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Bexar County background stock @FREE DOWNLOAD@

Conduit

A Rosary Reckoning

We want them fi now that we a Jah Jah's son...

BPM 96 

Devil Send You Come

something bright & frenetic for a change!

Bright Colours

Frenetic b2b Escape & Mc Busta At Subvert , Shrewsbury, Sat 29th April 2023

Subvert DNB - 29th April 

Frenetic b2b Escape & Mc Busta

Frenetic Revelries is a fast-paced, revelrous piece for string trio (vn, vl, vc). As I began writing the piece with the idea of a high-energy sound in mind, I couldn't help but be drawn to thoughts of a thrilling, wild dance or party flying off the rails and chaos ensuing. The sheer vibrance of string instrument timbres made bringing out those human elements of the piece a very appealing and rewarding task, and while I'm not a composer who is known for aggressive, fast music, I had a lot of fun using some of my pre-existing harmonic and textural preferences for such exhilarating tempi. It is my sincere hope that anyone who hears the work finds enjoyment and excitement in the raucous energy that defines it.

Premiered November 11, 2022, by the Amorsima Trio in Bird Hall at the UofL School of Music

Violin- Mia Detwiler
Viola- Michael Capone
Cello- Kourtney Newton

Frenetic Revelries

you can easily be outrun by a hiveload of bees

vocals: https://www.looperman.com/acapellas/detail/17975/i-just-need-years-and-years-type-acapella-122bpm-dance-acapella

Mental Disorder ft. Odarka

From the dusk-lit backstreets of electronic dance music and the sultry lounges of electro swing, geeezer emerges, jazz standard in hand, ready to smash conventions. "Cute" by Hefti/Basie may have never met this new breed of raw groove, but when they collide, sparks ignite in a pyrotechnic show. Geeezer riffs off the familiar tune, sending it through a vortex of warping synths and pounding basslines, imbuing it with a frenetic rhythm that whispers of a gravel-voiced bard and a mustachioed musical iconoclast. It's a heady cocktail of unexpected elements, with an intoxicating charm that brings you back for another round.

Cute (Hefti/Geeezer) - EDM/Electro Swing Remix !!! FREE DOWNLOAD !!!

A bit about me: I got started making this kind of music in the 90s, first playing around with CSound, which I got pretty familiar with and used almost exclusively (with other Linux audio aps include Ardour as DAW) to make my first album, Whispers of Dead Gods. Then a rough decade passed, and I'm back into making music, this time with a modular eurorack setup and Cakewalk for DAW. So far loving it, much easier than my csound days.

I'm a big fan of melody and distortion, and I hate real repetitive music; I'm not a fan of any kind of dance music, really. I like to work with dynamics in my music, having a nice melody contrasted by real ugly noise, that kind of thing. While I like to work with noise and enjoy trying to come up with the most raucous sounds I can, I'm not a big fan of straight-noise stuff (Merzbow, et al).

Influences are: heavy metal (thrash), ambient, classical (esp. piano like Debussy), Devin Townsend

Selectron is a producer, mixer, singer-songwriter, multi-instrumentalist composer and selector.

Featured in Insomniac Magazine, on East New York Radio, and with mentions from the likes of Griselda's Conway the Machine, Jamaica's own Carlton Livingston, New York-based hip-hop documentarian Ernie Paniccioli, and many more.

Many thanks to all of you for your continued patronage and support.

Geeezer, a sage of 51 years, hails from the wild woods of Maine, toiling in the heart of the electronic music circuit for what seems like an eternity. This maestro, steeped in the ancient rhythms of classical symphonies, the playful chaos of jazz, and the deep, dark heartbeat EDM, has concocted a brew of sound so strange and enticing, it'd make a wooden leg dance.

Composer, Conductor, Pianist, Vocalist, UofL '23

i make music online
https://onlinesequencer.net/members/3513
banner art by bill wurtz

Info / Bookings muzikhertz@gmail.com
Owner of @muzikhertz-recordings

Escape has been actively involved in music since the early days of the British underground music scene and can trace his influences right back to the summer of love days around 1988. Inspired by his older brothers and early cassette tapes of Mickey Finn and Top Bizz. He began experimenting with the hip hop, techno and acid house tunes that defined the era. The explosion of hardcore and the early UK rave scene coincided with Escape starting secondary school and he took it upon himself to convert his group of friends at the time with highly sought-after tapes from early pirate stations and legendary live events. On one of his increasingly frequent visits to Pure records, he was dubbed ‘Younga Zone’ by MC Lenni as a nod to his big brother T-Zone who worked behind the counter. This name stuck with him throughout his early DJing days - although at this stage most of his mixing was restricted to after school sessions with his mates rather than major raves or club nights. Things began to change when, escape crossed paths with another artist who would go on to make huge waves in the Midlands scene, DJ Hazard. At this stage, both were young, broke DJs, hungry for success and doing everything they possibly could to make a name for themselves. Bookings were snapped up regardless of size or setup and they were soon playing to crowds of between 5 and 100 people every week – often for little more than the love of the tunes and a taxi fare home. Before long, Escape was to join Hazard on his weekly radio show on Unity FM. Although the show was well received and opened plenty of doors for the duo, it was difficult being the only drum & bass DJs on an otherwise ragga dominated station and this led to Escape looking for other pirates where his musical policy and jungle selection would be more readily accepted. 
With Kool FM Midlands rapidly establishing itself as the leading jungle pirate in the area and rivalling its London counterpart in terms of the exposure it could provide to up and coming DJs it was clear to Escape that this was where he needed to be. Dogged persistence and a refusal to take no for an answer led to a very large phone bill and no less than five separate demos being sent to Kool. Eventually his perseverance paid off with the reward of a Saturday morning slot that a lot of local DJs would have given their right arm for.  Although up to this point, he was still going by the name of Younga Zone, the decision to rebrand himself Dj Escape was made after careful consideration and some sound advice from Joker Records’ Pugwash. As he established himself on Kool FM through hard work, innovative selection and a rapidly expanding following he moved up through the rankings to the prime time 8-10 Sunday evening slot with MC Biggie. Unfortunately, as with so many pirate stations, things came to an abrupt end for Kool in 2002, causing Escape to make the move to Silk FM.

It wasn’t just behind the decks that Escape was making for a name for himself. Getting involved with event promotion in and around the Birmingham area led to more exposure and bookings began to come in thick and fast from around the UK and overseas. He has since supported the success of events stretching from all over the to America.

Escape initially dabbled in the field of label management when he set up 2nd Strike Records and, although the label only had one release (DJ Hazard You Ready/Metallic Blue) due to distribution problems, experience was gained, lessons were learned and Escape set up a brand-new label called Muzik Hertz. The label gave breaks to artists such as Complex, Dj Rusty and P.A. and this wealth of experience has been instrumental in Escape’s journey into production. Influences from this epic 25-year voyage into jungle drum and bass are echoed throughout of every track, with each one paying homage to the sound.






Update: All my music is now Creative Commons licensed. This means if you want to use it in a video or an app then go for it. All I ask is that you credit me and link back here to my soundcloud (http://soundcloud.com/junklight). It would also be cool if you could let me know you've used it. 


I love listening to music. I love making music 

I love technology, but only as a means to an end when it comes to music making. 

I'm after music that has life not music that is perfectly constructed 

Here is my music 

New tracks tagged #Frenetic