“Echo of Memory” marks a new mutation in the Extrabreak lineage — the rise of the Ethereal Ambient Extrabreak. At 540 BPM, Dia-Zé-Pam-100MG transforms sheer velocity into something strangely weightless. The pads drift like distant memories, the harmonics blur into soft halos, and yet the drums breathe with impossible precision.
This track sits between dream and acceleration, as if time itself were stretching while sprinting.

Carrying the emotional gravity of ambient music and the physical impact of ultrafast breakbeats, “Echo of Memory” expands the Sleep Well project into new territory. It shows that intensity doesn’t have to be abrasive — it can be luminous, floating, and introspective, even at speeds where most genres collapse.
A quiet storm, a rush of memory, a vision of what high-tempo electronic music might become.”

Echo of Memory

“Sismographic-Error” is the sound of the earth losing its patience.
A 14-minute descent into tectonic pressure, collapsing rhythms, and seismic resonance, it marks the birth of a new Extrabreak subgenre: Fractal Telluric Extrabreak — where speed becomes geology, and groove becomes gravitational instability.

Built at 560 BPM, the track bends time instead of racing it. It breathes, mutates, fractures, and recomposes itself like a living fault line. The percussion doesn’t just strike — it shifts the ground beneath it, turning every kick into a micro-quake and every snare into a crack in the crust. The bass rumbles with a granular, unstable weight, carving deep fissures through the sonic landscape while the higher layers swirl like dust clouds rising from a tectonic impact.

Texturally, the piece oscillates between aggression and raw atmospheric tension, capturing the sensation of standing over an impending rupture. Pads and tonal fragments hover like seismic waves traveling through vast underground chambers, while the rhythm constantly splinters into fractal patterns — repeating, mutating, echoing, and collapsing back into themselves. Nothing stays stable. Everything trembles.

“Sismographic-Error” isn’t merely fast; it’s structurally unstable by design, using speed not as spectacle but as a force of nature. It continues the evolution of the Extrabreak mythos: each previous chapter pushed the limits of velocity and texture, but here, the aesthetic detonates into something more elemental. This is what happens when rhythm stops being human and becomes geological.

The Fractal Telluric Extrabreak emerges as a paradox — extreme BPM delivered with clarity, overwhelming density shaped with intention, chaos sculpted into a coherent narrative. It is the sound of a fault line telling its story in real time. A musical landslide. A resonant collapse. A reminder that everything solid eventually cracks… and sometimes, the collapse grooves.

If the previous chapters shattered expectations, this one shifts the planet a few centimeters. Welcome to the fault zone.

Sismographic-Error

“Fractured World” pushes the boundaries of what extreme electronic music can feel like.
Built around an impossible tempo — 580 BPM — the track transforms speed into atmosphere, turning raw velocity into something unexpectedly calm, luminous and immersive.

Floating pads open on a vast, broken landscape, like a world breathing through its own fractures. When the rhythm enters, it doesn’t strike: it flows. The beat dissolves into a shimmering stream of micro-impulses, creating a sensation halfway between turbulence, trance and pure ambient light.

This is the essence of the newly-born genre:

Power Ambient Extrabreak

A fusion where rhythm becomes texture, where impossible tempos create a meditative state, and where chaos turns strangely beautiful.

“Fractured World” rises, cracks and ascends one last time before fading into a quiet, spectral glow. A planet collapsing in slow motion at 580 BPM — fragile, majestic, and somehow still alive.

Fractured World

“Good Night, Sleep Well” marks the final chapter of Sleep Well, pushing th Extrabreak universe to its highest peak yet — 600 BPM of pure, controlled chaos fused with orchestral intensity.
This is where extreme rhythm meets cinematic storytelling.

Across 14 minutes, the track unfolds like a colossal finale:
surging strings, relentless percussion, haunting motifs, and a groove that somehow survives the speed. It expands the Extrabreak palette into a new hybrid form — the Orchestral Extrabreak, blending epic symphonic energy with hyper-accelerated electronic brutality.

This final piece closes the album with a sense of scale, tension, and emotional weight, carrying all the evolution that led from Carnage to Regular Guy and finally Sleep Well.
It’s both the end of a journey and the start of a new frontier.

If you've followed the saga until now, this is the moment everything comes together.
Good night… and sleep well.

Good Night, Sleep Well

In this first blast of Melodic Extrabreak, Dia-Zé-Pam-100MG pushes the human concept of “tempo” past its breaking point. 620 BPM becomes a playground for razor-sharp rhythms, fractured melodies, and a strangely irresistible groove that shouldn’t logically exist — yet somehow does.

“My Hands Shake” feels like a heartbeat accelerating into another dimension: hyperactive, euphoric, and unashamedly chaotic. It’s the sound of an artist refusing to slow down, redefining extremity with both finesse and fire.

If you ever wondered what happens when melody, velocity, and pure creative madness collide… this is it.

My Hands Shake

Dia-Zé-Pam-100MG unleashes a new anomaly in high-velocity electronic music: the birth of Dissonant Extrabreak. “My Foots Twist” pushes the limits of tempo and tension, firing at 640 BPM with a groove so unstable it feels illegal in several dimensions.

This track bends rhythm into impossible shapes, twists dissonance into momentum, and transforms chaos into something strangely addictive. Razor-edged drums, fractured harmonics, and a pulse that shouldn’t groove — but absolutely does.

