Perfectly Fine

When I Grow Up

When I Grow Up ft. Fugal Rhyme

// deep Techno

01. Alva Noto - Xerrox Monophaser 2
02. Joachim Spieth - Texture 40.1 (Claudio PRC's atmospheric Remix)
03. Luigi Tozzi - Dune
04. Luigi Tozzi - Satyr
05. Luigi Tozzi - Automa
06. Kontinum - Luyten (abstract Man Remix)
07. OCHERii - down the Road through the Park (Ness Version)
08. Dara Ashrafi feat. Bachira Hina - Object 120
09. pyramidal Decode - Function A
10. Ricardo Garduno - Intentions (Viels Remix)
11. Shlømo - burned Hand (Emmanuel Remix)
12. Archivist feat. Fugal - far Horizon (Original Mix)
13. Rorsch - Ispuligidenie (linear System Remix)
13. Stephanie Sykes - Sikker

Video: https://youtu.be/iloXwlp-3L0 
Buy music: https://www.buymusic.club/list/yourmindworks-your-mind-works-030

@joachim-spieth
@claudioprc
@luigitozzi
@kontinum
@abstract_man
@ocherii
@ness
@dara_ashrafi
@pyramidal-track
@ricardogardunomusic
@viels
@shl-mo
@Emmanuel
@archivistofficial
@fugal
@linearsystem
@stephanie-sykes

Buy music

your Mind works - 030: deep Techno

Photo is of Syritta pipiens [thick legged hoverfly] taken in my garden in August.

Little Trio For bassoon oboe and piano

Pianist extraordinaire Maryna Buksha performs LIEBESSCHMERZ FUGE, Op. 95, by Gary Lloyd Noland. For more information on the composer, please visit his website at: garynolandcomposer.com

LIEBESSCHMERZ FUGE for piano, Op. 95

this one if i recall correctly was a real mental challenge, to keep the flow while maintaining a pretty mentally heavy map - a shortish intricate ostinato that is like an ear worm? haha. yes. and what does "accurately" actually mean? like as a marking before you take the cold dive? sure yeah right uh whatever. almost forgot: did some post-layering cello and viola with a few clicks in logic - try it. fun fun. I really miss playing string quartet...been the best times.

coordinatal shift (fr queer zero) - 2022-08-09, 9.24 PM

Resides in Portland, Oregon. Grew up in Berkeley, CA. Born in Seattle.  PhD, Harvard. “Gary Noland is one of the great composers of the 21st century.”—JACK RUMMEL, KGNU 88.5 FM, Boulder CO, “...iconoclastic, stylistic potpourri standards of giddy humor, no holds barred soup to nuts and high spirits.”—ROBERT LEVIN, pianist, musicologist, composer, "...a fleet-fingered, ebullient performer ... bright, witty and engaging.”—CHRISTIAN CAREY, SPLENDID MAGAZINE, “...distinctive, inventive ... subversive ... You can hardly be indifferent to Noland’s music and so I would urge you to try it.” —ROGER BLACKBURN, MUSICWEB INTERNATIONAL, “...set in a dizzying harmonic language that loops uncontrollably through a wide-ranging gamut of possible and impossible tonalities ... The general effect is like watching wet paintings of 19th Century musical memorabilia drip into frazzled 21st Century oblivion...” —ALLEN GIMBEL, AMERICAN RECORD GUIDE, “Mr. Noland writes as a ‘time traveler’ in styles long abandoned by most composers as well as styles so new as to not have been imagined but by him. This he accomplishes naturally, convincingly, with originality and true passion. His command of all musical languages and his ability to traverse musical time is nothing less than remarkable. Listen!”—DONALD MARTINO, Pulitzer Prize winning composer, “...mind-bending spiraling of focus which is truly breathtaking ... spectacular...”—CHARLES AMIRKHANIAN, composer, sound poet & radio producer, “I'm amazed at your harmonic skill. Haven't seen or heard anything like it from any one else—except yours truly—certainly not from your generation. It falls somewhere between Strauss and Mahler. Especially like how you are able to slip in and out from the tonal to the atonal—or near atonal...”—GEORGE ROCHBERG, American composer, Pulitzer Prize finalist, “...court jester to the classical establishment...”—PAYTON MACDONALD, AMERICAN RECORD GUIDE, “...florid and juicy...” —RICHARD BUELL, THE BOSTON GLOBE, “...an incredible aural web ... a great ostinato of American kitsch. Sul pont never sounded so good.”—RUSSELL STEINBERG, composer, conductor of the LOS ANGELES YOUTH ORCHESTRA, “...I am bowled over by the expertise of your music: you use certain elements from the 19th century and from jazz, etc., and just at the moment when I am about to say, OK, what else is new?, you do a number of things, such as speeding up, becoming wildly dissonant, modulating to a distant continent, stopping completely and throwing some kind of total surprise ... you seem to know exactly when to do what and how much. I don’t know anybody else who can do it!” —ANDREW IMBRIE, American composer, Pulitzer Prize finalist, “... remarkable stuff...”
—MAX MORATH, American ragtime pianist, composer, actor & author, “...a loony composer from Oregon...” —MAX SHEA, WMUA 91.1FM, Amherst, MA, “Gary Noland is one of those 21st Century composers seeking to forge a new aesthetic based on older models that do not traffic in serialism or minimalism ... Zany waltzes, ragtime riffs, chorales, toccatas, and much else romp and tear through these depictions of superheroes and villains from his ‘chamber novels’; other pieces spoof serial music ... to grand operas ... and Jewish guilt.” —JACK SULLIVAN, AMERICAN RECORD GUIDE, “...Paranoid Ravel...”—ALEX DUNN, KZSU FM90.3, Stanford, CA, “...It’s a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else’s, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it’s intelligent, pleasurable and convincing.” —ROCKY LEPLIN, THE BERKELEY VOICE

I was born in Leicester in the late 1950's. Since semi-retirement and subsequent retirement (as a Dermatologist and formerly G.P) I have spent some of my spare time trying to learn music theory. I also enjoy long distance running as well as cycling, skiing and tennis. I enjoy cooking, gardening and growing a few vegetables. And fine wine (in moderation). I enjoy insect photography, with a particular interest in hoverflies..
To my regret I never learnt a musical instrument when younger but I have listened to and been fascinated by music for as long as I can remember. The advent of the computer age has allowed me to pursue my desire to compose music. I use Logic Pro X software (and MuseScore3 for recent piano compositions). My compositions reflect my varied listening preferences (including Contemporary Classical, Jazz and  Music from other cultures around the world).

just for fun

250 mixes, which are updated constantly.

Vancouver Academy of Music, Undergrad at the University of Toronto, Masters at the Hochschule fur Musik und Theater, Muenchen, tutti viola in the Muenchener Kammerorchester, principal viola Musica Vitae, 
principal viola Nederlands Radio Kammerorchester, teacher in OWB Palestine from 2010. Violinist, violist, composer, improviser, poet, sculptor, visual artist. Go for a walk, see what happens. I just make stuff up. AP

New tracks tagged #Fugal