"Look with the eyes of the Ancestors. Listen with the ears of the Ancestors."

This is the complete composition - for those who are inwardly unbusy and unhurried. It comprises selections from a sequence of recordings made consecutively at six different locations and times within the Tapanappa region: from night time, before first light, through dawn, and into early morning. It includes the beginnings of a powerful thunderstorm that brought with it heavy rain, just after dawn, in the midst of thick mist; and the early morning after the storm and rain have receded over the ocean, as the mist slowly clears.

Listening with good quality headphones (with as near to a flat frequency response as possible, and preferably open-backed, in a quiet environment) is highly recommended, particularly as this is a binaural recording.

The recording session was accomplished, respectfully, with a sense of both awe, peacefulness, and joy, upon the land of the Ramindjeri people, and is dedicated to them.

@Bandcamp

2024.01.07 To the Ancestors. Night to Morning. Tapanappa. Summer. (Long Version)

"Look with the eyes of the Ancestors. Listen with the ears of the Ancestors."

This is a much abridged version for the longer composition - for those who are outwardly relatively busy and hurried. It comprises briefer selections from only three of the six locations and times included in the complete, longer version: night above the coastline, first light at the base of a valley, and the onset of a thunderstorm, from a position above the valley.

Listening with good quality headphones (with as near to a flat frequency response as possible, and preferably open-backed, in a quiet environment) is highly recommended, particularly as this is a binaural recording.

The recording session was accomplished, respectfully, with a sense of both awe, peacefulness, and joy, upon the land of the Ramindjeri people, and is dedicated to them.

2024.01.07 To the Ancestors. Night to Morning. Tapanappa. Summer. (Short Version)

Solo Slice *Prod. Janami*

Around 5am in an ancient woodland called Melcombe Park. A beautiful place you can listen to an English springtime awaken. Go to the Dorset Gap at first light in early May, climb up onto the ridge of open downland and look north across the woodland canopy, and wait.

Melcombe Park May 2019 (2).WAV

A First Light soundscape recorded at Platypus Waterholes, part of Rocky River, in Flinders Chase National Park, Kangaroo Island, South Australia. Indigenous people inhabited the island up until about 4000 years ago. For reasons that are still not currently understood, they more or less abruptly abandoned the island and returned to the mainland, at that time.

This unedited recording falls naturally into four parts:

Part 1: Before First Light (from 00:00:00 to 00:15:33)
Part 2: Earliest First Light (from 00:15:33 to 00:36:27)
Part 3: The Crescent Honeyeater (from 00:36:27 to 00:57:03)
Part 4: Second Light and Sunrise (from 00:57:03 to 01:13:21 (where this selection from the original overnight to morning recording ends))

The first part of the recording is immediately prior to First Light, and features crickets, frogs, flying beetles, and Boobook Owls, leading into First Light and the awakening of the diurnal birds, with a Superb Fairy Wren announcing the first call and, soon after, a variety of other birds, including, among others, Golden Whistlers, Grey Fantails, Common Bronzewings, Grey Shrike-thrushes, and, predominant in the third part of the recording (because nearest to the unattended microphones), a Crescent Honeyeater, with a variety of song calls.

Although this location is heavily visited by tourists from late morning to  early evening, the Waterholes are at all times designated 'Quiet Zones', a requirement conscientiously respected by visitors. During the night and the early hours of First Light, however, there are no humans around, and this human-free environment is what this recording has captured. The recording rig was set up the previous evening, before twilight, and left running overnight to ensure no disturbance to the Waterholes environment. The location is about seven kilometres from a coastline of rugged cliffs, which is the source of the background roar audible throughout this recording. 

It is also worth keeping in mind that much of Flinders Chase National Park, including this area, was heavily burnt out by the unusually severe bushfires - ignited by lightning - that raged across much of Kangaroo Island through the summer of 2019-2020. So, what we hear, here, is also evidence of the natural resurgence of native plants and wildlife, a mere four years after those devastating bushfires.

