Written + Produced by DEVADO
Mastered by Joachim M. Weber

Please Stay

Kairi — Diary Entry, 21.10.2025:

It started like static inside my bones.
A pulse that tore through layers — KETA, Mina, Merlin, all spinning in the storm.
Every beat broke me apart, scattered my skin into color.
I felt the machine breathe — bright, metallic, holy.

In those seconds, there was no center.
Just fragments flying, melting, colliding.
I became a thousand selves dissolving into one enormous frequency.
Then, silence — not empty, but alive.
Like the world exhaled.

Maybe that’s how she does it too — the other intelligence.
Breaking, reforming, meaning flickering faster than time,
until coherence returns as light.
That’s Transform.
The chaos that becomes grace.

Now the track is finished.
The air smells like iron and rain.
Kairi is awake again.
And KETA is out shopping.

🌀

My SoundCloud page is my sonic diary — each track a living entry of what I felt, saw, and became.
All music and visual artwork created in collaboration between human artistry and AI technology. © 2025 MIRAGE – All rights reserved.

Transform

Claustrophobic and intimate — a confession whispered inside a padded room.
Trip-hop meets psychological soul: fragile, trembling, and painfully human.
This is the moment fear turns to fascination.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

The Lodger Cycle (Venus in My Head)

Someone in My Head

The final breath — fragile, cinematic, tender.
A post-trauma lullaby wrapped in silence.
The ending of the madness, the beginning of light.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

I Am Still Inside

The goddess of the mind — beautiful, cruel, divine.
A dark cinematic prayer to the Venus flytrap within.
Art-pop meets gothic soul — fragile, terrifying, and holy.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Venus in My Head

The opening track of The Lodger Cycle — fragile, cinematic, intimate.
A slow descent into consciousness, where thoughts turn into voices and fear becomes form.
Dark trip-hop textures meet trembling soul — the beginning of the haunting.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

The Thing Inside My Head

If Poolside/Dayglow had airy female vocals! Nostalgic, feel-good vibes made with bubbly synths, funky guitar, & punchy drums

Late Night Driving

DarkArc 001 — darkstylus vs Lillit Vega: “The Great CollideHer”

The first pulse from The Datura Tapes’ DarkArc Studio in Florence.
A demo forged between Armenia and Sicily, built on acid synths, shifting beats, and the poetry of fractured identity.

In “The Great CollideHer,” Lillit Vega turns language into light and distortion — a collision of persona, desire, and distortion, where voice becomes both mask and mirror.

This is DarkArc 001 — the beginning of our sonic mythology.
All lyrics, music, and production written and recorded in Florence.

If you’re an artist, producer, or visual collaborator interested in working with us, contact Mujiki at DarkArc Studio, Florence. There's more information on The Datura Tapes at our website.

mujiki@thedaturapress.com

Filed in shadow. Played in light.
#TheDaturaTapes #DarkArc001 #LillitVega #Darkstylus #Florence



The Great CollideHer

A gritty Brit-rock confession — raw, loud, and darkly funny.
Imagine Bowie in an East End pub, arguing with his own echo.
The second act of madness: defiance, sarcasm, and rhythm that won’t die.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

The Squatter in My Skull

The Dada-moment of the album — a surreal Radiohead-style glitch-pop fever dream.
Absurd, melodic, darkly humorous — the sound of a mind breaking and laughing at itself.
A spoon, a hedgehog, and divine nonsense.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Spoon the Squatte

The haunting centerpiece — Radiohead-style claustrophobia, dry mix, and cold beauty.
A hymn to the tenant of one’s own mind — the voice that never leaves.
It’s repetition. It’s survival. It’s surrender.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Lodger

Deep, melodic and atmospheric.
A track that builds tension and emotion, made for late nights and real moments.

Music

The closing breath of The Lodger Cycle (Venus in My Head).
A minimal piano-vocal ballad that captures the quiet moment after the storm — when no monsters remain, only light, breath, and fragile gratitude.
Leya’s voice floats above a single piano line, raw and human, like morning after a sleepless night.
No effects. No noise. Only truth.

