Stand up sooner!!!

0:00 – Movie Talk
11:24 - Intro
12:07 - Announcements
13:03 - What Can’t You Wrap Your Head Around?
21:05 - Big Beautiful Bill Passes In Senate
32:30 - Transgender People Removed From Military 
37:53 - Thom Tillis, You’re Not That Guy!
49:19 - Alligator Alcatraz
56:38 - Crab Boils at Red Lobster
1:02:14 - Carnival Cruise Has New Rules and A Man Jumps Overboard
1:08:22 - Dallas Cowboy Cheerleaders Get Raises
1:14:27 - Beyoncé Still Tippin on 44’s
1:19:07 - End of Show/ Corny Joke

--------------------------------------------------------------------

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Email: hosts@headwrapsandlipsticks.com


You Don't Get To Be The Hero - S9, E20

Originally released during the label’s earlier years, “Final Destination” by Fernando Tessis and Rich Venom, remixed by David Bau, returns as part of TEN: The Archive Series Pt. 1 — a curated collection highlighting peak time and driving Techno from the first phase of the label’s history.

Defined by its stripped intensity and functional power, the remix captures the raw, uncompromising sound that helped shape Ballroom’s identity on the international Techno circuit.

TEN: The Archive Series, Pt. 1

Final Destination (David Bau Remix)

Destination 180

/ emergency broadcast / emergency broadcast / emergency broadcast /
/
— rollout, transmission, odyssey begins — demo version drop

the incoming age of melancholy:
not simply an era nor a season, but the endless twilight borne of every choice and every surrender,
woven from the threads of every generation’s longing—now, at last, unraveling before our eyes.

it begins as a hush—
not even silence, but something deeper:
the collective holding of breath as we pass through threshold after threshold,
unwilling—unable—to look back
at what still burns on the distant altars,
the cost we never counted,
the price we always assumed someone else would pay.

here, the mountains are made not of stone but of unsent messages,
unspoken apologies, unreached hands.
here is the valley of sacrificed afternoons,
where children chase phantoms,
where memory loses its shape under blue electric light,
where elders recall the scent of rain on pages, the music of patience.
here, the rivers are sorrow and the bridges are compromise,
some scorched, some crossed in regret,
most never rebuilt.

who are we, now, on this side of the threshold?
we—the bold, the bruised, the lonely inheritors of immeasurable plenty and exquisite emptiness—
we raise towers in tribute to unseen gods,
wireless cathedrals and temples that promise everything and deliver
only the ache of again, again, again
another update, another offering, another blinking vigil.

in the age of melancholy, every blessing is double-edged.
comfort comes yoked to numbness;
speed, to the erasure of slow becoming;
certainty, to the narrowing of all that is possible
and the slow extinction of wild hope.

“what did you give for this?” asks the old voice inside—
and we hush it with data, with noise,
with things that will never love us back.

our gods are many—everywhere, nowhere—
famous for a season, then discarded,
as fickle as the pulse in a liquid crystal display.
once, gods demanded faith, sacrifice, story and song.
now, they demand only attention—
bring us your tired eyes, your restless mind, your need to be known.
and in return, they give us chains so beautiful,
we praise them as gifts.

but beneath the wafer-thin bounty, the banquet of quick joys—
the shadow:
for every god installed, something sacred is displaced,
every new device arrives with its own silent requirement
that some part of us—ancient, slow, shimmering—must be left behind.

still, we are the ones who choose, trembling though we are—
again and again, at every threshold:
the altar, the new coin of the realm,
purchase paid in what cannot be replaced.

no one warned us that all this ease would cost us ourselves,
that to belong to the gods of now is to mourn what made us human—
the bruises, the breaks, the precious awkwardness of becoming.

what is melancholy, in this thunderous shadow,
if not the noblest form of remembering?
not a sickness, but a wisdom, a refusal to let the soul’s lost countries be overrun
without one last prayer, one last song.

let us be brave enough to mourn,
bold enough for the trembling joy in sorrow—
to sit by the ghost-lit ruins of intimacy and warmth and hope,
and refuse the command to forget.