Recommended: listening with good quality headphones (preferably open-backed) or monitors, with a flat frequency response, at a moderate volume, in a quiet environment.

Location of the recorded waterhole: -35.939441, 136.729893.

2024.12.11 Second Dawn at Platypus Waterholes. Early Summer.

Subdued; sparse; a slow, unhurried tempo; sometimes wind, sometimes calm; always, the low, far roar of the ocean shore; life, almost five years after unusually fierce bushfire. A quiet, simple, yet distinctive embroidery of small birds; a sweet descending scale in a Shrikethrush's song. Deep listening in a quiet place or moment: good for clearing, calming, relaxing, resting, healing, or even sleeping.

2024.12.07 First Dawn at Platypus Waterholes. Early Summer.

reso+delay

xavier wulf - still will

First Light is the cinematic opener to my debut EP Moments Between — a journey that begins in stillness and gradually builds into motion.

This track blends emotional liquid drum & bass with sweeping atmospheres and layered melodic tension, capturing that moment of clarity just after the chaos fades. It’s designed to set the tone — whether you're opening a set, zoning into your thoughts, or just chasing that deep, immersive sound.

Mastered and ready for the world. Hope it resonates.

➤ Artist: Zerog
➤ BPM: 174
➤ Key: G♯ Minor
➤ Genre: Liquid Drum & Bass

💬 Drop a comment or share if this hit the right frequency.
📩 For release inquiries: zerog@zerogaudio.com

Zerog – First Light

[Verse 1]
A quiet tremble shakes the sky
Below, the Earth begins to die
But we are not the ones who wait
We rise before it’s far too late

The skies were never meant to cage
A restless heart, an unborn age
We gather stardust in our hands
And trade the dust for promised lands

[Pre-Chorus]
No map can show the way ahead
But forward is the path we tread

[Chorus]
We are the fire that leaves the flame
The ones who go, yet still remain
Our stories float beyond the blue
A billion dreams, and each is true

Lift your eyes, there’s more to see
Than what the world would let us be
So hold on tight
This is the first light

[Verse 2]
No more cities built on fear
No more silence we must hear
Out there are seeds we’ve yet to sow
In soil no soul has come to know

[Pre-Chorus]
With every breath, a second chance
To carve our name across the dance

[Chorus]
We are the fire that leaves the flame
The ones who go, yet still remain
Our stories float beyond the blue
A billion dreams, and each is true

Lift your eyes, there’s more to see
Than what the world would let us be
So hold on tight
This is the first light

[Bridge]
Let the past fall soft behind
A shadow in the starry mind
We carry love, we carry loss
But still we climb, no matter cost

[Final Chorus]
We are the fire that leaves the flame
We are the fire that leaves the flame
The ones who go, yet still remain
Our stories float beyond the blue
A billion dreams, and each is true

Lift your eyes, we’ve just begun
To chase the dawn, to greet the sun
So hold on tight
This is the first light
Yeah, this is the first light

First Light (ft. Eli.Noir)

Chris and Tim come at you this week talking about the low player count for Fortnite during the Star Wars event, a New Mickey Mouse Clubhouse+, and YouTube fighting back against Disney. They also talk about the new perks program that is being offered by Disney+ and Hulu and how it may affect their retention  and new subscriber count.

Disney+ and Hulu Now Offering Subscriber Perks

A very, very gradually unfurling, utterly unhurried, dawn chorus, beginning from the very first faint bird calls of First Light (Crescent Honeyeaters) in a eucalypt forest near the north-western coast of Kangaroo Island. In various passages of the recording, the gentle, plaintive calls of Glossy Black Cockatoos (an endangered species) can be heard; also, occasionally, the loud, wailing calls of Yellow-tailed Black Cockatoos.

