Dark Matter is my cinematic soul — ambient, moody, and charged with cosmic emotion. 🌌
This track blends delicate acoustic textures with haunting harmonies, evolving like a galaxy in motion.
Perfect for: film scores, deep focus, or that 3AM existential vibe.

🎧 Headphones HIGH. Emotions ON. Let it pull you in.

💬 Drop a comment if it made you feel something.

Maryam Mirbagheri - Dark Matter

A romantic French film : love is in the air with a touch of latin – Flamenco guitar and hand claps with a latin flavor play a Suductive melody with a Latin flavor based on the Eric Satie piece “Gymnopedie No. 1”
Relaxed, Warm, Intimate, Happy,Chill, Romantic, Flowing.
In the spirt of
Guzimi, Sarah, the Illstrumentalist, Babies, Sad Music × Lo Fi Hip Hop, DCS Lefty x Roadetrix, Birocratic, Crystalis, Andy Riley, Aduza Dolozi × Lofi Afrobeats.


SATIE GYMNOPEDIE 1

SATIE GYMNOPEDIE 3

🎬 Lost Fantasy (Reimagined Cinematic Edition)
by 4Me2BeFree
🔻 Song Insight

Lost Fantasy (Reimagined Cinematic Edition) drifts through the wreckage of love and survival — a slow, haunting reflection on watching someone you can’t save disappear into their addiction. The world feels empty, colorless, and cold; every echo is a memory, every silence a goodbye. It’s not just about losing someone to drugs — it’s about losing the version of yourself that believed things could still be repaired. The song unfolds like a cinematic elegy: spoken, aching, hollow. A voice trapped in time, whispering through the ruins of what could have been.

🔻 Lyrics

[Verse 1]
Is this the real life? Is this just fantasy?
Open your eyes, look up to the sky and see.
You’re just a poor boy, but now you’re gone — threw it all away.
Your body’s aching all the time; you’re feeling like you just want to die.

[Chorus]
Our life had just begun, but you wasted it all away.
Even though I loved you, you chose another way.
Open your eyes, look up to the sky and see —
You’re just a poor boy. Is this the real life, or is this just fantasy?

[Verse 2]
Remember the nights we held each other tight?
Now it’s all gone, you’re lost in the blinding light.
You chased the high, left everything behind.
Our love was real, but you were too blind.

[Bridge]
So many nights I cried, hoping you’d come back to me.
But the man I loved is lost — gone with the memories.
You were my everything, now you’re just a ghost,
Haunting my dreams, breaking me the most.

[Outro]
Is this the real life? Is this just fantasy?
You were my everything, now you’re just a memory.
Is this the real life? Is this just fantasy?
You were my everything, now you’re just a memory.

🔻 Personal Reflection

This song was written in the aftermath of a love I couldn’t save. We had finally reached a moment in life where it felt like our time — the kids were grown, the chaos had quieted — but addiction stole that chapter before it ever began. Watching someone you love fade into their own self-destruction is like standing in a burning city, powerless to move. Lost Fantasy became the echo of that helplessness — the sound of grief in slow motion.

🔻 4Me2BeFree

At its core, 4Me2BeFree transforms lived pain into cinematic truth. Every song is an emotional film — layered with raw honesty, sound design, and storytelling that blurs the line between memory and art. Lost Fantasy (Reimagined Cinematic Edition) embodies that mission: it’s not just a track; it’s a requiem for what love becomes when it meets its own apocalypse.

🔻 Copyright Notice

All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Lost Fantasy (Reimagined Cinematic Edition) by 4Me2BeFree

Song Description – “The Boat at Sea” by Dean R. Chandler

“The Boat at Sea” is a deeply cinematic and emotionally charged ballad about the passage between worlds — a voyage through love, memory, and transcendence. Set against a swelling ocean of choirs, strings, and orchestral textures, the song drifts like a soul carried by the tide, its haunting vocal capturing the fragile stillness between life and afterlife.

The lyrics paint a vivid scene: a lone figure standing on a fading shore as the tide pulls him toward a radiant ship shimmering in the moonlight — a vessel where familiar faces wait beyond the veil. It’s not a song of goodbye, but of awakening — a peaceful surrender to the pull of light, to reunion, and to the eternal current of love that never truly ends.

THE BOAT AT SEA

[Verse]
I stood on the edge of a fading shore
Sand slipping fast like it knew the score
A whisper of wind said it's time to go
But my feet felt heavy like stones below

[Chorus]
And there it was the boat at sea
Sailing closer calling me
Faces glowing hearts set free
All the ones who loved me
Even the ones who let me be

[Verse 2]
The tide pulled back like it made a path
The moon split wide in a quiet laugh
Their voices echoed across the waves
Some I'd lost and some I'd saved

[Prechorus]
I reached out to touch the mist
A breath of love, a final twist
And now I see beyond the veil
A ship of light, on stars we sail

[Chorus]
And there it was the boat at sea
Sailing closer calling me
Faces glowing hearts set free
All the ones who loved me
Even the ones who let me be

[Bridge]
A lover's hand brushed mine once more
Eyes that burned like they did before
A mother’s tears a father’s grin
They opened the gates and pulled me in

[instrumental]

[Chorus]
And there it was the boat at sea
Sailing closer calling me
Faces glowing hearts set free
All the ones who loved me
Even the ones who let me be

[Outro]
And there it was the boat at sea
Sailing closer calling me
Faces glowing hearts set free
All the ones who loved me
Even the ones who let me be

The Boat at Sea

As composers, we leave a trace behind with every piece we write, a part of ourselves, our hopes, dreams, and vulnerabilities; a soul laid bare, waiting, wanting, hoping that long after we are gone… someone will remember through the memories we leave in the clouds.

