BPM_ArtMuseumFilm) (🌫️ Art & Experimental)

🔻 Song Insight
The Original Blues Session is where Chaos Crashin began: two mics, one guitar, one stompbox, and too much emotion to stay quiet. Before the digital versions and genre mutations, this raw recording was just a pulse—hand percussion, feedback, and breath. It’s messy, imperfect, and alive, echoing the spirit of the garage-blues movement that inspired it.

Where later versions explode into hyper-trap and distortion, this one breathes. You can hear the room, the floor creak, the amp hum. It’s the sound of desire and chaos sharing the same heartbeat—the human version before the machine learned how to feel it.

🔻 Lyrics (Acoustic Session)
Intro:
Verse 1:
chaos confused passion
a life learned reaction—
when crime feels like love—
time becomes your glove—
come on—beg me baby—beg me for a little more

Verse 2:
whispers of confession—what you want from me—  
crazy chaos—making love—take it off let ’em see—  
showing up—it’s about to go down—  
baby’s crazy—making all the sounds—  
understanding complicated complexities—  
it’s a life worth living—even as it comes undone—

Bridge 1:
pull-me–push-me–come on baby–
it’s okay–call me crazy—
maybe baby it’s time we entwine—
pull me in, hit the floor—winde me up, drive me wild
mmm baby, give me more—
(drive me baby—you’re drivin’ me crazy—)
press me—play me—
be kind—rewinde—for a little more

Chorus 1:
we’re consistently—inconsistent—
it’s both sides—coming up twice
each step forward—paying a price
it won’t be long—spinning out

Bridge 2:
when it’s day—you say it’s night—
light it up—burn this out bright
rolling past the signs—keep the flow
can’t look back—the past—let it go—
time—goes by—looking for a home

Chorus 2:
I’m alright—you’re screaming like I got it wrong
wanting more—while you’re pulling me back
I tried to see your way—it’s a rearview mirror, baby
breaking up—being two, that’s what you chose to be
every time I let go—you’re stuck like glue—
I can never—just be free—nothing to do

Refrain:
pull-me–push-me–come on baby–
it’s okay–call me crazy—
maybe baby it’s time we entwine—
pull me in, hit the floor—winde me up, drive me wild
mmm baby, give me more—
(drive me baby—you’re drivin’ me crazy—)
press me—play me—
be kind—rewinde—for a little more

Verse 3:
you say you hate me—but who’s on top?
smack my face—singing my praise
I think I got you—figured out, baby
your Rubik’s cube of chaos—no true breaking through

Verse 4:
now I’m sipping fire—feeling ice
getting paid—in unpaid bills twice
got a car and you’re running out of roads
got it figured out now ‘cause I got nowhere to go

Refrain:
pull-me–push-me–come on baby–
it’s okay–call me crazy—
maybe baby it’s time we entwine—
pull me in, hit the floor—winde me up, drive me wild
mmm baby, give me more—
(drive me baby—you’re drivin’ me crazy—)
press me—play me—
be kind—rewinde—for a little more

Outro - tape stop, crowd noise, slow fade:
do what works—it’s chaos baby, I can’t get out
addicted to the crazy ways and things you say
loop back, it’s coming our way
flipping dollars, spending pennies
it’s all one crazy run
let it out
but pull me in
pull me baby
‘cause this crazy is about to start

🔻 4Me2BeFree
For 4Me2BeFree, Chaos Crashin (Original Blues Session) is the seed of a creative experiment—proving that the same emotion can wear infinite forms. Every reimagining is a mirror of this moment: stripped down, loud, and unpolished. It’s the sound of the human heart before the algorithm starts remixing it.

🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Chaos Crashin - Blues -Original-

🔻 Song Insight
The Glam Cabaret Edition of Chaos Crashin transforms the same tale of love and delirium into a full-blown stage spectacle. Imagine Freddie Mercury and the Sc1ssor S1sters throwing a glitter bomb into a confession booth. It’s still the same emotional core—desire vs. destruction—but told through lights, applause, and fabulous defiance.
Every stomp, gasp, and harmony turns chaos into performance art. It’s self-aware, theatrical, and gloriously over-the-top—a celebration of pain that refuses to hide in the dark.

🔻 Personal Reflection
“This one was me leaning into joyful absurdity. I wanted to see what happens when you give chaos a spotlight and a pair of heels. The story didn’t change—but the confidence did. It’s me learning that vulnerability can also be a showstopper.”

