Immerse yourself in the raw truth of 'Truth Hurts' by Feddi, a magnetic blend of Rap, Hip-Hop, Pop, and Trap R&B that echoes the vibrant streets of Atlanta, GA. Produced by the skilled Mercy Beatz, this track resonates with an 82 BPM cadence, delivering an irresistible groove that aligns with the city's pulse.

Feddi delves into unfiltered truths, laying bare the complexities of life. With a beat that hits hard and lyrics that cut deep, 'Truth Hurts' explores the struggles, triumphs, and the unwavering commitment to staying true to oneself. Feddi's compelling narrative, set against the backdrop of Atlanta, unfolds like a sonic journey through the highs and lows of existence.

Meticulously crafted, the beats amplify the impact of every verse. Feddi's delivery is powerful, reflecting the intensity of the grind. 'Truth Hurts' is not just a song; it's an authentic expression, a celebration of resilience, and a nod to the unwavering spirit of Atlanta. For inquiries, contact cairostreetrecords@gmail.com. Follow Feddi on all platforms now at linktr.ee/feddicairost.

Feddi - Wont Be Long

Truth Hurts

Immerse yourself in the alluring rhythms of "Back Shots" by Feddi, a provocative fusion of Rap/HipHop, Pop, and Trap R&B that resonates through the vibrant streets of Atlanta, GA. Crafted under the expert production of Mercy Beatz, this track sets the pulse at an enticing 82 BPM, ensuring an irresistible groove that captures the essence of the city.

Feddi's lyricism delves into the realms of passion and desire, painting vivid scenes of intimate encounters. The explicit nature of the lyrics showcases Feddi's unapologetic style, weaving a tale of sensuality and bold expression. The beats, intricately designed, heighten the impact of each verse, making "Back Shots" a fearless proclamation of intimacy.

The accompanying video, directed by the visionary JayUnited and produced by Cairo Street Studios, transforms Atlanta into a cinematic backdrop for desire. Each frame is a visual feast, capturing the essence of passion and pleasure, creating an experience that goes beyond a traditional music video.

For inquiries, contact cairostreetrecords@gmail.com. Follow Feddi on all platforms now at https://linktr.ee/feddicairost.

Feddi - Back Shots

Back Shots

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USA Grand National Dance Championships 2024 (Live'Stream) 23 May 2024 - End

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Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

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Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Atlanta, GA, United States.

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Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream identifies the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, instead of the medium itself. Distinguishing delivery method from the media distributed applies particularly to telecommunications networks, as almost all of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, music CDs). There are challenges with streaming content on the Internet. For instance, users whose Internet connection lacks satisfactory bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content.

Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves with a television signal. Live internet streaming takes a form of source media (e.g. a video camera, an audio tracks interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is.

Streaming is an option to file datvloading, a process where the end-user obtains the entire file for this content before watching or listening to it. Through streaming, an end-user can use their media player to get started on playing digital video or digital sound content before the complete file has been transmitted. The word streaming media can connect with media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are considered streaming text.

❏ COPYRIGHT CONTENT ❏

Copyright is a type of intellectual property that gives its atver the exclusive right to make copies of a creative work, usually for a limited time. The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself. A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the Atlanta, GA, United States.

Some jurisdictions require fixing copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders. These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.

Copyrights can be granted by public law and are in that case considered territorial rights

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Feddi, born Demetrius Robbins, has a story to tell. It’s punctuated by pain, bound by betrayal, and has as much family drama as a Shakespearean play. But the setting isn’t some far-flung European city ruled by kings and nobility. Feddi is from Zone 1, Westside, Atlanta. An infamous neighborhood where life is a gamble, and even if you play your cards right, you can still lose it all. This is the hood that raised him, nurtured his love of music, and where he made his name in the streets. Feddi’s life story is worthy of a feature film–but his music has a documentary quality. And his story doesn’t just represent him. It also describes the voiceless people that grew up in neighborhoods like Zone 1 all over the world.
Tragedy struck Feddi’s family when he was just in second grade. In a story so gruesome that it was depicted on the TV show ATL Homicides, Feddi’s father was kidnapped, tortured, and ultimately murdered by his own cousins. “I stayed outta school for two years,” he recalls. “Like a whole two years, I didn’t go to school. APD sitting outside my house. Cause ain’t nobody locked up. Don’t nobody know what’s going on.”
Feddi’s dad, known affectionately as Deke the Freak from Cairo Street, was a well-known and respected figure in the neighborhood. So even though he was tragically killed, that respect and love extended to his son after his passing. “I had to live up to the name. But just being his son, it had me being taken care of. That led to me not ever having to worry about where I’m sleeping at. Where I’m gonna eat at. It wasn’t not one house in the neighborhood I couldn’t walk into. If I’m hungry, man, I’m finna to eat. It might be a different house every night,” he recalls.
Even having experienced something so heinous as a kid, Feddi never sought traditional therapy. Instead, he used music as an outlet to release his pain. “I cry the most when I’m making my songs. I might think of a line or something, and my voice might get to shaking while I’m trying to record. Cause I’m talking to myself as I’m going,” says the Atlanta native. “This is my outlet. I’m gonna probably do this for the rest of my life. Even if I’m not putting that out. Just so I can hear myself talk to myself.”
His earliest experience with music was born out of the ingenuity that comes from having to make do with whatever you have. “My friend down the street had a little radio boom box that you was able to press a button to record what you were saying,” remembers Feddi.” We had some instrumentals on the old, old, Xbox. Like the first Xbox ever made.We turned the TV up loud, played the instrumentals off the TV, and put the radio close to the TV so it could pick up the beat and pick up our voice.”
This was one of the first songs he ever made, and even though it wasn’t recorded in a professional studio, it was Feddi’s first clue that he had natural talent. He gained comfort performing in front of larger audiences at school talent shows. He was also surrounded by music in his own home, his mother was an accomplished singer, and his sister tried her hand at rap at a young age, too.
What further solidified the possibility of actually making his musical dreams come true was seeing someone else from his hood behind to make it big a few years later–1017 Records/ Famerica signee Ralo. “I knew it was real when I seen my brother Ralo actually get himself known to be a rapper,” says Feddi. “Me and him grew up together. That’s my brother. Both of us Muslim. And we from the same spot.”
That inspiration didn’t immediately lead to his own success, though. While more and more people began to recognize Feddi as an up-and-coming talent from Atlanta, he ran into
obstacles that kept his music from reaching a larger audience. “I’ve been lied to a million times. Supposed to have been signed a million times. And I turned down a couple offers too.”
Now he’s decided to take his future into his own hands. Along with his family, he started Cairo Street Records, a nod to the hood that raised him. “I’m doing all this shit with all these other folk. Helping them build their thing up. I’m like, let me go back to my own hood and start my own shit. I think I done learned enough and been through enough to know what to do now.”
And through it all, he’s still here. Still rapping. Still hustling. Still putting his pain into his music. Still speaking for those who can’t speak for themselves

New tracks tagged #GA,