A Memory in the Clouds

Writer / Producer / Musician / Singer  From Greenwich Village NYC.
has made music with U2, BOB DYLAN,LUSCIOUS JACKSON, WILLIE NELSON, CHRIS WHITLEY,BRANDI, FAITH HILL, SALT N PEPA, ZIGGY MARLEY, EMMY LOU HARRIS, DIDO.

"If it didn’t matter, it wouldn’t hurt. Pain is the gift of knowing you’re alive."

4Me2BeFree is more than music—it’s my story, my scars, and my survival. Every song is a piece of me, a raw melody of love, heartbreak, and resilience. I blend AI-generated vocals and instruments with real emotions, turning my experiences—especially from an LGBTQ+ perspective—into something that speaks to anyone who's ever felt lost, broken, or just searching for something real.

Breakup songs? Yeah, they hit different. Music carries us through the worst of it, and every generation finds their own anthems of love, loss, and getting back up. Heartache doesn’t care about age, gender, or where you come from—music connects us all.

I make music because I’ve been there. The pain, the anger, the hope—it's all in these songs. If something here hits home for you, let it. If you feel something, let me know. That’s the connection that keeps this alive.

About

https://www.instagram.com/reel/DRMpYn3DaExz7nilHD0_DMTQvKzAScuXxLZdVw0/?igsh=OHV3anV6MTZzaTR0

I’m Dean R. Chandler — a London based songwriter, recording artist, and storyteller. My music is rooted in a lifelong search for meaning, weaving together themes of love, loss, faith, alien contact, and humanity’s future.

My upcoming double concept album Human Odyssey (set for release in January 2027) is the culmination of decades of writing and reflection. It’s a narrative journey that begins with a search for God and ends with an encounter with extraterrestrial intelligence — exploring not only what it means to be human, but also where we might be heading as a species. Musically, it draws inspiration from the epic storytelling of Jeff Wayne’s War of the Worlds, the synth-driven edge of Gary Numan, and the emotional depth of artists like Tori Amos and Chris de Burgh.

I previously released Time Machine – Reflecting Shattered Dreams (2014) and continue to revisit my archive of songs written across 35 years, reimagining them with today’s tools and sounds. Some pieces remain intimate and acoustic, while others expand into dark rock, industrial, or orchestral landscapes — but all are connected by a focus on emotional honesty and cinematic storytelling.

Beyond music, I’m fascinated by the intersection of creativity and technology. I’ve been experimenting with AI-driven composition and production to bring old demos to life and to spark entirely new works. For me, these tools are not replacements for human artistry but extensions of it — ways of unlocking stories and emotions that otherwise might have remained hidden.

At its heart, my work is about connection: to the past, to the future, and to the unseen mysteries of existence. Music, for me, isn’t just entertainment — it’s a chronicle of transformation, a conversation between spirit, science, and sound.

https://www.linkedin.com/in/dean-r-chandler-b19715382/
www.deanrchandler.co.uk

Maryam Mirbagheri aka “Maryama” is an award winning Iranian American composer/performer/music producer currently residing in Los Angeles, California. 
Born and raised in the middle east to an art loving family, she was surrounded by great music from early childhood. Growing up she studied guitar with rock stars Ardavan Anzabipour and Homayoun Majdzadeh. 
Maryama has performed in prestigious international music festivals such as Fajr International Music Festival and Monterey Jazz Festival(student)and have competed and placed in competitions such as Iranian International Youth Competition : Music Composition category(semi-finalist) and Music Association of California(2nd place in state of California). She has won a Jazz Downbeat Award with ARC Advanced Vocal Jazz Ensemble, was nominated for two Hollywood Music in Media Awards and has worked with prestigious figures such as Deborah Lavine, James Franco, Michaell Skloff(composer of FRIENDS), prestigious groups such as Vox Musica Vocal Ensemble and many more.
She holds two Associate Degrees in Jazz Voice and Music Composition from ARC where she studied with one of her biggest inspirations, Joe Gilman. She holds a Bachelor of Fine Arts (Music Composition, Film Music) and a Master of Fine Arts from the California Institute of the Arts where she studied with Ulrich Krieger( Lou Reed), Pirayeh Pourafar, Houman Pourmehdi, David Rosenboom, Larry Koonse , Miroslav Tadic and many more. Maryama has studied with Usher and Christina Aguilera through MasterClass inc.

Maryam’s musical style is derived from a fusion of jazz, soul, persian and classical music and inspired by endless number of artists. She has been the featured artist of the month in renowned publications such as GIRLTRIP, Muzik magazine, HuffingtonPost, DW Germany, POPDOSE, Obscure sounds, Girls underground, VENT Magazine, Celebrity cafe and many more. She is said to be one of Los angeles’s most unique and up and coming acts and has been compared to the likes of Sade, Dido, Natalie Merchant, Lianne Lahavas and Adele. 

in 2017 Maryama's new music video/single “Where The Mermaids Are” gained spectacular feedback making it one of the artist’s most critically acclaimed piece of work. Maryama’s record with the same name mixed and mastered by GRAMMY award winner Marc Urselli and Scott Hull, was released August 2017.
As of November 2017, the album has been nominated for a Hollywood Music in Media award, won a Music California Award and has been playlisted amongst artists such as Hozier, Beck, Brion Eno, Gustavo Santaolalla and many more. 
As of 2022 Maryama's music has been performed and play-listed internationally.  She is currently working with the iconic Universal Music Group and is a proud member of female lead groups Shesaid.so and Sheisthemusic.

New tracks tagged #FilmScoreVibes