turle songs and coyote charm

Dedicated to the feelings that come with Winter. Winter is such a beautiful reflective time, it's a time to hibernate. It's the one time in the year where stying idle is welcomed. Here's a lovely playlists of requests from Margate locals, business owners, Subpop artist Lael Neale,  musical princess Clementine Blue, and many more. Enjoy this indulgent array of winter tracks. 

December 2025 The Spin w/ Reggy on Margate Radio

It was so amazing, I miss you so much. i won't call.

I'm walking away (It's cause I love you)

Det var längesen jag såg dig nu
Men minns du nåt av det vi sa igår
Eller suddas allting bara ut 
När man inte längre förstår 

Du ville lite mer än så
Du kom bara hit för att säga ”Hej då”
O jag vet hur det känns när
Ingenting blir som man tänkt

”Åh om jag kan ta dig härifrån
kommer jag få bli din bästa vän?
Åh Om jag kan ta dig härifrån
kommer jag få bli din bästa vän

Din längtan blev mer än mig
du och jag räckte aldrig till för dig
Men jag hoppas det finns nån där
som du tycker om och som e o.k

Jag vet jag sa det många gånger,
att du finns där i mina sånger från igår
Men jag sjunger dom inte längre, 
för jag tror jag glömt dom för längesen.

Men du sa
”Åh om du kan ta mig härifrån
ska du få bli min bästa vän"        
Åh Om jag kan ta dig härifrån
skulle jag fått bli din bästa vän

Så kom du hem till mig en dag
Sa du känner dig vilsen varje dag
Men Jag vet ju ingeting om sånt
För jag har aldrig längtat härifrån

Men du sa
”Åh om du kan ta mig härifrån”
Ska du få bli min bästa vän
Åh
Om jag kan ta dig härifrån
ska jag få bli din bästa vän
Skulle jag få bli din bästa vän

BFF?

73:an mot Blåsut

I wrote this in around 2013 and my wife Georgia handled backing vocals. The song is about Christ on the cross on Good Friday.

Gordon Collier - Title: Thief, Written recorded 2013 (Vocals, Guitar), Backing Vocals: Georgia Collier, written and arranged by Gcollier

Recorded Live at Westend Presbyterian Church 
Me - Guitar, vocals and wrote the song
Georgia Collier - Backing Vocals
Kim F. - Violin
Kevin G. - Mandoline
Karl K. - Bass
Jason W. - Drums

Gordon Collier: Song: Gather My Bones (LIVE), written by, vocals and guitar Gordon Collier 2006ish ?

Keep Going

"Booth Number Three" is a blue-collar ballad about the invisible lines drawn in our daily routines. It follows Lucas, a construction worker who finds solace in the 6 A.M. silence of a local diner, and Jenna, the waitress carrying the weight of the world on her apron strings. It’s a song about sawdust, chipped mugs, and the terrifying, beautiful moment when you decide to stop watching life from the sidelines and finally ask for a seat at the table.

Booth Number Three

Before Your Name is a slow, lyric-driven folk / alt-country ballad about late-diagnosed autism - finally finding a name for why you always felt like “a shadow in a crowded room.”

It’s built around close acoustic guitar and an intimate baritone vocal, more confessional poem than radio single: years of feeling half-present, the ache of every night “halfway through,” then the slow work of learning to sit with what’s true and let each night run fully through.

[LYRICS]

I was a shadow in a crowded room
A face among my closest few
Before your name, I never knew
Why every night felt halfway through

If only dawn would heed my calling
As I beg the sun to sleep
So every thought, awake or dreaming
Is left to brew, then slowly steep

Oh, sweet unhurried heart of mine
Do learn the dark and choose to shine

So go on now… just choose to shine

I am no shadow in a crowded room
Not just a face among a few
I learned to sit with what was true
And let each night run fully through