A continuous unedited recording. By human time, this extract from an overnight unattended recording, made on Thursday 10th April 2025 (five years after the catastrophic Black Summer bushfires), runs from 05:34 to 07:27.

Recommended listening: good quality headphones (preferably open-backed) with flat frequency response, or good quality monitors, at a low to mid volume.

Recorded mindfully and respectfully on land and water which, although not indigenously inhabited for some 4000 years, remains to this day of fundamental cultural, spiritual and historical importance to the indigenous mainland Ramindjeri, Ngarrindjeri, Kaurna, and Narangga peoples.

2025.04.10 From First Light. Wilderness Protection Area. Kangaroo Island.

︵‿︵‿୨ - eat my heart out - ୧‿︵‿︵

A wide and deep, gently rhythmically hypnotic, mallee heathland dawn, from an evening to morning recording made with a mid-side rig utilising an omnidirectional mid microphone. (Relaxed listening with good quality headphones with flat frequency response, especially open-backed, at a moderate volume, is ideal.)

Recorded respectfully on the land of the Ngargad (Ngarket) people.

Track photo: taken at the recording location, in Ngarkat Conservation Park, on the second morning of recording.

2025.09.13 Ngarkat Dawn. Early Spring.

... and so they arrived on the third planet from the sun

Rasor Blades

Landing Spot

A forward-thinking music producer redefining the boundaries of modern sound through advanced technology and AI-driven production. By integrating machine learning tools into the creative workflow, this producer turns raw data and digital algorithms into rich, emotionally charged music that feels both futuristic and deeply human.

Each project blends high-end production techniques with experimental AI processes, using technology not as a shortcut but as a collaborator. From sound design and arrangement to mixing and mastering, the approach combines technical precision with creative instinct.

The result is music that bridges innovation and emotion engineered with the precision of modern production and the unpredictability of artificial intelligence. It’s not about replacing the artist with the machine. It’s about evolving what music creation can be in the age of intelligent sound.

Owner of AuraLord Records
Music Over Misery

Have you ever binge watched a show because you were worried that someone would ruin it for you? In today's world with everything in entertainment the Fear of Missing Out(FOMO) has caused people to try and watch things as fast as possible and not enjoyed things as they should. We break down different things in Entertainment from Television,Movies,Gaming, and even tech. Check with us weekly to see what we have in store.

Zerog is a liquid drum & bass producer known for crafting emotionally charged, cinematic soundscapes that live in the space between stillness and momentum. Drawing inspiration from artists like Calibre, LSB, and Hybrid Minds, his work explores the contrast between clarity and chaos — where soulful melodies float above deep reese basslines, ambient textures, and intricate percussion.

Based in Boca Raton, Florida, Zerog’s music bridges introspection and impact. His productions often open with long ambient intros, evolve with precision, and carry a visual quality that feels as immersive as film. Recent tracks like Crave U and the forthcoming Moments Between EP reflect his evolving sonic identity — one rooted in emotional storytelling and modern sound design.

With a growing catalog of unreleased work and a defined artistic direction, Zerog is currently seeking label support to expand his reach. His music speaks to both seasoned DnB listeners and new audiences looking for depth, warmth, and atmosphere in every drop.

𝔈𝔵𝔭𝔩𝔬𝔯𝔦𝔫𝔤 ℌ𝔢𝔞𝔯𝔦𝔫𝔤, 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔞𝔟𝔩𝔢, 𝔞𝔫𝔡 𝔱𝔥𝔢 ℌ𝔢𝔞𝔯𝔢𝔯, 𝔞𝔰 𝔞𝔫 𝔈𝔳𝔢𝔫𝔱, 𝔞 𝔐𝔬𝔡𝔢, 𝔞𝔫𝔡 𝔞 𝔇𝔦𝔪𝔢𝔫𝔰𝔦𝔬𝔫 𝔬𝔣 𝔅𝔢𝔦𝔫𝔤.

New tracks tagged #First Light