for in this age, courage lies not in the conquest of new things,
but in the deep humility of honoring what is lost—
the quiet grace of looking back, and bearing witness,
and speaking to the brave few who will listen:

remember—
before the gods of upgrade and speed,
we danced in forests, we bled and healed together,
we built fires for each other’s warmth,
we told stories that did not sell,
.........
may we, the humbled .....
........4'000 characters.. there's more to it, sorry....
/
artwork illustration by peter uertz, düsseldorf / germany
/
/ lyrics: fictionalive
/ music: a tiny excerpt of the epic mighty double dutch DJ Set
Kasheme's Local Digger Session w/ Murphy & Cavaliere Spruzzi (Save the Vinyl / monorecords)
https://soundcloud.com/kashemezurich/kashemes-local-digger-session-w-murphy-spruzzi-save-the-vinyl-monorecords

Incoming Age of Melancholy — Eternal Dusk Between Eras / The Last Custodians of the Old Music

"Final Destination Bloodlines" is the sixth installment in the "Final Destination" series and was released in theaters fourteen years after "Final Destination 5." It was met with the best reviews and box office the franchise has ever seen, with a 93% on Rotten Tomatoes and $285.3 million at the worldwide box office. Directors Zach Lipovsky & Adam Stein were kind enough to spend a few minutes speaking with us about their experiences making the film in preparation for its home video and streaming release, which you can listen to below. Please be sure to check out the film, which is now available to stream at home on HBO Max. Thank you, and enjoy!

Check out more on NextBestPicture.com

Please subscribe on...

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YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw

And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Interview With "Final Destination Bloodlines" Directors Zach Lipovsky & Adam Stein

final destination

inspired by my girl wendy lets go wendy. rip to a real one.

ill definitely revisit this one in the future and do an extended version bc everything after the first chorus was kinda lazy ngl........ but i do like this song. tbh

rosevoid - rollercoaster crash girl ft popy ai (synth v original song)

Cet album n’est pas une collection de morceaux, mais une confession unique. Une seule track, accompagnée d’une poésie sombre, née de l’impossibilité d’oublier malgré toutes mes tentatives. C’est le cri d’un esprit hanté, offert gratuitement, comme une trace laissée dans l’ombre pour celles et ceux qui oseront l’écouter.

This album is not a collection of tracks, but a single confession. One track, accompanied by a dark poem, born from the impossibility of forgetting despite all my attempts. It is the cry of a haunted mind, offered for free, a trace left in the shadows for those who dare to listen.

Cellar (Be) - Final Destination (original mix) Free Download

Nie wiem nawet co mam zrobić

Zjazd

Autobus

Przy odrobinie szczęścia

SZCZUROID

Już poznałem cały świat

ILE JEST WARTE TO

Zakaz rządowy

Club Furies Premiere #1601

The Era Crua Vol. 2

Artists: Andre Luki, Talinho, Clinical25, KEROSENE, Heleni Anna
Title: The Era Crua
Format: Digital
Label: ANTISTAGE
Catalogue: ANT012

Release Date: December 19th, 2025
Support & Buy: https://antistagerecords.bandcamp.com/

Tracklist:
01. Andre Luki - Final Destination
02. Talinho - Sirha
03. Clinical25 - Luce Velata
04. KEROSENE - it took everything
05. Heleni Anna - Afroditis' Chant

Andre Luki
https://soundcloud.com/andre-luki
https://www.instagram.com/andrelukiofficial
https://www.facebook.com/andrelukiofficial
https://linktr.ee/andreluki

ANTISTAGE Records
https://soundcloud.com/antistagerecords
https://www.instagram.com/antistagerecords
https://www.beatport.com/pt/label/antistage-records/119209
https://antistagerecords.bandcamp.com
https://www.youtube.com/@ANTISTAGE
https://linktr.ee/antistagerecords

Club Furies
@clubfuriess
https://clubfuries.com.mx
www.instagram.com/clubfuriess
https://www.threads.com/@clubfuriess
https://www.tiktok.com/@clubfuries
www.facebook.com/clubfuries
https://bandcamp.com/erick_cf
twitter.com/FuriesClub
linktr.ee/clubfuries

