To love, even though you know it is the last time. The bittersweet act of holding on, even when you already know you have to let go.

This recording is a floating state. Reality softens. Edges blur. A carpet that needs no floor.
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Artist: αnnø-nÿm 
Title: Osram (Live)
Label: Entropic Minds Rec.
Format: Digital 
Genre: Electronic Style: #classical-ambient 
Release date: Dez. 04,  2025
Artwork: Polyminds
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Contact: maggowitsch@wittbronsky.de

Osram (Live)

Composition orchestrale épique, inspirée par les musiques de film et les grandes fresques fantasy.
Cordes expressives, cuivres puissants, percussions massives et chœurs aériens créent une atmosphère héroïque et immersive.
Une musique qui évoque les grandes quêtes, les paysages majestueux et l’émotion des récits épiques.
Bonne écoute !

Epic orchestral composition inspired by film music and large-scale fantasy worlds.
Expressive strings, powerful brass, massive percussion and airy choirs create a heroic and immersive atmosphere.
A piece that evokes grand quests, majestic landscapes and the emotion of epic storytelling.
Enjoy!

epical

Eimsbüttel is a solo piano piece in F minor that captures the turbulent yet curious rhythm of daily life in Hamburg’s vibrant Eimsbüttel district. Its musical narrative shifts between stumbling, restless motifs and moments of quiet wonder, reflecting a neighborhood where chaos and charm coexist. Through dynamic contrasts and fluid harmonic turns, the piece portrays a new routine that may waver, but always moves forward with curiosity and warmth.

Eimsbüttel

Imagine yourself as a kid. Didn't you want to spread your wings and fly away just like a bird? Or a dragon?

https://youtu.be/1hCDLlSo7OY

This is all about a child's dream come true: Elven's Ride.

It begins with the suspicion of the villagers towards Elven's strange desire to learn more about dragons. Elven follows his heart and enters the realm of the dragons in the inaccessible mountains. His first encounter is reverential. A dragon, young like Elven himself, shares the same curiosity and they become friends. A journey through danger, fear, romance and wondrousness. 

This track basically consists of one single theme which is varied and developed all the way until the end. 

It starts with a unsettled minor vibe conveyed by strings and woodwinds. The brass enters and the volume raises. The theme, now played by the horns has a much more heroic touch and is accompanied by a high strings ostinato.

The faster, more rhythmic and adventurous part leads into some action, provided by low strings ostinato. After a suspenseful interplay the theme occurs again as a heroic trumpet fanfare.

Now it's time for a bit of romance played mainly by the strings section in 3/4. This is a new B theme but it's finished with a solo trumpet of the main theme. A quiet and solemn variation leads then into the final climax with the full orchestra.

Elven's Ride

All glory belongs to Hashem.
 "I can totally hear this in a movie..." sometimes out of tune, 432htz Moody music composed on a 1910 upright grand piano. CC is an aspiring movie music composer, singer, songwriter, traveling artist.  Help me change the world by checking out Psalm139Love.com They changed mine.

_the Cough_

So it goes

Here’s to You, 32

But this IS my happy song

Winter Solstice

Code of Life is a visual and musical journey through the story of existence. From the ancient origins of life, through the wild beauty of nature and the rise of humanity, all the way to the age of machines and artificial intelligence.

### Corresponding Video
--> on YouTube https://youtu.be/tB3Vg3n8k8k

Code Of Life - A Journey Through Time - Film Music, Epic, Powerful

Remembering my essence

"Self Medicate is a haunting soundscape from award-winning composer Rick Balentine, blending brooding electronic textures with emotionally charged orchestral undertones. The track moves like a fading heartbeat—dark, hypnotic, and uncomfortably honest—capturing the desperate need to escape inner chaos. It builds layer by layer mirroring the battle between pain, relief, and the fragile line between the two."

Self Medicate

“Uncle Jerome” is a shadow-laden, slow-burn tension piece from award-winning composer Rick Balentine. Built on ominous low strings and unsettling textures, the track mirrors the quiet solace and support surrounding Uncle Jerome’s presence in The Kahiki 3 and Me. It’s a musical portrait of a character you’re missing post his passing and questioning like without him—brooding, unpredictable, and impossible to shake."

Uncle Jerome

“Run” is a relentless, pulse-pounding cue driven by dark synth rhythms and razor-tight percussion. Award-winning composer Rick Balentine crafts a sonic adrenaline surge—breathless, claustrophobic, and charged with danger. The track captures the desperation of flight, the echo of footsteps in the dark, and the rising certainty that something is closing in.

“That’s Not Bravo Team Anymore” is a dark, nerve-tightening pulse cue that signals a devastating shift in the story. Award-winning composer Rick Balentine fuses deep rhythmic surges, distorted low-end textures, and unsettling tonal fragments to capture the moment when a trusted unit becomes something unrecognizable—and terrifying. The track thrums with dread, urgency, and the cold realization that whatever those soldiers were… they aren’t anymore.

That's Not Bravo Team Anymore

“The Moment of Truth – Go To Hell” is a blistering emotional breakdown set to music. Award-winning composer Rick Balentine weaves searing strings, pounding percussion, and raw, dissonant textures into a score cue that detonates at the heart of the film’s most brutal betrayal. Every note tightens like a fist—rage, heartbreak, and revelation colliding as the truth finally erupts and the characters’ loyalty shatters beyond repair.

