A classically trained orchestra string bassist from eleven years of age, Amos Larkins transitioned to the electric bass to practice the Jazz/ Fusion Rock genre he so admired as a teenager. A natural talent, Amos was fortunate to have studied with the legendary bassist Jaco Pastorius and world-renowned pianist Chick Corea. Amos has participated in workshops with Stanley Clarke, George Duke, Billy Cobham, Jean-Luc Ponty, Al Di Meola, and countless others. From the age of sixteen, he became a studio bassist at the Miami Sound Machine and T.K. Records studios in Miami, where he also learned the art of sound engineering and worked on many sessions as an engineer. While producing music for the ill-fated movie “Cry of the City,” he met Barry Gibb of Bee Gees fame. Gibb allowed Larkins to moonlight at his Middle Ear Recording Studios, and it was there that Amos produced some of the first (if not the first) hip-hop music to be heard in Miami. He took the hip-hop work he had produced at Gibb’s studio and played it for Henry Stone, the legendary music mogul and founder of the highly successful T.K. Records label. Stone had just formed a new record company named Sunnyview Records. After listening to this new, ground-breaking style of Miami Rap music production, Henry told Larkins that he could make lots of money producing this type of music. Amos soon began working as a staff producer under Stone at Sunnyview. This is where Amos came up with and developed the Miami Bass genre that continues to inform and influence hip-hop and rap music to this day. Widely known today as the progenitor of the Miami Bass movement, Amos Larkins II is one of the only producers from that golden age who has never slowed down, continually producing music that is ahead of the curve since he first walked into a studio decades ago. That undying passion is entirely on display with his latest offering, aptly titled Amos Larkins Presents Electro Miami Bass Future Classics.

Electro Miami Bass Future Classics

Hey, Hey Don't Stop

Life Don't Stop

Patience And Time

Flashback

Embark on a musical journey with "After The Rain Dish Of The Day," a house music mix crafted exclusively for Dish Of The Day label. Curated from a selection spanning 5-7 years, this mix represents a beautiful trajectory of musical evolution, with heartfelt gratitude to the talented creators Carlos Mantilla, Jo Paciello, Takaaki Tsuchiya, and Orlando Magik. Join in the sonic experience and let the beats guide you.

https://t.me/dvij_muz

After The Rain Dish Of The Day

We leave the New Year hoping for sensitivity towards every human you encounter in your daily life...this mix will transcend you into that hopeful call. Believe...

EXF No.114 - A Slam Mode Odyssey
Resonating - exploring visceral nuances and differential degrees of music and imagination. 
Tune in every Friday -
MotionFM.com @ 4p.m. ( E.S.T. )
( motionfm.com/author/slam-mode/ )
( https://www.mixcloud.com/discover/slam-mode/ )
Art Direction: Slam Mode 
+ Playlist included
Title / Artist
A False Seeming - Steve Hauschildt
All I Do - Robert Glasper - Instrumental
Brighter Days - Bao x Venuz Beats 
Yarrow -  Leif Knowles
The Other Side -  Moonchild / Little Ghost
Memphis - DLJ, Bastien Brison, Nathan Kay & ØDYSSEE 
Umri - Terra Firma mix - Kuniyuki remix / Slam Mode
Lift Off - Gareth Donkin 
Transformation - JakoJako ( Sibel Jacqueline Koçer )
KO - Instupendo & Ripsquad 
Red Light - Gaussian Curve
Departure - jazzbois
Kairos Kefi - Miguel Atwood-Ferguson 
Lost Among The Lost - Arafúra
So Beautiful -  Robert Glasper piano solo replayed YA Keys
Different Forms -  Rudi Creswick
Horizon Line - Pleq · Hakobune - Bartosz Dziadosz / Takahiro Yorifuji (2020 Remaster)

Slam Mode – Sedation in Noise Exploratory Files 114 - A Slam Mode Odyssey

We leave the New Year hoping for sensitivity towards every human you encounter in your daily life...this mix will transcend you into that hopeful call. Believe...

EXF No.114 - A Slam Mode Odyssey
Resonating - exploring visceral nuances and differential degrees of music and imagination. 