🔻 4Me2BeFree
Every version of Chaos Crashin reveals a different emotional texture. This edition is the celebration—an anthem for anyone who has ever turned heartbreak into art. 4Me2BeFree is about living without borders—genre, gender, or fear—and this track proves that the loudest truths often arrive covered in glitter.

🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Chaos Crashin - Glam

Old tricks, new mind.
Alte Tricks by Stepjake is a dark, ironic reflection on the cycles that never end — the systems, the lies, the same old games in a new disguise.
Raw beat, sharp flow, and a voice that cuts through illusions.

🔥 Nothing changes — until we do.

StepJake - alte Tricks

🕯️ Step inside the shadows — Welcome To The End, a darkwave odyssey that merges emotion, distortion, and control.
Every pulse and echo is crafted to move both body and mind through a world of broken reflections, fading memories, and electric ghosts.

This EP is not just a sound — it’s a descent into the deep structure of modern darkness.
Play it loud. Let it consume you.

⚡ Support the project:
If you enjoy my work, subscribe, leave a like, comment, share, and help me keep creating by using SuperThanks ❤️‍🔥

💿 TRACKLIST

00:00 Welcome To The End
02:55 Far Out
04:03 Magnetic Shadows
05:32 Echoes Run
07:21 Chasing Ghosts
09:07 Wild Memory
10:46 Desert Bloom
12:02 Break the Thread
13:36 Fragile Sparks
16:16 Mirror Shadow
18:11 Shadow Pulse

🕐 Total Time: 20'43''

📽 Official video: https://youtu.be/5voEskhIc0c

⚙️ TECHNICAL INFO

🎧 EP Title: Welcome To The End (Full EP - Original Mix)
🎛️ Style: Darkwave
🎚️ Produced & Mixed by: The New Of The Tower
🎵 Composed by: Francisco Javier de la Torre Moreno
🎨 Art Direction: The New Of The Tower
📽️ Visual Concept: The New Of The Tower
📣 Marketing & Promotion: Tower Creative Division
📀 Mastering: Francisco Javier de la Torre Moreno
💡 Creative Direction: The New Of The Tower
🧩 Label: The New Of The Tower
🛑 Copyright: © 2025 Francisco Javier de la Torre Moreno.
All rights reserved.

🌐 OFFICIAL LINKS

🎥 YouTube: https://www.youtube.com/@thenewofthetower
🎵 Spotify: https://open.spotify.com/artist/2KIQuMc8RR97nWY8NvgyYw
🔊 SoundCloud: https://soundcloud.com/the-new-of-the-tower
🍎 Apple Music: https://music.apple.com/artist/the-new-of-the-tower/1564281094
🛒 Amazon Music: https://amazon.es/music/player/artists/B094MLZXCD/the-new-of-the-tower
🛍️ Store: https://my-store-10c04b7.creator-spring.com/
🎧 Bandcamp: https://thenewofthetower.bandcamp.com/
🐦 X (Twitter): https://twitter.com/thenewofthetow1
📧 For booking: info@the-new-of-the-tower.com

🧠 CALL TO ACTION

🔥 Join the darkwave rebellion.
💬 Comment your favorite track.
👍 Like & Share to spread the pulse.
🎯 Subscribe & turn on notifications.
💸 Support through SuperThanks to keep the sound alive.

🕸️ HASHTAGS

#TheNewOfTheTower #Darkwave #ElectronicMusic #Synthwave #UndergroundScene #AlternativeElectronic #Postpunk #Coldwave #NewEP #MusicVideo #ExperimentalSound #CyberDark #ElectroGoth #TechnoCulture #ShadowPulse #WelcomeToTheEnd #ElectronicArtist

Welcome To The End (Full EP - Original Mix) 🖤 | Darkwave · The New Of The Tower

“Pulse//Parse” is a hyper-modern, glitch-ambient composition that transforms binary code into a rhythmic language. Each 0 and 1 functions as a microbeat, creating a fractured, hypnotic pulse that mimics digital data flowing through circuits. The song blurs the line between melody and rhythm, treating sequences of numbers as both musical notes and percussive accents, resulting in an experimental auditory landscape where structure emerges from repetition and variation.

