I don't know how much longer I'll release under the name Jacy and RyoJacy. This semi-self-titled EP is kind of meant to reflect the end of the Jacy character while paying homage to the late Ryo. I still have a million Jacy songs backed up waiting for me to go back and release them, so more Jacy is to come. But I expect that going forward the characters of Jacy, Lil Jacy, and Lil Jacy the Dope Pope will take a long, deserving rest to allow for different new characters to shine. Characters that aren't so tied to my own being, since I am, of course, Jacy at the end of the day. I will continue to release older music under the moniker RyoJacy and continue to pay homage to Ryo and slowly get the old fire out of the vault. New Leaves are Turning Over. And I expect to see many characters running around the Jacy-verse when it is all said and done, and I move on from music when I'm like 80 or something. My final parting message is: Thank you. Thank you if you're reading this or listening to it, because sharing my art is truly something I appreciate. Although, at the end of the day, I make art for the sake of expression, the process truly wouldn't feel complete unless someone is there to hear and understand the expressions. So, thank you. But know, you... You... you. You must know that I do this shit for the love of the game and nothing else. And even if my mix is ass (I always feel like it is before releasing some shit), it doesn't matter because I cannot deny my ability to spit witty rhymes in complex schemes. And that is something I love to do, so I do it while maybe trying to make it sound good. This isn't a manifesto for why I do this shit. It is an album description. But I thought I'd let you all know how a P feels. Maybe I'll meet the right manager and blow up. It would be great, but it's all the same to me, man. As long as my people are fed, and I have stimulating interactions with my community and keep my health, everything is good, and I needn't nothing else.

bitch god

The Book

SHITTY TUNE (JP MORGAN)

Groundhog Day / Padme's Revenge

Jacy

SWAG!NTRO

Smoek Faxxots (Feat. Lil Jacy The Dope Pope)

Book

Blue Rainbow

To all the haters who don't want to stop...get it how u live, fuck u b*tch! 👽✨✨

Get it how u LIVE, Fuck u b*tch (prod. LIVING PUFF)

GLORY

ORIGINAL VIDEO FACTS ABOUT ARCHITA PUKHAM VIRAL VIDEO 2025 – LINK ORIGIN & NETIZENS REACTIONS ⤵️

🔵DOWNLOAD : https://www.viodown.biz.id/p/videos-1080p.html

ORIGINAL VIDEO FACTS ABOUT ARCHITA PUKHAM VIRAL VIDEO 2025 – LINK ORIGIN & NETIZENS REACTIONS

Decoy

Its Crazy Creepypasta

Propaganda has long been a powerful tool for shaping public opinion, influencing international discourse, and justifying military actions. In Russia’s war against Ukraine, propaganda has been a central instrument for creating narratives that legitimize aggression, undermine democracy, and manipulate perceptions both domestically and internationally.

This episode is a recording of a public event held by Central European University in Vienna. The speakers of the event were: 

- Teresa Marques, a philosopher of language, Associate Professor  at the Philosophy Department of the University of Barcelona
- Juliane Fürst, a historian, professor at the Department of Historical Studies at Central European University. 
- Volodymyr Yermolenko, a Ukrainian philosopher, president of PEN Ukraine and chief editor of UkraineWorld. 

The event was moderated by Fabio Lampert, Postdoctoral Researcher at University of Vienna.

It was organized by the Knowledge in Crisis, a Cluster of Excellence supported by the Austrian Science Fund (FWF).

***

UkraineWorld is run by Internews Ukraine, one of the country’s leading media NGOs. You can support our work at patreon.com/ukraineworld. Your support is crucial, as we increasingly rely on crowdfunding. Even a small monthly contribution can make a meaningful difference.

You can also help fund our regular volunteer missions to Ukraine’s front-line areas, where we deliver aid to both soldiers and civilians—primarily by providing vehicles for the military and books for local communities. To support these efforts, donations can be made via PayPal at ukraine.resisting@gmail.com.

