Laffin At U

IREP ENT PRESENTS NAAVA CHAVI 'S 'THE NEW NORMAL' ALBUM 4/28/25.
THE FOLLOW UP TO 'THE OVERFLOW'.
THE RESULTS OF 'LIONESS'."WITNESS THE STANDARDS FOR "BLACK" WOMEN BEING RESTORED.
TUNE IN FOR THE TUNE UP.
WWW.IREPENT.TODAY

THE PROTOTYPE ft Deia' Monae

"Last of My Legacy" is a searing, soul-bearing trap-rap masterpiece by TDC—a female artist unafraid to bleed truth into the mic. Born from unspeakable loss and hardened by generational grief, this track is a battle hymn for the broken, the left-behind, and the ones still standing. Carved from pain and delivered with venom, “Last of My Legacy” honors the dead not with tears, but with bars—each one forged from real wounds and real strength.

The opening line hits like a gunshot: “I lost my father, mother, brother, sister, grandmother Grandfather. I’m the last of my fucking legacy.” There’s no filter, no warm-up—just trauma laid bare, raw and unflinching. With that one sentence, she sets the stage: this isn’t a story of survival—it’s a warning to the world that even alone, she’s a force. She’s not broken. She’s built different.

In Verse 1, TDC takes us into the memories. Her father taught her grit, her mother gave her the gift of voice, her brother taught her to fight, her sister helped her feel, and her grandmother instilled spiritual fire. All of them are gone—but their fingerprints are all over her identity. Her voice is heavy but precise, filled with emotional weight. There’s no room for pity—just legacy. Grief is her inheritance, and she’s wearing it like armor.

The first chorus punches hard: “I ain’t ask for this crown, I was born in the flame. Buried love in the dirt, rose up through the pain.” It’s a battle chant laced with trauma and triumph. Each chorus in the song is unique, crafted to reflect her shifting emotional states—rage, reflection, resolve. She doesn't cry over their loss—she becomes their resurrection.

Verse 2 delivers a chaotic energy, using the stutter effect to show mental fragmentation. Her cadence glitches, stumbles, and then bites down with fury. It’s like hearing grief break through clenched teeth. She calls out those who glamorize trauma for clout. There’s nothing poetic about funerals, nothing aesthetic about loneliness. This verse is her breaking point—and her breakthrough.

The second chorus slows down, allowing a vulnerable tone to rise: “I’m the echo in the room, I’m the silence in their names. I’m the bloodline they forgot, I’m the fire that remains.” It’s haunting and melodic—a spiritual moment where she connects with the dead, reminding listeners that though they’re gone, their essence fuels her every move. It’s not just memory—it’s inheritance.

Verse 3 is a poetic gut-punch. She confesses the weight of being the last—of shouldering a name, a story, a future alone. There’s strength here, but also mourning. She speaks about photos that no longer have context, birthdays that pass quietly, and pain that has nowhere to go but into her lyrics. Grief doesn’t end. It transforms. And she’s living proof.

In Verse 4, she weaves in her cultural background, shouting out the women who raised her and the spirits that protect her. Her tone shifts from reflective to defiant. She’s not just surviving—she’s rewriting the bloodline. She spits with purpose: “My pain ain’t pretty, my scars ain’t for show. This legacy don’t fade, I make it glow.” It’s one of the most powerful moments on the track.

Each chorus evolves, taking on different tempos and emotions. The final chorus is like a thunderclap: “You don’t earn this voice in a studio booth. You earn it in courtrooms, hospitals, truth.” It’s the sound of a woman who’s been through it all and is still unshaken. She doesn’t just rap—she testifies.

And then comes the outro, cold and final: “You should’ve known my legacy wasn’t ending… Bitch, you should’ve known.” It’s a closing door, a final breath, and a warning shot all in one. She doesn’t ask for recognition—she takes it. Her presence alone is proof that the story isn’t over. In fact, it's only beginning.

Last OF My Legacy

Be Kool is for the ones who talk tough but fold fast. I’ve seen too many pretend to be something they’re not—this track calls it out. It’s about knowing who you are, moving with real power, and not letting fake energy slide. The beat? Straight heat from BeeKool 🔥, whose producer tag sparked the whole idea 💡. Soon as I heard “BeeKool”… I knew I had to flip that into a message. So here it is—chill out, or get checked 🧊✔️.