The verses layer mirrored and echoed binary sequences, producing internal “rhyme” patterns within the digital text. Syncopated pauses and repeated clusters create a sense of tension and release, while overlapping sequences across lines establish a polyrhythmic complexity. The pre-chorus and chorus amplify these interactions, producing a hypnotic, almost ritualistic cadence that feels simultaneously mechanical and organic. The listener is drawn into a world where logic and emotion intersect through rhythm, numbers, and pattern.

The bridge and final chorus elevate the piece into a climactic, multidimensional experience. Sequences twist and overlap, generating unexpected sonic echoes and mirrored motifs, while the structured chaos evokes imagery of data storms and digital landscapes. “Pulse//Parse” is both cerebral and visceral: an experimental journey through sound and rhythm, a meditation on code as music, and a celebration of the intricate beauty hidden within binary structures.

Pulse//Parse

Good boy… You have your own mind. Tonight you did not jump. But are you ready for Room Number Two? No one is ever ready for Room Number Two. Tomorrow we meet again. Sleep a little… but remember: Sleep is the cousin of death.

Jump (Chamber One)

reassemble

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

#newera #allhumanity #stepjakefans #WorldOfMusic #stepjakecommunity #StepjakeVibe 

Composer & producer across multi-genres — from cinematic scoring to club reworks.
Specialized in sync, licensing & creative collaborations.
🎧 Explore demo library: categorized by Mood, Use, and Style.
📩 Contact: alex.tolmer.music@gmail.com

Anbid Zaman is a queer activist and artist whose work rises from a life marked by displacement, resistance, and the insistence on living fully even when the world tries to deny that possibility. Born in Bangladesh and shaped by grassroots queer organizing from a young age, they grew into their voice through community struggle — learning early that courage isn’t an act, but a daily discipline.

Their journey from danger to refuge transformed them without erasing their origins. Living in Germany, Anbid continues to work at the intersections of identity, migration, and liberation, supporting queer people who face violence and navigating the complexities of chosen family, safety, and belonging. Their activism is guided by deep commitments: justice without compromise, solidarity across borders, and an unshakeable belief that marginalised voices should be heard not with pity, but with respect.

These values spill directly into their music. Anbid’s sound blends testimonial storytelling, emotional minimalism, and atmospheric layers shaped by memory — the quiet of hiding, the noise of protest, the ache of leaving, the thrill of surviving. Each track carries the weight of lived experience and the brightness of hope that refuses to die. Their art is not just expression; it is continuation, resistance, and a reminder that stories carry power long before the world acknowledges them.

Ever since I got a computer, I've been abusing it for organized noise. Meanwhile we speak the same language, and would like to speak to you. Eavesdroppers!

Founder of:
https://soundcloud.com/nentokerecordings

My journey in the world of electronic music began with a deep passion for creating spaces where people could experience music in its rawest and most authentic form. This drive led me to organize events that broke away from the conservative club scene of the time, introducing a new wave of underground culture to Albania.

🎧 The New Of The Tower
Welcome to a new, underground, dark world...

🎭 Musical Style & Artistic Evolution

🚀 Avant-Garde Dance Music Without Borders
The New Of The Tower is an independent, self-taught project that fearlessly pushes the limits of dance music with a unique fusion of genres. Officially described as a mix of dark techno, tech-house, electro, and experimental pop, it also incorporates elements of trap, punk, and even classical music.

In practice, each track oscillates between club anthems and conceptual sonic experiences. For instance, “Velvet Guillotine” (2025) is a hypnotic techno hymn built on heavy percussion and distorted vocals—a true “surreal sonic ritual” under neon lights.

The sound is always matched by a cinematic, underground aesthetic: strobe lights, cyberpunk visuals, and immersive atmospheres define every release.

🌍 Eclectic Influences & Genre Alchemy

The New Of The Tower draws from a wide range of sonic traditions:

🏴‍☠️ Dark techno and industrial groove infused with gothic textures and anarchic punk (e.g., “BRUTAL!!” — a chaotic journey of distortion and rebellion).

🌍 Afro-Tech House meets rock guitars à la AC/DC in “Love Letters” (124–126 BPM).

👺 “Masquerade of Bass” blends melodic techno, dark psytrance, and retro synth-pop.

💃 Spanish-language tracks like “Marionetas” and “Vidas Rotas” fuse flamenco sorrow with trap beats and deep 808s.

🎷 “2:59 AM” evokes Amy Winehouse-inspired jazzy cloud-rap, while “She Danced Through Storms” travels through deep house and jazz fusion with a cinematic touch.

