Alëna Korolëva - Premonitions

it was meant to be a track about home, but it became a track about not having one

still moving

Radio show about a-m-b-i-e-n-t music.

Artworks by Jan Juhaniak.

Discover more ~ http://twitch.com/dj_psychiatre
http://instagram.com/djpsychiatre

Club Méditation #20 (October 2025)

Czwarty z cyklu 6 utworów realizowanych w ramach projektu "Muzyka Przestrzeni".

kompozycja, produkcja muzyczna, wykonanie - Katarzyna Krzewińska

dźwięki i partie harfy - Adrian Nowak

----------------------

Projekt "Muzyka Przestrzeni" zakłada skomponowanie cyklu sześciu utworów site-specific. Kompozycje tworzone są z myślą o konkretnych przestrzeniach ze świata natury lub obszarów miejskich, a środki muzyczne dostosowywane do unikalnego środowiska akustycznego każdego z tych miejsc. Każdy z utworów, skomponowany na inny instrument solowy, wykorzystuje pozyskane nagrania terenowe wkomponowane w warstwę elektroniczną kompozycji. Utwory wykonywane są open-air w wybranych miejscach w formie solowych live-actów.
Wykorzystanie sonosfery natury i miasta pokazuje, jak codzienne dźwięki mogą stać się inspiracją dla sztuki.
----------------------

Zrealizowano w ramach stypendium Ministra Kultury i Dziedzictwa Narodowego.

MUZYKA PRZESTRZENI #4

rememberance

idontknowhowtomakeelectronicmusicanymore

Procida

cathedral 2

cathedral 1

The Xi’an Muslim Quarter is the ancient city’s most iconic culinary and cultural enclave, woven from historic lanes including Beiyuanmen, North Guangji Street, West Yangshi, Dapiyuan, Huajue Lane, and Sajinqiao. Each year, countless tourists flood this Hui neighbourhood, chasing the fragrant roujiamo and yangrou paomo, the hawker cries of bustling street life, and the lingering echoes of a thousand-year-old folk heritage. Yet to locals, it is synonymous with a “traffic management nightmare”.

A mixed commercial-residential district—ground-floor shops below second-floor homes—the narrow pedestrian lanes were meant for leisurely, poetic strolls. Instead, chaotic traffic has turned them into a battlefield of noise. Bicycles, electric tricycles, motorcycles, and even the occasional car muscle through passages barely wide enough for a few people shoulder-to-shoulder. Yielding? Nonexistent. The horn is the sole language of passage—shrill, urgent, relentless, and relentless, like invisible blades slicing through tourists’ expectations and residents’ daily lives.

This field recording captures an ordinary Tuesday at 12:00 noon on North Guangji Street.  
No music, no edits—only raw soundscape.  
It is not an “urban symphony” but a “vortex of acoustic anxiety”— 
where the romantic fantasy of tourism collides with the uncontrollable din of reality.

Narrow Alley Noise Vortex – Xi'an Muslim Quarter Soundscape

I'm a Samsara-born soul, who once left the familiarity of home behind to embrace the unknown.

My journey has always been driven by a desire to observe how things happen in this world, as well as to create, bringing something new into the world — thoughts, pictures, objects, stories. I’ve always had a deep fascination with stories: observing them, listening to them, being a part of them, creating and telling my own.

For the longest time, making music felt like an unreachable dream. It felt like a distant magic world, until recently. Breaking through a wall of fears and self-imposed limitations, I've found my courage, and now I'm no longer afraid.

Music has emerged as the ultimate medium for my storytelling, a way to share emotions, and a means for reflection. It has become a canvas to blend all my sides, talents, passions in one place, and I'm still in awe of the vast landscape of possibilities it presents.

As an artist, I find myself navigating uncharted waters, constantly experimenting and exploring. I don't know where this journey will take me. But we can see together.

Christian | Sound Artist | Field Recordist | Music Producer |Songwriter | Soundscape Researcher 

BA, Xi'an Conservatory of Music, CHN - Electronic Music Production
MA, University of York, UK - Music Production
PhD Candidate, University of Sheffield, UK - Composition 

Boyi Bai is a composer and sound artist whose works explore the intersections of soundscape composition, field recording, and VR immersive audio. His pieces have been showcased at various international festivals and events, including PAYSAGES | COMPOSÉS festival (France), Sound+ Environment Symposium (Newcastle), MA/IN Festival (Rome), BBC Radio 6, Radiophrenia (Glasgow), Radio Suyai TV (Chile), Sonic Arts Forum (Maynooth), Sound Junction (Sheffield), Sonic Sculptures 3 (Nottingham), San Francisco Tape Music Festival, River Radio (Exeter), and the Royal Institution's Theatre (London). Through a blend of environmental sound and electroacoustic techniques, Boyi’s work aims to create immersive listening experiences that challenge perceptions of space, memory, and auditory storytelling.

08/2025 Denny Awards Competition for Electronic Music – Acousmatic Music Gold Award
04/2025 Sound of the Year Awards 2024 – Runner-up in "The Sound of the City" category for the piece What Sheffield Sounds Like – Tram 
03/2025 sponsored by the University of Sheffield Research Stimulation Fund for participation in the 2025 Sonic Arts Forum.
09/2023 Sponsored by 'The National Lottery Heritage Fund & North York Moors National Park' for participation in 'The Western River Rye Catchment Soundscape project.
09/2023 7K Worship Song Composition Competitiion - First Place
08/2023 Sponsored by 'Cities and Memory' for participation in the 'EXODUS 50: THE SOUND OF ADVENTURE' project in Japan.
09/2022 Bach International Music Competition - “Composition” First Prize.
03/2022 York-Chinese Top 10 Singers - Champion.
07/2021 "The Young Communist Party Member" - Third prize from the Shaanxi Provincial Radio and Television Bureau to celebrate the 100th anniversary of the founding of the Communist Party of China.
06/2021 Xi'an Conservatory of Music Pop Music Composition Competition - First Prize.

Radiophrenia is a temporary art radio station – an exploration into current trends in sound and transmission arts. Broadcasting live from Glasgow’s Centre for Contemporary Arts, the station aims to promote radio as an art form, encouraging challenging and radical new approaches to the medium. The broadcast schedule will include live shows, pre-recorded features and a series of ‘live-to-air’performances. The majority of the programme will be made up from selections submitted to an international open call for sound and radio works.

Broadcasting across Glasgow on 87.9fm, and online at www.radiophrenia.scot 

Supported by Creative Scotland.

bonus, wips, stems, idk, things, etc, maybe

Live generative performances between glitch, ambient, and raw electronic textures/based in Athens,Greece

booking : paul@nuit-sauvage.com
send promos / say hi  : djpsychiatre@gmail.com

New tracks tagged #Field Recording