Tune in every Friday -
MotionFM.com @ 4p.m. ( E.S.T. )
( motionfm.com/author/slam-mode/ )
( https://www.mixcloud.com/discover/slam-mode/ )

Art Direction: Slam Mode 
+ Playlist included
Title / Artist

A False Seeming - Steve Hauschildt
All I Do - Robert Glasper - Instrumental
Brighter Days - Bao x Venuz Beats 
Yarrow -  Leif Knowles
The Other Side -  Moonchild / Little Ghost
Memphis - DLJ, Bastien Brison, Nathan Kay & ØDYSSEE 
Umri - Terra Firma mix - Kuniyuki remix / Slam Mode
Lift Off - Gareth Donkin 
Transformation - JakoJako ( Sibel Jacqueline Koçer )
KO - Instupendo & Ripsquad 
Red Light - Gaussian Curve
Departure - jazzbois
Kairos Kefi - Miguel Atwood-Ferguson 
Lost Among The Lost - Arafúra
So Beautiful -  Robert Glasper piano solo replayed YA Keys
Different Forms -  Rudi Creswick
Horizon Line - Pleq · Hakobune - Bartosz Dziadosz / Takahiro Yorifuji (2020 Remaster)

( 4PM EASTERN STANDARD TIME )
London: 21:00
Paris/Berlin: 22:00
Los Angeles: 13:00
+ Not available for U.S. listeners. An upload will be available at the same time as the broadcast for the U.S. at MixCloud
( https://www.mixcloud.com/discover/slam-mode/ )

#slammode #motionfm #sedationinnoise #deeptech #futureclassics #deephousemusic #ambientmusic #technomusic #dance #mixcloud #electronicmusic #dj #melodictechno #bandcamp #googlemusic  #soundtrack #art #space #soundcloudmusic #progressivemusic #ambientmusic #photography #meditationmusic #thepowerofmusic #sacredrhythmmusic #atypicaldopeness7 #lofi

EXF NO. 114 A SLAM MODE ODYSSEY

🔊 Elevate your vibe with the ultimate Garage Mix on SoundCloud! 🎶 Immerse yourself in the pulsating beats and soulful melodies that define the essence of garage music. From classic anthems to cutting-edge tracks, this mix is a sonic journey through the rich history and evolution of garage sounds.

🚀 Let the infectious rhythms and groovy basslines transport you to the heart of the underground scene. This mix is a carefully curated fusion of old-school garage vibes and contemporary beats, creating a seamless blend that'll keep you moving from start to finish.

🌌 Dive into the dynamic world of garage, where every track tells a story and every beat is a heartbeat of the city. Whether you're a seasoned garage enthusiast or a newcomer to the genre, this mix promises an electrifying experience that transcends time.

🎧 Hit play, turn up the volume, and let the Garage Mix on SoundCloud be your soundtrack to a night of endless energy and undeniable coolness. 🔥

The Garage Mix #1

Dive into a unique musical journey where Antonio Vivaldi’s timeless Baroque compositions merge with the futuristic pulse of AI. This neo-classical piece elegantly combines ambient, cinematic elements with classical music's rich, emotional depth, creating a soundtrack that goes beyond the time boundaries. Listen as the echoes of the past meet the innovations of tomorrow in this evocative and soul-stirring symphony.

Vivaldi's Lament

🚀New Track Alert🚀

Yo, it's Foo here with my latest trac 🌌✨ This song blends the smooth, emotional vibes with a unique twist that takes you on a journey through space and time. Perfect for late-night drives and those moments when you just want to escape and feel free. Let the rhythm take you to another place and lose yourself in the stars. 🌠

🔥 Listen now and let me know what you think! 🔥

#NewMusic #LostInTheStars #FooMusic #HipHop #JuiceWRLDVibes #SpaceJourney #EmotionalBeats #LateNightVibes #EscapeWithMusic #ViralTracks #SoundCloud #MusicDiscovery #PartyAnthem #FeelTheBeat #MusicForTheSoul

With You By My Side

Lost In The Stars

Track produced using the Maschine Mk2, with the rest of the instrumental recorded live. We used baritone sax, regular saxophone, and recorder. We wanted to maintain the essence of 90s rap beats but without using samples, opting instead for real instruments to achieve a more organic texture. This was the concept for the entire album. Many Brazilian influences were blended with modern beats.

following-the-stereo

Dark Blue

Calibre .13 Jazzy Concept - Dark Blue

EXF No.116 - EXISTENCE ( course correction mix set )
Reset...it is time for a different orientation - Believe.

