this is my last effort... hope its worth it 

First single of my new and last album as stormtrooper054

SERIALKILLER/SERIALKILLED <3



lyrics: 

are you crazy?
bark bark bark

they dont really wanna try right now
(doing drugs, sippin drugs) 

new morning (yeah), got a new cut
cuz im fucked up :/ im so messed up

yeah give it up
im already missing drugs
im a drug user, im a loser
playback, you a loser
i feel useless
i might overdose from this usage
all this pain hiding in these drugs when i use it

on my phone listening to gore, i might give a fuck

imma use these drugs, i might overdose

but these drugs gon choose me
how could u fool me? 
and those drugs they wont lose me
i cant choose me
they cant fool me 
twin so mad i know he can fool me 
i know damn well i lose it 
she dont wanna fw me , she thinks imma serial killer 
sample 
yeah yeah yeah i miss her

twin mad af with me, he knows that i made that
when i ate that, yeah I can test that

on my phone listening to gore, yeah i got blood, i felt all noise

whisper_freestyle.aac

Luci's Disko <3

Lyrics:
Years drifted by, chasing dreams till I bent,
Pursuing tunes and visions to hold,
But the song was drowned by truths untold.
Their praise, a veneer, dimming the bold,
Moments of darkness took over my nights,
Friendships revealed as glittering gold.

If only wisdom had guided my nights,
And truths were told, illusions unkept,
Life could have been a treasure to hold,
Instead of chasing false promises of fools gold.

Now this old reflections cast a sorrowful glow
On wasted paths and nights left hollow
A heart weighed down by time's cruel flow
Had I known to hold fast to the bright,
Avoided the gold that dimmed my nights,
True promises kept, as glittering gold,
as glittering gold.

If only wisdom had guided my nights,
And truths were told, illusions unkept,
Life could have been a treasure to hold,
Instead of chasing false promises of fools gold.


This song is from the 2025 1.0 Album.
Artist: Paul Louis Villani
Release Titles: 2025 1.0, 2025 The Internationals, 2025 2.0
Release Date: 2025
Overview:
The 2025 trilogy is my reckoning with the past and an uncompromising embrace of the future. Three albums—2025 1.0, 2025 The Internationals, and 2025 2.0 - will stand as a testament to my unrelenting need to create, even as I distance myself from the human chaos that once defined my musical career. Spanning up to 50 works, this monumental release splits into three distinct identities while maintaining their cohesion as a singular artistic statement.

Background:

Mid 2021, everything changed for me. The band dynamic that had dictated my creativity for decades was gone, leaving behind a hollow, venomous resentment for the compromises and burdens I had carried. For nearly 40 years, I was always the one: the one with the reliable car, the one funding the studio time when others came up short, the one dealing with the egos of unreliable bandmates. That grind left scars that are still raw.

When I finally walked away from bands and the pitiful Australian Music Industry (unless you’re drinking with or taking drugs with the right people you have no chance), I thought I was done. But music and creativity doesn’t just let go. By 2024, 20 tracks were ready for vocals, and then floodgates unexpectedly opened. Even as I resented the relentless drive to create, stealing my sleep and dragging me back into long hours of recording, I couldn’t stop. Yet this time, it was on my terms. No live performances. No face-to-face collaboration. No compromises.

Challenges and Resilience:

My refusal to collaborate in person isn’t stubbornness; it’s survival. The toxicity of past experiences pushed me to sever ties with the traditional music-making process. Nearly four decades of dragging bandmates and their baggage through every stage of creation left me bitter and done with humanity’s role in music. I don’t mince words about it: "I’m fucking over it. I’ll never share a rehearsal room, stage, or studio with anyone ever again."

But out of this anger, a new way of working emerged—a way that fueled my creativity without reopening old wounds. Texts and emails with Mauro Elias, the album’s vocalist, brought refreshing simplicity. Mauro’s immense talent and organic approach to crafting melodies proved to me that music doesn’t require the chaos of human proximity.

Looking Forward:

Is this the end? I want to believe it is, but I’m no Nostradamus. The future looms large, with artificial intelligence already playing a role in the visual components of 2025. While AI hasn’t yet touched the music, lyrics, or vocals, I see its potential. AI could eliminate human messiness from music production entirely, something I entirely welcome. If anything can convince me to keep going, it’s the idea of embracing a future where creation no longer hinges on human involvement.