The Era Crua

Andre Luki - Final Destination

FULL REVIEW

CF Premiere: Andre Luki - Final Destination [ANTISTAGE]

After making these first outings Rudy immediately understood that his place was in the DJ booth. It all started in 1996, he was already attracted to production with Tracker, which had just seen when it was released.
But first of all he had to make a choice about the musical style he was going to share once his weapons were made in his modest room.
His apprenticeship was done with Hip-hop / Breakbeat / Soul vinyls.
After 2 years of familiarization with the famous and legendary Technics SL1200 MK2, Rudy decided to turn to electronic music, more precisely Techno.
Direction the Fuse Club in Brussels or even the big star of the time: Mister Jeff Mills.
From evening to evening he stores the technique of mixing seen with his own eyes and that by great celebrities of this environment and even more he begins to sympathize with the staff of Fuse. And this is how with nerve and kindness he asks to work there and that no matter what position.
A few days later, here he is in training with the Fuse light jockey and all that to end up with his first contract in the world of the night.
After 4 years of services Rudy realizes that his field is the sound and starts to buy plates at Doctor Vinyls..

Label Manager : Cellaroot / Highly Facts / UF Recordings.

10 Years of Ballroom Records
Shaping electronic music with
passion, vision & sound since 2015.

Demo Policy:

We’re always on the lookout for fresh talent! If you’d like to send us a demo, please follow these guidelines:

✅ Submit a private SoundCloud link (no file attachments).
✅ Include a short introduction about yourself.
✅ Add links to your social media pages.
✅ Please take a moment to check out our catalogue to ensure your music aligns with our label’s style.

Send your demo to: demos@ballroom.cc

Looking forward to hearing your sounds!

A podcast by NextBestPicture.com that reviews the latest film releases and discusses various topics within the world of film and the awards race.

Come on a journey with two HBCU alumni, Sharelle and Sierra, for a weekly discussion covering topics from politics to pop culture to current events! Welcome to Headwraps and Lipsticks where the conversations are plentiful, thought-provoking and funny!

Club Furies is a mission for sonic astronauts. We are a dedicated crew scouring the electronic galaxy to map its most uncharted and thrilling frequencies.

We serve as a launchpad for galactic premieres, interstellar mix series, in-depth interviews with sonic pioneers, and curated charts that document our finest discoveries. This is more than a platform—it's a shared journey into the depths of sound.

Join our crew. Tune your receiver. And remember the directive: The Sound is Out There.

Run by @captain_fury
Contact: clubfuries@gmail.com

Brain Hop

fictionalive /
popoems series / hyper media reports 
2001 / 2011 / 2024

/

/ to(tally) fictionalive or not

/
An artist is someone who creates or expresses ideas, emotions, or visions through a chosen medium, aiming to communicate, inspire, or evoke a response.

This definition embraces all forms of creativity—visual, musical, literary, or performance—and emphasizes the purpose of connection and expression rather than formal titles or external validation.

/
Brain Hop

Brain Hop is a musical genre invented by the artist FICTIONALIVE on Monday, December 1st, 2025, at 1:24 PM. The genre seeks to bring depth, intellect, and philosophical reflection into contemporary music, emphasizing thoughtful lyricism, conceptual frameworks, and cognitive engagement across styles. Brain Hop differentiates itself from much mainstream music by prioritizing meaningful content, complex themes, and a cerebral approach to structure, rhythm, and sound design.

The creation of Brain Hop responds to the perception that a lot of current music leans heavily on surface-level entertainment while neglecting intellectual and existential depth. It aims to provide an artistic space where artists explore profound social, political, and existential issues through innovative production and poetic or experimental vocal delivery. Brain Hop can interact with hip-hop, electronic, pop, or experimental traditions, but is defined above all by its focus on ideas and reflection rather than by any single beat pattern or instrumentation.

​As of its inception, Brain Hop is positioned as an emerging genre within underground and alternative music scenes, promising to attract listeners and creators who value music that stimulates both mind and soul.
​

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welcome to the graveyard where i dump all me auld music

New tracks tagged #Final Destination