A reflective neo-classical aria for baritone voice, blending poetic stillness with tender emotional weight. The Gravel Path – Aria da Concerto walks through imagery of morning mist, echoing memories, and fragile resilience. The piece unfolds in a traditional operatic arc—recitativo to aria proper—with motifs of longing, regret, and quiet hope carried on gravel stone and autumn air. For listeners who seek modern opera with timeless resonance, it is both intimate and expansive: a journey of the heart along a simple path that carries profound truths.

[LYRICS]

Upon the path of gravel stone,
I walk in thought, yet walk alone.
The morning mist drifts pale and kind,
But veils the one I seek to find.

The trees lean soft with laden grace,
Their shade recalls an absent face;
Each leaf that stirs, each branch that bends,
Reminds me love may heal, or end and rend.

The air is cool, yet sweet it seems,
It stirs up echoes in my dreams.
I hear the voice in rustling leaves,
I feel the hand in autumn’s breeze.

Though distance holds what I adore,
The heart still walks, and hopes once more.
Each step is tender, cautious, and true,
Yet still it longs, as every heart will do.

The gravel path to morning
Knows nothing of regret;
Each step I take grows lighter,
Though love is distant yet.

Though distance holds what I adore,
The heart still walks, and hopes once more.

The gravel path to morning
Knows nothing of regret;
Each step I take grows lighter,
Though love is distant yet.

The gravel path to morning
Is steady, kind, and plain;
But in its dust there lies the tread
Of joy that walks with pain.

“No flame,” I say, “burns half so dire,
As love misplaced, or blind desire.
To give the heart where none will stay
Is to burn its very ash away.”

Not every ember must flare,
Some warm us as they slow;
We bank the heart, not cast it,
And guard its gentle glow.

Not every ember must flare…
Some warm us as they slow…

The gravel path to morning
Knows nothing of regret;
Each step I take grows lighter,
Though love is distant yet.

“No flame,” I say, “burns half so dire,
As love misplaced, or blind desire.
To give the heart where none will stay
Is to burn its very ash away.”

The path goes on, the soul must tread,
Yet fragile hearts may break instead.
So walk with care, let silence show,
What tender souls at last may know.

A1-S2 The Gravel Path – Aria da Concerto (Baritone • Reflective • Neo-Classical)

Commissioned by Edward "Chip" Dalton for the Lakeland Chorale, Come, Soft Slumber sets both the Latin and English text of the Virgin’s Cradle Hymn, a poem copied by Samuel Taylor Coleridge from a print he saw in a German village. Musicians will realize the opening motive used to set the ancient text is inverted when setting the modern translation. The work is published by GIA (G-6368).

Dormi, Jesu! Mater ridet
Quae tam dulcem somnum videt,
        Dormi, Jesu! blandule!
Si non-dormis, Mater plorat,
Inter fila cantans orat,
        Blande, veni, somnule.

Sleep, sweet babe! my cares beguiling:
Mother sits beside thee smiling;
        Sleep, my darling, tenderly!
If thou sleep not, mother mourneth,
Singing as her wheel she turneth:
        Come, soft slumber, balmily!

Come, Soft Slumber

Waves

Commissioned by Christ Church Christiana Hundred, Wilmington, DE, Bruce Barber, Conductor, Who Has Made This World is given in loving memory of David Lockart by his family and friends. The text is an adaptation by the composer of Job 12: 7–10. The recording is from a live performance by Christ Church at York Minster Cathedral in York, England.
David was a dear friend who also studied composition with me and sang with Christ Church. I was deeply moved and honored to compose this work in his memory. I wrote the tenor line with David's beautiful voice in mind and smile to imagine him singing along with this wonderful ensemble.
This work is available directly from the composer.

Job 12: 7–10

Who has made this world and all things in it?

Ask the animals and they will teach you,
Ask the birds in the sky and they will tell you,
Speak to the earth and it will teach you,
Let the fish in the sea inform you.

In God’s hand is the life of every creature and the breath of all people.

Who has made this world?
God has made this world and all things in it.

Who Has Made This World

A song about fear and vulnerability – honest, raw, and close. Scared Too reflects on darkness, uncertainty, and the longing not to be strong alone. Atmospheric, minimalistic, and deeply emotional – music that reminds you it’s okay to be scared, as long as it’s together.

