A lament and funeral march for a ravaged planet.
This was a track I did a couple of years ago and it was the basis for the collab with the turtle project track 'Rest your Head'. This is just an instrumental doodle.

RIP Mother Earth

Text: z pozůstalosti I. G. uložené v Památníku národního písemnictví; jedná se o jednu z tzv. posledních básní (sestavené Ivanem Slavíkem).

Vizuál: Výřez z kresby I. G., přiřazené k rukopisu básně s incipitem „Staletý, mohutný doubec“ datované rokem 1877, který je uložen v Muzeu hry Jičín.

Zvuk: Digitální piano Roland FP-30.

Snovo mi a přec se bojím

R.I.P. SUNNY BLAIRE

FUNERAL MAY - DDW - Bugreport.11

FUNERAL MAY extended - DDW - Bugreport.11

a dark funeral march inspired track about wasted life. Check out the extended version on youtube https://youtu.be/7VX0ZNxvTLE

silver eisen plastic gold

A funeral march for the late Pope. He could have been better, but he might have been much, much, worse.

Ad Francisco

A terrible storm hits Miami, told from 8 different perspectives

License/Purchase

Overture: Two Tubas (Funeral Dirge) (The Change of Seasons Track 1)

Track 2 of The Change of Seasons (playlist available on our profile) - a ten-track examination of climate change in general, and specifically focusing upon a terrible storm hitting Miami, told from 8 different perspectives (with an instrumental Overture and Coda).

New Atlantis (The Change of Seasons - Track 2)(v3)

Ashes and Brass: The Småland Second Line Jazz Funeral Parade is a dark, cinematic journey where Southern Gothic murder ballads collide with the haunted landscapes of Småland. Inspired by the ritual power of New Orleans jazz funerals and the raw storytelling tradition of the blues, the album unfolds as a requiem for betrayal, damnation, and release.
Across eight tracks, the record moves like a funeral procession: “Seven Curses” delivers judgment one curse at a time, with choirs chanting numbers like a ritual. “The Devil’s Bride” reimagines the archetype of Jezebel as a soul sold to darkness. “No Mercy at the River” turns the water itself into a judge that refuses to cleanse. “The Rumors Were True” gives voice to the whispers of a village, making gossip into prophecy. At the album’s heart stands “Ashes in Her Mouth”, a heavy dirge where brass, strings, and choirs thunder in a curse that cannot be undone.
From there, the story widens into a vow of vengeance in “Tenfold Interest”, and into catharsis with “No More Ghosts”, a declaration of survival and release. Finally, the title track “The Småland Second Line Jazz Funeral Parade” closes the procession as an instrumental epilogue, merging Swedish church bells, brass fanfares, and gospel cadences into one final march into darkness.
This is not just an album, but a Southern Gothic requiem: brass, organ, gospel choirs, strings, and funeral drums creating a soundscape that feels both like a New Orleans funeral march and a Småland churchyard at dusk. A work that speaks to betrayal, judgment, damnation – and the hope of walking away free from ghosts.

No Mercy at the River

The Rumors Were True

The Devil’s Bride

Ashes in her mouth, worms in her bed

Seven Curses

No more ghosts

Tenfold Interest

The Småland Second Line Jazz Funeral Parade – Instrumental

Mluvené slovo, zvuk. Nesoustavné záznamy volných improvizací.

https://www.youtube.com/@SunnyBlaire
https://sunnyblaire.bandcamp.com
https://instagram.com/sunnyblairee

Like, follow, comment, share. There's more coming. Always.

See phrases.pub for lyrics, licensing, and a full, searchable catalog.

Phrases and Phases Publishing is a one-man label, archive, and reality-refraction field. Founded by J. Adam Walters - lawyer-turned lyricist, satirist, and architectural dropout from polite society - it's the home for songs that shouldn't exist, poems that go to far, and fictional universes with better paperwork than the Library of Congress. 

From folk elegies to parody rap to theocratic cartoon trauma epics, everything here is written by a human who uses AI as a collaborator and instrument rather than an outsourced brain, and finished only when it reaches a space where laughing hurts, or hurting laughs.

A Swedish independent label weaving sound, soul, and story. From poetic EDM to raw acoustic emotion, we release original works by emerging and established voices worldwide. Discover unique demos, handcrafted lyrics, and global artist collaborations.

If you want consistency, you've come to the wrong place. 
But seriously? Try my albums.
https://soundcloud.com/jon-jermey/albums

Second album of 10 songs 'Looking Up',available from bandcamp,Spotify and the rest.

https://vancemagill.bandcamp.com/album/look-up

First album of songs. 'Flying Solo'.
https://vancemagill.bandcamp.com/album/flying-solo

And on Spotify
https://open.spotify.com/album/4BOvUv16dOl6cgcWANX1Dz
This is my first solo venture. It's an album of ten songs and it can be downloaded  from bandcamp free,or for whatever you deem it worth. I'd be happy if you just take a copy and listen to my musical ramblings. 
Thanks to all who take the time.  :)

Follow on Spotify  https://open.spotify.com/album/4BOvUv16dOl6cgcWANX1Dz
A while back I viewed s/c as merely a hosting platform for posting on forums,but then I realised there was access to so many wonderful compositions by other folk,it then became my prime source of listening to music.
This little corner of the internet is actually a thriving musical community where nobodies such as myself can share songs with the great and the good.
All that just has to be positive and welcome.
Thanks to all who listen and comment,be assured I will return the favour,as I love finding new artists. Please don't follow me if you are going to unfollow,I only wish to listen and share music,I am not a follower collector.


Songs are a mix of solo work with all instruments played by myself,plus my own world weary vocals! I tend to favour my home made Telecasters and a Strat,though the odd acoustic makes an appearance. I use Logic Pro X and am a recent convert to DAW.

I play and write for the joy of expression and always with the hope my songs may be a positive force to anyone who takes time to listen. I'm an old boy now,so I harbour no dreams of success in the conventional sense,having the odd comment is just fine for me. Thanks to all who bother.

 Also earlier songs from a project in 2015, with Fiona and Martin Magill,Vocals and keys. Martin is a very talented working keyboard player,but sadly Fiona no longer sings. Our loss.
Lastly there are tracks from late 80s/early 90s from SOS,a band I was in back then.

Aufgewachsen in behüteter StaSi Umgebung war es vor Allem Sorglosigkeit die mich bis heute dazu verleitet unüberlegt zu handeln. Meine Kreativität entstammt der perfektionierten Entwicklung von Ausreden, die mich durch jede noch so aussichtslosen Lage hat mogeln lassen. Das bisschen was davon übrig ist reicht heute allerdings gerade so, um die passende KI zu finden die mich so kreativ aussehen lässt, dass mein horrendes Honorar, gerade noch so, keiner Rechtfertigung bedarf.

New tracks tagged #Funeral March