been a minute since i've uploaded on my personal page

heres a takeoff bootleg for yall

RIP TAKEOFF !

Free Download

TAKEOFF - CASPER (FOSSILS BOOTLEG) (free dl)

My set from Abducted in the Woods 2025
Tracklist:
DAGGZ x L_o_J - Power	
VCTRE - Reverse Naes	
Noer the Boy - Horror Show feat. Danny Brown (Noer the Boy Remix)
DEVOWR. x finneh - A FIYAH BEAT	
Of The Trees - Muscaria	
Camnah x Omnist - ID
Camnah x Omnist - ID
Molokai - ID	
Waka Flacka Flame - GROVE ST (SUPER FUTURE FLIP)	
  w/	Section!	888	
IMANU - Whatever It Takes (Original Mix)	
Gallium x Augment - U Done Wrong	
Do You… (Cashmere Cat Remix)
Mr. Carmack - Drugs
asau - ID
Minnesota - HiLow (CharlesTheFirst Remix)	
  w/ CharlestheFirst - In Pieces
Look At Me Now Ft. Busta Rhymes x Lil Wayne (Sweetboi Flip)	
CROMATIK - DOOM SEQUENCE	
BadKlaat - Head Crush	
  w/ MYTHM - INFERNO	
VCTRE - Sound Eater
INNOCENT - Rocket (Ft. Grim Sickers) VIP	
Lethal Bizzle - Pow 2011 (CØNTRA FLIP)
Daggz x Eazybaked - WYAWYS
Mirror Maze, Abelation, Vide - ID
FURTHA & grapesoduh - ID
grapesoduh - ID
Fossils - CASPER (FOSSILS BOOTLEG) 	
asau x viiiralbeats - Yakuza sundae	
asau - ID
Rufus du Sol - Innerbloom (AG Reboot)

YAKES @ ABDUCTED IN THE WOODS 2025

The fossil record presents some stunning realities about what life was like on earth in the past. The diversity of life species was extraordinary compared to what we have today. Fossils also tell a story of massive extinction. And the way the fossil record has preserved evidence of these countless different species can only be conceivable through catastrophic conditions. If at first the fossil record seemed to indicate long age rock layer and fossil formation by gradual processes, the evidence that has now accumulated calls this into serious question. 

Check out our other podcasts:
https://studio.youtube.com/channel/UCXugrnwpXvR9xDYr8WqGvjQ/content/podcasts

Fossils & Archaeology part 2 - SC2514

Fossils and archaeology. Evolutionary assumptions place fossil formation millions of years in the past. However, fossils themselves present some problems with this assumption. Many palaeontologists have now been able to extract soft tissues from fossils, such as proteins, DNA, collagen, red blood cells and haemoglobin. These molecules are very delicate and degrade in 20,000 years or less in average conditions. This evidence is completely at odds with long age theories. Soft tissue molecules, such as DNA, also provide evidence that directly challenges conventional thought about species evolution. 

Check out our other podcasts:
https://studio.youtube.com/channel/UCXugrnwpXvR9xDYr8WqGvjQ/content/podcasts

Fossils and Archaeology part 3 - SC2515

Listen back to our 2025 Heritage Week lecture by Emma Murphy, curator at the National Museum of Ireland – Natural History. Learn about R. J. Ussher MRIA, 1841-1913, and his connections to the National Museum, including a large collection of archived correspondence from Ussher to the curators and the hundreds of specimen donations that Ussher gave personally, or were given by his associates due to his encouragement.

Richard John Ussher MRIA, 1841-1913, was a speleologist, ornithologist, and renowned Irish naturalist. He published lists of Irish birds, showing the species contained in the National Collection. These, alongside “The Birds of Ireland” (1900), co-authored with Warren, were important works in the history of Irish ornithology. He donated his archive collection to the Royal Irish Academy, and many specimens to the National Museum of Ireland - Natural History.

Emma Murphy, Curator of Terrestrial Zoology at NMI – Natural History gave this lecture, exploring some of the stories, both funny and tragic, that can be found within Ussher’s collections, and highlighting his enduring scientific legacy.

This lecture was part of an programme of events relating to the Ussher Birds Notes collection, held in RIA Library. In 2024, the Library received funding from the Heritage Council as part of the Heritage Stewardship Fund for a project entitled, ‘The Birds of Ireland: Curating the Richard J. Ussher Collection at the Royal Irish Academy’. This project aimed to secure the long-term preservation, access, and discovery of material from the Ussher Bird Notes Collection through a programme of archival cataloguing, digitisation and outreach. The Ussher Bird Notes Digital Archive was launched in May 2025, and included digital images, with accompanying metadata, of 900 selected items from the collection. Detailed cataloguing of over 9000 items from the collection was also completed and researchers can contact library@ria.ie for more information about this listing. 

Thanks to a second tranche of funding from the Heritage Stewardship Fund, granted in 2025, the remainder of the Ussher Bird Notes Collection will be catalogued and more material will be added to the digital archive in due course.

