(2024)Fly Away Like A Bird, With No Sorrow [Made with Ai] (Edited!)
This song I made with the Ai-program "Songer". I wrote my own lyrics, and chose the style, "electronic", and after 2 minutes comes the song-ready with vocals(!), everything made with ai. Magic!? 🎵
[THIS IS ONE OF THREE VERSIONS!]
https://songer.co

Fly Away Like A Bird, With No Sorrow[ai](2024)

🤘 Mila Stern presents Afterhour Sounds Podcast Nr. 302 🤘

The Halle original and Berlin based MIla Stern joins our podcast series today with an outstanding mix from outa world: Expect a storytelling ride towards your inner side based on hypnotic synths, dubby bassdrums and micro house tracks. Sometimes also electronica. In the middle part of the Mix, she builds up more and more energy, but without overdoing it. That's good. After all, the journey to the origin of being is not yet complete....

Thanks so much for this beautifull mix.


<<< INTERVIEW >>>

✔️ What are your musical influences? What is your musical background?

I started DJing at DIY squat parties in Halle 17 years ago. That shaped how I play: groove-driven but open to disruption, tension, and contrast. I’m drawn to Post-Punk, Electro, and New Wave’s rough edges, but also to the hypnotic structures of techno and house that allow you to stretch time.
I like artists who push emotional weight into their sets without relying on obvious formulas—who build a world where tracks that feel slightly wrong on their own suddenly make perfect sense.

✔️ What makes good “afterhour”?

A good afterhour isn’t just about playing slower or deeper in my opinion—it’s about shifting the focus. It’s where the night dissolves into something freer, where you can take risks, build tension, create strange moments that wouldn’t work at peak time.

For me, afterhours should feel fluid and unpredictable, and that’s what my track choices reflect. Some afterhours lean into warm, hypnotic grooves that pull people into a trance, others need sharp turns—unexpected elements that snap you out of autopilot. It depends on the space, the crowd, and the energy left in the room. But whatever the approach, a good afterhour should feel earned, not just like an endless loop.

✔️ Do you have any thoughts you would like to share about your set?

I wanted the set to show different sides of what an afterhour can be—not just one mood stretched for hours, but the shifts, the tension, the looseness. It moved between hypnotic and high-energy, deep and disorienting, groove-heavy and abstract. Some tracks feel like a soft landing, others like a glitch in the matrix. Would I change anything? Probably. But afterhours aren’t about perfection—they’re about creating something that exists only in that moment. The best ones leave you unsure whether you've been dancing for 30 minutes or three hours. That’s the feeling I always try to create.

_______________________________

🖼 by Jim aka J.WOCKENFUSS (@jwockenfuss)
✍️ by arkadiusz. aka arkadiusz.the.dariusz (@arkadiusz-dmytrow)

__LINKS___________
✘ Mila Stern (MiZi MuZik / KATER / Station Endlos // Berlin, Germany)
Soundcloud: https://soundcloud.com/mila-stern
Instagram: https://www.instagram.com/milastern1234/
Website: https://www.neptunemusic.net/mila-stern
Spotify: https://open.spotify.com/intl-de/artist7AAbM74rIYowTxlxRJfWVQ?si=yMROxFBzR6enEGWunNFRuw
Youtube: https://www.youtube.com/@milastern1234/






┋InfoBox Afterhour Sounds┋
@afterhour-sounds
www.instagram.com/afterhoursounds/
linktr.ee/afterhoursounds

Mila Stern presents Afterhour Sounds Podcast Nr. 302

𝗢𝗨𝗧 𝗡𝗢𝗪
➤ AFTERHOUR SOUNDS COMPILATION VI
https://afterhour-sounds.bandcamp.com/album/afterhour-sounds-compilation-vi

___________________

𝗨𝗣𝗖𝗢𝗠𝗜𝗡𝗚 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 20/09 gart.n/Berlin [Solidance]
➤ 04/10 Klunkerkranich/Berlin
➤ 25/10 Bahnwärter Thiel/Munich

___________________

𝗣𝗔𝗦𝗧 𝗦𝗛𝗢𝗪𝗖𝗔𝗦𝗘𝗦

2025
➤ 01-02/03 Südpol/Hamburg
➤ 15/03 Klunkerkranich/Berlin
➤ 30/04-01/05 Station Endlos/Halle - w. philia & SK
➤ 28.-29.05. Release Party at JK/Berlin
➤ 18-20/07 Kompaz am Fluss Festival
➤ 30/08 Klunkerkranich/Berlin

2024
➤ 09/03 Klunkerkranich/Berlin 
➤ 31/03 Kabinett der Kuriositäten/Mainz
➤ 06/04 Beate Uwe/Berlin
➤ 04/05 Wellenwerk Open Air/Berlin w. https://soundcloud.com/3000-grad & https://soundcloud.com/sumpfkruege
➤ 25/05 Klunkerkranich/Berlin
➤ 27/07 Klunkerkranich/Berlin [House Edition]
➤ 28/07 gart.n/Berlin [Raving Beyond Borders - Solidance
➤ 28/09 w. https://soundcloud.com/sumpfkruege at Klunkerkranich/Berlin [Sumpf Edition]
➤ 04/10 Chihuahua Dockside // Göteborg, Sweden
➤ 26/10 Bahnwärter Thiel/Munich
➤ 23/11 w. https://soundcloud.com/fiasco_kollektiv at Klunkerkranich/Berlin
➤ 21/12 Kater Blau/Berlin

