►Check out our Patreon! https://www.patreon.com/thewafflepresspodcast

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FINAL DESTINATION Franchise Retrospective (1-5 + Bloodlines)

The slasher series without a slasher returns for its sixth instalment, fourteen years after we last saw it. Where Halloween gave us Michael Myers, Friday the 13th, Jason Voorhees, and A Nightmare on Elm Street, Freddy Krueger, Final Destination made death the villain - perhaps more accurately, Death, but we never see a cloaked man wielding a scythe. Where the figure of the slasher killer could, in principle, be evaded and even beaten, Final Destination's Death, non-corporeal and omnipresent, carries a key threat of inevitability. Nobody escapes Death.

In each Final Destination film, one character's premonition of catastrophe gives them the chance to save themselves and others from death, but Death won't take being cheated lying down, and sets its sights on pursuing its near-victims to the graves they're currently avoiding. How? Through elaborate, Rube Goldberg-esque accidents, of course. We discuss the ways in which Final Destination Bloodlines' set pieces work, how they focus on small moments and individual stories, and how they're a nightmare for the naturally anxious. José isn't shy of expressing his dislike of the film; Mike, the opposite, and he does his best to explain the appeal of watching so many people perish in such gruesome ways. We even ask whether a slasher series could be made with which José would see eye to eye, and imagine what it might look like.

Recorded on 20th May 2025.

443 - Final Destination Bloodlines

Join Kevin and the crew for the next Pastrami Nation Podcast! Hear about Kevin's experience at this weekend's UFO Fest, the latest Final Destination film and more!

Pastrami Nation Podcast- May 20th, 2025!

LISTEN TO THE FULL BONUS EPISODE ON PATREON: https://www.patreon.com/posts/129942248

MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667
WEBSITE: www.sleazoidspodcast.com/

Pod Twitter: twitter.com/sleazoidspod
Pod Letterboxd: letterboxd.com/SLEAZOIDS/

Josh's Twitter: twitter.com/thejoshl
Josh's Letterboxd: letterboxd.com/thejoshl/

Jamie's Twitter: twitter.com/jamiemilleracas
Jamie's Letterboxd: letterboxd.com/jamiemiller/

BT 62 Teaser - MISSION IMPOSSIBLE - FINAL RECKONING, FINAL DESTINATION BLOODLINES, WARFARE, DROP + HAVOC (Spoilers)

“Kinosaade” on taskuhääling, kus kino Artis programmijuht Ra Ragnar Novod, endise Forum Cinemase endine programmispetsialist Henryk Johan Novod ning kultuurikriitik Raiko Puust võtavad igal nädalal läbi uued filmid ja seriaalid ning ka olulisemad filmiuudised.

Hakka meie toetajaks läbi Patreoni: www.patreon.com/kinosaade

“Kinosaate” 267. saates arutavad Ragnar, Henryk ja Raiko nende filmide ja seriaalide üle, mida on nad vahepeal koduste vahendite (Amazon Prime Video, Netflix, Apple TV+ jne) abil vaadanud (The Last of Us, Conclave, Wayward Pines, Shōgun, Love, Death & Robots jpm!)

Lisaks anname ülevaate kinos nähtud filmidest: Lõpp-punkt. Vereliinid, Surfar, Õnne tarkus, Ükssarviku surm, Kõuenooled, Meister ja Margarita, 100 liitrit koduõlut

Vaata seda episoodi Youtube'is:
https://www.youtube.com/watch?v=LBAdcV6P288&ab_channel=%C3%95htuleht.ee

Sisukord:

0:00 Sissejuhatus

2:10 Nädala lemmikud: Lõpp-punkt. Vereliinid, Kõuenooled, Meister ja Margarita

52:45 Mida on Raiko kodus vaadanud?

