This track is the second version of Clones. I try to get closer to the music of Frontline Assembly, Front 242 and NIN. But Skinny Puppy is the best!

The Clones

This track is made with synths like Arturia Minibrute 2s and Korg Arp 2600 m

Destroy

This is my third track inspired by the great  ebm- and industrial acts of the early 80's. Frontline Assembly, Skinny Puppy, Front 242, Nitzer Ebb... that kind of acts!

AI DTOX

The song was composed on ModPlugTracker in 1995. It accompanies me through various eras. Original title: Frontman, including the well-known "Godspeed, John Glenn" sample. Slightly modified today, but still fascinating to work on.

Godspeed

Manipulation (Radio edit)

0:00:05 William Bleak "Beat and Bleak" [2025]
0:05:50 Male Tears "Slay" Krypt [2023]
0:12:16 Ghost Cop "All Souls Day" TROUBLE [2024]
0:16:25 S Y Z Y G Y X "Silent Spell" Broken Mirrors [2018]
0:20:47 DEUTSCHE VITA "DU LÆSST MICH" [2025]
0:23:36 Blutengel "The Devil" [October 16, 1970]
0:32:08 Haunted House "Silent Moon" [October 17, 2025]
0:36:16 KLOUD "FAKE" [October 10, 2025] Los Angeles, California
0:41:05 Then Comes Silence "Ticket To Funerals" Hunger [2022] Sweden
0:45:35 Nikolas Schreck "The Nice People" I'm Afraid of America EP [2020]
Bird Note: The 'Grasshopper' Hawk's High-Stakes Migration
0:52:57 Glass Spells "Venom" Crystals [2025]
0:56:43 Sextile "Hazing" 3 [2018] Los Angeles, California

0:59:51 IST IST "I Am The Fear" [September 19, 2025 Kind Violence Records] Manchester, UK
1:02:38 Propter Hoc "Lonesome Vampire" Seduction and Betrayal [March 27, 2025 Cold Transmission Music] Scotland, UK
1:06:13 Vandal Moon "High School Sucks (So Kiss Me)" [September 30, 2025] Santa Cruz, California
1:11:50 Malcriada "Lovesong" [October 4, 2024]
1:14:25 Normal Bias "Falling Down" Kingdom Come [2024] New York, New York
1:19:40 The Last Vampyre "We Still Breath" [2025]
1:23:19 Boy Harsher "Pain" Lesser Man EP [October 1, 2014 Nude Club] Northampton, Massachusetts
1:33:54 Assemblage 23 "Believe" Null [November 7, 2025] Franklin, Massachusetts
1:38:12 NNHMN "Gloomy Heart" Circle of Doom [May 11, 2023] Berlin, Germany
1:42:31 Ladytron "I See Red" [October 17, 2025] Liverpool, UK
1:46:09 Dead Lights "Killing Time" [October 17, 2025] London, UK
1:51:25 Ayria "Burning Up" [October 17,2025] Toronto, Ontario, Canada
1:55:09 The Pirx "Snake Woman" [October 16, 2025]

1:59:11 In Death It Ends "Cut Black" After The Last Frame [October 17, 2014] UK
2:03:44 Ash Code "Dancing To The Noise" Synthome [September 5, 2025] Italy
2:06:58 Flirren "Wob Wob" [October 3, 2025]
2:12:13 LOVATARAXX "Tilda Vast" Sophomore [2024] Lyon, France
2:19:40 Front 242 "Headhunter (Front Line Assembly remix)" Headhunter 2000 [November 25, 2025] Belgium
2:25:29 The Soft Moon "Become The Lies" Exister [09-23-2022] Los Angeles, California, USA
Bird Note: Seeing the Rainbow in a Bird’s Feathers
2:31:37 Ohne Nomen "Cold Sadness" [10-24-2023] Italy
2:36:33 Schwefelgelb "Fokus" Dahinter das Gesicht [02-24-2017 Aufnahme + Wiedergabe]
2:41:50 Stranger "Paranoid Dancer" PERSPEKTIV002 [September 8, 2017]
2:51:48 The Hacker "Waves of Darkness" RAVE OR DIE [July 17, 2017]

DARKWAVE  10-21-2025  Dark EBM  Industrial  Gothic Rock  Coldwave

2024; The song tells a story of rebellion against religious dogmatism and moral oppression. It does not criticize individual believers, but rather the way certain religious authorities condemn love—especially queer love—while acting hypocritically themselves. The recurring line “Your god is dead” serves as a symbol for the collapse of a rigid, loveless system that maintains its power through fear and guilt. Instead, the song celebrates self-determination, freedom from shame, and the courage to love authentically. Within this tension between oppression and empowerment, the song unfolds its rebellious, emancipatory message. Lyrics: Y. Frömme; THX to "Lüttke".

Your god is dead

The song portrays a brutal, militant EBM battle cry set in a dystopian environment ruled by pressure, violence, and relentless physical force. The voice leads through a world of concrete, steel, aggression, and forward-driving intensity, with each verse escalating the sense of collective resistance. Overall, it depicts a reality where only strength, determination, and unyielding endurance matter. Lyrics: Y. Frömme; THX to "Lüttke".

Iron district

Last Song of the EP. The lyrics portray an inner return to the self, a gradual rediscovery after a period of distance or disconnection. Imagery of echoes, shadows, and hidden chambers symbolizes introspection and the peeling away of old barriers. The repeated “Homecoming” theme emphasizes transformation, reconnection, and reclaiming inner strength. Lyrics: Y. Frömme; THX to "Lüttke".

Homecoming

The text portrays an internal struggle against pressure, intrusion, and destabilizing outside forces. Repeated commands like “My church — don’t touch” express a fierce defense of personal identity and mental autonomy. Despite noise, fracture, and inner darkness, a core self remains intact and resistant. The final outcry “My church is mine” marks a total, uncompromising reclaiming of the self. Original 2018. Lyrics: Y. Frömme

My Church Is Mine

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”

Darkwave DJ at 103.3 FM WXOJ-LP, Valley Free Radio, Northampton, Massachusetts. Known as The Viking Woman.

Bedhelm is a visual artist, producer and performer from Zwolle, Netherlands.

New tracks tagged #Front 242