"Fade In" is a slow descent into memory — or maybe a resurrection.
It begins like a breath you didn’t know you were holding: minimalist synth pulses, cinematic hush, and Asphyxia Knox at her most delicate. Her voice drifts in from the edge of sleep, delivering verses that feel like unfinished texts or dreams you half-remember.

GØSTMODE’s production builds like mist — soft, deliberate, then loaded with distortion. It’s the sound of something once hidden choosing to emerge, pixel by pixel, frame by frame.

“Fade In” is about not knowing where you start, or where they ended. It’s not a beginning. It’s what comes after the end credits.

Fade in

Voice: Asphyxia Knox | system: GØSTMODE

“Control Mechanisms” is the sound of surrender written in code.
It pulses with restraint — metallic percussion, slow synth tension, and a vocal delivery that never begs, only commands. Asphyxia Knox doesn’t raise her voice; she lowers yours. Every line is a switch. Every silence is a grip.

GØSTMODE’s production is minimal and brutal: sparse, sterile, and intimately invasive. The track unfolds like a private interface — permission granted, power exchanged.

This isn’t about losing control. It’s about who’s designing it.

Control Mechanisms

AUTOEXÉ is a system crash disguised as a sound.

The duo is made up of Asphyxia Knox — a spectral vocalist forged from vinyl static, surveillance glamour, and digital ruin — and GØSTMODE, the architect behind the interface: producer, writer, and silent manipulator of signal.

Together they build sonic worlds where techno meets trauma, minimal synth meets memoir, and elegance is always threaded with control. Their debut project, CTRL+ALT+DELUXE, fuses fashion editorial aesthetics with post-industrial noise, glamor fatigue, and glitch pop melancholy.

AUTOEXÉ doesn’t perform the future. It executes it.

New tracks tagged #GØSTMODE