2025 1.0

Fools Gold

Tracklist:

01. Aaaron - Nrftw (Original Mix)
02. J3brael & Tenet - Nebula 24 (Original Mix)
03. Dougal Fox - Fools & Dreamers (Original Mix)
04. Axennar & Whisper - Come On (Original Mix)
05. Roni Be - Agawa (Original Mix)
06. Dougal Fox - Mousai (Original Mix)
07. Leandro Murua - Tupaq (Original Mix)
08. Overlox - Aura (Original Mix)
09. Adem Bogoceli & TruRaw - Twende (Original Mix)
10. Eynka - Ascendance (Original Mix)


Deep Land - Beid (Set 021)

Coldplay X Arston - A sky full of Fools (JHTB Mashup)

🌈🎵🦝 this track was composed entirely from a dream i had where a raccoon 🦝 explained the circle of fifths 🎼 using interpretive dance 💃✨.
it’s in 4/4 time ⏱️ but spiritually it’s in 7/11 🏪🍕 (not sponsored, i just really like their pizza 😤🧡)

⚠️🚨 WARNING: please listen responsibly 🙏.
i don’t know what happens if you play it 3️⃣ times in a row but the lights flickered once 💡👀👻

😢🧃💥 mAdE wItH tEaRs, rEd BuLl, aNd SpItE 💅🧠✨
🚫🔁 do nOt PlAy tHiS bAcKwArDs oR yOu WiLl SuMmOn Me 👁️‍🗨️ aNd I wIlL aSk YoU hOw YoUr DaY wAs 🥺🫂
🧏‍♀️ if you can hear the high frequency at 17kHz 📈🎧
congratulations 🎊 you are too young to legally drive 🚗❌👶

🔥 this is a sOunDcLoUd eXcLuSiVe™ 💿 so treasure it like the forbidden snack 🍬 it is

📣 dedicated to that one guy who commented “nice” 👍 on my last post
🥲 this one’s for you, champ 🫡💖
if this gets 3 plays i’ll eat drywall live on twitch 🧱📹💀

🌀💭 happy april fools. or is it? 👀🤡🎭

Photo by Elīna Arāja from Pexels:
www.pexels.com/photo/person-cove…d-orange-3317038/

but its also mine now cuz i drew on it

bestsong_final2_REAL_ONE_UPLOAD_THIS_SPOUNDCLOD.wav.final.mp3

„What Do You Say?“ ist ein lässiger, mitreißender Song über den Moment, in dem man einfach alles aufs Spiel setzen will – für einen Blick, ein Lächeln, ein spontanes Abenteuer zu zweit. Zwischen Kick und Unsicherheit, Leichtsinn und Sehnsucht fragt der Song mit einem Augenzwinkern: Warum nicht einfach loslaufen, ohne Plan, ohne Garantie? Die Musik ist direkt, charmant und voller Energie – wie ein Gespräch, das plötzlich alles verändert.


“What Do You Say?” is a playful, heartfelt song about taking a chance—on a glance, a spark, a maybe. It captures that electric moment when you throw caution to the wind and ask, “Why not?” With no promises and no guarantees, it’s all about diving in, just to see where the road leads. Upbeat, charming, and full of spirit, this track feels like a spontaneous late-night run with someone who just might change everything.

What do you say?

youuuu knoooow

april fool's or whatever
I've been getting into laika aged through blood recently this is one of my favorite songs from the game lmao

duncancore song tutorial

April Fools Release

This is C0MPL1CAT10N. A splash music making pro on Roblox and a pro rhythm gamer.

Youtube Link: www.youtube.com/@C0MPL1CAT10N/featured
Bluesky Link: https://bsky.app/profile/c0mpl1cat10n.bsky.social

WTFYW

[Verse 1]
You waited soft, I looked away
Too proud to beg, too numb to stay
I thought I’d win by standing tall
But silence was the loudest fall

[Verse 2]
You gave me more than I could hold
I cracked your warmth with something cold
Now all I see are empty frames
Where once you whispered just my name

[Chorus]
I’m an idiot, I know it
But someone wore the name before
We laugh, we break, we blow it
Just fools knocking on open doors

[Verse 3]
I see you now, in someone’s laugh
The kind I lost, the one I had
Too late to fix, too soon to forget
But your goodbye still hasn’t left

[Chorus]
I’m an idiot, I know it
But someone wore the name before
We laugh, we break, we blow it
Just fools knocking on open doors

Just Fools [Knocking On Open Doors]

AyeRay is a Texas based Artist! 
New to the scene but here to make a bang lets get it!!  
Introducing the brand new drop (UH)"Uh Huh"

(UH) Uh_Huh

Foolish

Fools like to work! #1

Fools like to work! #2

This is C0MPL1CAT10N. A splash music making pro on Roblox and a pro rhythm gamer. Takes inspiration from multiple doujin artists, such as USAO, KO3, Yooh, Hommarju, M-Project, and more😊

Youtube Link: www.youtube.com/@C0MPL1CAT10N/featured
Bluesky Link: https://bsky.app/profile/c0mpl1cat10n.bsky.social

17
degenerate internet music
contact: prodk3plr@gmail.com
https://soundcloud.com/leafiamusic <<< gang gang
pfp by @JustGL_

It's here! A place where magic dwells, where the home and the whole world merge together and in peace, creating mutual unity. Deep Land is reated for unity and rich experience.

