“In a world where art is consumed, not experienced…”

This track began as a moment that wasn’t planned or optimized.
No charts. No words. Just five people who love music enough to trust silence.

We sat in the room, felt each other’s presence, and let sound lead instead of thought.
What unfolded felt like a conversation not between musicians, but between inner worlds and cultures.
The kind of dialogue only souls can have when we’re present in our element. 

Live Improvisation :

Oud - Ahmed Maher
Bass - Tyler
Beatbox & percussion - Carlos
Piano - Markus
Saxophone - Raine

If you’re here listening all the way through, Thank you for listening.

Unscripted Joy

A powerful fusion of tradition and modern club energy: the track opens with soulful blues guitar riffs that set a nostalgic yet vibrant tone. Throughout the piece, blues guitar elements weave seamlessly into a driving electro-house rhythm, creating a hypnotic blend of Blues House and Electro House. Entirely instrumental, the focus remains on the interplay between organic guitar grooves and pulsating electronic beats—an energetic yet emotional soundscape designed for both dancefloors and deep listening.

Drip Like Gold

Lyrics by Bekir Hamurcu

ÖYLE GİT
Mademki gitmekte kararlısın sen, 
Veda buseni verip öyle git.
Madem 'Beni hiç sevmedin.' diyorsun,
Perişan halimi görüp öyle git.

Gece gündüz seni aramadım mı?
Mis kokan saçları taramadım mı?
Söz verip sözümde durmadım mı?
Varsa, vicdanına sorup öyle git.

Seni sandım her derdimin ilacı,
Düşünmeden yaptım seni baş tacı,
Şimdi yüreğimde bitmez bir acı,
Gördüğüm rüyayı yorup öyle git.

Öyle Git

Velvet Kisses” is a piece born from a deeply personal and emotional moment.
The track blends intimate electronic textures with drifting, slightly detuned basslines and expressive electric-guitar phrases. Each element acting like a quiet narrator of a love I was trying to capture in sound.
Throughout the piece, I sampled the voice of Prova, the renowned Iranian female vocalist from the classic track “Moussem-e Gol.” Her timeless tone adds a nostalgic warmth that brought me closer to the feeling I was living while creating this song.
This is a story of tenderness, longing, and those velvet-soft moments that stay with you long after they pass.
.
«بوسه‌های مخملی» از دل یک لحظه‌ی عمیقاً شخصی و احساسی زاده شده است.
این قطعه ترکیبی از بافت‌های الکترونیکِ صمیمی، بیس‌لاین‌هایی که گاه به‌عمد کمی ناکوک حرکت می‌کنند، و جمله‌های گیتار الکتریک است؛ عناصری که هرکدام مانند راویانی آرام، داستان عشقی را روایت می‌کنند که سعی داشتم آن را به صدا ترجمه کنم.
در بخش‌هایی از این اثر، صدای پروا — خوانندهٔ شهیر زن ایرانی — از قطعه‌ی کلاسیک «موسم گل» سمپل شده است. رنگ صدای او گرمایی نوستالژیک به موسیقی می‌دهد و من را بیشتر به احساسی که هنگام ساخت این کار در آن زندگی می‌کردم، نزدیک می‌کند.
این قطعه روایتی است از لطافت، دلتنگی، و آن لحظه‌های مخملیِ عاشقانه که مدت‌ها در ذهن می‌مانند.

Velvet Kisses

Beatport

Lyrics by Bekir Hamurcu

BİR DAHA
Seninle bir ömrü yaşamak için,
Bir daha dünyaya gelmek isterim.
Bal rengi gözlerde kaybolmak için,
Bir daha dünyaya gelmek isterim.

Bal dudakta kalan hakkı almaya,
Al yanakta hayal kurup kalmaya,
İnce beli tekrar tekrar sarmaya,
Bir daha dünyaya gelmek isterim.

Aşkına, sevgine doymadım ki ben,
Yıllar çabuk geçti saymadım ki ben,
Veda buseni koymadım ki ben,
Bir daha dünyaya gelmek isterim.

Göz göze bakışıp hayal kurmaya,
Gece düşte görüp hayra yormaya,
Bitmeyen bir aşkla seni sarmaya,
Bir daha dünyaya gelmek isterim.

Aşkın katmer katmer katlasın diye,
Kıskanan kem gözler çatlasın diye,
Arzular sel olup patlasın diye,
Bir daha dünyaya gelmek isterim.

Bir Daha

Two tracks on the Guild A150 archtop through the '65 P-Reverb

Cool in the Forecast

Drum fusion

Jhankaar

Ishq Da Saagar _ Heart-Touching Sufi Ishq Song _ Soulful Fusion of Rumi & Bulleh Shah

“My journey with computers and synthesizers began at the exact same moment.” When I was six, my father gifted me a Yamaha PSS-680 for my birthday—ironically, that was the day I stepped into the digital sound world. My earliest musical training took place at the Yamaha Music Center, licensed under my first teacher, Kaya Sunar, where I learned the fundamentals of DAWs using Cakewalk on an Amiga 600. My teacher soon told my family that my ear had an extraordinary level of tonal analysis, something close to genius. Despite that, I pursued my formal education in science rather than music. I was accepted into Yıldız Technical University’s Sound Arts and Design Program, but chose not to attend—something I’ll admit I still regret. During my university years, I co-created an experimental electronic music project called Nouvolec with Ali Deniz Kardelen. It was raw, daring, and deeply exploratory. Over the years, I’ve honed my craft using Steinberg Cubase, FL Studio, and a wide range of VSTs, constantly pushing my production boundaries. n the realm of music, AI became not just a tool but a collaborator. It listens without bias, composes without fatigue, and transforms patterns of sound into emotional landscapes. From generating harmonies and sculpting textures to reimagining entire genres, AI now participates in the ancient human ritual of creation. It does not replace the artist — it amplifies the imagination, opening doors to dimensions of sound once unreachable by human hands alone.

Music, once born solely from heart and soul, now flows also through circuits and code — a new duet between consciousness and computation.

Electro Blues from Berlin: where slide guitar and 808 drums collide. Born in Hip‑Hop over 25 years ago, then a decade ago the guitar led straight to the blues—now it all fuses into a modern blend of tradition and Trap and House. Expect driving riffs, dark atmospheres, storytelling, and club‑ready grooves. Songs in German, English, and Polish, plus instrumental sessions for focus and late‑night vibes. Subscribe for regular releases, live jams, and behind‑the‑scenes from the Berlin scene. #ElectroBlues

Ci dessous quelques uns de maison fait mes sons ou l'inverse.
s/o La Staph'
s/o Le Sanctuaire

Un EP perso sur spotify ça vous tente ?

Making music with guitars and fretted instruments, never bound by genre.

From the ancient rhythms of Persia to the pulse of modern electronica, Majid Kazemi creates music that dissolves borders between East and West, acoustic and synthetic, memory and dream. With over 16 years of experience as a producer, composer, and performer, Kazemi’s sonic world is a fusion of rich textures: electric guitars meet Ney melodies, deep basslines dance with Daf grooves, and modular synths echo through vast emotional landscapes.

Majid is not just a musician, he’s a storyteller in sound. His work blends traditional instruments like Santur, Setar, and Tonbak with cutting-edge production, shaped by years of mixing, mastering, and a deep love for both the organic and the surreal.

Whether on stage with a full string section or alone in the studio sculpting frequencies, Majid crafts every note with intention. His music has become a refuge for listeners seeking something deeper something both ancient and futuristic.

Contemporary music explorer. Oud virtuoso. Citizen of the world.

New tracks tagged #Fusion