Raiko: The Last of Us (2023), Conclave (2024), Trauma (2017), Wayward Pines (2015), From Old Country Bumpkin to Master Swordsman (2025), The Beginning After the End (2025), Ükssarviku surm (2025)

1:21:11 Raiko annab ülevaate kinofilmist Õnne tarkus

1:51:29 Anname ülevaate kinos nähtud filmidest: Surfar, 100 liitrit koduõlut

2:07:08 Mida on Henryk ja Ragnar kodus vaadanud?

Henryk: Metal Gear Solid (1998), Harbin (2024), The Last of Us (2023 - ), Shōgun (2024)

Ragnar: The Last of Us (2023 - ), Andor (2022–2025), Love, Death & Robots (2019 - ), Harbin (2024)

Kõik saated on leitavad ka Kinosaade.ee, Apple Podcasts, Spotify ja kõikides teistes podcasti rakendustes.

Lisaks leiab meid veel Facebookist, YouTubest ja Twitchist Kinosaade nime alt.

Facebook: www.facebook.com/kinosaade
YouTube: www.youtube.com/channel/UCeBOcl_yALcrk-U7Ou5BQCw
Twitch: www.twitch.tv/kinosaade
Kodulehekülg: kinosaade.ee/
Discord: discord.gg/B2zbCWPCc3
Patreon: www.patreon.com/kinosaade
Õhtuleht: www.ohtuleht.ee/oltv-raadio/kinosaade
Õhtuleht YouTube: www.youtube.com/playlist?list=PLv…cINr0VKL-kZG5wUCq

267. Kinosaade | Lõpp-punkt. Vereliinid, Kõuenooled ja Meister ja Margarita

FINAL DESTINATION

Have you ever had the feeling of Vous Ja De, like none of this has ever happened before? It's about time the Hauntsville Cryprcast tackles fate, fortune, and final destination!
@Hauntsvillecryptcast
@Alabmonster
@Annaspookshorror
@Jonvonfrankenstein

60. Fate, Fortune, and Final Destination

lofi remix of standing on the edge of summer by Thursday      

smh my head

https://linktr.ee/_red_river_podcast
We're back for an episode that includes discussions about Until Dawn, Corn In A Cornfield, and Final Destination 6. As well as a summer movie discussion that starts off with the new Nic Cage movie The Surfer. Check it out!!!

ep 208 Summer Movies & More

Stand up sooner!!!

0:00 – Movie Talk
11:24 - Intro
12:07 - Announcements
13:03 - What Can’t You Wrap Your Head Around?
21:05 - Big Beautiful Bill Passes In Senate
32:30 - Transgender People Removed From Military 
37:53 - Thom Tillis, You’re Not That Guy!
49:19 - Alligator Alcatraz
56:38 - Crab Boils at Red Lobster
1:02:14 - Carnival Cruise Has New Rules and A Man Jumps Overboard
1:08:22 - Dallas Cowboy Cheerleaders Get Raises
1:14:27 - Beyoncé Still Tippin on 44’s
1:19:07 - End of Show/ Corny Joke

--------------------------------------------------------------------

Please be sure to follow us on all our social media:  
Cashapp: $Headwrappod
Bluesky: @headwrappod 
Instagram: @headwrapsandlipsticks 
TikTok: @headwrapsandlipsticks
Facebook: Headwraps And Lipsticks: The Podcast 
Website: www.headwrapsandlipstick.com 
Email: hosts@headwrapsandlipsticks.com


You Don't Get To Be The Hero - S9, E20

Originally released during the label’s earlier years, “Final Destination” by Fernando Tessis and Rich Venom, remixed by David Bau, returns as part of TEN: The Archive Series Pt. 1 — a curated collection highlighting peak time and driving Techno from the first phase of the label’s history.

Defined by its stripped intensity and functional power, the remix captures the raw, uncompromising sound that helped shape Ballroom’s identity on the international Techno circuit.

