ÖOC PROJECT | Stürm | FRONT LINE ASSEMBLY Cover
·  Music written by Bill Leeb, Rhys Fulber and Greg Reely
·  Originally performed by Front Line Assembly
·  Cover version performed by Öpik-Oort Cloud Project
·  Amanda Young and John Kramer samples taken from Saw movie
·  Les Editions Confidentielles, August 2024

Bloopers 2024

Stürm

In memory of Jeremy Inkel (8 February 1983 – 11 January 2018)

· Music written by Bill Leeb and Chris Peterson
· Originally performed by FRONT LINE ASSEMBLY
· Cover version performed by Öpik-Oort Cloud Project
· Les Editions Confidentielles, August 2024

Freakuency

Front Line Assembly - ''Mindphaser''  V's  The Fine Young Cannibals - ''Johnny Come Home''
.
Two bands that absolutly shouldn't make sense together...
Video up on my YouTube channel now.

Front Line Assembly V's Fine Young Cannibals - ''Bring Johnys Mindphaser Home'' (Mash-Up at 138.BPM)

FLAC: https://tinyurl.com/2m5v6xvr

Fuck the ordinary.
Blend the strengths.
Borrow & benefit.

Borrow & Benefit

a song about quantum entanglement and networks

Quantum (AI Mix)

Train Wrecks Podcast ft. Dustin Zahn

Train Wrecks #084 - Rhys Fulber

This is very much inspired by the work of Meat Beat Manifesto, Front Line Assembly, Front 242, Orbital, Boards of Canada, and Juno Reactor. 
I took samples from an ABC (Australian Broadcasting Company) interview with a Queensland rancher, and blended it with audio from the film Europa Report.

Human Nature is Europa V1

This is version 1, which means I am getting feedback from people who can give me some honest critiques.

In the style of Meat Beat Manifesto, Front Line Assembly, and other similar artists, this track features no lyrics or vocals. It blends found sounds with digital instruments. 
Listen for excerpts from an interview with Patrick Stewart, and a British Airways pilot talking about how he saved a 777 full of passengers with a crash landing at Heathrow.
Some of the found sounds come from the video games of Valve Studios.

Catastrophic Fire Extinguisher V1

This is the sixth track of my EP. It samples from an interview Dr. Jordan Peterson had with professor Jacob Howland in a discussion about mankind's finitude. This was extracted from the Jordan Peterson Podcast, episode 536, published April 7, 2025. The other samples are from the flight computer of a commercial jetliner while landing, calling out elevation milestones.

Creatures of Finitude V2

I do not believe I need to credit Bernie Sanders for lending his voice for this track. The audio clips are extracted from a confrontation between Senator Markwayne Mullin and Teamsters President Sean O’Brien from November 14, 2023.
This is a second version of this song, with the first version being my second effort with Garage Band. This one is much more refined, and has a heavier beat.

Senate Brawl V2

🎧 Pre-Order: mfcd.bandcamp.com/album/broken-foot-forward-2
📡 mfcd.bandcamp.com
📱 hexagramsam (instagram.com/hexagramsam)

Bandcamp

Knuckle Sandwich

Future Factory

Free Album

K G G - Factory Runner

This track is inspired by the styles of Front 242, Front Line Assembly, Juno Reactor and Meat Beat Manifesto. It does not have any vocals, but samples generously from the film Europa Report, and an interview on ABC (Australia Broadcasting Corporation). This is composed entirely in GarageBand. I appended the V2 suffix to indicate it is an updated version.

Human Nature is Europa V2

Eczomørk - Industry Of Intellects (VIP Club Mix) [ffo Funker Vogt]

Manipulation (C80c rmx)

The Clock (C80c rmx)

This song represents the origin of my musical way of life, starting with Depeche Mode, Front 242, Front Line Assembly, Skinny Puppy, Nine Inch Nails and other great bands and musicians. Big thanks to Tim and Eryk for your support.

Mechanical faces

Mixes from the Mountains of Morrison. Much love to my listeners and my inspirations.