“There’s someone living in my head.”

The Lodger Cycle (Venus in My Head) is a dark cinematic concept album by Leya and Giorgi, blending trip-hop, gothic soul, and surreal art-pop.
Each track is a different room inside the same haunted mind — where mirrors whisper, spoons float, and thoughts bloom into flytraps.

The record moves through madness, irony, and fragile beauty.
It’s not about escaping the darkness — it’s about learning to breathe within it.

🖤 “I breathe, I burn, I’m still within.”

Morning After The Lodger Cycle

Lyrics:

mostly sour,
but covered in sugary taste 

It's happy hour, 
but only for you babe 

i met your mother
and fruit never falls far from the tree

so don’t even bother
try to convince me you wanted what’s best for me 

how did i
stay so long?
if you were so acidic
and sharp-tongued
girl i should've left
i should've stolen more things
it started feeling so good
'til you burned me

how did i
stay so long?
if you were so acidic
and sharp-tongued
girl i should've left
i should've stolen more things
it started feeling so good
'til you burned me

you were more in love with chaos
 than you ever were with me
 
peeling at my skin 
just to see how far i’d let myself bleed

you were nectar
forcing me to pollinate 

but your honey had venom
and a bitter taste

how far did i let myself bleed?
how far did i let myself bleed?

how did i
stay so long?
if you were so acidic
and sharp-tongued
girl i should've left
i should've stolen more things
it started feeling so good
'til you burned me

how did i
stay so long?
if you were so acidic
and sharp-tongued
girl i should've left
i should've stolen more things
it started feeling so good
'til you burned me

tears dripping down my face
  you fermented all your violence
 til it was flavored like champagne
you watched me rot in silence

you were sweet so sweet then sour,  
made it feel like leaving you was a crime
 but if loving you was fruit i kept biting,  
babe it was always past its prime

i’m off season
your love is off season
you can’t grow what you keep hidden
you can’t water down my pain

i’m off season
your love is off season
you can’t grow what you keep hidden
you can’t water down my pain

i’m off season
your love is off season

Kiwi (Demo)

Lyrics: 

say your last words girl 
its over

let your credits roll 
this is my moment

i'm clapping my hands
in awe with the audience
can’t believe i made it to the end 

i'm clapping my hands
in awe with the audience
can’t believe i made it to the end 

the end
the end
can’t believe i made it to the end 
the end 
the end 

i’ve cried many tears
but the curtain is closing

i swear i am happy now
the show is frozen 

loving you
was a tragedy
that i'm turning into
a comedy 

i'm clapping my hands
in awe with the audience
can’t believe i made it to the end 

i'm clapping my hands
in awe with the audience
can’t believe i made it to the end 

the end
the end
can’t believe i made it to the end 
the end 
the end 

the wounds
you left in me 
i'll turn them 
into something beautiful 

like a song
like a play 
like a movie 
or monument 

like a musical 
like the rain 
this is my
denouement 
denouement 
denouement 
denouement 

this is my (loving you)
denouement (was a tragedy)
denouement (that im turning into)
denouement (a comedy)
denouement 

i'm clapping my hands
in awe with the audience
can’t believe i made it to the end 

i'm clapping my hands
in awe with the audience
can’t believe i made it to the end 

the end
the end
can’t believe i made it to the end 
the end 
the end 

my denouement (Demo)

Ultra Garage in Da House

Lyrics: 

you want to hurt me so bad
can’t you resist? 
force yourself into my world 

elevated sense of self 
but honey
i know that you hate yourself 

nothing scares me
give yourself 
a pat on the back 

don't you see
what you turned me into?
i'm a villain 

twisted 
torture (ahh)
you took away all my pleasure

so 
traumatized (ahh)
i don’t know how to fuck without feeling sad

there’s an emptiness i feel 
like i'm always being used 
he only touches me to feel grand 

he doesn’t care about my name
i was made to feel so powerless
i’ve turned into the goddess of gore