TEN: The Archive Series, Pt. 1

Final Destination (David Bau Remix)

Destination 180

/ emergency broadcast / emergency broadcast / emergency broadcast /
/
— rollout, transmission, odyssey begins — demo version drop

the incoming age of melancholy:
not simply an era nor a season, but the endless twilight borne of every choice and every surrender,
woven from the threads of every generation’s longing—now, at last, unraveling before our eyes.

it begins as a hush—
not even silence, but something deeper:
the collective holding of breath as we pass through threshold after threshold,
unwilling—unable—to look back
at what still burns on the distant altars,
the cost we never counted,
the price we always assumed someone else would pay.

here, the mountains are made not of stone but of unsent messages,
unspoken apologies, unreached hands.
here is the valley of sacrificed afternoons,
where children chase phantoms,
where memory loses its shape under blue electric light,
where elders recall the scent of rain on pages, the music of patience.
here, the rivers are sorrow and the bridges are compromise,
some scorched, some crossed in regret,
most never rebuilt.

who are we, now, on this side of the threshold?
we—the bold, the bruised, the lonely inheritors of immeasurable plenty and exquisite emptiness—
we raise towers in tribute to unseen gods,
wireless cathedrals and temples that promise everything and deliver
only the ache of again, again, again
another update, another offering, another blinking vigil.

in the age of melancholy, every blessing is double-edged.
comfort comes yoked to numbness;
speed, to the erasure of slow becoming;
certainty, to the narrowing of all that is possible
and the slow extinction of wild hope.

“what did you give for this?” asks the old voice inside—
and we hush it with data, with noise,
with things that will never love us back.

our gods are many—everywhere, nowhere—
famous for a season, then discarded,
as fickle as the pulse in a liquid crystal display.
once, gods demanded faith, sacrifice, story and song.
now, they demand only attention—
bring us your tired eyes, your restless mind, your need to be known.
and in return, they give us chains so beautiful,
we praise them as gifts.

but beneath the wafer-thin bounty, the banquet of quick joys—
the shadow:
for every god installed, something sacred is displaced,
every new device arrives with its own silent requirement
that some part of us—ancient, slow, shimmering—must be left behind.

still, we are the ones who choose, trembling though we are—
again and again, at every threshold:
the altar, the new coin of the realm,
purchase paid in what cannot be replaced.

no one warned us that all this ease would cost us ourselves,
that to belong to the gods of now is to mourn what made us human—
the bruises, the breaks, the precious awkwardness of becoming.

what is melancholy, in this thunderous shadow,
if not the noblest form of remembering?
not a sickness, but a wisdom, a refusal to let the soul’s lost countries be overrun
without one last prayer, one last song.

let us be brave enough to mourn,
bold enough for the trembling joy in sorrow—
to sit by the ghost-lit ruins of intimacy and warmth and hope,
and refuse the command to forget.

for in this age, courage lies not in the conquest of new things,
but in the deep humility of honoring what is lost—
the quiet grace of looking back, and bearing witness,
and speaking to the brave few who will listen:

remember—
before the gods of upgrade and speed,
we danced in forests, we bled and healed together,
we built fires for each other’s warmth,
we told stories that did not sell,
.........
may we, the humbled .....
........4'000 characters.. there's more to it, sorry....
/
artwork illustration by peter uertz, düsseldorf / germany
/
/ lyrics: fictionalive
/ music: a tiny excerpt of the epic mighty double dutch DJ Set
Kasheme's Local Digger Session w/ Murphy & Cavaliere Spruzzi (Save the Vinyl / monorecords)
https://soundcloud.com/kashemezurich/kashemes-local-digger-session-w-murphy-spruzzi-save-the-vinyl-monorecords

Incoming Age of Melancholy — Eternal Dusk Between Eras / The Last Custodians of the Old Music

"Final Destination Bloodlines" is the sixth installment in the "Final Destination" series and was released in theaters fourteen years after "Final Destination 5." It was met with the best reviews and box office the franchise has ever seen, with a 93% on Rotten Tomatoes and $285.3 million at the worldwide box office. Directors Zach Lipovsky & Adam Stein were kind enough to spend a few minutes speaking with us about their experiences making the film in preparation for its home video and streaming release, which you can listen to below. Please be sure to check out the film, which is now available to stream at home on HBO Max. Thank you, and enjoy!

