It feels like just yesterday the sun was near,
Summer raced past, bright and clear.
Golden days with laughter, the world alive,
Now the cold wind cuts and I barely survive.

I wasn’t ready for the season’s fall,
This northern silence, it drowns me all.

When I close my eyes, I see you there,
Crystal seas and sunlight in your hair.
But I’m trapped in shadows, frozen through,
Dreaming of a life meant for me and you.
Don’t let the fire fade, don’t let it die,
I’m terrified love will pass us by.

I remember spring when the birds all sang,
Sweet blue skies, how the daylight rang.
Now all I hear is the ruthless wind,
It chills my bones, it breaks me within.

Your pictures show me another place,
Like a movie scene, full of grace.

When I close my eyes, I see you there,
Crystal seas and sunlight in your hair.
But I’m trapped in shadows, frozen through,
Dreaming of a life meant for me and you.
Don’t let the fire fade, don’t let it die,
I’m terrified love will pass us by.

I’ve never belonged in this northern land,
Snow and silence, I can’t withstand.
I’m tired, I’m broken, I’m losing ground,
But in your warmth my soul is found.

When I close my eyes, I see you there,
Crystal seas and sunlight in your hair.
If we could escape, if we could be free,
Life as it’s meant, just you and me.
Don’t let the fire fade, don’t let it die,
I’m terrified love will pass us by.

So promise me, even through the pain,
You won’t forget me, you’ll call my name.

CRYSTAL SEAS, FROZEN SKIES

A unique reinterpretation of the traditional Hungarian folk song “Tavaszi szél vizet áraszt”.
The original lyrics are preserved, while the melody has been reshaped to flow naturally with a relaxed reggae groove. A meeting point of folk tradition and island vibes.

Tavaszi szél vizet áraszt (Reggae Version)

A Hungarian folk song reimagined through a shamanic lens.
Earthy drum grooves and layered vocals guide this meditative fusion into a space of ritual and remembrance.
Rooted in tradition, yet reaching into the timeless.

Által mennék én a Tiszán (Shamanic Fusion with Vocals)

Subah Ravivaar Ki - Inayat (Production Stage)

Badhte Chale - Inayat (Production Stage)

The “Gröbminger Labheuger” – a yodel with roots reaching back to the early 19th century. Passed down by the legendary “Tutter-Mutter” in Schladming (around 1830), it found its way into early Styrian yodel collections and has been carried on from generation to generation.
In this recording reinterpreted – epic, powerful, and timeless.

Ethnomusicological research shows that this form of the Labheuger yodel is among the oldest documented variants – built in multipart structure and strongly influenced by instrumental folk music practice. This recording is my personal, epic reinterpretation – between tradition and modernity.

Sources:
- Josef Pommer: 444 Jodler und Juchzer aus Steiermark und dem steirisch-österreichischen Grenzgebiete. Vienna, 1902.
- Ursula Geisler (ed.): European Voices II. Cultural Listening and Local Discourse in Multipart Singing Traditions in Europe. Böhlau Verlag, Vienna, 2010.
- Evelyn Fink-Mennel: Archive of the Austrian Folk Music Society (Recording Flachau, Pongau, 1986).

Photo: Hanna Möbus

Gröbminger Labheuger

Bondey Maya Lagaise by Anshuman

Click here! https://artists.landr.com/057829666689

Névo - Stronger Together

【倘若还没，可以听虞姬版本的POV “獨白虞姬: 最後一舞”】
一首極具史詩感與電影氛圍的民謠說唱融合曲，以歷史人物「楚霸王」項羽的視角，描繪其垓下之圍的最後獨白。歌曲以厚重的軍鼓為基底，融合二胡、三味線等東方樂器，營造出既悲壯又宏大的意境。男聲以沙啞，充滿力量地唱出一個孤獨王者在敗亡前的所有掙扎與驕傲。這是一份關於愛、命運與尊嚴的最終告白，主角拒絕被歷史定義為失敗者，他選擇為愛與狂傲而亡，證明哪怕只剩一人，他仍是那個無人能撼動的霸王。

[Listen to the other POV of this saga. "Consort Yu's Soliloquy: The Last Dance" For the other side of the POV.]
A cinematic and epic folk rap-fusion that channels the final moments of the historical figure Xiang Yu, the "Hegemon-King of Chu." The song is a powerful, unapologetic monologue set to a heavy military taiko base, with a blend of traditional Chinese instruments like the erhu, shamisen, and guqin. The male vocal delivers a deeply raspy and aggressive performance, grappling with the anguish of defeat and the loneliness of a true king. It's a defiant and heartbreaking piece that asserts Xiang Yu's unwavering pride, arguing that his defeat was not a lack of strength, but a final act of rebellion against fate, all for a love that the world could never understand.

獨白项羽：楚霸王落幕 (The Final Words of the King of Chu) 1/2

Shambho Shambhavi Garbo Gavo - traditional rhythm meets devotional chant; made for collective celebration.

Shambho Shambhavi Garbo Gavo

We are a folk fusion collective curating stories through theatrical ideas, themes & music.

🎶 Supporters’ Wall 🎶
This music lives because of you.
A huge thank you to everyone who helps me keep creating – every cup of coffee keeps the sound alive.

💛 Current supporters:
	•	KAT → @kat_space
	•	Mrdj81 → @mrdj81
	•	Your name
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Want to join the wall? → buymeacoffee.com/marol

🤝 Big love to the amazing artists I’ve had the honor to collaborate with:

	•	KAT → @kat_space
	•	Mrdj81 → @mrdj81
	•	Harry → @harry-jackson-6
	•	Ōkami  → @lgnd-5hade

Aneek d’Uwu is a interdisciplinary artist with a background in performing and applied arts as well as philosophy. She lives and works between the Alpine regions of Auvergne-Rhône-Alpes (France) and Tyrol (Austria). Her practice operates at the intersection of performative/artistic work and philosophical inquiry.

Her work centers on the use of voice and language, unfolding through text, physical expression, performance, and media art—always situated within the tension of critical reflection and philosophical questioning.

Her creative path has taken her through theater productions in Austria and Germany, as well as vocal and performative work in France and Belgium, complemented by choral ensemble practice and studio work, including at the Théâtre de la Croix-Rousse in Lyon, the Münchner Kammerspiele, and in Grenoble.

This account here isnt for promotional purposes. Its just simple placeholder and a showcase for our internal group. Its not meant to be "marketed" in soundcloud. We also DO NOT SEEK ANYONE'S ACKNOWLEDGEMENTS HERE. If u like what u hear? Cool. Or else? Still cool =)

60% of the songs here have been AI aided in the production phase but one thing remain constant here, the chords used, the lyrics, the tune are all original. We record one Verse/PC/C, and then allowed the AI to "gacha" to complete. Some minor inconsistencies are edited by DAW. None of the songs on this channel here are finished complete productions. By doing this, we can ready a sample in less 3~4 days. If u still do not understand how wonderful this is for busy people with day time job, then good for u. Which means u have already ascended to the level that u make a huge killing from producing music =) 

Our group have lawyers, engineers, doctors and even ecologist etc. So its pure hobby for now but we are planning for bigger things. Afterall, many of the music on this channel are pure nostalgia from the 80s to 2010s. We recreate songs that we crave since more than half the group are boomers. =[

So no. Dont have to like the songs. =) We aint here to hunt for likes. We have other motives in our own production circle for 2026.

New tracks tagged #Folk Fusion