Bell Sample from my window and groove all built w ODDBALL, mixed and mastered in Audacity  

Bells to the Left FULLY BUILT BEEFY

Scherzo 1

C: I   IV   iii ii
F#
d Hungarian Minor, F Hungarian Major
am  E7

97 bpm

12/4
11/8, 13/8, 9/8
4/4, 5/4, ¾
4/4


The sound of a several, sticky pieces of tape was used to enhance the Kicks, and for all kinds of percussion. Also a basketball, whirling objects swung by a microphone. A reverse vibraphone and a few synths and sinewaves. Plus some funny drum sounds by Sonic Charge.

The endoplasm is the innermost part of the Cytoplasm. Just around the nucleus. The urbun area right around Time Square so to speak. The most traffic in all of the cell, where the fluid atmosphere becomes granular. This place is tight and alive, day and night.

Hybrid Symphony Nr°5 - Cellular City

Endoplasmic Underground

Final rehearsal (1st Nov, 23) of a scripted improvisational performance as part of BOSZKI, shown on November 2nd 2023 in Berlin, Living Corridors Gallery.
Collaboration with the wonderful Kata Kwiatkowska, who embodied the sounds through her movements and dance.

Masked Rehearsals

This track is the final track of the upcoming album - Hybrid Nr°5 : Cellular City! 
A moderately fast allegro industrio. 130 bpm - Aleatoric and F# Minor. 

The Golgi Apparatus is the third largest organelle of the cell. (Organelles = organs of single cells)

It has three main functions:
a) A recycling factory, that transforms existing proteins, as well as protein waste products from processes within the cell. 
b) Packages these new reshaped proteins with a material that protects them from harm. 
c) A huge freight station, that ships these repackaged proteins outwards of the cell, towards other parts of the body, other cells etc. to fullfill a million different functions at their destiny.

Hybrid Symphony Nr°5 - Cellular Cityy

Industrial Golgi Body Complex

Tierra Eterna is a collaborative project by Edvina Fahlqvist and Christos Papasotiriou exploring the social and cultural similarities between two significant traditional music forms: Spanish Flamenco and Greek Rebetiko. They also collaborated with Barcelona-based flamenco singer Laura Mateo for this project.
It investigates the roots of both musical traditions and presents them as an audio narrative highlighting the elements that connect them. The composition’s main idea explores Intangible Heritage and its link to the sounds reflecting each culture’s journey.
Through everyday life, music, and the ephemeral elements that shape our world, the project portrays the realities of these communities. Developing these sounds through new media allows the artists to establish new connections, create fresh interpretations, and contribute to the ongoing evolution of the music.

Presented as part of the final selection in 20 Years of Freesound, Phonos, Barcelona, October 2025

Tierra Eterna

This piece explores the relationship between humans and the natural world through recordings of water, birds, insects, and voice. Its structure follows the transformations of water - from boiling to liquid to ice and back to vapor -shaping the flow of the soundscape. I have used voices from Flamenco, Swedish kulning, Galician song, and market calls amongst others, and have only used recorded material and audio processing, with no synthetic sources.

Metamaterial was selected for presentation at Festival Contemporaneus de Reus, July 2025

Metamaterial

Raw Nerve is a collection of short Electroacoustic works composed on a boat, on the Nile river, during the initial weeks of the Arab Spring in Egypt 2010. The composer was unaware of the significance at the time.

Raw Nerve One 2010_HD

A song about times when I feel outside of myself. It can be unsettling or weird, but also sometimes freeing. Other than vocals, kick, and piano, all instruments in this song were made from sounds recorded in a span of 10 minutes around my apartment. Thanks to Brian Funk and Ableton for a cool found sounds speedrun challenge! The photo is my feet in slippers from a hotel in Madrid. 
Lyrics:
I'm living someone else's routine,
I'm living someone else's life,
I messed up essential parts of me,
I messed up the way I feel inside.

I woke up and thought I died,
I was just sleeping on my good side,
And as cold water falls over me,
I'm rearranging my beliefs.

I won't answer at this number,
I don't live here anymore.
If you need to reach me,
Just send out a postcard from where you want to be,
Maybe I can meet you there,
Maybe, we'll see.