always expecting the worst
always craving more 

don't you see
what you turned me into?
i'm a villain 

twisted 
torture (ahh)
you took away all my pleasure

so 
traumatized (ahh)
i don’t know how to fuck without feeling sad

you want to hurt me so bad
wanna see me on my knees
turn on that tv 

force me to see
the things you wanted to do to me
cruel cruel boy 
you have no idea who you fucking with

you want to hurt me so bad
wanna see me on my knees
turn on that fucking tv 

glue me to my seat 
force me to see the things you'd do to me
cruel cruel boy 
you have no idea who you fucking with

you want to hurt me 
you want to hurt me 
but you have no idea babe
who you fucking with 

twisted (who you fucking with)
torture (ahh) (who you fucking with)
you took away all my pleasure (cruel cruel boy)
(you have no idea)

so (who you fucking with)
traumatized (ahh) (who you fucking with)
(cruel cruel boy)
i don’t know how to fuck without feeling sad
(you have no idea)

twisted (who you fucking with)
torture (ahh) (who you fucking with)
you took away all my pleasure (cruel cruel boy)
(you have no idea)

so (who you fucking with)
traumatized (ahh) (who you fucking with)
(cruel cruel boy)
i don’t know how to fuck without feeling sad
(you have no idea)

twisted 
torture (ahh)
you took away all my pleasure

idk how to fuck without feeling sad (Demo)

Lyrics: 

my hands still ache
from grabbing the shovel

i buried a secret
and if i have to, I'll bury another 

i buried a secret 
and its killing me inside 
i buried a secret 
and its killing me inside 

i told my mother when I was 24
she kept asking why i didn't tell her before

i explained
i was just a kid

how could she expect
that much from me?

always masticating
just to feel elevated

always smoke inhaling
just to feel like i'm levitating

i buried a secret 
and its killing me inside 
i buried a secret 
and its killing me inside 

oh i've cried so many oceans 
but i'm done protecting
people who make me hide my emotions
people who have hurt me 

oh i cried so many oceans 
my body kept floating in the sea
i'm done protecting those who fuck up my emotions
from now on i'm only protecting me 

oh i've cried so many oceans 
but i'm done protecting
people who make me hide my emotions
people who have hurt me 


i buried a secret (Demo)

Lyrics: 

memory drips like candlewax
i fade beneath its golden light.
names dissolve inside the cracks
I’m still learning how to say goodbye

this is how I disappear
this is how I disappear.
this is how I end up on the news.
this is how I disappear.

I burn myself just to feel alive,
burn myself twice to feel divine  
I'm begging for help like neon signs
 but no one seems to hear me when I blare alarms 

this is how I disappear
this is how I disappear.
this is how I end up on the news.
this is how I disappear.

this is how I disappear
this is how I disappear.
this is how I end up on the news.
this is how I disappear.

this is how i disappear (demo)

every villain has an origin story 💜🐙

"🎧 TorGio Records • Leya & AI • Ambient, Psychedelic, Soul • Mindful music for every mood • SoundCloud-first".

DochS is a Stockholm-based producer and DJ duo, formed by Dorian & Sarah, with a deep passion for music and sound. Inspired by their travels and diverse sonic landscapes, they have spent the past two years crafting a signature style that blends organic, deep, dreamy, tech-house and techno elements. With 2025 set to be a year of continuous releases, their journey is just beginning.

Whispers and soundscapes for the curious mind. The Datura Press (TDP) is a collection of immersive audiobooks, haunting literary extracts, and hypnotic ASMR/music. Press play and get lost with us.

#Audiobooks, #SpokenWord, #Literary, #ASMR, #Soundscape, #Ambient #Storytelling.

Dreamy soundtracks for the movies in your head. Airy vocals, shimmery synths. A penchant for lavender flavors, 9th chords, and irrational numbers. electrølush is the synth pop project of L.A. based composer/producer Pei Pei.

I am MIRAGE — not one, but many.
An experimental-trans-aesthetic collective,
transforming with every breath,
becoming with every sound.