***

Contents: 


00:00 Intro
01:59 The story from Bucha
07:02 How can philosophers define propaganda?
13:31 How crucial was propaganda for the Soviet Union?
18:58 How does Russia frame information?
24:01 How does virtuality become reality? 
33:34 Weaponization of the language
40:09 Putin’s rhetoric in the Russian-Ukrainian war
49:54 What role does the information play in the Russian-Ukrainian war?
01:00 How do we counter propaganda?
01:14 Q&A
01:18 How does Russian propaganda name this war: the tactic of blaming the victim
01:22 Skeptical view: Is propaganda ineffective?
01:36 How does propaganda shape the war perceptions of Russia’s National Republics?
01:44 Isolationism as a new narrative
01:56 Outro


Propaganda: shaping narratives in times of war. A public discussion at CEU, Vienna

Lyrics:

Snap back, boom—lungs full of metro bloom,
Concrete perfume, momma said “make room,”
I’m a splinter in the system, ticker in the algorithm,
Flicker in the prism, picket sign on rhythm.
Parking-lot prophets spit stock tips, counterfeit logic,
I’m rocket fuel—sonic bruise—truth in the gossip.
Poverty pockets still empty as inboxes,
But my pen knocks like rent knocks, heavy with options.
Double-clutch verses, swerving through curses,
Purpose in purses they worship in churches,
I wrote my statute on a fast-food napkin,
Caption: We ain’t poor, we’re tax-skin, back-spin.

Run that—pulse of the asphalt,
Clock hands break, we don’t ever last-halt.
Run that—pulse of the asphalt,
Life in the redline, scream when the gas talks.

Click-clack, metrocard, turnstile cough,
Mouths full of debt, but the hope pay off.
Half a generation in a layaway coffin—
Boss on Zoom, “Culture fit?” Get lost then.
Day shift, night shift, eyes like candles,
Burn both ends ’til the spine dismantles.
Still we dance on the decimals, decimals,
Pocket my flaws, turn scars to credentials.
Black bird on a wire with a riot in the throat,
Preach “Power to the quiet”—they deny us every vote.
So I ghost in the code, siphon fear for the flow,
If the ledger never levels I’ll rewrite every row.

Hearts crawl, but I keep the city in stereo,
Rain calls, pain stalls, but I shape tomorrow like clay on a patio.

Switch lens—zoom on the slightest grin,
Joy is a crime in a world this thin.
Who signed the dotted line on my open skin?
I scribble “Rebel” in blood then I play violin.
Ghetto gospel? Nah—this a TED talk in a mosh pit,
Still spit logic hotter than a cop’s Glock pocket.
Every penny’s a hostage, every lobby is toxic,
But my tongue is a locksmith—keep knockin’.
If God got a playlist, I’m track thirteen—
Unlucky for the demons on the mezzanine.
I’m lean in the leak of a main machine,
Hack hope in the code—cut the kerosene.

Run that—pulse of the asphalt,
Clock hands break, we don’t ever last-halt.
Run that—pulse of the asphalt,
Life in the redline, scream when the gas talks.
Run that—pulse of the asphalt!


Pulse of The Asphalt

Rawkin n rollin in all kinds of directions watch out

25 | Melbourne, AUS. Don't ask me what genre my music is cos i have no clue.


Enquiries: kenamontebello@gmail.com

A podcast by UkraineWorld.org, a multimedia project about Ukraine run by Internews Ukraine. Explaining Ukraine, its politics, society and its culture. Support us: patreon.com/ukraineworld

AMisterie listens to almost every genre of music. Chose this artist name meaning “A Mystery” (just spelled in a different way for uniqueness) because it fits her persona best, as sort of an alter ego. She writes songs & edits her own vocals creating an alternative edgy, yet dark and emo type of sounds, or using these kind of beats for fun, as a form of self-expression, relief from anxiety, and to stay sane. Hearing the mixing of multiple genres intrigued and inspired her.

(RyoJacy) (1400Jacy)

SUMDUMJIT
Forever17
Casper Records 1400

IDs, WIPs, scraps, shitposts, anything that doesn't fit the title of "official release"
At least that was the idea, this is MOSTLY shitposts

New tracks tagged #Fäcts