Tune in every Friday - MotionFM.com @ 4p.m. ( E.S.T. )
( motionfm.com/author/slam-mode/ )
( https://www.mixcloud.com/discover/slam-mode/ )

Art Direction: Slam Mode /Sedation in Noise

🎧+ Playlist included
Title / Artist
Reunion - Braxton
Pellucid Skies - Tea White
Black Man - Buddy Nice
Fukishima - Pando G
I Hear Voices - Buddy Nice
Centuries - Myazisto / Yazie Koongela
Be Real - Crackazat
Dream Status - Introbeatz
La Muzica - Daano / Daanyaal Jacobs
Teka - Malumz on Decks & Mpho.Wav
Can't Wait to Meet You - Introbeatz
Bawo Vula remix - Sfarzo Rtee, Kelvin Momo, Makhanj

Slam Mode - Sedation in Noise Exploratory Files 116 - Existence (Course Correction Mix Set)

This jackin' Psycho Thrill Cologne club set-snippet (59 mins) from the d2000 magazine "In A World Of Compromise Some DJs Don't!" 2002-club tour together with Roland Casper and Derrick Thompson aka DRIVETRAIN. Featuring 21 Vinyl Tracks by Umek, The Eternals, DJ Skull/ Ron Maney, Slam (2 / remixed by Christian Smith & John Selway), Johannes Heil (remixed by DJ Hell), Woody McBride/ DJ ESP, DJ Funk (2), Planet Gong, Green Velvet (2), Lil' Louis, "The Unkown Editor", Plastikman/ Richie Hawtin, DBX, Rocket (remixed by Dave Clarke) and Vitalic.

All-n-all at the end that kind of result that happens when U head like hell east from Cologne on the motorway after a never-ending day of editorial work for your magazine back in the day. And where U arrive at the club's Power Hour. And U have to go straight without a break to the turntables. Because there is no time for some nice chilling in after that rough 5-hour drive in a heavy snowstorm for a second's rest. Cause U have to keep it movin' at once when your crowd says "GO!". 

In the end, the only thing that helped was the heavy power of the ultra-phat Techno bass drum from the club's very fine sound system and nothing else. So our peeps got 90 minutes of serious Techno from every Psycho Thrill DJ on a peak time level, without mercy but more than fair on the dance floor. The only unanswered question at the end of that night and to this day: Where the hell is Christine Schneider ... an insider lol !?? And that remarkable side-effect that the local promoter handed us an indefinable white label. With the express request that I (!) should play it in my set. 

"So of course I did him the favor. Even if I was rather reluctant inside because I already knew what was in store for me. Because this record was definitely not what normally fits the Psycho Thrill sound profile. Instead, it was something between EU pop trash and that contemporary Bpitch-SoffyO-Kompakt-Pseudo-Techno of the time. However, the record did get an incredibly euphoric reaction from the audience, especially from the crowd of its producer. But I found the whole thing rather embarrassing. And I was glad when I could fade out "the thing" (42:16 - 45:06) in my set again between Lil' Louis' "Jupiter" and Plastikman's "Spastik". But the strange thing struck back to me years later, when my then 14-year-old son played me Ian Rooth feat. Frenchy "Will U Be Mine" on YouTube. And I immediately recognized this promo vinyl from 2002 based on the hook line/melody it contained. Who stole it from whom sampled it, and edited it between 2002 and 2018 ... who knows?" 

"But "that thing" sounded as inappropriate as shit to me then as it does now. But I don't apologize for it. I "did it". And this mix is ​​still an authentic Psycho Thrill Cologne Sound document to this day. So this night in the Magdeburg AKUSTIKLABOR will remain one of the best and strangest memories for many people, and not just for that reason only." (Claus Bachor)

More Psycho Thrill classic club mixes ...
https://soundcloud.com/claus-bachor/psycho-thrill-techno-classics-4-substanz-musikbunker-ac-07022016-bh-remastered
https://soundcloud.com/back-in-the-dayz-2/claus-bachor_playing-organized-muzic-anarchy-sensor-cgn_10-09-2005
https://soundcloud.com/psycho-thrill-recordings/rave-dayz-90-95-vol1-by-claus-bachor-boombox-cgn-11032021
https://soundcloud.com/claus-bachor/rave-dayz-vol2-claus-bachor-674fm-cgn-22082022