🧊 “Still Echoing” merges melodic trance with nostalgic 80s synth-pop.

🧬 Each track is a bold cross-genre experiment: from industrial club bangers to dark electronic ballads, always rich in texture and emotion.

🎛️ Sonic Palette: Instruments & Effects

🎹 Synths & Melodies
Analog pads & leads (often vocoder-enhanced) create retrofuturistic atmospheres.
Punk-style distorted guitars and 80s synthwave textures bring cinematic depth.

🥁 Percussion & Rhythms
Hard techno kicks, metallic hi-hats, tribal drums, and trap-style 808s.
Layered acoustic and electronic elements make for dynamic and precise beats.

🌀 FX & Processing
Rich in glitchy clips, VHS noise, deep delays, and reverb-soaked vocals.

Examples: “Love Letters” is drenched in lo-fi and VHS textures; “4 Malos Polvos” features glitchy ambient layers and emotional auto-tune.

🎨 Each sound is carefully crafted to contribute to a vivid, cinematic soundscape.

🎤 Vocal Treatments: A Sonic Chameleon

Vocals range from:
🎙️ Melodic singing (English & Spanish)
🔥 Punk shouting & spoken rap
🤖 Vocoded retro textures (“Still Echoing”)
💔 Melancholic auto-tuned lines (“4 Malos Polvos”)
💣 Confessional, emotionally intense deliveries
🗣️ The voice becomes another instrument of emotion, soaked in effects like reverb, delay, filters—ranging from ghostly whispers to ecstatic screams.

🌑 Emotional Climate & Storytelling

The overall emotional tone is dark, introspective, and visceral.

Themes revolve around:
💘 Passion, heartbreak, rebellion
🧠 Subconscious states & urban alienation
🕯️ Ritualistic, trance-like experiences (e.g., “Velvet Guillotine”)
🌆 Social suffering (“Marionetas”, “Vidas Rotas”)
😈 Raw eroticism & shame (“4 Malos Polvos”: “each drop is a stab disguised as a caress”)
🎞️ Romantic melancholy in cinematic settings (“2:59 AM”, “She Danced Through Storms”)
🎬 Each track unfolds like an emotional chapter, offering catharsis, vulnerability, and mystery.

📽️ Conceptual Artistry & Vision

The New Of The Tower is not just music—it's an immersive audiovisual concept.

💀 Explores themes of dystopia, poverty, guilt, rebellion
🏙️ Brutalist club visuals, cyberpunk aesthetics
🕯️ Emotional depth with non-commercial intent
🎭 “4 Malos Polvos” = a “dark confession for love sinners,” cinematic and raw
🌀 Each release = a journey through shadow and rhythm
🕺💀 Dance meets darkness—a kind of electronic film noir where each beat tells a deeper truth.

📈 Style Evolution: From EDM to Darkness

🟢 2019–2022: EDM & electro-pop beginnings (Feel EP, “You And Me” — catchy and bright)

🟡 2024: Transition into melodic techno (“Not Living Without You”)

🔴 2025–Present: Shift to dark techno, darkwave, flamenco-trap, and experimental storytelling (“Velvet Guillotine”, “Marionetas”)

🎭 From mainstream dance-pop to raw, conceptual electronic music—always evolving, always fearless.

🎼 Comparable Artists & Influences

🧩 The New Of The Tower resonates with:

🧨 Brutalismus 3000 (techno-punk dystopia)
👾 Perturbator (dark synthwave)
🌘 Mind Against / Recondite (melodic techno & melancholia)
🎤 Boy Harsher, Massive Attack (dark vocals, trip-hop moods)
🔥 Anyma (techno emotion), Latin trap/fusion for its flamenco-trap leanings
🌌 But ultimately, it defines its own world—one built from dark techno, darkwave, nu-jazz, and trap-rock fusion.

🔍 Sources
All analysis is based on official content from:
📻 SoundCloud & YouTube, where each track’s genre, BPM, and atmosphere are detailed, along with the project’s self-described tags and narratives.

📎 Verified by direct observation of mixes like:

“Velvet Guillotine”

“Marionetas”

“4 Malos Polvos”

“Still Echoing”

“Love Letters”

“2:59 AM”

and more.

🎧 The New Of The Tower: Not just a sound, but a dark, immersive, and emotional experience.
Let the beats confess what words cannot.

New tracks tagged #Experimentalsound