Lenka Löhmann - Alle Texte improvisiert (!)
Flo Huth - Everything Else

Tasten

A demo compilation for "Nick the Fox Ultrasonic Plus" sound effects library by LARX Audio, played at quarter speed. Natural dynamic range, no compression, please turn your playback volume up. To purchase the license to use the Library and get the downloadable files please visit larxaudio.com/nfup/

Nick the Fox Ultrasonic Plus Demo quarter speed

A demo compilation for "Nick the Fox Ultrasonic Plus" sound effects library by LARX Audio, played at double speed. Natural dynamic range, no compression, please turn your playback volume up. To purchase the license to use the Library and get the downloadable files please visit larxaudio.com/nfup/

Nick the Fox Ultrasonic Plus Demo double speed

Bandcamp

Find you there

Resurgence

Another life

Delirium

0'00 Waiting for the helicopter on the airstrip
0'34 Briefing by Ukrainian pilote
1'05 Engine Start
1'57 Taxi
2'22 Take off
3'15 Arrival and engine shutdown
3'49 Disembarking in Paguir
4'20 Welcoming Nuer Drum Session
5'12 Canoe passing, women singing
6'53 Old Fanga Morning birds waking up
7'03 The youth get mobilized to fight the water
8'38 Kids singing at night on a small island
9'30 Night frog concert
10'38 Waking up on the island
10'50 Birds waking up with the team
11'31 Children accompanying Khawaja
11'54 Departure song by children
12'49 Boat living
13'00 Arrival in Toic
14'13 Preparing the airstrip
14'30 Plane lands
16'00 "A tricky landing"
16'39 Leaving the Sudd

Soundtrip to Old Fangak, Sudd Wetland, South Sudan

MURMELI
Une création sonore pensée pour la Biennale Intrépide des espaces d'art de Genève et diffusée dans la sculpture du même nom.
Cover de « Oh! groundhog » (The Watson Family, 1963), composition et yodel : Laura Rivanera
Prise de son et interviews : Greg Clément
Texte d'intention: Collectif After- 
Lecture : Pauline Rappaz
Commentaires d'oeuvre dans l'ordre d'apparition: Lounil Arnet, Haroun Alkhazragi, Anna et Joan Langensand, Zelda Ghitescu, Colin Reiner, Nils Clément et Nino Raspail.
Couverture d'album : Greg Clément

MURMELI

Exotic Birds: Authentic Tropical Avian Atmospheres delivers the distinctive songs, calls, and choruses of exotic tropical birds with minimal background interference. These pristine recordings enable precise control over tropical environments, allowing for high scene immersion and creating vibrant paradise settings, mysterious jungle moods, or dynamic wildlife atmospheres.

Designed for immersive environmental audio, these soundscapes will transform your projects with the genuine sounds of tropical paradise settings, mysterious jungle adventures, exotic wildlife encounters, vibrant nature scenes, or atmospheric exploration scenarios.

FULL JUNGLE AUDIO LIBRARY PREVIEW: https://www.youtube.com/watch?v=rQ7s92thXmQ

SPECS:

96 kHz/24-bit high-resolution recordings
Stereo recording technique
Clean, ready-to-use recordings
Seamless looping capability for background elements
Professional field recording equipment
Comprehensive metadata with detailed descriptions

Jungle Textures: Birds

Morning forest sounds

https://radiopunctum.cz/shows/extruder

Extruder #61 by Jarda Petřík (@koxoy)

Tracklist:
Underwater Sleep Orchestra - Home Is Where You Left Your Ghost
Jacaszek - Grus
Khaled Kurbeh - Sunūnū al-Manara (سنونو المنارة)
Hand To Earth - Mäḏawk
Yearns - Fata Morgana II
36 & zakè - Stasis Sounds For Long-Distance Space Travel (Stage 2)
36 & zakè - Stasis Sounds For Long-Distance Space Travel (Deep Space Part 6)
36 & zakè - Stasis Sounds For Long-Distance Space Travel (Blue New World 4)
John Also Bennett - Oracle
Félicia Atkinson - Blue
Brecht Ameel - Fever
Maps and Diagrams - Low-Tide Lament
Meitei / 冥丁 - Sen’nyū - Yon-no-yu / 泉涌 - 四湯
Gonçalo F. Cardoso - Salinas De Pedra Lume
Raúl Cantizano & David Cordero - Los Arrepentimientos
Simonel - Hidden Path

If you enjoy what we do, please consider donating to us at https://buymeacoffee.com/radiopunctum

Extruder 09/25 by Jarda Petřík

The mixtapes took an unplanned summer holiday, so this one has three sections to make up for that. Normal service should resume shortly. 

