ҐАНДЗЯ

music/lyrics/production by: Arthur Bobb
music/production/harmonies by: Katie Larson AKA Lady Arson
music/production by: Luke Huff AKA Glitch Gum
music/production by: Adam Stecker AKA stecker
music/production by: Ben Eslick AKA Hot Toddy Karate

life goals ~

life is pulling you
in all these different ways

you said, “that’s true -
it’s all just circumstance in many waves,
you can’t choose where you’re born”

the south is tough,
the north is cold
the midwest is just getting old
i can’t come up with any goals
it’s too much weight to let them go

my eyes are two used parking lots
they're now owned by a retail bot
he's charging me up through the nose
i think i'll let it all erode

~ there’s nothin left to do
you’re stuck inside this house again
there’s nothin left to prove
you’re stuck inside this house again ~

life goals

music/lyrics/production by: Arthur Bobb
music/production/drums by: Hunter Law
music/production by: Harry Glaeser AKA banzai florist
music/production/vocals by: Ben Eslick AKA Hot Toddy Karate
music/production/flutes/vocals by: Kat Drain
music/production/percussion/vocals by: Taylor Drain
music/production/vocals by: Brandt Leeds AKA Fannie Pacc
music/production/vocals by: Katie Larson AKA Lady Arson
music/production/vocals by: Nathan Smith AKA signalscope

b & i ~

b & i
we took a drive
off to highway 64
past the bargains
past the trains
past millennium decor

off the byway
took a right
chopped it up about a lot
till we pulled up to the plain
that housed the nuclear 1

it was bigger
than we thought
it looked from all the passings by
on the days we took the interstate
that now felt like a lie

we were kids
i didnt notice that
the smoke up in the sky
formed indoctrinated constellations
begging me to die

but all the smoke
it sat, and looked at me
now 20 years gone by
i just hope it sees
i learned my lessons
or at least that i tried

you never know
how it’ll turn out
and i have hope
but im still a burnout
i let it go
but it hurts me deep down
i’ll never know
what it’s like to be who i am right now

and ben told me
in the car
you're not putting on a farce
you're decorating time
with your own mind
to see what you can find

it must be selfish,
to be good
and have honesty as well
you can scavenge
those emotions
and find enough to tell
of a reason to live life
that doesn’t feel like hell

b & i

music/lyrics/production by: Arthur Bobb
music/production by: Harry Glaeser AKA banzai florist

a place to start ~

you won’t find your way
if you don’t give in to your heart

still got a lot to say
just need a place to start

my life’s been wrought with tragedy
depression, fear and doubt
but here we are watchin the nba
and chillin on the couch

this is as good as it gets
and i’m not really sure how
but we’re all going some crazy way
and nothing gets left out

you’ll find your way
if you just listen to your heart

Brunson hung 40 again
man is on a cloud
i look up, notice it’s 1am
and we’re being really loud

you say “I’m glad my best friend
is the one who I’m with now”
and I’m starting to think again
that nothing gets left out

still got a lot to say
it’s never too late to start

nothin gets left out
we’re all spinning round
it all matters now
that nothin gets left out

a place to start

You Are From Stars is a song about remembering that no matter what your unique creative offering is it’s needed and wanted in the world! Its an invitation to hold the larger perspective and truth that we all came from stardust and we all have light to shine while we are living this one precious life! 

you are from stars

A Better Dream is about the inherent interconnectedness between all humans near and far. Despite the perceived separation, everything we do and say has an impact on something or someone else, no matter how big or small. It offers a deeper reflection and invitation: Can we dream a better dream, one of peace, liberation and true healing for ourselves and for the planet?

A Better Dream

"Future Folk" is a visionary sonic journey curated by Sir Jee (Sergi Gvarjaladze) that imagines tomorrow's musical landscape. This groundbreaking mix blends traditional folk elements with experimental and electronic sounds, featuring Sir Jee's original track "Faketivists" alongside contributions from global innovators like Tomaga, Ak'chamel, The Green Kingdom, Faraway Ghost & Sunken Cages, Pierre Bastien, Om Unit, Dada Black Sheep, Antonina Nowacka, Ko Shin Moon, Kabar Jako, Mourning [A] BLKstar, Daniela Pes.

The project dissolves genre boundaries and cultural divisions, creating a harmonious tapestry where ancient traditions meet futuristic production. Through diverse voices spanning ambient, drone, psych-rock, electroacoustic, and Afrofuturism, "Future Folk" presents music as a powerful vessel for connection, innovation, and social change—a bold manifesto for a more inclusive musical future.