A Naturalist’s Record: Stories from the Collections of R. J. Ussher

To many people in the world, bowerbirds were made famous by Sir David Attenborough's nature documentaries and their elaborate courtship behaviors, where males construct an arched structure called a bower, decorated with sticks and sometimes brightly colored objects like fruit, leaves or even pieces of plastic, all in an effort to attract a mate 


Verse 1
In a quiet forest glade beneath the dripping fern,
There's a slender fellow building, where the fallen leaves return.
With sticks he forms an archway, and he places bright things too -
Little baubles from the world beyond, to woo the one he'll woo.

Chorus
Tiny fossil, in the woodland hall,
You gather shards of sky and sea and make them stand so tall.
With blue and gold and memories he calls,
For the one whose heart will wander to his bower-walls.

Verse 2
He lines it up with treasures: shells, a shiny thread so faint,
Leaves of emerald green, a bottle-cap of paint.
He dances on his stage, he whistles in the still,
Hoping she will wander in, around his crafted will.

Chorus
Tiny fossil, in the woodland hall,
You gather shards of sky and sea and make them stand so tall.
With blue and gold and memories he calls,
For the one whose heart will wander to his bower-walls.

Bridge
And she, the chooser, silent, steps through that archway door,
With cautious eyes she watches him and wonders what's in store.
For the structure isn't nest at all, but stage of bold design,
Where craft meets hope and nature's art and longing intertwine.

Verse 3
When the day is bending low and golden fire slips away,
He stands beside his arch and sighs for the one who'll stay.
But often she will pass him by, and he repairs again,
For love is built in stick and stone and hope that will not end.

Chorus (soft)
Tiny fossil, in the woodland hall,
You gather shards of sky and sea and make them stand so tall.
With blue and gold and memories he calls,
For the one whose heart will wander to his bower-walls.

Outro
In the hush of forest evening, by the shadows faint and clear,
You can hear the gentle hammer, the tender dream so dear.
Tiny fossil in the undergrowth, your art does softly sing -
A story told in smallest things, of courting, craft and wing.

Tiny Fossil

Earth System Engineers Take Planetary Alterations to Extreme Scales
by Grace van Deelen
Published on Eos.org on 24 October 2025

Audio recording by Emily Gardner

Earth System Engineers Take Planetary Alterations to Extreme Scales

magdeburg

We Were Not Alone: Earliest Humans Lived Beside Australopithecus, Fossils Reveal 
#Australopithecus #Fossils #cyberneticfusion 


Verse 1
In the red dust of Afar, beneath an unfamiliar sky
Footprints echoed in the silence, two branches reaching high
A lineage of thinking creatures, shapes reflected in the stone
One voice spoke in timbered tone, another in the bone

Pre-Chorus
We believed the path was single, straight and unrelieved
But the tree was wide and branching, more than what we'd perceived

Chorus
We were not alone among the dawn
Two shadows stood where light had just begun
Side by side in ancient air
Different hearts yet breathing there
We were not alone
We were not alone

Verse 2
Teeth tell the hidden stories, enamel strong as time
One species rising forward, the other held the rhyme
No tools yet in Homo's hand, no meat cut with sharpened blade
Still the overlap in habitat, the shared dawn of the glade

Pre-Chorus
The idea of progression linear, a march from dark to bright
Falls away in the fossil record, leaves us nuance in the light

Chorus
We were not alone among the dawn
Two shadows stood where light had just begun
Side by side in ancient air
Different hearts yet breathing there
We were not alone
We were not alone

Bridge
Cybernetic whispers in the wiring of our minds
Remind us of our siblings gone, the ones we left behind
Branches of the tree, tangled and alive
In the roots we find the echoes that survive

Verse 3
Millions of years before our songs would roam the skies
We walked the same earth under star-lit cries
Australopithecus rising in the twilight frame
And Homo stepping softly toward a richer flame

Pre-Chorus
Not a single line of march, not a solitary climb
But a bushy tree with many lives whose stories blend in time

Chorus
We were not alone among the dawn
Two shadows stood where light had just begun
Side by side in ancient air
Different hearts yet breathing there
We were not alone
We were not alone

Outro
And when we gaze upon the stars, remember how we came
From tangled roots and double streams, one family we became
We were not alone, we were not alone
In the dawn we found our tone
We were not alone

We Were Not Alone

'Rajkahini' is a song written by us, The Orbits to bring into ears the flow of power from royalty to rebellion. It tells a story in the form of a conversation between a tyrannical king and the ferryman of Death (Chitragupta). The king believes he has done nothing to warrant a rebellion, but as the song progresses, understands what he has done to his kingdom. This tale can be interpreted in many ways, but it carries a message, that actions have corresponding consequences. If one listens to the song, instead of simply hearing it, they can hear the message of contemplating one's own actions. The song was written in a metaphorical way, and the music was composed as a natural progression of consequence. The instrumentation alternates between heavy and light, as does life itself. It is simple to play and yet difficult to hear. It is made with soul, not to chase numbers but to set upon the world a new way of thinking. With that, we hope it comforts the disturbed and disturbs the comforted.