This one is quite intense and fairly noisy in places, but this seems apt for the material it’s built from.. 

[ rough content guide ] 

0'00s - 4'10s concrete triggers 

4'10s - 9'20s nighttime strata

9'20s - 14'10s concrete triggers (cont.)

14'10s - 20'40s meat market 

Concrete Triggers

I've rarely use completely generative or random processes in composition, but they can be a useful tool for moving away from learnt patterns or to trigger ideas. My favourite approach is to set up systems that force me to respond to them, to tame wildness or to coax out things the sounds start to reveal.  I used this method for these parts of the mixtape but also restricted the tools, creating focus through creative limitations. I've been selling a lot of audio equipment recently, and this has given me the chance to re-evaluate some bits of kit I haven't fully explored. This section was constructed almost entirely on a Digitakt II with generous use of modulation, resampling and its retro style timestretch. I set up a system where pressing one button would throw 8 layers of field recordings from my archive at me, all looping at random lengths (some so short they approached wavetable synthesis). After some time reshaping them with filters and other distortions I would then launch a new set of recordings, these being processed by the same reshaping I had already applied for some continuity. The recordings were all selected from a small bank so often the same source would appear on multiple tracks but with different processing.  I recorded a long set of improvising with this system and then sliced it up into the structure you hear. (I've been listening to a lot of music concréte recently and this definitely inspired me to be more vigorous with my cuts, letting the shape of the sounds guide my editing decisions.)

Nighttime Strata

This part is a work in progress for something more directly connected to my counterfactual sound research. Through a combination of electromagentic field recordings (using the wonderful SOMA Ether), contact microphones and acoustic sound it imagines a more than human way of sonically sensing the city.  I've worked with EMF recordings on and off over the years but rarely connected them to site. Inspired by Christina Kubisch's Electrical Walks and KMRU's amazing Natur album I'm keen to explore a combination of the audible and inaudible sounds of one place at one time.  What would a future be like where our range of hearing stretched up into the spectrum of wifi networks, security cameras and drone batteries?  I'm in the early questions stage of this work, and this sketch was constructed from nighttime recordings made in Bristol where I captured EMF and acoustic sound at the same time. The composition combines these both as simultaneous layers, sometimes raw and sometimes using audio convolution, where one sound is shaped by the other.  

Meat Market

A family holiday in Burgundy led us to the cattle market at Saint-Christophe-En-Brionnais. This last section collects some sounds roughly captured on a handheld recorder of this intimate encounter with the meat industry.

Summer Trilogy [CounterfactualMixtape #5 JunJulAug 2025]

Substrata is four-hour ambisonic sound installation coinciding with the exhibition "Into The Night Land" at Eyedrum Gallery in July '25. Composed of field-recordings, use of seismic instruments, and numbers stations, the work was played through 8 speakers placed around the ceiling of the room and 2 monitors at the rear of the gallery. 

Substrata for "Into The Night Land"

the weather and the land
guitars, mics, pedals and boxes
in the dust of this planet

DIY listener supported radio platform based in Prague.
If you enjoy what we do, please consider donating to us at buymeacoffee.com/radiopunctum

Guestmix/Show Requests -> program@radiopunctum.cz

This is my Soundcloud.

https://www.beatport.com/release/keine-zeit/2167806
http://flo-huth.de
https://www.instagram.com/elektrosmogma

Music Producer I Dj I Resident
@SubtleRadio
@ SVARA Radio
@ Etikett Radio
📩 iizzaacs@gmail.com

Based in Berlin from Budapest 
Blending bass & experimental breaks into boundary pushing soundscapes that hit deep

My sound libraries and just field recordings. Witnessing how beautifully the world is created.

New tracks tagged #FieldRecording