2023
➤ 27/10 Bahnwärter Thiel/Munich
➤ 14/10 3000Grad x Afterhour Sounds x Rave Cage at Mensch Meier/Berlin
➤ 24/09 Rebellion der Träumer x Afterhour Sounds at gART.n/Berlin
➤ 02/09 Klunkerkranich/Berlin
➤ 03/06 Afterhour Sounds x SUMPFKRÜGE at Klunkerkranich/Berlin
➤ 11/03 Klunkerkranich/Berlin
_________________

✉ 𝗖𝗢𝗡𝗧𝗔𝗖𝗧

~ Only via Mail ~

Premiere requests only:
premieren@afterhour-sounds.com

Loveletters & cooperations:
info@afterhour-sounds.com

Afterhour Sounds news:
https://t.me/afterhour_sounds
_________________

 THE GOOD, THE BAD & THE UGLY:

GOOD: Slots for our LIVE-SPECIAL series are available in the near future. Don’t hesitate to contact us via Mail. Check the playlist for more impressions. 

BAD: We don’t accept any kind of podcast request. Please be patient. Maybe we contact you  in the future. 

UGLY: Please make sure that your music fits us and our output. Randomly sending pm’s to different podcast series are not the best way to grab a spot. 
_________________

𝗙𝗔𝗠𝗜𝗟𝗬 𝗔-𝗭
■ arkadiusz. (https://soundcloud.com/arkadiusz-dmytrow) (SoundCloud/Bandcamp/TG/Events)
■ bpod (https://soundcloud.com/bpod) (IT)
■ Francesca (https://soundcloud.com/francesca_unofficial) (Events/Spotify)
■  Habikat (https://soundcloud.com/habikat) (Instagram)
■ J.WOCKENFUSS (https://soundcloud.com/jwockenfuss) (Artwork)
■ Maria Theresia von Eberg (https://soundcloud.com/maria-theresia-von-eberg) (Events)


🖤 https://soundcloud.com/msaupe

🙏 https://soundcloud.com/elektro-uwe
🙏 Max Zünkler for the lovely artwort (1 until Nr.182) 

..and to all the others like mattmosphere, gina sabatini, bonnie ford, o/y, Tony Casanova, Alma Linda, Florian El Diábolo,…



𝗕𝗜𝗢

Imagine you're at a great techno party and have just heard the last track when the DJ switches on the lights and a murmur spreads through the crowd: It's time for the afterhour!

Welcome to a world where the sun is not the enemy, but a silent witness to sleepless nights and unlimited dance floor adventures

The afterhour is more than just an extension of the night - it is a universe of its own full of quirky, heartfelt and often hilarious moments. It is the place where the music lives on, time stands still and the party community forges its strongest bonds - even if it is sometimes only perceived with half an open eye and a wry smile. 

Over 10 years we host our famous podcast series. Which started as an small idea of some Afterhour nerds developed over the years to something special for us ♥️

In the beginning, we focused on finding and supporting (un)known artists through blog posts, reposts and podcast contributions. Gradually, we expanded our sections to include live recordings and premieres. In-house releases and events were not long in coming. 

Join us and dive into the world of Afterhour Sounds. https://t.me/afterhour_sounds  🌈 🎵 🪩

Mats Orveland/"MO-PROJECT": 
Composer, keyboard and drum-programming, (exept where other mentioned). 
My music is often improvised, and several songs are actually unfinished song drafts. But I hope you can ignore that and instead listen to my feelings and my thoughts. I like to play with sounds, ambient, effects, electronic instruments and tools. Drawing influences from different electronic music genres. Mostly Tangerine Dream, Brian Eno, Vangelis, Jean-Michel Jarre and Tony Banks. 
Relax and breathe, to my sound-carpets! <3
---
Every track was recorded between 1980 and 2025.
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Some of the instruments and machines: ARP Odyssey Synthesizer, Roland D50, Yamaha DX7+RX11, Korg M3R, Roland tr808, Roland R8, Roland JX3P, SIEL Poly Synthesizer, Roland Digital-Sequencer CSQ-100, TEAC PortaStudio 144. Plus computer software programs.
---
"Instead of shooting arrows at someone else’s target, which I’ve never been very good at, I make my own target around wherever my arrow happens to have landed.
You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre."
— Brian Eno
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"Always remember that when you hear a marvellous sound coming from a synthesizer it is not the machine that is doing it - it is the imagination of the man playing it."
/Vangelis
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"Love is the only thing that transcends all dimensions, including time and space." <3

New tracks tagged #Flowaway