Be Kool (Prod. Beekool)

“Domino” is all about blocking out the noise and doing me—no matter what the haters say. 💯 I’m not here to impress ‘em, I’m here to progress. They mad? Let ‘em be. I’ma keep stacking wins like dominoes 🏆🔥

This one pushed me outside my usual comfort zone too—152 BPM, double time flow, had me tapping into my Twista mode real quick 😆💨 Just wanted to try something different and have fun with it. Big shoutout to the homie Eweezy on the beat—crazy talented and always bringing the heat! Appreciate everyone showing love and rocking with me on this journey. More on the way 💪🏽✨

Domino (Prod. Eweezy)

Uniting hearts

New freestyle from yours truly to Mo Chicken originally by BossMan Dlow ft. French Montana. In honor of yesterday's Full Moon in May and to celebrate the one month release of my debut Moon Child (2025) tape I decided to spit a little somethin', somethin' new on some fly s**t cuz why tf not?

MO' CHICKEN (freestyle)

Bootsie's Daughters

Willkommen zu diesem Extra Track Tausend Stunden später ist mehr als nur ein Song es ist ein Gefühl.
Ein Duett aus weiblicher Wut und männlichem, gebrochenem Schmerz.
Zwei Stimmen. Zwei Perspektiven. Eine Vergangenheit, die nicht loslässt.

Zwischen Rap, verletzlichem Gesang und trauriger Poesie erzählt der Song von verpassten Chancen, innerer Leere und dem Schweigen, das lauter schreit als jedes Wort.
Gelesene Nachrichten. Gesenkte Blicke. Zerbrochene Liebe.


➤ Song: Tausend Stunden später
➤ Künstler: xPrometheus
➤ Feature: JohnsonFly, CarolinZaAr
➤ Producer: xPrometheus

➤ Beat-Type: Emo-Rap  x  Deutschrap
➤ Thema: Storytelling, Reallife


➤ Webseite: https://xprometheus-contact-music.net...

TAUSEND STUNDEN - Zerbrochene Liebe (Official Music) Prod.by xPrometheus

Ne cherche plus le reflet,
Tu connais le chemin 𓋹

Side

iRep Ent. Artist/ Co-Owner, Esha to TY-Serv, Truth Music/Electunes, Artist/Song writer, Kingdom Culture Influencer, Mother, "I'm about my Abba's business."

I’ve been in love with music my whole life — but for the past two years, I stopped just listening and started speaking through it. Every verse I write comes from a real place… pain, power, truth, and the grind that shaped me.

I don’t box myself in. I pull from everywhere — Hip Hop, R&B, Rock, even a little Country. If it hits the soul, I’m with it. Music don’t care about your age, who you love, or where you came from — and neither do I.

This is more than a hobby… it’s my release, my voice, my rebellion.
If something I say hits you in the chest — then yeah, I did my job.
Welcome to MY story. 📖

Let’s make it timeless.
Let’s make it real.

🎙️🔥🖤 #BobbybPhoolan

Expressing Myself through, Lyrics and Music is my way of cooping in this world <3

Hallo Ihr da!
xPrometheus ist ein kreativer Künstler, der mit seiner Musik und seinen einzigartigen Soundlandschaften eine neue Dimension der Selbstreflexion und Emotionen erschließt. Durch seine tiefgründigen Texte und innovative Produktionen gibt er seinen Hörern die Möglichkeit, sich mit den komplexen Themen des Lebens, der inneren Kämpfe und des persönlichen Wachstums auseinanderzusetzen.

Mit einer klaren Vision, seine Musik als Werkzeug der Selbstverwirklichung und Kommunikation zu nutzen, fängt xPrometheus die Essenz von modernen Herausforderungen und der Suche nach Wahrheit in seiner Kunst ein. Jedes Projekt, das er veröffentlicht, ist ein ehrlicher Blick in seine Gedankenwelt, die er mit seiner stetig wachsenden Community teilt.

Mit einem stetigen Fokus auf Authentizität und Innovation hat xPrometheus einen einzigartigen Platz in der Musikszene gefunden und bleibt ein Künstler, dessen Reise noch lange nicht zu Ende ist.

Legal Notice – Protection of My Music
All tracks, instrumentals, and audio content on this SoundCloud profile are original productions and are protected by copyright law.

The use of my music without explicit permission – especially for commercial purposes or under another name – is strictly prohibited. Any misuse will be documented and may be subject to legal action if necessary.

If you are interested in a collaboration or in officially using any of my works, please contact me in advance.

New tracks tagged #FemaleRapper