Trapped inside of someone else's mind but they don't know that something's not right,
It's not too late to start over,
It's not too early to lose myself in the past,
I'd like to think the future is mine to choose.

I don't need another second,
I'm gonna buy them all!
If you don't believe me,
I'll send out a postcard from everywhere I'll be,
Now I'm feeling better,
Now I feel free.

Postcard

Austrian marching band

Made as a homage to John Cage just after he died. Uses radios and TV sets as sound sources. Recordings made totally random, as he used to do.

One Thing At A Time (homage to John Cage)

One Thing at a Time (Homage to John Cage)

Marco Lucchi : piano and found sounds

freesound.org/people/felix.blume/sounds/779962/

Farewell

Marco Lucchi : piano, synthesizers and tape

*

found sounds
https://freesound.org/people/felix.blume/sounds/779909/

*

for the current Naviar Haiku challenge
https://www.naviarrecords.com/naviarhaiku616-whenever-we-meet/

*

逢ふときはいつも雨なる青胡桃
au toki wa itsumo ame naru aogurumi

Tanaka Hiroaki

*

piove sempre
quando ci incontriamo –
noci verdi

Traduzioni dal giapponese di Luca Cenisi

*

whenever we meet
it’s raining
green walnuts

It's raining [Naviar Haiku # 616]

The title of this track comes from the name of a candle I had on my desk while I was producing it. The candle had a wooden wick, and made a really cool crackling sound when it was lit. I sampled that sound in the intro to this track and throughout the song you'll hear glitchy moments of it being warped and twisted into the texture of the song.

Leather & Embers

Mysterious and other-wordly, as if someone was floating in deep space, taking in the flows of plasma, the comets, and the birth of stars, this track was recorded live at an RM23 rehearsal in Premises Studios, London and features synths, found sounds, percussion, treated objects,  contact mics, gongs, vocal improvisation and more. The track image is a Chladni plate; one of the earliest ways of making sound visible.

Stellar

I’m your guinea pig
Shoot me up
Fill my mind with the stupid stuff
Can you hold my hand
I’m a little scared
I might become a supernova
And get too hot

When I die
Will you burn me
Save me from worms
Baby

Don’t call the police
If you see me floating in the streets
Baby
Experiment on me
Please
Do what you need
And if you see me lying on the beach
Baby
Experiment on me
Please

You’re my best friend
You’re my only friend
I wanna be you
I wanna wear your skin
Yeah
I know that’s wrong
It’s a stupid song
But the kids are singing along
‘Cause they feel it too

When we die
Will you burn us
Save us from worms
Baby

Don’t call the police
If you see us floating in the streets
Baby
Experiment on me
Please
Do what you need
And if you see me lying on the beach
Baby
Experiment on me
Please

Call my mom
I think I’m lost
I took a turn for the worst and I forgot
The way home
The way home
Call my dad
Tell him I’m sad
Tell him I’m sorry
But it’s the way I am
It’s the way I am

So don’t call the police
If you see me floating in the streets
Baby
Experiment on me
Please
Do what you need
And if you see me lying on the beach
Baby
Experiment on me
Please

Experiment on Me

This is the space where the findings of autumn resonate: the walks, the games, the laughter, the bike rides, the shared sunsets.

Autumn findings (2025)

Found in all known forms of life, ATP is often referred to as the "molecular unit of currency" for intracellular energy transfer.

Adenosine triphosphate (ATP) is a nucleoside triphosphate, that provides energy of approximate 30.5kJ/mol to drive and support many processes in living cells. Such as muscle contraction, nerve impulse propagation, and chemical synthesis. 

7th movement, 3rd scherzo

Aelatoric with some A Phrygian and E Locrian sprinkled in.. because why not.
120,4 bpm

Dance of the ATP Cell Coins

Co-written by a software drum computer called Microtonic by Sonic Charge. Since version 3 (2019) or so, if no buttons of the plugin are touched for 3 minutes, it will start playing random sound effects and rhythmic noises. The first musique-concretè generating AI? 

Nachtmusik 1
Aleatoric
free time

Vesicles are involved in metabolism, transport, buoyancy control, and temporary storage of food and enzymes within the cell.

Vesicle Night Drive

aleatoric
free time

Hundred of Lysosome stations throughout the cell recycle waste molecules and proteins into building blocks for new proteins. 