In case U want 2 know more about Psycho Thrill Cologne + SpyInTheHouse as well ...
linktr.ee/clausbachor_spyinthehouse

CLAUS BACHOR Spinning @ AKUSTIKLABOR [ Magdeburg, GER 12 - 10 - 2002]

Welcome to the fusion of nostalgic electronica and the hypnotic rhythm of South Africa's hottest genre — Amapiano.
Get ready to experience a whole new vibe of this timeless classic! 🌍
I've reimagined Crave You through the soulful pulse of Amapiano — deep log drums, shimmering melodies, and pure groove! 🥁🎹🔥

🪘 Rhythm meets romance
🎧 Amapiano flip with global flavor

💃🏽 If this remix moves you, don’t forget to like, comment, and subscribe — your support helps the music reach the world! 🌐💛

🎧 Produced & Remixed by: WhatisthisTremaine
🎛️ Engineered & Mastered by: Ashton Boya
🆔 Original Track: Flight Facilities – Crave You (Feat. Giselle)

Please Tag @FutureClassic , @SkioMusic & @FlightFacilities

#🎵 #CraveYouRemix #FlightFacilities #AmapianoRemix
#🎧 #YanosToTheWorld #LogDrumMagic #PrivateSchoolAmapiano
#🎼 #DeepAmapiano #AmapianoVibes #DanceAfrica
#🔥 #PianoHub #SgijaGroove #AmapianoEnergy #RemixContest

Flight Facilities – Crave You (Feat. Giselle) [Amapiano Remix]

Essential Media Group LLC. is a South Florida based record label specializing in multiple genres encompassing all eras of Folk, Blues, Jazz, Classical, World, Rock, R&B and Pop including current Hip Hop, Dancehall, Reggaeton and Dance/Electronic Music.

It quickly evolved from a hobby into a deep passion for house music. As a resident DJ, I honed my craft, blending beats into journeys that transcend the dance floor.

Today, I'm dedicated to creating mixes that do more than entertain; they connect and inspire. With a nod to stoicism, my sets are a testament to music's enduring power and a reflection of my journey. Thank you for being part of this adventure.

S.V.B.E.E.V.

Nibriell is the pseudonym under which I sign my musical and literary works. I was born in Romania, a beautiful country in Eastern Europe, but I also live in the UK. For personal reasons and symbolism, the pseudonym is inspired by the names Saint Nicholas (Ni) and Archangel Gabriel (briell). 

     As for my musical activity, I do not define myself through traditional terms such as artist, musician, or composer, but rather as a music creator. This term is much more suitable for my musical activity. I have only one regret: not being born with the talent to sing or possess a musical voice. 

     However, my passions for music and literature have been cultivated with interest throughout my life. With the advent of AI in our lives, it has been very successful in producing high-quality vocalizations, which instantly encouraged me to start creating melodies. 

     Therefore, in my creative workshop, DAW software, music editing, and AI technology are the tools through which I express my vision. By using AI to generate the distinctive voice of my pieces and recreate the sounds specific to traditional or archaic instruments, I bring to life the stories I present to you. 

     My entire creation, from one end to the other, tries to tell a story, whatever it may be. From myths and legends worldwide to stories I create, they are dressed in melodies and harmonies that exceed language and culture, touching a universal chord of human emotion. With each composition, my goal is to open a window to imaginary worlds, inviting the listener to explore ancestral myths, personal narratives, or those already existing worldwide. 

     Using a mix of modern sounds and traditional elements, I aim to create a bridge between the past and the present, between the real and the fantastic, offering the listener an auditory experience and an emotional and spiritual journey.

     So, Nibriell is the pseudonym that unites all these creative sides and expresses the desire to create and the belief that art, in all its forms, is a vehicle for understanding, compassion, and connection among people, regardless of their origins or borders. This is the path I have chosen to follow, one in which every note and word contributes to creating a more extensive work of all humanity, an ode to the beauty and complexity of life.

     Although AI plays an essential and decisive role in my work, it does not define its direction or quality at all. I entirely write the texts and melodic lines, and the voice generated by it is the product of my strict vision and supervision.