Check out more on NextBestPicture.com

Please subscribe on...

Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2

Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT

YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw

And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Interview With "Final Destination Bloodlines" Directors Zach Lipovsky & Adam Stein

final destination

inspired by my girl wendy lets go wendy. rip to a real one.

ill definitely revisit this one in the future and do an extended version bc everything after the first chorus was kinda lazy ngl........ but i do like this song. tbh

rosevoid - rollercoaster crash girl ft popy ai (synth v original song)

10 Years of Ballroom Records
Shaping electronic music with
passion, vision & sound since 2015.

Demo Policy:

We’re always on the lookout for fresh talent! If you’d like to send us a demo, please follow these guidelines:

✅ Submit a private SoundCloud link (no file attachments).
✅ Include a short introduction about yourself.
✅ Add links to your social media pages.
✅ Please take a moment to check out our catalogue to ensure your music aligns with our label’s style.

Send your demo to: demos@ballroom.cc

Looking forward to hearing your sounds!

https://linktr.ee/JCConville?utm_source=linktree_profile_share&ltsid=fe478b0d-26bd-466a-be4f-8b4969430220

Pastrami Nation is all about the meat of pop culture: comic books, movies, video games, anime, manga, collectibles, art, books, cosplay and more! Not only are we online at www.pastramination.com and all over social media, but we also do a podcast that covers everything you love about pop culture. 

A podcast by NextBestPicture.com that reviews the latest film releases and discusses various topics within the world of film and the awards race.

3 long island friends discussing old and new music and movies with guests!

Come on a journey with two HBCU alumni, Sharelle and Sierra, for a weekly discussion covering topics from politics to pop culture to current events! Welcome to Headwraps and Lipsticks where the conversations are plentiful, thought-provoking and funny!

"I have this romantic idea of the movies as a conjunction of place, people and experiences, all different for each of us, a context in which individual and separate beings try to commune, where the individual experience overlaps with the communal and where that overlapping is demarcated by how we measure the differing responses between ourselves and the rest of the audience: do they laugh when we don’t (and what does that mean?); are they moved when we feel like laughing (and what does that say about me or the others) etc. The idea behind this podcast is to satiate the urge I sometimes have when I see a movie alone – to eavesdrop on what others say. What do they think? How does their experience compare to mine? Snippets are overhead as one leaves the cinema and are often food for thought. A longer snippet of such an experience is what I hope to provide: it’s two friends chatting immediately after a movie. It’s unrehearsed, meandering, slightly convoluted, certainly enthusiastic, and well informed, if not necessarily on all aspects a particular work gives rise to, certainly in terms of knowledge of cinema in general and considerable experience of watching different types of movies and watching movies in different types of ways. It’s not a review. It’s a conversation." - José Arroyo.

"I just like the sound of my own voice." - Michael Glass.

Welcome fellow SLEAZOIDS!!! Come along as hosts Josh Lewis and Jamie Miller (and, occasionally, guests) go down the rabbit hole of 20th century genre fare from the most influential canon classics to the the trashiest exploitation films we can get our hands on. Each week is a double feature—grindhouse style—where we discuss two films loosely related by subject, genre, actor, filmmaker or franchise and at the end of each episode, along with our HONORARY SLEAZOIDS (click on over to our patreon to become one), we decide on ratings and rankings for each film that's covered. Join us as together we work to uncover the best genre films of 20th century.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

welcome to the graveyard where i dump all me auld music

Now on iTunes & Spotify!

Discussions of horror faves and flops, breakdowns of what makes things scary, and arguments about which werewolf is best. Here in Hauntsville, the real horror is the friendships we made along the way.

"Kinosaade" on taskuhääling, kus kino Artis programmijuht Ra Ragnar Novod, Forum Cinemas programmispetsialist Henryk Johan Novod ning kultuurikriitik Raiko Puust võtavad igal nädalal läbi uued filmid ja seriaalid ning ka olulisemad filmiuudised.

New tracks tagged #Final Destination