Not made for the faint-hearted. Not made for this timeline.
Just hit play and hold on.

My Foots Twist

“My Heart Collapse” marks the next brutal mutation of sound — a 15-minute descent into pure rhythmic entropy at 660 BPM, where glitch distortion, broken-time patterns, and impossible syncopations somehow come together and groove. This is the birth of a new hybrid: the Glitched Extrabreak.

Built like a collapsing star, the track moves through three phases:

Rising tension, where harmonics twist and fracture;

The core implosion, a vortex of rhythmic glitches and dissonant pulses;

The post-impact drift, floating through the remains of a groove that really shouldn’t exist at this speed.

Every element — the granular noise, the stuttering drums, the warped stereo field — is pushed to the edge of musical physics. This is not meant to be safe. It’s meant to challenge, to break rules, to dance on the edge of an audio singularity.

If you’re here for comfort, you’re lost.
If you’re here for impact… welcome to the collapse.

Dia-Zé-Pam-100MG — breaking the BPM barrier one track at a time.

My Heart Collapse

A new anomaly has entered the timeline.
“My Brain Vanish” pushes the boundaries of rhythm and reality with 680 BPM of pure Acid Extrabreak madness — a speed where music should logically collapse, yet somehow… it still grooves.

This track fuses hyper-accelerated breakbeats, glitch-charged structures, and corrosive acid lines into a single sonic organism. The result is a high-velocity vortex that bends perception, defies normal physics, and expands the Extrabreak universe into uncharted territory.

Dia-Zé-Pam-100MG delivers once again a sound that shouldn’t exist —
a monster born at 680 BPM, alive, coherent, and dancing.

Enter at your own risk.

My Brain Vanish

⚠️ 700 BPM. Fractal Extrabreak. A new breach in reality. ⚠️

Still Alive ? is Dia-Zé-Pam-100MG’s latest sonic anomaly — an impossible fusion of hyper-accelerated breakbeats, fractal rhythmic structures, and destabilized acid textures, pushed all the way to 700 BPM… yet somehow still grooving like a living organism.

This track isn’t just fast.
It bends perception. It pulses, fractures, recombines, and spirals into a multidimensional rhythm field that shouldn’t exist under human laws of tempo or musical physics.

Built on ultra-precise 1/16 break patterns, fractal glitch expansions, and corrosive acid filaments propagating at lightspeed, Still Alive ? stands as the birth of a new subgenre:

🔥 Fractal Extrabreak 🔥
— a sound that multiplies itself in real-time, like rhythm folding into higher dimensions.

If you thought 580… 600… 660 BPM were the limit, this track rewrites the ceiling.
Still Alive ? pushes the threshold of electronic music to its absolute breaking point — and then grooves on the shards.

Welcome to the fracture.
Welcome to the impossible beat.

Still Alive ?

Warm is the opening blast of Angel Wings Barbecue, and it doesn’t tiptoe into the album — it fire-walks straight in at 720 BPM with a grin. This track forges a brand-new hybrid: Dark Ambient Extrabreak, where shadowy atmospheres collide with hyperspeed groove in a way that absolutely shouldn’t work… and yet somehow does.

Built on 1/16 note-repeat beats that behave like caffeinated fireflies trapped in a particle accelerator, Warm sets the tone for an album that treats velocity as seasoning: bold, unapologetic, and increasingly spicy.

This is the sound of rhythm breaking the sound barrier, ambience mutating under extreme pressure, and groove refusing to die — no matter how far into the stratosphere the BPM climbs.

Welcome to Angel Wings Barbecue.
The grill is on. The wings are glowing.
And this is only the Warm-up.

Warm

Dia-Zé-Pam-100MG is an unruly force in experimental electronic music — a creator who doesn’t just break the rules but pulverizes them into stardust and builds new sonic worlds from the debris. As the inventor of the Extrabreak genre, he mutates it constantly, birthing new substyles almost as quickly as he composes.

His constellation of influences forms a beautifully deranged paradox:
the theatrical extremism of Mike Patton,
the limitless imagination of Buckethead,
the baroque brutality and meticulous chaos of Igorrr,
the alien logic of Aphex Twin,
and the fractured rhythmic geometry of Venetian Snares.
These giants don’t shape him — they orbit him, while he generates his own gravitational anomaly.

What truly sets him apart is his creation method:
no shortcuts, no fake double-tempos, no “4× trickery.”
He records his percussion patterns live, using 1/16 note repeat, at grounded tempos like 130 BPM — and then accelerates the entire sonic ecosystem into impossible velocities (560, 580 BPM or whatever the next universe demands).
The result is authentic hyperspeed:
a human-guided, intentional velocity that remains surprisingly groovy, structured, and alive.

Every track is more than a composition — it’s a world-building ritual.
He designs mythologies, landscapes, physics, emotional atmospheres, then sculpts sound as if chiseling open alternate dimensions.
His music becomes a map of impossible places: fractured planets, cosmic avalanches, luminous abysses, and psychological states too extreme for normal rhythm to contain.

Dia-Zé-Pam-100MG isn’t following the evolution of electronic music.
He is tunneling beneath it at 580 BPM, resurfacing with something feral, visionary, and strangely beautiful.
A cartographer of hyperspeed.
A world-forger.
A genre engineer.

And somewhere in the underground, a legend whispers:
he’s preparing to push breakbeats past 1000 BPM…
and somehow, impossibly, make them groove.

New tracks tagged #Extrabreak