Stellar Echelon II is a reimagined matchmaker variation of the original track, crafted to heighten the anticipation of battle within the steel hunters universe. This version builds on the atmospheric elements of its predecessor, adding subtle layers of tension and dynamic progression to set the perfect tone as players prepare for their next challenge.

Stellar Echelon II

Immerse yourself in the captivating soundscape of “Stellar Echelon,” the signature steel hunters lobby track. Designed to set the tone for intense strategy and unyielding determination, this piece balances atmospheric textures with pulsating rhythms, evoking the tension of impending conflict.

With its haunting melodies and cinematic undertones, “Stellar Echelon” invites players to reflect, plan, and prepare before diving into the relentless battles that define the universe. This track embodies the essence of the game: bold, futuristic, and deeply resonant.

“Stellar Echelon” sets the tone for command. A steel hunters lobby track carved from steel and silence, it hovers between restraint and readiness — a suspended state before the descent into battle. Built around vast harmonic planes and pulsing low-end energy, it evokes the disciplined might of elite pilots awaiting deployment. Echoes of ancient signals drift through the mix like forgotten warnings, while tonal clusters align like constellations in formation.

Stellar Echelon I

Celestial Concourse I is the second lobby track for the Steel Hunters universe, featuring the vargan, the first primal synthesizer, as a central element. Its resonant, ancient tones symbolize the profound alignment of steel and flesh, blending seamlessly with futuristic textures to create an immersive steel hunters atmosphere. This track captures the balance between humanity and machine, offering players a moment of reflection before the battles ahead.

Celestial Concourse I

I am Artur Tokhtash, a composer and sound artist.
My music unfolds at the intersection of classical tradition and sonic art: preludes, improvisations, and electroacoustic structures are not genres, but forms of memory and breath.

For me, sound is ritual. Each piece is not merely a composition but a trace of presence, an echo of vanished spaces, a light from places that may no longer exist.
The piano, in my preludes, becomes a vessel — an instrument that carries not only melody but also the silence between notes.

My works do not function as background. They are spaces for listening, inviting the listener into a state where music becomes both signal and transformation.

New tracks tagged #FuturisticHub