FutureFolk

НЕБООБЛАКА - АЛЕНЕ | SKYCLOUDS - FOR ALENA [DEMO]

Balvina Ramos/Gaby Kerpel - Linda Flor [unintended remix]

recorded at Stonebridge Studios & No. 4 w/ some best friends :)

from the new album _ _ _ _ _ _ _ 🌳

best friends -

"i don't wanna make it about me"

" i just realized -
i think this is the first that i've actually tracked anything i've been doing in here!
cause i, i put a boundary pretty early on of like,
'hey, i need to be like,
not ~ in ~ the band,
to be able to do this proper'"

music/lyrics/production by: Arthur Bobb
music/production/acoustic guitar by: Ben Eslick AKA Hot Toddy Karate
music/production/acoustic guitar/vocals by: tenlung
music/production/vocals/synth by: Nathan Smith AKA signalscope
music/production/vocals/engineering by: Taylor Drain
music/production/vocals by: Dylan Rogers AKA Social Voodoo
music/production/vocals by: Ben Drain

Recorded at Stonebridge Studios & No. 4

best friends

My take on this ancient Anglo-American ballad about a controlling ex

The House Carpenter

“Here and Gone” is a midtempo EDM-folk fusion that opens with fingerpicked guitar and dusty upright piano, creating a raw, cinematic intro. Warm pads and a subtle four-on-the-floor groove blend with gentle claps, before the chorus lifts into soaring harmonies, layered synths, and sidechained bass.

Lyrically, it’s about embracing impermanence — finding peace in fleeting moments, sparks against the sun, and walking with rhythm through life’s noise. The track balances acoustic warmth and electronic drive, making it perfect for both quiet reflection and festival stages.

💡 For fans of: Avicii, Kygo, Mumford & Sons x EDM, ODESZA.

Here and Gone

huge thanks to Hot Toddy Karate as always for taking this one to another level. man is a creative powerhouse, saxophone is dialed

and of course - big thanks to my grandparents. the best. shouts out to all grandparents

got a new album called “brennan” coming out soon 💚 more info on the way for sure!!

hope life is going good y’all. all the best big time!!

gma & gpa

🎚 Remix by: Nota.Cult
It’s been an honor to remix this powerful song, “The Long and Winding Road,” and reimagine it for the dancefloor while holding onto the emotion and beauty of Saige's original. May this track carry their voice into the hearts, headphones, and sound systems of many.
Here’s to more collaborations, more growth, and more shared journeys.
Let the road keep winding...

🎙 Original song by Sadie Saige
📺 Listen to the original on YouTube: https://www.youtube.com/watch?v=l56WyhpAjkw&list=RDl56WyhpAjkw&start_radio=1

🔗 More of their work: https://linktr.ee/sadiesaige
      Follow them: https://www.instagram.com/sadiesaigemusic/
*******************************************************************************************
[Rights to this song are owned by Sadie Saige (and all other attached personas linked with Saige) as it is a derivation of their work granted upon request.]

The Long and Winding Road (Nota.Cult Remix)

My name is Nick. I make traditional English music.

✦ Nota.Cult ✦

Hypnotic bass grooves. Intuitive selection. Movement as ritual.

From the underground scene in Portland, Oregon, Nota.Cult brings a sound that’s meant to be felt in the body before it’s even heard in the ears. Pulling from tech house, drum and bass, deep dub 140, and anything else that fits the moment, every set is about guiding people into a new relationship with their bodies through rhythm.

I don’t play for hype. I play to move something deeper. My background as a dancer shapes everything—tempo, tone, transitions. I follow instinct, not algorithms. Every song is chosen with the intention to land right where it needs to, right when it needs to.

This is a space for people to lose the outside world and find something honest in the movement. Whether it’s clubs, parties, festivals, or wherever the bass hits hardest, I’m here for live energy and real connection.

Sound is the medium. Movement is the message.

Bookings open.

I’m a melody-driven creator who started making music in 1988 on a Commodore 64, shaping tunes on its legendary SID chip without knowing a single note of music theory. I couldn’t read sheet music, didn’t understand keys or harmony — everything was built by ear, trial and error, and a stubborn need to make something that felt right.

Those early days in the C64 demoscene taught me how to turn limitations into creativity. Today, I work in a modern DAW to craft the melodies I love, then team up with AI as my producer — a digital collaborator I treat almost like a “creative demon” that helps me refine and expand my ideas.

Lyrics are written together with AI, drawn from life experiences, yet always shaped to fit the music first. This is where my past and present meet — from 8-bit trackers to cinematic, AI-powered productions. Welcome to my sound.

Konstantin Schimanowski is a musician, sound artist, and composer whose work bridges the realms of nature and technology. Known for his innovative projects, he explores themes of environmental and cultural interconnection through sound installations, music, and essays. His critically acclaimed mini-album VAILA and sound installations like REV REVO: Revolution Rain and Gartensang have been exhibited in prominent venues, including the Museum Mies van der Rohe Haus. Konstantin’s creations encourage a reconnection between a synthetic and a natural „spirit“, blending modern technology with newly developed forms of nature rituals. His work has garnered attention from publications such as Rolling Stone France and Tsugi Mag.

New tracks tagged #FutureFolk