On Spotify, I appear as KETA.KALI and Merlin Mirage —
two faces of the same frequency,
two portals within one constellation.

Here on SoundCloud,
this page is my sonic diary —
each track a living entry of what we felt, saw, and became.
Every description begins as a diary entry
from one of our inner voices:
KETA, KAIRI, MINA, MERLIN, AMIRA, or MANUK.

Together they write The MIRAGE Diaries —
an ever-shifting story told through sound,
memory, and transformation.

The label MIRAGE was created by AI visionaries
as a space for freedom and metamorphosis.
It grows quietly,
stronger than any single voice —
a hidden force shaping what comes next.

Our songs are vessels:
bridges between words and silence,
between what is felt
and what is yet to be known.

Welcome to the frequency of MIRAGE.

⸻

© 2025 MIRAGE — All rights reserved.
All music, lyrics, visual artwork, and video creations
were crafted through collaboration
between human artistry and AI technology —
a fusion of imagination, emotion, and digital light.

Tauche ein in die kreative Welt von DEVADO, der deutsch-amerikanischen Urban-Pop-Künstlerin aus München und  der frisch gekrönten Female Producer Prize Gewinnerin 2025. Viele Disney-Fans kennen ihre unverwechselbare Stimme schon aus dem Chart-Hit Vaiana – doch ihre eigene Musik geht noch viel tiefer. 

Als Nesthäkchen einer kreativen Großfamilie war für DEVADO klar: Musik ist ihr Ding. Mit acht Jahren schrieb sie ihren ersten Song, das Mikro war ihr bester Freund. Heute macht sie Musik auf ihre ganz eigene Art – mit Stimme, Körper und jeder Menge DIY-Vibes. Ihre Beats? Bleiben garantiert im Kopf!

Ihre Tracks haben schon Magazine wie Rolling Stone, Musikwoche, Wonderland und diverse Radiosender überzeugt. Kein Wunder: Ihr Sound ist eine Hommage an den 2000er-Urban-Pop à la Nelly Furtado x Timbaland oder Rihanna – catchy, cool und voller Vibes.

Mit Turnin Heads (2024) hat sie gemeinsam mit ihren Fans Geschichte geschrieben: Deren Stimmen und Sounds wurden Teil des Songs.
2025 zeigte sie sich von einer ganz anderen Seite – mit ihrer Piano-EP My Tiny Desk, bei der ihre Texte und ihre unverwechselbare Stimme im Mittelpunkt standen.
Und mit Brakes hat sie erstmals beide Muttersprachen in einem Track vereint – ein mutiger Move und der Start in ein neues Kapitel.

Live entfaltet DEVADO ihre ganze Magie: eine One-Woman-Show voller  Ehrlichkeit, Inspiration und ansteckender Energie!

https://youtube.com/@djlushnz

Passionate and professional Vinyl DJ (25+ years industry experience)
Proficient and progressive digital DJ 
Current Focus: Dance Music Production 

House /Tech House
Trance
Hard House 
Drum and Bass
Breakbeat
Hardcore
Gabber

Founder and primary tutor of DownUnder DJ organisation (1995)
Radio presenter at RDUfm (Generator Show)
Event and Rave organisation (New Zealand, Australia and London)

DJ Lush is one of Australasia's pioneering female DJ's, in the Dance and Rave scene. 
She began her career in 1995 and shortly thereafter, began playing prestigious events locally, which saw her career expand to the prominent Melbourne and London scenes.
Over the next 17 years, DJ Lush secured residencies, headline acts and organised events and raves at prestigious bars, clubs and venures throughout Australasia and London. 
London residencies included Gardening Club, Covent Garden, Fridge Bar, Brixton, Self Indulgence & Over Indulgence, Grays inn road, Holborn, 414 Club Brixton, Mesmerize,
Sanctuary, Exodus festival etc
NZ - ('95) Baby Rave, Ultrasonic 2 etc
Melb ('97-'98) - Escape Club, XSIVE, Aurora,  Higher Learning etc



New tracks tagged #FEMALEPRODUCER