Oh, sweet unhurried heart of mine
Oh, sweet unhurried heart of mine

Before Your Name ❤️ For The Ones Unseen, Autistic Hearts

We'll be safe inside the fireswamp!
you, me, talk-hailthehale@gmail.com

I make music from Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Classical-Experimental-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae Soundtrack + many genres of music like retro ++ ! 🌍☮︎👍🐞🍀2025
I would be very happy if you listen to my music... and maybe write a comment about it... Thank you in advance for a...👍🖤😃🙏🏼<3
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Ich mache Musik von Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Klassik-Experimentell-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae-Soundtrack + viele Musikrichtungen wie Retro ++ ! 🌍☮︎👍🐞🍀2025
Es würde mich sehr freuen, wenn Sie meine Musik anhören.., und vielleicht auch einen Kommentar dazu schreiben..Besten Dank im voraus für ein...👍🖤😃🙏🏼<3
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Je fais de la musique à partir de Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Classical-Experimental-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae Soundtrack + de nombreux genres de une musique genre rétro ++ ! 🌍☮︎👍🐞🍀2024
Je serais très heureux si vous écoutiez ma musique... et peut-être écrivez un commentaire à ce sujet... Merci d'avance pour un...👍🖤😃🙏🏼<3
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Faccio musica da Pop-Rock-Funk-Indie-Disco-Rap-Trap-Blues-Jazz-Piano-Classical-Experimental-Lo-Fi-Hip-Hop-Future-Cinematic-Electro-House-Reggae Soundtrack + molti generi di musica come retrò ++! 🌍☮︎👍🐞🍀2024
Mi farebbe molto piacere se ascoltassi la mia musica.., e magari scrivessi anche un commento a riguardo..Grazie in anticipo per un...👍🖤😃🙏🏼<3
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		Acid House
		Afro House
		Afrobeats
		Afrotrap
		Ambient/Chillout
		Bass House
		Bassline
		Blues
		Bollywood
		Breakbeat
		Cinematic
		Cinematic Hip Hop & Trap
		Classic Dance
		Classic House
		Complextro
		Country
		Crunk
		Dancehall
		Dirty South
		Disco
		Drill
		Dub Reggae
		Dubstep
		East Coast
		Electro
		Electronica
		Funk
		Funky House
		Future Bass
		Future House
		Future RnB
		G-House
		Garage
		Glitch
		Global
		Gospel
		Grime
		Hardcore
		Hardstyle
		Hip Hop
		Horror
		House
		IDM
		Indie
		Industrial
		Jazz
		Latin
		Lounge
		Minimal
		Moombahton
		Orchestral
		Pop
		Progressive
		R&B
		Reggae
		Reggaeton
		Rock
		Soul
		Tech-House
		Techno
		Trance
		Tribal House
		Trip Hop
		Tropical House
		West Coast

CYBER CHORD writes songs the way a porch light holds a night: small, steady, and impossible to ignore. I work with AI as a true co-writer, then carve the lyric by hand and shape the track in Suno. The sound leans bare and human—country roots in the soil, a little rock grain in the teeth, and a faith-lit lift that chooses hope without preaching.

These are ordinary-room hymns: rings hidden in cotton, receipt-tape strings, a dress behind rain glass, a sink that cools while you find the words. Silence is an instrument here; sometimes there’s a full bar where the house gets to breathe. If a line can’t survive a campfire and a cracked mug, it doesn’t make the song.

If you’re new, start with the heartbreakers. They don’t shout. They stay. I believe in the holiness of the everyday, and in the quiet bravery of saying the thing before “later” takes it away.

No paid promo, no playlist buys, no cover-art pitches, no dance offers, no cold DMs. If it’s a pitch, the porch light’s off. If you’re a real listener, come in soft: pick one song, leave a genuine note (lyric or timestamp welcome), and hand it to one friend. That’s how this fire stays lit.

May your road stay open, your coffee stay warm, and your day be peaceful.

I’ve always lived at the crossroads of music and poetry — where feeling becomes form, and melody turns memory into meaning. Whether it’s a lingering jazz note, a well-placed rhyme, or a shift in tempo that tells a deeper story, I’m drawn to that quiet magic where art reflects life with a little more style.

My roots are in classic music — the kind that doesn’t chase the moment but lingers with you long after the last note. Over time, that love expanded into poetry writing and jazz — especially the kind that swings, speaks, and smirks all at once. Jazz, to me, isn’t just a genre; it’s a personality. A conversation. A little tilt of the head and a grin that knows more than it says.

When I set out to create an album, it’s rarely just a collection of songs. I approach it like a personal playlist — one that drifts and flows as if the entire tracklist were one long, uninterrupted piece. Each track leans into the next, shifting mood, pace, or voice, but always carrying the same thread of feeling. I want you to listen the way I do — not as a shuffle of moments, but as a cinematic arc. One breath that lasts an hour.

Lyrically, my work is rooted in lived experience. Sometimes it’s obvious. Other times it’s just the skeleton of a memory, dressed up in wit, irony, or longing. I draw from real-life events, then let the poet in me twist, stretch, or sweeten them to taste. Depending on the tone of the album — playful, romantic, nostalgic, or something in between — I try to keep the emotional truth intact while giving it a fresh coat of creativity. A little humor where it fits. A deeper dive where it hurts.

My newest jazz album continues this tradition — short-lined swing tracks, conversational duets, and tongue-in-cheek storytelling. It’s an homage to late-night alleyway ballads, rooftop serenades, and train station goodbyes — all bound together with a sense of charm and cohesion. Each song is its own little scene, but together they tell a story — one you can revisit with each replay.

Thanks for stopping by my profile. I hope you find something that earns a spot on your repeat-play list — a melody, a lyric, or a moment that feels like it was written just for you.

Musician, played in numerous bands over the past 40 some years, written and recorded most of my own music. Leaving something for the grandchild.

Maria spelar dragspel och klaviatur, Birgitta spelar gitarr och bas, båda sjunger jättemycket. Huka er gubbar för här kommer en annan!

New tracks tagged #FolkRock