Lysosoma Code Recyling

Lysosoma Code Recycling

The entire sound is in my hands. I write cyber poetry, produce, and compose every track ready for Immersive 3D. Every beat is crafted for spatial and next-gen headphones.
Intimate lyrics, total immersion, every track.

For 30 years I kept unfinished demos to myself, never letting them out. Now I finish what I start and release it the moment it’s alive.

I use every tool available, human or machine, as an instrument.
Technology doesn’t replace creativity. It expands it.

NEW ALBUM !  This one is in a completely different world than the last... 

Inside the metropolitian area that is a single
 animal cell!

We are an experimental sound collective that uses live mixing and an array of unconventional techniques to create improvised soundscapes. Crafted with field recordings, guitars, percussion, gongs, synths, and voice, each set is an unrepeatable dialogue between sounds that we collect and manipulate and the spaces and places in which we find ourselves.

Turbo Sauce is the alias of producer/composer/performer Evan Zegiel. Tasty, groovy, and dark House-influenced music, with some Drum & Bass and IDM thrown in to round out the flavor.

Audio artist living and working in Limerick.. and loving it.

progressive, squelchy trial+error fckery since 1979

collaborations, shared projects, ideas ..

http://marcolucchi.bandcamp.com/

https://musichevirtuali.blogspot.com/

www.musichevirtuali.org

https://twitter.com/musichevirtuali

https://www.facebook.com/pages/orchestra-eclettica-e-sincretista/111790807863?fref=ts

"I'm a mellow artist, ageing 69. I love and release eclectic music, from post-classical to drone. My fave instrument is the Mellotron."

Così, sinteticamente, di solito mi presento.

In genere compongo musica partendo dal suono delle tastiere, ma il mio vero strumento è il registratore.

O i software di registrazione.

"I was made for loving and making recorded music."

Confido da sempre nel potere evocativo e orfico della musica, nella sua capacità di riconsegnarci a mondi più veri e più giusti, più belli di quelli in cui di solito viviamo.

"Ich bin ein kosmische Kurier"

I'm using these tools: Mellotron micro, Waldorf Blofeld synthesizer, Behringer Crave, IK Multimedia Uno synth, Roland Juno synth, Volca keys, Casio digital piano, micropiano Korg, Manetron (iPad app), iTampura (iPad app), Eko 11 (...) string acoustic guitar, electric violin, Orla analogic expander, tenor, treble and descant recorders, soprano and tenor tin whistle, Akai, Roland, Alesis and Arturia controllers, upright piano, Squier 3/4 electric guitar, melodica, Bubble Harp (iPad app), Schoenhut toy harp, soprano ukulele, Eko acoustic guitar, Peavey Composer acoustic guitar, Kurzweill micropiano, Boss and JamMan loop stations , Behringher multi-fx, Olympus portable digital recorder, Phonic, Behringer and Yamaha mixers, Audacity, Paulstretch, various players and plug-ins .. (that's all, folks, I think ..)

latest releases:

https://whitelabrecs.bandcamp.com/album/the-book-of-dreams
https://chitrarecords.bandcamp.com/album/lieder-ohne-worte 
https://ambientologist.bandcamp.com/album/suggestiva
https://ambientologist.bandcamp.com/album/venusia
https://hibernate.bandcamp.com/album/as-riddled-as-the-tide

for further works please go to my bandcamp page
https://marcolucchi.bandcamp.com/

and to 
http://webbedhandrecords.com/
http://www.laverna.net/home/
https://silentflow.org/

iTunes and Spotify as well ..
feed and share ..
https://open.spotify.com/artist/1TRilVaDaQw0ksGqU5tuCh?si=zXD-0xFWS-2yrUs542SH9A

SoundCloud è la piattaforma musicale che preferisco perché è soprattutto il regno degli ‘amateurs’, di quelli che fanno musica per sé e per gli amici .. come quando da ragazzi si condividevano con gli altri le invenzioni e le creazioni .. io sostanzialmente sono rimasto lì e così .. non sempre, ovviamente, ma spesso ci trovo delle cose che valgono altrettanto - se non di più - rispetto a quelle più affermate e conosciute

auditory journal
sonic sketches
narrative of noise
dissonant harmony

New tracks tagged #Found Sounds