🇩🇴🇺🇸/producer in progress/
banned (DJSEB ALT)
bruhhh 30 FOLLOWERS!!!!!!!!

Album Synopsis:
Artist: Paul Louis Villani 
Release Titles: 2025 1.0, 2025 The Internationals, 2025 2.0 
Release Date: 2025 

Overview: 

The 2025 trilogy is my reckoning with the past and an uncompromising embrace of the future. Three albums—2025 1.0, 2025 The Internationals, and 2025 2.0 - will stand as a testament to my unrelenting need to create, even as I distance myself from the human chaos that once defined my musical career. Spanning up to 50 works, this monumental release splits into three distinct identities while maintaining their cohesion as a singular artistic statement. 

Background: 

Mid 2021, everything changed for me. The band dynamic that had dictated my creativity for decades was gone, leaving behind a hollow, venomous resentment for the compromises and burdens I had carried. For nearly 40 years, I was always the one: the one with the reliable car, the one funding the studio time when others came up short, the one dealing with the egos of unreliable bandmates. That grind left scars that are still raw. 

When I finally walked away from bands and the pitiful Australian Music Industry (unless you’re drinking with or taking drugs with the right people you have no chance), I thought I was done. But music and creativity doesn’t just let go. By 2024, 20 tracks were ready for vocals, and then floodgates unexpectedly opened. Even as I resented the relentless drive to create, stealing my sleep and dragging me back into long hours of recording, I couldn’t stop. Yet this time, it was on my terms. No live performances. No face-to-face collaboration. No compromises. 

Challenges and Resilience: 

My refusal to collaborate in person isn’t stubbornness; it’s survival. The toxicity of past experiences pushed me to sever ties with the traditional music-making process. Nearly four decades of dragging bandmates and their baggage through every stage of creation left me bitter and done with humanity’s role in music. I don’t mince words about it: "I’m fucking over it. I’ll never share a rehearsal room, stage, or studio with anyone ever again." 

But out of this anger, a new way of working emerged—a way that fueled my creativity without reopening old wounds. Texts and emails with Mauro Elias, the album’s vocalist, brought refreshing simplicity. Mauro’s immense talent and organic approach to crafting melodies proved to me that music doesn’t require the chaos of human proximity. 

Looking Forward: 

Is this the end? I want to believe it is, but I’m no Nostradamus. The future looms large, with artificial intelligence already playing a role in the visual components of 2025. While AI hasn’t yet touched the music, lyrics, or vocals, I see its potential. AI could eliminate human messiness from music production entirely, something I entirely welcome. If anything can convince me to keep going, it’s the idea of embracing a future where creation no longer hinges on human involvement. 

For now, 2025 isn’t just a trilogy of releases; it’s my statement. It’s my defiance. It’s my refusal to let the weight of the past crush my urge to create. And whether it’s my swan song or the start of something new, 2025 is a raw, unfiltered declaration of who I am, what I’ve endured, and where I refuse to go back to.

Note: In light of the recent AI breakthroughs, we feel it's important to clarify that we've been working with voice modulation since the mid-1990s – originally inspired by David Bowie's album Outside. Our approach predates AI-driven tools and is rooted in treating the voice as an instrument, shaped and sculpted through earlier technologies.

We fully understand that questioning authenticity may not be the intention – but it's worth remembering that all electronic music is, by nature, mediated and transformed. Even Nietzsche pointed out how modern tools shape us: inserting paper into a typewriter already creates a distance that handwriting does not. Perhaps birdsong is the only truly authentic sound. 🐦

Writes original song lyrics and takes custom lyric requests under the artist name Meo Wibe. This platform is also home to the creative collaborations of the Psychonaut Collective (Meo and The Psychonauts). Thank you for your support and appreciation.

A man and his dog making Music in their spare time :D

https://www.youtube.com/@jhtb6582

Contact: jonrocks35@gmail.com

I am a raccoon. I live in space. These songs are from space.
Music: It's not just for raccoons anymore.
You should join my discord server!
https://discord.gg/JKMFpXezQe

New tracks tagged #FOOLS