Everything said has already been said! But…

Coronardefekt is an electronic music project from Halle (Saale), Germany, that has been developing the connection between sound, technology, and emotion since the early 1990s.

My journey began in 1992, when a fascination with electronic sound generation and synthesizers laid the foundation for everything that followed. Influenced by Depeche Mode, Front 242, Delerium, Front Line Assembly, Dead Can Dance, and many others, I began creating my own sonic worlds – dark, driving, and emotional.

My music moves freely between Electro, House, EBM, Hip-Hop, and experimental sound structures – everything that inspires, excites, and moves me. I produce with a variety of synthesizers and analog sound sources – including the Yamaha MOXF6, Microkorg-S, Deepmind 12, Arturia Microbrute, Yamaha DX7, and Behringer TD-3-BU – with Ableton Live as the creative hub.

Each track is created with a focus on atmosphere, texture, and emotion – an expression of my personal sound journey. So far, all releases have remained private, but the essence lies in the creative process itself: sound research, sound design, and the pure joy of electronic music.

I don’t see myself as a product, but as an ongoing experiment – a project that grows, transforms, and continually redefines itself.

“Music is not a destination, but an eternal journey – and the processing of emotions.”

40 mash-ups, 12 ''snippets'', 3 playlists, 1 mix, and 27 takedowns. All credit to the original artists. I am just a music thief, having fun, with a tiny audience, and NOT MONETISING!

I'm a UX designer by trade. I dabble in illustration and animation. I also love EBM, industrial and agro-tech music.

I’ve complained in the past about modern music needing a jolt of innovation without coming off as pretentious. Phidippus seems to epitomize the desire to make great music while refusing to keep to one specific formula, making his trajectory as an artist fascinating to watch. I find Phidippus to be an immensely underappreciated musician who just needs one big hit to make his name reverberate throughout the densely packed world of electronica, and I hope that that day comes sooner rather than later.

​24ourmusicreview.com

++++

1974: Eric Salazar, aka Phidippus, is conceived then born shortly after.
1984: Plays first instrument, the autoharp.
1985: Joins a break dancing troop.
1986: Dad buys Amiga 1000. 'Sampled' music discovered.
1990: Gets hands on an Ensoniq EPS-16+ sampling workstation and proceeds to make bad music.
1998: CD EP, "Voluptuous", released. After receiving a demo copy, the staff of Peter Gabriel's record label enjoy the CD as they write memos.
1999: Produces remixes for New Vision Recordings and other labels in the UK.
2000: Mercedes, Smirnoff and other companies license Eric's music to promote their products.
2001: Launches New Vision America, a record label. After three singles are released, the label dies a quiet death.
2005: Scores the best selling game, "Belle's Beauty Boutique". What? Its cute.
2008: Releases full length CD, "ES: When I was Emptyhead 1997-2007". The CD goes on to receive airplay in major markets and commendations from the press, including such publications as Knowledge and XLR8R.
2011: Remixes artists such as The B-52s, Summer Channel and Sasha.
2013: Starts producing under the name Phidippus and begins work on the '170' project.
2019: 'When I was Emptyhead 1997-2007' is re-released under the Phidippus moniker and is made available in all major online music 
2022: The hip hop single 'Starfish featuring Cap'n Fresh' achieves airplay in 30 states.
2024: Begins screwing around with AI and by 2025 releases 5 albums of AI assisted music.

I create seamless fusions of just about everything. All visceral, atmospheric and psychedelic with hidden depths upon closer inspection. The flow is also important. It exists on a continuum with micro-variations and subtle evolutions along the way.
The music can range from low down heavy darkness to softer and more positive, higher-vibrational new age. Yet even at it’s most crushing and industrial never succumbing to nihilism and instead feeling warm and inviting.
Very often humorous (in the form of deliberate cinematic pastiches), freaky and surreal. Inspired by dystopian sci-fi. Retro-futuristic.
I often wear my influences on my sleeve like Kraftwerk and Tangerine Dream but at my core I’m still self-referential with my sound. It operates at my own personal frequency.

Commanded by a unique combination of software and organic systems.

New tracks tagged #Front Line Assembly