Yo, I'm Foo.

Spotify
https://open.spotify.com/artist/2OGzF6VmIOugTb9iYwZK2K?si=6OOO8yFuT6qbIQ22tpZw8g

🎧 Listen to more tracks on SoundCloud: https://soundcloud.com/itzfoo
🎬 Check out our latest moves and grooves on TikTok: www.tiktok.com/@phunkybeats
👇 Drop a comment below to let us know what you think or what you want to hear next!
🔄 Share this video with friends who appreciate great music and unforgettable beats!
🔔 Subscribe and hit the bell to get notified about our newest releases!
📲 Follow us on our social media platforms to stay updated with all things Phunky Beats:
* SoundCloud: https://soundcloud.com/itzfoo
* TikTok: www.tiktok.com/@phunkybeats
* YouTube: https://www.youtube.com/@phunkybeatsofficial
Thanks for watching and being part of our music journey!
#PhunkyBeats #NewMusic #Beats #MusicProducer #DJ #MusicLife #GrooveOn

WITHOUT THE PAST THERE`S NO FUTURE! All these sounds from the historical archives of  ...

PSYCHO THRILL Cologne-founder and former NETWORK PRESS / CUT / d2000 magazine editor CLAUS BACHOR. One of the German long-term House and Techno DJs at all, and as friends in Detroit say "he's been doing this as long as anybody else that we know! His sets can range from classic Disco & old school House classics all the way to the darkest, bangin' techno that you've ever heard!" However, he's not standing still yet: The Psycho Thrill club and vinyl label run by him has just turned 29 and Bachor is still doing bookings all over Europe, the United States and beyond.

His long-term affiliations with Detroit Techno music and also his journalistic involvement with the topic of Detroit Techno/ Electro/ Chicago-House as an author/editor over the years has made him a world renowned expert. This experience and vast knowledge of the techno genre has led him to appearing in many documentaries, the most noteable being 'High Tech Soul' [ www.youtube.com/watch?v=X0DocslQ4lE ] which focused on the creation of Detroit techno music. Other film credits include being involved in the highly acclaimed 'We Call it Techno' [ https://vimeo.com/showcase/4518357/video/207023599 ] documentary which focused on Germany's early techno scene and club culture.

Without using the usual hype for trends, he has managed to gain a position as multi-​commun​icator in the German Techno and House scene, in which he is always convincing as a DJ. With "backinthadayz" Bachor goes back here to his musical roots which where deeply influenced by afro-american friends who where working at the US embassy in Bonn or taking service as GIs at US military basis in the Frankfurt/Rhein-Main and Nuernberg area in the early seventies. AFN network and BFBS either were parts of the game and the rest is still history. Enjoy this music reeeel ryte if ya like ... ;)

Far reaching low disturbances charge finite particles through futuristic ensemble of symphonic voices that eject and soar beyond rhythmic deep pulsed out percussion. Formation identifies itself as the biochemistry discharge left surrounded in a timeless stillness…a stillness that is Slam Mode

The soundscape therapists explore deeper in the abyss of fusion and expressionism…The silent monolith like label, Desvio is once again providing the chemical ingredients appropriate for spawning such imaginative range and spectrum. Slam Mode has set out to create new paths with their own unique production and mixing style, with the intent of elevating themselves and their listeners to unlimited levels of consciousness.

Our approach is one of collective and collaborative efforts." It is the way we live and produce muzica. Our belief is to communicate and translate all types of music to the listener, buyer and dancer.

Slam Mode a.k.a. Angel Rodriguez and Michael Cole  have been spinning and collecting muzica since as early as 1979. They have an extensive collection of music which stem from genres such as Salsa, Afro Beat, Latin Jazz, Reggae, Minimal and Deep Tech,  Drum n' Bass, New Age, Electronica, Ambient soundscapes and countless of film scores…just to name a few.


Motion FM is a New York based online radio portal offering several streams ranging for Deep House to Smooth Jazz, Soul and Lounge. Motion FM is the daily destination of eclectic music lovers from around the world. Visit: www.motionfm.com

CALIBRE .13 ## CHUTE NA PORTA, SOCO NA CARA

http://www.mixcloud.com/luizcardo/

New tracks tagged #FutureClassics