The Moment of Truth - Go To Hell

“In Tenebras” is a sweeping, emotional finale in which award-winning composer Rick Balentine brings all the film’s core musical motifs together for one last, resonant statement. The track blends haunting melodies, driving rhythmic figures, and aching harmonic shifts, transforming the score’s darkest moments into a powerful, cohesive closing chapter. It’s both an echo and an elegy—honoring everything the characters endured while allowing the audience a final breath in the shadows.

In Tenebras

“Maybe It’s The Wind” is a whispering nightmare of a cue—an uneasy blend of creaking textures, distant pulses, and cold, breathlike motifs. Award-winning composer Rick Balentine builds the tension with unnerving subtlety, creating a soundscape where every rustle feels alive and every shadow feels closer than before. It’s horror at its most unsettling—the moment when doubt becomes dread.

Maybe Its The Wind

"From Afar" is a powerful, cinematic track that captures the intense feeling of observing someone or something meaningful from a great distance. The music starts with a reflective vocals, building steadily into a massive, orchestral-backed chorus driven by layered dynamics and percussion. The male vocal performance carries a profound sense of yearning and drama, making the track feel like the emotional climax of a film score. It speaks to the pain and beauty of seeing a loved one or a goal that is just out of reach.

From Afar

I'm all about experimenting, exploring new sounds, and seeing what emerges. My music is a journey into the unknown, mixing emotions and textures that come from deep within, always aiming to evoke something raw and real.

Happy to meet people to share this passion with :)

Instagram: jonatan.tp
Email: jonatan_tp@hotmail.com

Lover of orchestral film scores and epic music.

I had started making music in the 90s with my Amiga 500 but it wasn't capable (me neither) of producing the sound of a whole orchestra.

The diverse musical expressions in filmscores have a bigger emotional impact than any other genre I can think of. My music is heavily inspired by the great composers around 1980-2000, like John Williams, Jerry Goldsmith, James Horner, Basil Poledouris and Hans Zimmer.

With synthesizers, a whole new world of sound has entered the arena and merges with the orchestra to a fantastic sonic experience.

I try to tell stories and convey emotions in my pieces to take you onto a journey into unknown territory.

_____________________
All in ONE – ONE in All

Creating is a journey, and I love to explore new territories and push the boundaries of what's possible. It is all about exploring and evolving

The creative process is just as important as the final product. Loving to experiment with different materials and techniques and continually looking for new ways to express through text, sound and visuals. It is a reflection of my personal journey, to connect on a deep, emotional and spiritual level.

My passion for art and sound is contagious sometimes, and I loves sharing with others.

It's about the process, dealing with coincidences and happy accidents. Navigating between possibilities and intuition.

Electronic poems
Soundscapes
Dubmission
RawTec
Experimental Electronic
Modern Classic
DJ-Sets

rhythm and sound joined together in an organic synthesis
feel free to get in contact:
maggowitsch@wittbronsky.de

I'll hear my music in a movie someday, smile, and say, I told you so.
I have no idea what I'm doing. Analog girl lost in digital world. 
Check out Psalm139love.com to see our nonprofit in Haiti

French electronic artist blending deep electronic beats, orchestral textures, and cinematic atmospheres.

https://linktr.ee/paullecomtemusic

Rick Balentine is an award-winning composer and producer whose music has become a signature force across film, television, and media. With over 40 years of experience in musical storytelling, Balentine is known for blending expressive orchestral writing with modern electronic textures, creating powerful, emotionally charged scores that elevate every frame they accompany.

His work spans a wide range of genres—from sweeping dramas and character-driven stories to pulse-pounding thrillers, supernatural worlds, western epics, and political sci-fi narratives. Balentine’s scores are defined by memorable themes, bold sonic architecture, and an instinctive ability to amplify narrative tension, heart, and atmosphere.

Rick’s diverse portfolio includes acclaimed work on the award-winning western Going Home, the supernatural thriller In Tenebras, the dark comedic drama The Kahiki 3 and Me, as well as expansive series and film projects in development, including Iron Legacy, Karma Reign, The Days of Man, Violet Requiem, Signal Lost, and Project Ascension. His compositions range from intimate solo performances to full-scale cinematic soundscapes, each crafted with meticulous attention to emotional depth and storytelling precision.

Beyond composing, Rick is the founder and creative force behind Temple Gate Films, LLC and Temple Gate Distribution, where he continues to shape and score high-profile projects internationally. His collaborative approach, musical versatility, and passion for narrative-driven scoring have earned him a respected place among today’s most dynamic screen composers.

Whether crafting a haunting horror motif, a sweeping orchestral theme, or a hard-hitting action cue, Rick Balentine brings unmatched creativity, clarity, and emotional intelligence to every project—delivering music that resonates long after the story ends.

“Places”
Out February 2026: Places is a journey through 10 locations (e.g. banholz = Feldrennach, Westend = Wiesbaden, Neuhausen = Munich, Pempelfort = Düsseldorf, Eimsbüttel = Hamburg, Neustadt = Mainz, Mönchsberg = Salzburg...) captured in 10 minimalist piano pieces, framed by an Ouverture and a Coda. 

Tracklist:
Track 1 – Ouverture
Track 2 – Banholz
Track 3 – Johanneskirchen
Track 4 – Mönchsberg
Track 5 – Westend
Track 6 – Neustadt
Track 7 – Neuhausen
Track 8 – Interludium - Friedrichstadt 
Track 9 – Heinrich Heine
Track 10 – Pempelfort
Track 11 – Eimsbüttel
Track 12 - Coda

Early demos drop late 2025, final versions 2026.

New tracks tagged #Filmscore