It’s okay to be scared – as long as we’re scared together.

Be scarred too

A bold, groove-rock meets sultry pop-rap anthem—Rise & Fly blends bluesy guitar riffs, punchy 808s, chant vocals, and deadpan sass into a rhythmic, ironic journey of empowerment. With modal shifts, harmonic tension, and funky swagger, this track flips fiction into funk and turns heartbreak into a beat.

Rise & Fly

“A Love Fear” is a classical piece that captures the exhilarating highs and nerve-jangling lows of a new relationship—the thrill, the uncertainty, and that dizzying rollercoaster of emotions. Thankfully, at my age, that ride is well behind me… or at least, I certainly hope so!

This tune has been stuck in my head for years like an uninvited house guest. I could never decide… lyrics or no lyrics? 🎶

Enter Suno AI, which took my humming and turned it into this gorgeous arrangement. Honestly, I think it stands tall without words… but hey, if you fancy yourself a lyricist, I’d love to see what you’d come up with!

Drop your best lines in the comments 👇

A Love Fear

A collection of 11 beautiful, reflective, poignant and touching piano works.

These emotive, colourful, heartening and reflective compositions will go well with drama, history, storytelling, love stories, classic film / movie type cinematic music, and just for listening.

For licensing, contact
https://www.LynnePublishing.com


Buy/License

Dancing Leaf

"Fullmoonight" is a mystical and hypnotic journey through the night of the full moon.
It tells the story of the sleepybutterfly awakening, spreading its wings and flying into the festival night drifting through deep basslines, glowing melodies, and a long, breathing break.
With renewed power and inspiration, it rises again, longing for pure EXPRESSION.

Bandcamp
https://sleepybutterfly.bandcamp.com/track/fullmoonight

Sleepybutterfly - Fullmoonight

EP is coming out right after this, shooting for 4m 

Duck Funk Deluxe (LOWBRATE EDITION)

Hey, I’m Lori DeAnn—a songwriter and vocalist from Fort Worth, Texas. I started writing songs during a time of big personal change, when I realized that the poetry I’d been writing for years was really just music waiting to happen. That’s when everything clicked, and I found my voice again—literally and creatively.

I don’t play an instrument, but I do sing, and I’ve always had a strong feel for how music works—how rhythm, layers, and emotion come together to tell a story. I’m inspired by all kinds of sounds: country, blues, 80s rock, pop—basically anything with a great beat and something real to say.

My songs are all about emotion—falling in love, falling apart, finding yourself again, and working through grief. Music has always helped me say the things I couldn’t quite put into words, and I hope my songs do that for someone else too. Whether it’s a stripped-down vocal or a track full of gospel harmonies and grit, I’m all about truth, healing, and connection.

About

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

Joel Phillips taught at Westminster Choir College for 39 years. He is co-author of several textbooks in W. W. Norton’s Musician’s Guide series, including The Musician's Guide to Fundamentals, now the mostly widely used musical text in its market. His crowning achievement was becoming the 2015 Grand Prize Winner of the Bulwer-Lytton Fiction Contest [https://www.bulwer-lytton.com/2015], an international competition that selects from among thousands of entries the proposed opening sentence to the worst(!) of all possible novels.

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Lynne Publishing is a music label representing a library of high-quality, carefully developed and curated production music, available to license for use in your own media.We develop our own music with contracted professional composers, both young and exciting talents and experienced film- and TV composers.

All our music is available for easy licensing for use in media creations, such as videos, films, games, TV, online, social media, corporate use, etc. To obtain a Master Synchronization license for any of music, contact us via www.LynnePublishing.com

b e n 4 2 // f l u x

HUMAN-EVOLVED // 
FINEST AI-CRAFTED MUSIC

Sleepybutterfly – Swiss-born electronic artist with Kosovar roots, active since 2016.
His music blends Psychill, Downtempo, Deep House, and Psychedelic Ambient, guiding listeners from meditative journeys to hypnotic dancefloors.

Now available for live bookings from chillout stages at psytrance festivals, to ambient club floors, deep house events, and meditative gatherings worldwide.
With years of experience in composition and production, Sleepybutterfly brings authenticity, emotional depth, and cosmic energy to every set.

📩 Booking & inquiries: nosi.urecken@gmail.com

New tracks tagged #Expressive