Rajkahini

For a wealth of life changing information visit:  3abnaustralia.org.au/radio/listen 

3ABN (Three Angels Broadcasting Network) Australia Radio is the "Mending Broken People Network," broadcasting Christian content 24/7.

Please pay for the songs you like by clicking the "buy" button (shopping cart) next to the 3 dots> ...

The Royal Irish Academy/Acadamh Ríoga na hEireann is an all-Ireland, independent, academic body that promotes study and excellence in the sciences, humanities and social sciences. It is the principal learned society in Ireland and has over 420 members who are elected in recognition of their academic achievements.

The Royal Irish Academy, the academy for the sciences and humanities for the whole of Ireland will vigorously promote excellence in scholarship, recognise achievements in learning, direct research programmes and undertake its own research projects, particularly in areas relating to Ireland and its heritage.

flesh always fades into fossils

⠄⠄⠄⠄⠄⠄⠄⣀⣠⣤⣤⣤⣤⣀⡀
⠄⠄⠄⣠⣤⢶⣻⣿⣻⣿⣿⣿⣿⣿⣿⣦⣤⣀
⠄⠄⣼⣺⢷⣻⣽⣾⣿⢿⣿⣷⣿⣿⢿⣿⣿⣿⣇
⠠⡍⢾⣺⢽⡳⣻⡺⣽⢝⢗⢯⣻⢽⣻⣿⣿⣿⣿⢿⡄
⡨⣖⢹⠜⢅⢫⢊⢎⠜⢌⠣⢑⠡⣹⡸⣜⣯⣿⢿⣻⣷
⢜⢔⡹⡭⣪⢼⠽⠷⠧⣳⢘⢔⡝⠾⠽⢿⣷⣿⣟⢷⣟
⢸⢘⢼⠿⠟⠁⠄⠄⡀⠄⠃⠑⡌⠄⠄⠈⠙⠿⣷⢽⣻
⢌⠂⠅⠄⠄⠄⠄⠄⠄⡀⣲⣢⢂⠄⠄⠄⠄⠄⠈⣯⠏
⠐⠨⡂⠄⠄⠄⠄⠄⡀⡔⠋⢻⣤⡀⠄⠄⢀⠄⢸⣯⠇
⠈⣕⠝⠒⠄⠄⠒⢉⠪⠄⠄⠄⢿⠜⠑⠢⠠⡒⡺⣿⠖
⠄⠐⠅⠁⡀⠄⠐⢔⠁⠄⠄⠄⢀⢇⢌⠄⠄⠄⠸⠕
⠄⠄⠂⠄⠄⠨⣔⡝⠼⡄⠂⣦⡆⣿⣲⠐⠑⠁⠄⠃
⠄⠄⠄⠄⠄⠄⠃⢫⢛⣙⡊⣜⣏⡝⣝⠆
⠄⠄⠄⠄⠄⠄⠈⠈⠁⠁⠁⠈⠈⠊

label releases on:
@electric_hawk
@lowhighpresents
@spicyboismusic
@highcaliberrecs
@thegoblinslair
@nohypemusicofficial
@hybridtrapmusic

bookings/inquiries: fossilsdub@gmail.com

Curator for Altered Elements
Provided support for: 
Nero @ Bassmnt
Troyboi @ House of Blues
What So Not @ BLOOM
Loud Luxury @ Bassmnt
Volks Nightclub UK
Great Dane @ Spin SD
Porter Robinson @ Heaven & Hell 
Dark Moon Festival @ Pai, Thailand
Electric Valley Festival
Datsik @ Bassmnt
Party Thieves @ Bassmnt
Dack Janiels @ Bassmnt
Culture Shock @ BLOOM
Shows in UK, Mexico, Thailand, Cambodia, Vietnam, Indonesia, Philippines.

i make music sometimes. like the Woeful Men of old i expell my undeveloped bs once per Mothin'. 
feel free to take it. my noise is for the people.
nothing i did pre-forskehue is real it doesnt count dont look at it ( it was a very hard time for me a hobo stole my kneecaps and the temporary transplants turned me into a redditor)


i'm known by many names: speedy mcfartass, the battleship, DarthGreninja,Sandwich, robotskeIeton, Jazz Dealer, ShitFart, Siegfried Sasson, the guatemala watermelon bandit,evil wizard,The Cone Ranger, Colonel Corn the Master of Maze and Wizard of Wheat, Finland's Bane, unknown assailant #3,Box Man, OmegaFlame, henry, zephyr,zephanie,etc. but here i am traffic_cone.mp3,makerr of Terrible Musicse for Terrible People. Listene if thou Chews.

lots of this is old and bad (repurposed old account when i tried to make a new one and it said "i already know you foo, you're traffic cone, speedy!"

 so uh yeah dont please

 traffic coning is bad for your health

if you or a loved one have been exposed to trace amounts of traffic cone at work, you may be entitled to financial compensation.

Eos is a leading source for trustworthy news and perspectives about the Earth and space sciences and their impact. Published by the American Geophysical Union.

New tracks tagged #Fossils