Pieces

CPS-201 has faulty A# (assume rubber contact dome is caught / stuck or damaged - stuck domes) so when you release minor chord it gets stuck and triggers A#maj wonder if it was always like that and i never noticed or if it only happened recently when i stacked pile of service manuals on the speaker while moving stuff

CT-6000 has a dirty volume pot making left channel cut out. Was gonna play DH-100 but that needs recapping so I used sax+unison2 mode on ct-6000

CT-606 bossanova beat + oboe C F E mic in of vocoder against 
VZ-8m C-2 INT the sax. Uses VZ pitch to midify the CT-606 931 vowel consonant timbre

MT-52 drum fill was resampled and sliced in fl studio 114bpm 
and seasoned with a sprinkling of Vl-tone / PT-1 blips


VT-100 voice translator sampled - uses custom casio / hitachi chips for LPC synthesis ???
key is maybe Emajor(main cps201 chordsare E EbMin AbMin Gb ?)

Cz-1 coda bass theremin like patch (variation on bass wiggle patch - not saved - compare mode)

Cps - 201 Chord E Ebmin A#min F# Solo Chrd CT6K SAX UNISON2 MIX1B - Mixdown

sweet potato - salaryman saxophone - study music - stuck domes

sakitto menda - sweet potato

Bare flickers in the black cathedral  
Heartbeat lost 

I wander corridors of shattered mind  
Stained windows weep with neon lies  
The city’s breath becomes a coffin sigh  
Under blackened skies, I find my grief  

In echoing halls of my hollow frame  
I taste the collapse, I feel the flame  

I’m crawling through the void 
A ghost beneath the surface
The shadows raise their anthem 
And I drown in chaos, blind to the light  

Broken mirrors cast my fallen shape  
The silence reverberates, I can’t escape  

The towers crumble inside my head  
Ash-dust memories beneath broken tread  
A tremor in the veins of a dying world  
My soul unravels where the darkness curls  

I’m crawling through the void 
A ghost beneath the surface
The shadows raise their anthem 
And I drown in chaos, blind to the light  

In the ruins I chant the last refrain  
Echoes fade into the void again  

Crawling through the void

Don’t you know that I'm old-fashioned
I need a French Christmas

Baby you know what I need
Lately been crazy for weeks
Maybe I'll trade in this lease
Please
Are you seeing my problem now

Take me down to foreign sands
Let me fall into your plans
I need customs in my vans

Don’t you know that I'm old-fashioned
I need a French Christmas
I need a Saint Bernard
And I need a red dress

Get me out this little podunk town
All my boys out here are going
Three years and they still ain't put out
Tell me
Are you seeing my problem now

Take me down to foreign sands
Let me fall into your plans
I need customs in my vans

Don’t you know that I'm old-fashioned
I need a French Christmas
I need a Saint Bernard
And I need a red dress

Tell me are you seeing my problem
I don't have no drink in my hand
My lovely man

Don’t you know that I'm old-fashioned
I need a French Christmas
I need a Saint Bernard
And I need a red dress

I need a French Christmas

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

bedroom bops and more https://linktr.ee/lewismartinsounds

Azami Records
#ShowaDigital #KashioKei #AzamiOngaku
Defiant and diverse melodic/VGM/BGM music.
incl. Sakitto Menda related side-projects. 
Likes late Showa era digital keyboards.

New tracks tagged #Formant Shifting