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🌐DOWNLOAD : https://www.alinaone.com/109010l/

+{FULL} carro explode portal zacarias posto explode portal zacarias carro explode no posto

Dj VDM - Explode The First Rebirth

MADE FOR PLUSH_DX
THE AWARD WINNING SOUND BASED STORY:

the guy got a lot of viruses
on his android
and its a weak device
so it powers down at the end
thats pretty bad twin

THE VIRUS STORY

yes it's dire duel 3
yes it's alphys now
yes dire duel's been replaced by something better
yes you can join the discord to see actual game engine footage now 
melancholy on top forever
https://discord.gg/csG4VsqmR5

Dire Duel: Diable Jambe

Overwhelmed

Everything Explode

...what party,,..;;'

MY N1GHTMARES (feat. XSTUSEY)

MARCO, P0L0 (feat. *WifiVix+)

A mashup of the songs: It's That Time by Marlon Hoffstadt and Explode by Jordan & Baker made for the radio show Housuh In De Pauzuh on SLAM!

Free Download

Marlon Hoffstadt - It's That Time x Jordan & Baker - Explode [Elaine Thiele || Housuh In De Pauzuh Mashup]

Musica: Vou passar sarrando  - Senna Dj Feat Mc Rafa Original
Musica autoral, com trabalho conjunto. 
Produção, lançamento e distribuição com todos direitos reservados a Senna DJ.


VOU PASSAR SARRANDO - SENNA DJ FEAT MC RAFA ORIGINAL

Explode [Extended Version]

[Verse 1]
So fucking tired of the noise
Fake-ass smiles, plastic toys
I'm sixteen, trapped in glass
A thousand apps stuck up my ass
Ping me, ghost me, rate my face
I'm done playing in this fucked-up race
My soul's for sale, but I ain't sold
I’m burning up – can’t be controlled

[PreChorus]
Filter me ‘til I disappear
But you can’t mute this fucking fear
One more click and I implode
Nah, fuck that  
I EXPLODE

[Verse 2]
School’s a joke, I’m done with grades
They train us just to be afraid
Obey the clock, obey the norm
But I was born in a fucking storm
Scroll for love that don’t exist
Swipe for joy, get slapped by fists
My mind is hacked, my heart is cold
I’m glitching out – time to explode

[Verse 3]
So fucking angry every night
Feels like my head gonna explode
Where the hell am I to go
How the fuck do I get in the show?
No peace of mind, just endless noise
My thoughts are guns without a choice
Another day, another lie
I scream so loud but no reply

Explode [Edit]

most out of order ost in undertale history

the vile server in which melancholy resides: https://discord.gg/csG4VsqmR5

ran by @arch1visttt
contributors/submitters in following

affiliate list down below
@d4t4meta https://discord.gg/4FVTBf4uKt
the post office  https://discord.gg/QSqJPtAenb

https://linktr.ee/BeansuckersAnonymous
For all those who suck beans

413📍
GRAVEYARD KiD$🌹🪦
JAYSKII WRLD🌍🕊

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name La Wi. This platform is also home to the creative collaborations of the Psychonaut Collective (Meo and The Psychonauts). Thank you for your support and appreciation.

Brian L.H. Gunter is an experienced composer for media, and when in his element, Brian is blending classic scoring orchestras with modern synth and guitar. Approaching each score fresh with his own style while leaning into influences like Benjamin Wallfisch, Alan Silvestri, Nicholas Britel, Ludwig Göransson, or James Newton Howard, grounding each score with  his own twisted take on story immersive sound design.

A classically trained cellist and experienced multi-instrumentalist, Brian is proficient in guitar, bass, piano, and an assortment of other instruments and musical technology. He is an avid fan of both orchestral and popular music. Throughout college, Brian played in small ensembles, chamber groups, and symphonic orchestras, while also performing guitar and keyboards in top 40, rock, and metal bands.

Brian’s career took a significant leap with his first feature film score for "You Might Get Lost," directed by James Eaves and released in 2021 by Amber Pictures in the UK. This ambient hybrid score of synths and orchestra harkens back to Carpenter-esque genre classics, underpinning much of the film’s emotional current and gradually raising the intensity along with the protagonist's desperation. 

For Eaves' follow-up feature, "The Apocalypse Box," released in August 2024, Brian was tasked with creating a dramatically different score. Eaves requested a departure from the sparse ambience of "You Might Get Lost," aiming for a classic symphonic horror score. Drawing inspiration from Jerry Goldsmith’s "The Omen" (1976) and Fernando Velázquez’s score for "Devil" (2010), Brian crafted a
composition that is frenetic and bombastic at times yet somber and reflective at others, focusing on clear motifs that put the tension low in the viewer’s gut. All while maintaining his own flair and signature style.

In early 2024, Brian was brought on board by director Yvonne Williams of The UNcollective Productions to score her debut feature film, "White Vinegar." Yvonne chose Brian after bonding over their shared love and language for music and artists across the board. For "White Vinegar," Yvonne wanted Brian’s orchestral touch blended with elements of musical theater, inspired by Sondheim, and incorporating original songs Yvonne also wrote for the film. The blending of styles and interconnectedness of themes across Brian’s score and Yvonne’s songs created a cohesive and wildly distinctive sonic landscape. “White Vinegar” is slated for release in 2025. Just two months after wrapping “White Vinegar”, Yvonne enlisted Brian again to score a 10-minute proof of concept for her another scripts of Yvonne’s, “Rubber Room,” an intense thriller with a science fiction twist. And before Rubber Room begins production, Brian is joining Yvonne again for a third of her scripts, a holiday road-trip comedy that puts the trials of family relationships front and center.

Brian’s adaptability and creativity were put to the test with “Bloody Felt,” a horror/comedy/musical/Muppet parody by young filmmaker, Sam Torres. The project demanded a range of musical styles, from a classic children’s puppet show theme to EDM, Dubstep, and Argent Metal, alongside a classic horror score, and even a musical theater inspired piece. Brian managed to weave themes throughout each style to create chohesive musical support all within six minutes of screen time. After a public screening the film and music received overwhelmingly positive feedback, highlighting Brian’s ability to seamlessly blend disparate styles. 

While the goal is only ever to provide emotional support the film and characters demand as set by the filmmaker’s vision, Brian L.H. Gunter’s body of work exemplifies his ability to push musical boundaries and create unforgettable scores, cementing his reputation as a composer who brings a unique sonic identity to every project.

DJ @ SLAM! Housuh In De Pauzuh
https://www.instagram.com/elaine_thiele/
https://www.youtube.com/@elainethiele


HI! I'm Elaine Thiele, DJ /Composer /Producer based in Haarlem, Netherlands. I have a daily radio show on SLAM! called Housuh in de Pauzuh. Were I select and mix the tracks and regularly promote my own tracks. I'm also the main DJ of this national radio station. In the weekends I travel and do shows all over the country. Working on my own music makes the show stand out from all the others!

New tracks tagged #Explode